Category Archives: folk music

folk performers and music

Fairport Convention – 50th anniversary gig at Union Chapel, London 27/5/17

This review is also published on the Get Ready To Rock website here

Folk-rock pioneers Fairport Convention have never been a band to shy away from celebrating their own legacy. When they decided to split in 1979 they held a big outdoor farewell gig in Cropredy, Oxfordshire that proved so successful they decided to stage it again each year, evolving into the big three-day festival we know today. Thirtieth, fortieth and forty-fifth anniversaries of the band have all been celebrated with emotional reunions of surviving ex-members and a similarly nostalgic trip down memory lane is scheduled for Cropredy this August.

An anniversary concert in north London, not far from where the band performed their first ever gig fifty years ago to the day, drips with symbolism. However, unlike the lavish reunions of the past, tonight was scheduled to be a fairly ordinary gig half-way through the band’s spring tour, albeit one that coincided with an extraordinary anniversary. For a band that has done more anniversary performances than many acts have done albums I was beginning to wonder what, if anything, would make tonight’s gig that bit more special than many of the other admittedly excellent performances I’d seen from this band.

The answer lay in the rapturous and sustained applause the band receive as they walk on stage tonight, even before they play a single note. The spontaneous wave of love and and affection is palpable and tonight was clearly going to be as much about the audience as about the band. Performing a mixture of songs from their new album 50:50@50 and older staples, original member Simon Nicol (joined 1967) together with “newbies” Dave Pegg (joined 1969), Ric Sanders (joined 1985), Chris Leslie (joined 1996) and Gerry Conway (joined 1998) provide a nice overview of different eras of the band. From the late 60s classic Sandy Denny/Richard Thompson era the unforgettable ‘Who Knows Where The Time Goes’ is an obvious highlight. While from the mid 80s, when Fairport became a working, touring band again, Ralph McTell’s ‘Hiring Fair’ is another genuine highlight of tonight’s set.

A couple of “surprise” moments are when Pentangle’s Jacqui McShee joins the band on stage to sing ‘The Lady of Carlisle’ the track for which she provides guest vocals on the current album; and when Sally Barker (who reprised a number of Sandy Denny songs when she toured with the surviving members of Denny’s post-Fairport outfit Fotheringay a couple of years ago) lovingly recreates the magic of Denny’s ‘Rising For The Moon’.

‘Matty Groves’ and ‘Meet On The Ledge’ are two songs the band could never get away without performing and for many years now have been the traditional climax to any Fairport gig. After an energetic ‘Matty Groves’ the band are serenaded with a spontaneous audience rendition of ‘Happy Birthday’ when they come back on for an encore. As tonight seemed as much about celebrating the longevity of the Fairport audience as celebrating the longevity of the band, this seems an especially nice touch and makes the ensuing sing-along to ‘Meet On The Ledge’ all the more poignant. Happy 50th Fairport!

http://www.fairportconvention.com/

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The Copper Family at Hastings Jack In The Green 30/4/17

This review was also published in the Hastings Independent 12/5/17

The Copper Family of Rottingdean, Sussex have been noteworthy singers of traditional song for at least a couple of centuries now. Songs being passed down from one generation to the next was nothing particularly unusual at one time. However, as the late Bob Copper point out in his autobiography, their family has been “slower than most to forget them.”

What has also become a tradition over these past fifteen years or so is the Copper Family performing each year in Hastings as part of the Jack In The Green weekend. John Copper tells us that a repertoire of some ninety songs dating back as far as the seventeenth century have been performed and sung and passed down by his family over the generations, with a further ten “more recent” songs added by his father and grandfather in the last century or so. It is from this collection that family draws all their songs that they perform to this day. Traditional staples like Banks of Sweet Primroses and Claudy Banks feature in the set today, just as they have been staples of Copper family sing-alongs for centuries.

The performance is as much a history lesson in rural life, folk-song and family dynamics as it as singing concert, which just goes to make it all the more fascinating, particularly with the insights given by the two older members of the family, John and his sister Jill.

As John Copper stresses, the meticulous way in which these songs have been handed down through the family from one generation to the next provides an authentic glimpse back into seventeenth century life. It is genuinely moving and awe-inspiring to see the family still celebrating those songs today, particularly when they bring some of the youngsters up to join them and we see several generations up on stage together.

