Tag Archives: setlist

setlist from live concert

Live review: Glenn Hughes performs classic Deep Purple live, De La Warr Pavilion, Bexhill 16/11/19

“Ian Paice, Roger Glover and Ian Gillan don’t do these songs” former Deep Purple bass player/vocalist, Glenn Hughes, tells the Bexhill audience, as he explains his decision to put together a tour celebrating the legacy of MK 3/MK 4 era Deep Purple at the urging of many promoters.

Having caught Hughes on one of his more regular tours a few years ago I knew we were in for an absolute treat. The few Deep Purple classics he threw into the set-list when I saw him back then completely set the audience alight and he proved, beyond any reasonable doubt, that he still had the vocal ability to hit those high notes and deliver those songs in a way they deserve to be heard. When the Bexhill date was announced I therefore jumped at the chance to see Hughes perform an entire set of Purple material.

As well as still being in very fine voice and being an absolute legend on the bass Hughes has also got himself a very good band together indeed, particularly guitarist, Soren Anderson, who handles the material amazingly well – from the classic Ritchie Blackmore riffs in the MK 3 material to the more funked up jazzy feel of the MK 4 material.

Material from the MK 3 line-up features more prominently in the set and we get some wonderful versions of classics like ‘Stormbringer’ and ‘Might Just Take Your Life’. However, MK4 Purple and , isn’t overlooked entirely. ‘You Keep On Moving’ and ‘Gettin’ Tighter’ from Come Taste The Band, Hughes’ final album with the band, both get an airing. Introducing the latter, a song he co-wrote with the late Tommy Bolin, Hughes tells us he’s played it at every gig he’s performed since 1976 in tribute to his former colleague who died that same year. The Bolin tribute is followed by a raw, emotive and absolutely majestic version of ‘Mistreated’ one of the truly classic Purple songs from any era of the band.

And while the modern-day Gillan-fronted version of Deep Purple may no longer play any of the material that Hughes originally performed on, Hughes and his bandmates are not quite so churlish. They give us a magnificently rocking version of ‘Smoke on the Water’ and, after encoring with a stunning ‘Burn’, they close with a thrilling version of MK 2’s ‘Highway Star’ – Hughes hitting all the high notes in a way Ian Gillan could now only dream of. Back in the day Bolin performed both of these songs live during his three-year stint with Deep Purple, of course, so it seems only right to include them now.

I grew up with most of the songs played tonight, from albums that were frequently pumping out of my dad’s stereo as a kid. Never having seen Hughes and Coverdale with Deep Purple first time around, however, (they split when I was aged 10 – a good five years before I started going to gigs!) I am very grateful to Glenn Hughes for giving these songs a new lease of life and providing me and many others a chance to hear them performed on stage once more. Glenn Hughes has done the Purple legacy proud with this tour.

Set-list
Stormbringer
Might Just Take Your Life
You Keep On Moving
Sail Away
You Fool No One / High Ball Shooter
Gettin’ Tighter
Mistreated
Smoke on the Water / Georgia on My Mind
Burn
Highway Star

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http://www.glennhughes.com/

Related reviews:

Glenn Hughes, London 2015

Deep Purple, London 2015

Ritchie Blackmore’s Rainbow, Birmingham 2017

Whitesnake – The Purple Album

Live review: Justin Hayward at De La Warr Pavilion, Bexhill 18/9/19

Strolling along the seafront earlier this summer I spot a poster advertising a Moody Blues tribute band at Hastings’ White Rock Theatre and a few paces along I spot another poster advertising Justin Hayward doing a solo gig at Bexhill’s De La Warr Pavilion. Hmm a difficult one – £22.50 for a tribute or £39.50 for the lead singer of the real thing. Unsurprisingly, I forked out the extra seventeen quid and plumped for the latter.

It’s a stripped-down but not quite acoustic set from My Hayward tonight. With the man himself on vocals and guitar he’s accompanied by young guitar virtuoso, Mike Dawes, keyboard player, Julie Raggins, and flautist, Karmen Gould. Hayward’s voice is a deeper register than the one we know on the classic recordings but it’s still in very, very good shape and still instantly recognisable.