No-one in the family is ever pressured to start singing, says Jill Copper, when we chat afterwards. She didn’t start singing in public until she was 27, she tells me, but she is clearly delighted when the children get up to sing alongside her, suggesting that there are likely to be a few more generations of singing Coppers to come.

An intrinsic part of the Jack In The Green festivities in Hastings, if you have not seen a Copper Family performance yet and you have any love at all for traditional music and/or local Sussex history, do make sure you get yourself along for their performance next year.

http://www.thecopperfamily.com/

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Molly Evans & Jack Rutter at St Clement’s Church, Hastings 29/4/17

My review was originally published by the Hastings Online Times here 

Hastings’ annual Jack In The Green is renowned for its May Day parade and its morris dancing but the programme always throws up a handful of good concerts, too, and that is before you even get to the Hastings folk week events in the week that follows.

One of the highlights this year was Molly Evans & Jack Rutter performing in St. Clement’s Church in the old town. Molly Evans is an upcoming traditional singer from Cheshire who has just released a well-received album. Jack Rutter, meanwhile, is one third of folk trio (and one-time Young Folk Award winners) Moore Moss Rutter. Evans and Rutter have been playing together now some two years and Rutter, along with his colleague Archie Churchill Moss, plays on Evans’ album.

Evans has been immersed in traditional song since being carted around folk festivals as a tiny child, she tells us. That love and passion for traditional song shines through, both in her between-song chat and in her singing itself. However, perhaps even more fascinating this evening is her reworking of material from children’s fantasy author and folklorist, Alan Garner, and it is these songs that form the basis of her new album and much of the set tonight. Folklore tales and poems collected by Garner as well as extracts from some of his own novels have been given a new setting and a new life by Evans. We are soon transported into a world of faery kings, hobgoblins, mysterious woods and running hares.

Evans has a strong and distinctive yet really beautiful voice and one of the things I particularly liked is her lovely flat northern vowel sounds. If you are singing about Cheshire farmers’ daughters or gruesome 18th century northern folklore tales you don’t really want to be doing it in BBC English do you?

Rutter, too, is an extremely talented multi-instrumentalist (playing guitar, bouzouki and concertina this evening) and provides wonderfully atmospheric musical accompaniment to Evans’ vocals. There is also something rather special about performing material of this type in a beautiful cavernous old church. When Rutter puts his guitar down and picks up his accordion the sound from it absolutely fills the building in quite a spectacular way.

For Jack in the Green weekend you could hardly have asked for more suitably evocative material from two really talented performers.

https://www.facebook.com/MollyEvansMusic/

Evans Rutter Hastings

Related review:

Moore Moss Rutter at Cecil Sharp House

Folk: album review – Ross Couper & Tom Oakes ‘Fiddle & Guitar’

This review was originally published by Bright Young Folk here

Ross Couper is from Shetland, known for his incendiary fiddle-playing with Peatbog Faeries amongst others. Tom Oakes is from Devon but has settled in Scotland, too, and as well as being a much-celebrated flautist is also a noteworthy guitarist who has played alongside a number of the big names in contemporary folk.

The two have been playing with one another for almost ten years now and clocked up many, many gigs together but, surprisingly, this is their debut album as a duo. Fiddle & Guitar is exactly what it says: an instrumental album comprising ten tracks of Couper’s fiddle-playing and Oakes’ guitar.

In spite of only two players, two instruments and all tunes (no songs), the first thing to stress is what a varied selection of playing we get on this album. There’s brooding and melancholy, there’s fast and furious, there’s delicate and reflective and much more besides. It means that where other albums in a similar vein start to run the risk of being a little repetitive and samey, however excellent the musicianship, this one never suffers from that.

Not only is the album full of inventive musicianship the duo have got to earn some points, also, for inventive song titles. Sunburn, Man-flu and the Shits has got to be up for some sort of award in this regard, and whatever horrible images it may conjure up it’s actually a very beautiful tune.

The Last Gasp is described as a song without words and the slow, sorrowful fiddle against some gently expressive guitar-playing certainly allows the listener’s imagination to soon formulate a dialogue in their head about what it might be telling us.