At one point in the proceedings he talks about being haunted by a ghost – the ghost of Justin Hayward, young singer of the Moody Blues between 1967-1973 – as he contends that every media interview he does, after a few pleasantries about what he’s up to these days, immediately moves on to extensive questioning about what exactly was going through his mind in great detail at very precise moments during those heyday years. A cardboard cut-out of the young ‘ghost’ in question is brought on stage to emphasise the point. Though Hayward confesses he struggles to recall much of the period, it doesn’t stop him from giving us a few choice anecdotes. And of course, it doesn’t stop him from delivering some gorgeous versions of many of those classic songs. This ‘All The Way Tour’ promised an extensive look-back at Hayward’s back catalogue and, indeed, delivers.

‘Tuesday Afternoon’, ‘Voices In The Sky’ and, of course, ‘Nights in White Satin’ among many others from the Moody Blues catalogue, ‘Who Are You Now?’ from his recording work with John Lodge, not to mention ‘Forever Autumn’ from Jeff Wayne’s War of the Worlds. Even in more stripped-back mode without a full electric rock band behind them the songs are still lush and beautiful and highlight what a fearsomely talented song-writer Hayward is.

Coming back on stage for an encore he picks up his red electric for a wondrous rendition of ‘Blue Guitar’. It’s back to the acoustic for ‘The Story In Your Eyes’ and ‘I know You’re Out There Somewhere’ and Hayward and his band-mates leave the stage to rapturous applause.

Set-list:

Who Are You Now?
Dawning Is the Day
Tuesday Afternoon
Voices in the Sky
The Actor
Are You Sitting Comfortably?
Haunted
The Western Sky
Forever Autumn
Never Comes the Day
Your Wildest Dreams
Question
Nights in White Satin
Blue Guitar
The Story in Your Eyes
I Know You’re Out There Somewhere

http://www.justinhayward.com/

Live review: Mott The Hoople ’74 at Shepherds Bush Empire 27/4/19

Back in the early 80s, I was on a voyage of discovery voraciously buying up the back catalogues of some of the great bands of the late 60s and 70s. Many of the big beasts – the likes of Deep Purple and Humble Pie and, yes, Mott The Hoople had called it a day by then. Even though such bands were at their commercial height less than a decade previously they seemed to inhabit a completely different world to the early 80s music world of my teenage years. I loved the records. I absolutely adored both the ‘Mott’ and ‘The Hoople’ albums, in particular, but I never really entertained the idea of seeing Mott The Hoople live on stage. A brilliant slice of rock n roll history? Indeed. But they were the past and I could, at least, enjoy Ian Hunter’s impressive solo career.

That all changed in 2009, of course, when the short run of reunion concerts by the original line-up were announced. Jubilant, emotional and electric the one small niggle about the reunion, and of a further run in 2013, is that while they rightly celebrated the band’s original line-up, they didn’t do justice to the input of the later members – namely Ariel Bender on guitar and Morgan Fisher on keyboards.

Again, I accepted this as a small niggle in an otherwise perfect reunion. I never really entertained the idea that I’d get the chance to see it put right. On the way to Shepherd’s Bush Empire I was feeling quite emotional about having the opportunity to see it become reality after all, and remembering back to the time when I first happened upon this veteran band in a second-hand shop in Preston as a teenager. This was always going to be more than just a gig. I want it to be special. They more than deliver on that.

Songs from ‘The Hoople’ – Mott The Hoople’s brilliant final studio album (and the only one to feature Fisher and Bender) feature prominently: the camp splendour of ‘The Golden Age of Rock n Roll’, the glammed-up deliciousness of ‘Roll Away The Stone’, the glorious insanity of ‘Marionette’ and many more.

At earlier dates on the tour there had been some online disquiet from fans about the quality of Bender’s playing. True, he was never going to be Jimmy Page (or Mick Ralphs for that matter) but his over the top antics and tongue-in-cheek craving for adulation were an essential component of late-period Mott’s 70s stage act – and so it proves tonight. Moreover, Bender’s blunt in-yer-face guitar work really suits the proto-punk of those early Mott songs like ‘Walking With a Mountain’ and ‘Rock n Roll Queen’ that Bender made his own when he became part of the band.

Fisher, always a magnificently talented pianist, when he’s not tottering around the stage with copious glasses of white wine, gives us many wonderful musical flourishes on the keys. With the untimely deaths of Dale Griffin and Overend Watts the ranks of Hooples are sadly depleted but Ian Hunter’s long-time side-kicks in the Rant Band, gifted musicians all, do a seamless job co-opted into the on-stage madness that is Mott The Hoople.

Hunter’s unmistakable voice, as ever, is in fine form. At 80 he shows no signs of slowing down, of losing his grip as a performer or his creativity as a songwriter. However, if this tour is to be the final chapter in the ballad of Mott the Hoople it serves as a fitting end to the career of a wonderful, unique and utterly, utterly irreplaceable band. Mott the Hoople – thanks for a great trip….

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Set-list:

American Pie / The Golden Age of Rock ‘N’ Roll
‪Lounge Lizard ‬
Alice
Honaloochie Boogie
Rest in Peace
I Wish I Was Your Mother
Pearl ‘n’ Roy (England)
Sucker
Sweet Jane
Rose
Walking With a Mountain
Roll Away the Stone
Marionette
Jerkin’ Crocus / One of the Boys
Medley: Rock ‘n Roll Queen / Crash Street Kidds / Whole Lotta Shakin’ Goin’ On / Mean Woman Blues / Johnny B. Goode / Violence / Cleveland Rocks / You Really Got Me
All the Way From Memphis
Saturday Gigs
All the Young Dudes

 

https://mottthehoople.com/classof74/

Related reviews:

Ian Hunter at Shepherds Bush Empire 2016

Ian Hunter at Shepherds Bush Empire 2014

Ian Hunter at Giants of Rock 2016

Mott The Hoople Fan Convention 2016

 

Live review: Steeleye Span at St Mary the Virgin Church, Ashford 13/4/19

It’s 2019 and yet another band are celebrating their fiftieth anniversary. That post beat-boom period of the late 60s to early 1970s was a period of exceptional creativity in popular music, perhaps unparalleled. From hard rock, glam rock, prog rock and, indeed, folk rock so many bands and styles made their mark and we are lucky to have a good number of them still touring today.

Steeleye Span are not resting on their laurels, however. This tour is about far more than a career retrospective from the band’s weighty back catalogue. The band have a new album out and songs from that are given as much prominence in the set as some of the old favourites. The album is not officially released until June but it’s available for sale on the tour so you can get a sneak preview via both the stage and the merch desk. In contrast to the epic prog-folk of the band’s Wintersmith album of a few years ago Est’d 1969 is very much in the spirit of the band’s ‘classic era’ early 70s albums, both in terms of song choices and overall sound. A version of Dave Goulder’s ‘The January Man’, an adaptation of John Masefield’s poem ‘Roadways’ and various traditional ballads from the album are among the songs performed tonight. Of course, there is room, too, for a good number of Steeleye Span favourites like ‘One Misty Moisty Morning, Alison Gross and Black Jack Davey. A new song, the beautiful ‘Reclaimed’ written by Prior’s daughter and sung a capella forms part of the encore, along with the ever-present ‘All Around My Hat’.

With a line-up that’s always been evolving only Maddy Prior remains from the band’s earliest days. Unlike those other veterans of the folk rock scene, Fairport Convention (whose fluctuating line-up has stabilised in recent decades), Steeleye Span continues to evolve. Jessie May Smart, who replaced long-standing fiddle player Peter Knight a few years ago, is currently on maternity leave so her place on this tour is ably filled by classical violinist Violeta Barrena. Lining up alongside Maddy Prior, the rest of the band’s current members are Julian Littman, Andrew Sinclair, Roger Carey, Liam Genockey and Benji Kirkpatrick. Talented players all, they bring a fantastic assortment of instruments, sounds and techniques with them, not to mention a rich array of voices.