Those who have been following Couper & Oakes live will at last be pleased that they finally have something to take away with them. And for anyone else who admires virtuoso musicianship delivered with genuine passion and feeling this is definitely an album worth exploring.

Released: May 2017

http://www.rossandtom.com/

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Record Store Day 2017 – live from Music’s Not Dead, Bexhill-on-Sea 22/4/17

My article was originally published by The Stinger here

When he arrived at 7.30am they were snaking around the block confirms Richard, one of the co-owners (along with his business partner Del) of Music’s Not Dead. Bexhill’s independent record store was set for another busy Record Store Day.

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Going some ten years now, with the aim of championing the nation’s remaining independent record stores, Record Store Day has been coming in for a fair bit of stick in recent years. Record companies release a load of limited edition vinyl while punters out to make a fast buck snap it up first thing and then sell it on at vastly inflated prices on ebay later that day. The whole thing is little more than a cynical exercise in profiteering, so the argument goes.

The reality, however, is quite different maintains Richard when I catch up with him during a temporary lull,”There’s always one or two in the queue like that, and you know who they here, but the vast, vast majority are here because they want to buy a record from an artist whose music they love.” He is also keen to stress that it has helped them gain loyal customers who proceed to then come in throughout the year – which was the main motivation for the whole initiative in the first place.

So, in spite of some of the press cynicism, at Music’s Not Dead they are wholehearted champions of Record Store Day and are happily shifting 1,000 units of special limited edition releases to purchasers who are in the main real, genuine fans.

Personally, however, I would no more queue up at a record shop at 7.00am in the morning than I would camp out overnight to buy a cheap sofa in the Boxing Day sales. And while I’ve been a happy participant in numerous Record Store Days, my purchases in recent years have included a second-hand Status Quo Live CD, a stack of half price Blur CDs and the most recent Santana album in bog-standard format, hardly exclusive limited editions any of them. But there is far, far more to Record Store Day than queuing up for limited edition vinyl, a point Richard is keen to stress as I make my way in to Music’s Not Dead around mid-day shortly before the programme of live acts kicks off. “We don’t want it to be just about us filling the till all day. It is also about us giving something back to the community and supporting artists.”

They have an impressive line-up for Record Store Day this year: 80s/90s indie front-man, Pete Astor, performing a solo acoustic set; alt-folk band, Noble Jacks (minus their drummer due to space restrictions); guitar/double bass acoustic duo, Moss & Clarkson; solo Americana artists, Jason McNiff; Nashville-tinged country duo, The Worry Dolls; and headliner, the soulful, folky, bluesy rising star, Emily Barker.

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Trevor Moss who performed as half of Moss & Clarkson today remains an enthusiastic supporter of Record Store Day. As well as the fun of performing he sees it playing a small but significant redistributive role for “the poorer end of the music industry,” as he puts it, whether shops, labels or performers. “We know about some of the things that go on. But on the whole all the people we come across are here because they’re sincere,” he enthuses to me after his well-received performance.

By late afternoon the sun had come out and was shining brightly through the shop windows, parents and their kids lounged about on the floor soaking in the ambience, Jason McNiff gave a lovely laid-back set and somehow it all began to take on the vibe of a very, very minature summer festival.

Emily Barker, the final act of the day, gave an utterly stunning set with selections from her new album recorded in Memphis, including an incredible tribute to Sister Rosetta Tharpe. She’s appeared on the small shop-window stage at Music’s Not Dead some half a dozen times now and is also an enthusiastic champion of Record Store Day. She had already performed sets in stores at both Portsmouth and Lewes before turning up in Bexhill. “I had to leave Stroud at 5am this morning. I’ve had four hours sleep but the minute I got in the car and started up the engine this morning I was excited about Record Store Day.”

Certainly the view from where I was standing at Music’s Not Dead was that it was about celebrating independents – labels, stores and artists, it was about a genuine community event and it was definitely very much all about the love of the music.