Although rightly celebrated as icons of folk rock this band have always continued to vary their style, their set-list and, very often, their line-up from tour to tour which means there’s always an element of the unexpected and nearly always something very special to look forward to. Long may that continue.

Set-list

Harvest
One Misty Moisty Morning
The Elf Knight
The January Man
Alison Gross
Old Matron
Thomas The Rhymer
Tam Lin
Roadways
Black Jack Davy
Little Sir Hugh
The Weaver And The Factory Maid
King Henry
Seventeen Come Sunday
Domestic
Reclaimed
All Around My Hat

http://steeleyespan.org.uk/

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Related reviews:

Steeleye Span live 2017

Interview with Julian Littman

Steeleye Span live 2015

Steeleye Span live 2014

 

 

Live review: UFO at Shepherds Bush Empire 4/4/19

The house lights dim on a packed auditorium and a bell tolls. This isn’t the doom-laden intro to an epic number like Sabbath’s ‘Black Sabbath’ or AC/DC’s ‘Hells Bells’ though but rather the familiar clink-clank-clank of time being called at your local. For this is UFO and this is the Last Orders Fiftieth Anniversary Tour, marking both the band’s five decades together and their final set of gigs together. Fiftieth anniversary tours and farewell tours are both, of course, something we are seeing rather a lot of in the world of classic rock these days.

The band’s legendary guitarists, Michael Schenker and his replacement Paul Chapman, are long gone and bass player, Pete Way, bailed out a decade ago. However, the band still boasts vocalist Phil Mogg, drummer Andy Parker and keyboard player/rhythm guitarist Paul Raymond. Three out of five is definitely not bad for a rock band of this vintage these days.

Although never in the mega-league of stadium rock bands UFO have been a phenomenal presence in the UK rock scene and beyond. While they are rightly acknowledged for Schenker’s virtuoso guitar work back in the day, it must also be remembered, that UFO gave us a slew of absolutely classic songs. Indeed they’ve probably left us with significantly more truly memorable songs than some of the bands in the stadium-filling mega-league. It’s very much about celebrating those songs tonight and the classics come thick and fast: ‘Lights Out’, ‘Only You Can Rock Me’. ‘Love To Love’, ‘Too Hot To Handle’ and many more. The impressive ‘Burn Your House Down’ from the band’s Seven Deadly album and ‘Run Boy Run’ from 2015’s A Conspiracy Of Stars get a look in representing the more recent material but it’s mainly a night for the familiar classics. The band are in fine form, guitarist Vinnie doing a great job replicating some of Schenker’s most famous solos.

Mogg’s trademark geezer-down-the-boozer stage patter belies the fact that this is a historic moment – as the band’s history as a live act draws to a close. There’s another gig in London tomorrow night but Mogg’s on-stage banter is firmly focused on such weighty matters as Albert Steptoe’s junkyard and some waitress in Glasgow not knowing who Jimmy Page is rather than any overblown pomposity or thank you speeches. The venue is absolutely rammed as we say our goodbyes, however. (Too rammed if truth be told – Shepherds Bush Empire frequently seem to be over-selling their gigs beyond human comfort levels these days,) Yelling along to ‘Doctor Doctor; and ‘Shoot Shoot’ as the guys come back on stage for an encore seems a fitting way to say farewell to a band whose music I’ve been enjoying for almost forty of their fifty years. Cheers UFO!

Set-list:
Mother Mary
We Belong to the Night
Run Boy Run
Venus
Lights Out
Baby Blue
Only You Can Rock Me
Burn Your House Down
Cherry
Love to Love
Makin’ Moves
Too Hot to Handle
Rock Bottom
Doctor Doctor
Shoot Shoot

http://www.ufo.band/latestNews.html

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Related review:

Michael Schenker Fest at Shepherds Bush Empire

Live review: John Fogerty at the O2 25/10/18

A few years ago when, tragically, we began to lose more and more of our rock ‘n’ roll icons I made list of artists I had never seen live before but wanted to catch before they finally stopped touring. I had pretty much ticked off everyone on my list (Alice Cooper, Deep Purple, Ritchie Blackmore, Jerry Lee Lewis, Sabbath with Ozzy, The Who, Steve Winwood, Roger McGuinn) apart from two – Chuck Berry and Creedence Clearwater Revival’s John Fogerty. Sadly, a Chuck Berry gig was not to be but at London’s O2 I finally got the chance to see John Fogerty.

Before Fogerty we have a full set from the Steve Miller Band, Miller himself celebrating fifty years in the business as he delights us with classics like ‘Abracadabra’, ‘Space Cowboy’ and ‘The Joker’. I’ve sometimes found the atmosphere in the O2 a bit sterile at times, particularly for support acts, and even though I can’t help feeling I would have liked to have seen this hour-long set in a more intimate venue nevertheless he and his band are warmly received and there is genuine affection for Miller and co.

After the interval the atmosphere is simply buzzing as John Fogerty takes the stage. His voice, his guitar, his songs and his stage demeanour leave every member of the packed O2 in no doubt that we are in the presence of one of the true icons of American rock music. The classic songs come thick and fast: ‘Travelin’ Band’, ‘Up Around The Bend, ‘Who’ll Stop The Rain’, ‘Born On The Bayou’ and many, many more. And paying tribute to the musical traditions of the American south the band deliver fine covers of ‘My Toot Toot’, ‘Jamabalya’ and ‘New Orleans’ before launching into another round of era-defining Creedence classics, including ‘Have You Ever Seen The Rain’, ‘Fortunate Son’ ‘Bad Moon Rising’, ‘Proud Mary’. Fogerty’s post-Creedence output is represented by ‘The Old Man Down The Road’ (the track for which Fogerty was famously accused of plagiarising one of his own earlier songs in one of his many legal battles) and ‘Rockin’ All Over The World’ (indelibly imprinted in the minds of every British rock fan due to Status Quo’s legendary cover – but it’s great, for once, to see the song performed by the man who wrote it).

My one tiny regret is that we don’t get ‘Some Day Never Comes’ a moment of sheer unadulterated brilliance on CCR’s very patchy final album, recorded just as the band were imploding. Nevertheless, every single second of John Fogerty’s set tonight is a bucket-list performance at a bucket-list gig. I am very happy I was there to witness it.

Set-list:

Travelin’ Band
Green River
Hey Tonight
Up Around the Bend
Who’ll Stop the Rain
Lookin’ Out My Back Door
Rock and Roll Girls
Good Golly Miss Molly
Psycho
Long as I Can See the Light
Mystic Highway
Born on the Bayou
My Toot Toot
Jambalaya (On the Bayou)
New Orleans
Have You Ever Seen the Rain?
Rockin’ All Over the World
Down on the Corner
The Old Man Down the Road
Keep On Chooglin’
Fortunate Son
Bad Moon Rising
Proud Mary

https://johnfogerty.com/

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Live review: Sweet in London and Bilston 15/12/17 & 18/12/17

This review was originally published by Get Ready To Rock here

After perhaps rather too many Christmas tours of provincial theatres in recent years and, ahem, a tour supporting the Bay City Rollers last year it was gratifying to have Sweet do a short tour of proper rock venues this year. And I was lucky enough to catch them not once but twice. The renowned Robin 2 venue in Bilston, where the tour culminated, has been something of an annual pilgrimage for hardcore Sweet fans, with people travelling in from all over Europe.

First, however, I caught the band a few nights earlier at Nell’s Jazz & Blues in London. This is a small venue with a tiny stage and it was absolutely rammed but the atmosphere was electric. It was evident that the band were also getting a huge buzz from playing to such a responsive audience, too. This was confirmed by Andy Scott when we chatted briefly after the gig and the Sweet legend is clearly humbled by the reservoir of affection for the band as the Sweet approaches its 50th anniversary in 2018.