And today’s purchase? The very unlimited and non-exclusive edition of the new Fairport Convention CD for a tenner – but with cakes, live music and friendly company thrown in for free. You don’t get that at Amazon.

http://musicsnotdead.com/

In praise of fan-led music groups: a Facebook phenomenon

From the ongoing controversy over fake news to the vicious nature of many political discussions on social media, Facebook has been facing a fair bit of criticism lately. If it’s not that, so the criticism goes, then it’s just a long series of tedious updates about what people are eating and random pictures of cats. But, somewhere in the middle there are ways in which Facebook is helping build genuine communities of people who share a passion or interest. Obviously, virtually all music acts these days have their own Facebook page where they share information with fans, but what we have also seen is the significant growth in Facebook discussion groups set up by the fans themselves.

Here we take a look at a number of such groups, from those with just a couple of hundred members to those with tens of thousands, and talk to some of the people involved in setting them up, running them or contributing to them.

Fairporters

Over 3,000 strong Fairporters is the group set up for fans of the folk-rock legends Fairport Convention and attendees of the band’s annual three-day festival at Cropredy. Iain, a regular contributor, reflects: “I think this group is pretty unique as we mostly expect to meet up at some point. It’s certainly the friendliest group of this sort that I’m a member of. Maybe this is why we have to behave! I’ve already met up with many of the people on here at Cropredy and other gigs. There are many more people we hope to meet this year and we’ve made friends with bands as well as fans. Bloody marvellous!”

In a number of Facebook groups not only do fans contribute but you will often find past and present members of the bands themselves contributing. Fairporters is no exception and original Fairport Convention singer Judy Dyble is a regular contributor. “It’s a great way to keep those who are interested in my music up-dated in my musical collaborations and events and to let people know when things are happening and about releases of albums or books or err tea towels, and I try very hard not to overload people with continual repetitive updates. They bore me to bits and I’m sure it bores other people! A lot of my private life is just that – private but I don’t mind giving glimpses into how things occur and possibly why.”

You can find the Fairporters group here

1970-92 Rock & Metal Heaven

Not simply based around one band but a genre, the 1970-92 Rock & Metal Heaven group was started up just over two years ago and has grown dramatically. Founder Jeremy recalls, “I originally started the group up just for around 20 mates that I grew up with in the 80s, to reminisce about the good old days. Then within a month we had 1,000 members and within a year we had 20,000. Now 2 years in we have 32,000 members.”

A common feature of a number of the most successful groups is that even if they start of as a purely online concern they can take on a life of their own and become a community in their own right. Jeremy, “We have yearly group meet-ups for charity. The latest was last week. These also include charity auctions with donations from the likes of Thunder, Saxon, Dan Reed, Kruhser and many more.”

You can find the 1970-92 Rock & Metal Heaven group here

Gaz Coombes Fanfare Family

This is a group for fans of former Supergrass lead singer, Gaz Coombes, and his subsequent solo career. Jackie explains how she came to set up the group. “It was after I had noticed a girl on a Gaz Coombes discussion thread asking about who was going to a particular show and having a couple of people approach me about tagging along that I decided to set up the Gaz Coombes Fanfare Family.” That was three years ago. “I love this work and it felt like a good opportunity to set something up for the fans. There has been a few members that have got to know each other and have met up and become friends outside of the social media side of things. We had a couple of members who because of their similar tastes in music had met up and enjoyed a gig by the band Space.”

You can find the Gaz Coombes Fanfare Family group here

Slade

Mark is one of the co-admins of the Slade Facebook group which is dedicated to celebrating well, what else but Slade! The Facebook group has been in existence some ten years now, although Mark wasn’t actually involved in setting up the group but came in to help run it four years ago. He explains, “I was asked to become admin, after being a member for some time, to help keep some order. That is, to help reign in some of the more outlandish stories. I try to point people to verified factual information. Being a member, and admin, is interesting as there are fans from all over the world, and of all ages. It can be hard sometimes to communicate effectively in a written medium. Handling the disappointment of people when some of the long held beliefs are shattered or dispelled with facts.”

Again there are meet-ups and other real-life spin-offs, “Slade fans do get together at conventions. There was also a “Slade sight seeing tour of London” that people attended. I don’t go to conventions myself but others do.”