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With Brian Connolly and Mick Tucker no longer with us and Steve Priest in the States with his own version of the Sweet it’s been left to Andy Scott to fly the flag for the band’s legacy in the UK and Europe. Consistently exacting in his high standards Andy Scott has never been one to just go through the motions when he goes out under the Sweet name. The current line-up of Pete Lincoln (lead vocals/bass), Tony O’Hora (keyboard/guitars/vocals) and Bruce Bisland (drums) have been together a good few years now (twenty-five in Bisland’s case) and it’s clear just seeing them on stage they work exceedingly well together as a unit. The unforgettable riffs and the trademark harmonies are delivered as powerfully now as they were when the band was at its commercial peak.

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Set-wise, for this tour there was a nice mix between pumping versions of the glam-era singles like ‘Hellraiser’ and ‘Teenage Rampage’ and some of the classic harder-edged album tracks like ‘ACDC’ and ‘Set Me Free’ from the ‘Sweet Fanny Adams’ album. In the middle of it all the stools came out for a nice little acoustic set – Andy Scott and Pete Lincoln delivering blinding versions of ‘Lady Starlight’ and ‘Lost Angels’. Tony O’Hora then joined the two for an acoustic run-through of some of the band’s very earliest (pre-glam) bubblegum hits. It’s testimony to the guys’ creativity, not to mention sheer chutzpah, that they can somehow give added meaning to the lyrics of ‘Co-Co’ and ‘Funny Funny’ and get a packed-out rock crowd singing along to every word.

Throw in some majestically symphonic versions of ‘Love Is Like Oxygen’ and ‘Fox On The Run’ and add in a barnstorming encore of ‘Blockbuster’ and ‘Ballroom Blitz’ and on both nights I witnessed very memorable gigs and a very satisfied audiences. Here’s to The Sweet at 50 next year.

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Live photo credits: Eileen Handley, Set-list photo: Darren Johnson

http://www.thesweet.com/

Related reviews:

Sweet with Ritchie Blackmore’s Rainbow
Sweet at Bilston 2016
Sweet at Dartford 2015
Sweet at Bilston 2014
The riff in Blockbuster and Jean Genie

Review: Mike Garson performs Aladdin Sane at Birmingham O2 Institute 25/11/17

Lovers of 70s-era David Bowie have been in for a real treat this year. Not only have we had Tony Visconti and original Spider from Mars, Woody Woodmansey, touring the Ziggy Stardust album in full, we now have virtuoso Bowie pianist, Mike Garson touring the Aladdin Sane album in full.

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Joining Garson on this tour are former Bowie guitarist, Kevin Armstrong; award-winning vocalist Gaby Moreno, Terry Edwards (PJ Harvey band) on sax and guitar; along with the current Iggy Pop rhythm section of Ben Ellis and Mat Hector. It’s a stunningly good band. From a fabulously groovy ‘What’s That Man’ through to a poignantly dramatic ‘Lady Grinning Soul’ they bring to life the full Bowie masterpiece in all its glory.

For ‘The Jean Genie’ we get an extra treat. Deep Purple’s Roger Glover (whose talented daughter Gillian Glover is providing backing vocals tonight as well as being the solo support act) is taking a night off from the Purple tour and takes the stage to play bass for this song. Sadly, I never got to see Trevor Bolder doing the bass-line of ‘The Jean Genie’ but seeing Roger Glover doing it has got to be the next best thing. We even get a cheeky snatch of Purple’s ‘Black Night’ at the end!

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After a magnificent performance of Aladdin Sane, Garson introduces a second set of other Bowie favourites, kicking off with a stunning Space Oddity. Then it’s on to ‘Life On Mars’.The piano is as prominent on ‘Hunky Dory’ as it is on ‘Aladdin Sane’, albeit in a very different style. But after the jazz-infused piano of ‘Aladdin Sane’ Garson moves on to deliver a truly majestic version of ‘Life On Mars’ that even manages to out-Wakeman Rick Wakeman. An extremely gifted composer and musician it’s nothing less than an absolute pleasure to see the great Mike Garson in action this evening.

Another treat is seeing Steve Harley of Cockney Rebel fame take the stage to guest on vocals for a few numbers, including a superb ‘Changes’ and a wonderfully frenetic ‘Absolute Beginners’ as well as two of Harley’s own songs ‘A Friend For Life’ and ‘Sebastian’.

Like all great art the songs celebrated tonight will live on long after the demise of their original creator. They will undoubtedly carry on being performed many years into the future. Inevitably, there will come a day when no-one who actually performed alongside Bowie is around any more. For now, though, let’s be thankful that people like Mike Garson and Kevin Armstrong are celebrating his legacy and the unmistakable part they played in it.

Set-list:

First Set – Aladdin Sane album in full:
Watch That Man
Aladdin Sane (1913-1938-197?)
Drive-In Saturday
Panic in Detroit
Cracked Actor
Time
The Prettiest Star
Let’s Spend the Night Together
The Jean Genie
Lady Grinning Soul

Second Set – Bowie Favourites:
Space Oddity
Life on Mars?
Changes
A Friend for Life
Absolute Beginners
Sebastian
Rock’n’Roll Suicide
Five Years
Wild Is the Wind
Ziggy Stardust
Under Pressure
Let’s Dance

http://www.mikegarson.com/

Related posts:

Holy Holy perform Ziggy Stardust in full
The riff in Blockbuster and Jean Genie – origins and influences

Michael Schenker Fest at Shepherds Bush Empire 2/11/17

Michael Schenker’s career, as well as his personal life, went through an increasingly erratic period a decade or so ago. Having seen Schenker a couple of times in recent years with his Temple Of Rock project, however, it was clear that he has absolutely, undisputably got his shit together again. If more proof was needed, tonight’s gig provides overwhelming evidence of that.

Tonight’s gig, dubbed Michael Schenker Fest, features all three vocalists from the three key eras of MSG: Gary Barden, Graham Bonnet and Robin McAuley. Barden is first up. While I won’t say he is the strongest of the three vocalists who will appear on stage tonight this is undeniably my favourite era of the band and the classic songs come thick and fast, transporting me back to my teenage rock fan years: Victim Of Illusion, Cry For The Nations, Armed And Ready….

Schenker is on stunningly good form with some stunningly good guitar work coming from his signature Flying V. On stage there’s other familiar faces from the old MSG days, too: Chris Glenn on bass, Ted McKenna on drums and Steve Mann on keyboards.

Next up is Graham Bonnet and while I have heard him struggle a bit at times during previous gigs he is definitely on form tonight. Originally recording one excellent album with MSG and playing just one disastrous gig where he drunkenly flashed the audience and promptly got sacked, much water has passed under the bridge since then. It feels a privilege to witness Bonnet perform Dancer and Assault Attack with Schenker and properly celebrate the part he played in MSG’s legacy. Even the sound system crashing in the early part of Bonnet’s set didn’t dampen the mood (and allowed me a much-needed loo break!)

Then it is the turn of the third of tonight’s vocalists. Robin McCauley is easily the strongest of the three singers tonight. Although set-wise, the earlier songs probably have far more resonance for me than the McAuley Schenker era, he certainly doesn’t disappoint tonight. To end the set he delivers a brilliant rendition of Rock Bottom from Schenker’s UFO days.

That sets the tone for a brilliant out-of-this-world encore which becomes a complete and utter UFO-fest. McCauley, Bonnet and Barden all come back on stage for Doctor Doctor, followed by Shoot Shoot, Natural Thing (with Schenker’s son Tyson joining his father on guitar) and, finally, Lights Out.

Three great vocalists, a brilliant gifted guitarist, some top class musicians and song after song of unforgettable rock classics, this was definitely one of the best hard rock gigs of 2017.