You can find the Slade group here

Giants of Rock Minehead

While other discussion groups are formed around a certain band or genre some form around an event. Giants of Rock is a three day classic rock and metal festival that takes place at Butlins Minehead each January. Richard, who co-founded the group after the first Giants of Rock Weekend three years ago, takes up the story of how it took off, “After an excellent weekend at Butlins GOR I, Grant and I began talking on Butlins Facebook page. Through this chat, Grant created the group and invited me to co-run it with him. We started it in February 2014 with numerous Facebook friends of mine being made members of the group, just to get the numbers up in the first place. It does bring people together outside of social media,” says Richard, “including a fan from Paris and personally I have met and made many friends through the group, to go to other gigs with. As the group continues to grow more friendships are made. Interestingly I have had people come and say hello and introduce themselves from the group at different gigs in several different locations. The group continues to grow and Grant and myself have been congratulated, which we appreciate . But it is the members who make the group and we thoroughly enjoy watching our community grow and develop. We even had a family group photo taken this year with 100+ members.”

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Photo credit: SD Photography

You can find the Giants of Rock Minehead group here

Gay Metalheads United

Some of the groups are able to bring like-minded people together who may otherwise find it more difficult to meet. From personal experience you would probably have to go to a lot of gay pubs before you met many punters who were into heavy metal. Likewise, in contrast to, say, a Beyonce gig you might not bump into too many gay guys (or gals) at a metal gig. However, lots of gay metal fans do exist out there and Gay Metalheads United, set up four years ago, now boasts over 1,200 members. Early participant, Jay, and one of the group’s admins is proud of the fact it was the first gay metal group on Facebook. His rationale for the group being set up? He says quite simply, “Metalheads are family.” James, a regular contributor to the group, explains, “Social media in general has been a great platform for interacting with people from across the globe at near instantaneous speed. It’s a good way to meet new people with similar likes and opinions, and debate those of opposing viewpoints.” On the Gay Metalheads Group, James says, “It’s liberating. In other metal groups they’re usually filled with heterosexual men, even Judas Priest. It feels like I have to walk on eggshells in some of these groups. So having a group for gay metalheads allows us to let out hair down.”

You can find the Gay Metalheads United Group here

And so…

While there can be a lot of negativity about social media let’s hear it for all of those who help maintain the vast array of music discussion groups out there: the people who set them up, the fans who contribute, the artists who engage directly with those who buy their albums and attend their gigs, and the admins who sometimes step in if things get a little heated. Thank you!

Green Diesel at The Albion, Hastings 8/4/17

My review was originally published by the Hastings Online Times here 

With their lively, infectious brand of folk rock, Faversham-based band Green Diesel seem tailor-made for the Hastings old town music scene. Surprisingly, following a gig at the Jenny Lind several years ago, it’s only their second appearance in the town. As soon as they take the stage, however, the Albion crowd take to them like old friends, bopping, hollering and generally having a whale of a time.

There have been many variants of the melding between folk music and rock music over the years, including the indie-infused stylings of The Levellers and the raucous folk-punk of Hastings’ own Matilda’s Scoundrels. Green Diesel, however, take their musical cues from that classic era of folk rock, back in the late 60s and early 70s when bands like Fairport Convention, Steeleye Span and the incredible String Band began making their mark. Everything you would want to hear from those halcyon days of folk rock is there in Green Diesel: lovely lead vocals from Ellen Care, beautifully melodic fiddle and accordion, loud pumping bass, hard rocking guitar and drumming that instantly gets you up and moving to the beat.

They are no mere tribute though. Having just released their third album ‘The Hangman’s Fee’ in February, for several years now they have now been applying their signature trademark sound to inventive reworkings of traditional songs and tunes as well as their own material.

Guitarist, Greg Ireland, is proving to be a very talented and capable songwriter – with songs like The Elephant Tree and To Kill The King going down extremely well, in addition to traditional favourites like Mad Tom Of Bedlam and Matty Groves. Ireland also takes lead vocals on a few numbers like the band’s feisty interpretation of The White Hare. Again, that nice contrasting mix of male and female lead vocals instantly puts you in mind of that classic era of folk rock.