Set-list:

Searching for Freedom
Into the Arena
Let Sleeping Dogs Lie
Victim of Illusion
Cry for the Nations
Attack of the Mad Axeman
Armed and Ready
Coast to Coast
Desert Song
Dancer
Assault Attack
Captain Nemo
No Time for Losers
Save Yourself
Bad Boys
Love Is Not a Game
Rock Bottom
Doctor Doctor
Shoot Shoot
Natural Thing
Lights Out

http://www.michaelschenkerhimself.com/home.php

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Dweezil Zappa at De La Warr Pavilion, Bexhill 13/10/17

This review was originally published by The Stinger here

‘Dweezil Zappa plays whatever the f@%k he likes’

As soon as I saw those words on a seafront poster advertising the show at Bexhill’s De La Warr Pavilion this was on my list of gigs to see this month. There have been ongoing and fairly ferocious spats between the Zappa siblings about how they take forward their late father’s legacy. And with admirable chutzpah from Dweezil this is being billed as ‘The Cease & Desist Tour’ following the lawyer’s letter he received.

Performing to a packed-out De La Warr, the performance is a vivid reminder of what a fantastic range of musical styles and influences Frank Zappa incorporated into his output, as well as what a fantastically accomplished writer and musician he was. From perfectly polished orchestral pop pastiches, to improvised jazz rock work-outs, to exquisite blues rock guitar solos the versatility of Dweezil and his band is truly impressive.

Of particular note, alongside Dweezil Zappa’s beautifully dexterous guitar playing and obvious love for his father’s music, are guitarist/lead vocalist Adam Minkoff, who has joined the Zappa band for this European tour, and female lead vocalist Cian Coey, who delivers some truly stunning vocals.

Set-wise, it being the fiftieth anniversary of the release of ‘Freak Out’, the debut from the Mothers of Invention, songs like ‘You’re Wondering Why I’m Here’ make an appearance, alongside later material like ‘Cruising For Burgers’ and ‘Studebaker Hoch’ as well as surprises like a wonderfully smooth rendition of the James Bond theme. There is no support tonight. Save for a short interval it’s just three exhilarating hours of Zappa. Climaxing with an inspired rendition of the Beatles’ ‘I Am The Walrus’, the audience are up on their feet for a rapturous standing ovation. Band and audience alike seem very pleased with their evening spent in Bexhill.

Succumbing to cancer in 1993, Frank Zappa was an early reminder of the mortality of that generation of musicians from rock’s late 60s/early 70s golden age. Such deaths are now reported with alarming regularity, of course. But whether it’s Zappa, Bowie or any number of rock ‘n’ roll’s true creatives, legitimate questions do arise about how we continue to celebrate their respective legacies. While few of us would opt to be stuck in an endless repeat cycle of non-stop tribute acts (or, God forbid, hologram shows) we do clearly want to find ways of continuing to enjoy such music in a live setting. In this respect, Dweezil has put together something that is creative, ambitious, affectionate and totally appropriate.

Dweezil Zappa does indeed play whatever the f@%k he likes. But he plays it so well. And he does his father proud.

Set-list:

Latex Solar Beef
It Can’t Happen Here
You’re Probably Wondering Why I’m Here
Bow Tie Daddy
Harry, You’re a Beast
The Orange County Lumber Truck
Motherly Love
Any Way the Wind Blows
Mom & Dad
Tell Me You Love Me
Cruising For Burgers
James Bond Theme
Studebaker Hoch
Rollo
Advance Romance
I’m the Slime

– Interval –

Zomby Woof
Would You Go All the Way?
Wind Up Workin’ in a Gas Station
Dirty Love
Daddy, Daddy, Daddy
What Kind of Girl Do You Think We Are?
Bwana Dik
Lumpy Gravy
Village Of The Sun
Echidna’s Arf (Of You)
Let’s Move to Cleveland
Inca Roads
Duke of Prunes
Doreen
Dinah-Moe Humm
I Am the Walrus

https://www.dweezilzappa.com/

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Photo credit: Simon Putman