Green Diesel are a hugely entertaining live band whose three albums to date have shown real musical maturity. Let’s hope they don’t leave it too long before they make another visit to Hastings. If the Albion crowd is anything to go by they have a ready-made fan-base here.

http://greendieselfolk.com/

Ellen Lying Down

Previous reviews:

Green Diesel album review – Wayfarers All
Green Diesel at Lewisham 2016

Folk: EP review – Hannah Rarity ‘Beginnings’

My review was originally published in the April 2017 issue of fRoots

Beautifully engaging vocals, thoughtful interpretations of traditional songs and some highly promising song-writing, Scottish folk singer Hannah Rarity makes a very strong début with this six-track EP Beginnings.

She is supported by Innes White on guitar and keyboards, Sally Simpson on fiddle and viola and Conal McDonagh on whistle. Together, they provide sensitive, empathetic accompaniment that delivers a clean, uncluttered sound and some beautiful melodies, while rightly leaving Rarity’s voice very much at the forefront.

There are two originals. The lead track, Anna’s Lullaby, does exactly what it says on the tin but is in the same league as the likes of Cara Dillon when it comes to softly-sung tender emotion. The dreamily enchanting and inventive Stevenson’s, meanwhile, has some lovely string arrangements and utilises some of the words of Robert Louis Stevenson (who gets a co-write alongside Rarity) in the lyrics.

Of the traditional material, Rarity’s interpretation of Erin Go Bragh, the tale of a Highlander mistaken for an Irish immigrant and mistreated at the hands of an Edinburgh policeman, is a definite highlight. Rarity’s clear but impassioned vocal delivery draws you in so that you end up hanging on to every word of a story song like this.

At six tracks this debut certainly gives good value and shows exceptional musical promise. Having already begun making her mark in her native Scotland, Beginnings will certainly help bring Hannah Rarity’s captivating voice to wider public attention. Hers is definitely a name to watch. I cannot wait for a full album to appear.

Released: November 2016

https://www.hannahrarity.com/

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A love letter to The Byrds – and the part they played in a musical journey

I love folk and have attended numerous folk festivals and countless gigs, taken part in seminars on the history of English folk song and enjoy writing about it, both on here and in other publications. However, unlike rock which I loved from my early teens, my appreciation of folk came later in life. But after getting into heavy metal as teenager in the early 80s, I started exploring back – to 70s glam rock and 60s beat groups.

And the key link that took me on a musical journey that led me to appreciating what folk music, as well as rock music, had to offer was The Byrds. I knew Mr Tambourine Man, of course, that perfect slice of 60s pop-rock and so one day at Preston Record Library I happened across a greatest hits compilation LP of The Byrds, which I decided to borrow. I taped it and soon fell in love with, not only the aforementioned Mr Tambourine Man, but many other gems like Turn! Turn! Turn, Eight Miles High and Mr Spaceman.

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One song, however, particularly intrigued me and that was the strangely-titled but beautifully sung The Bells of Rhymney. I learnt from the sleeve-notes that it was originally recorded by folk singer Pete Seeger, based on much older words commemorating a real-life mining tragedy in a Welsh coal mining village. It was my first taste of seeing folk songs as something that could be touching and moving and not simply something to joke about with your finger in your ear.

Over the years, I switched to CDs and began amassing the entire back catalogue of The Byrds and also began exploring other artists in the American folk rock vein, too. After a while I thought to myself that if I actually enjoyed American folk rock so much, maybe I might actually enjoy English folk rock, too. Fairport Convention followed, then Steeleye Span and then, as I got more and more enthralled with the beautiful singing of Sandy Denny and Maddy Prior and the fascinating stories behind many of the traditional songs they sung, I took the plunge and began getting into actual folk folk not just folk rock. It opened up a whole new chapter of musical appreciation.

While nothing in the world is ever going to stop me enjoying Black Sabbath’s Paranoid or Slade’s Cum On Feel The Noize at full volume I am also tremendously grateful to Roger McGuinn, David Crosby, Gene Clark, Chris Hillman and Michael Clarke for helping open up the world of folk to me as well. In particular, a big thanks to The Bells of Rhymney which served as my gateway drug from rock to folk.

Peter Knight’s Gigspanner at The Stables, Hastings 22/3/17

My was review was originally published by the Hastings Online Times here

Peter Knight will be known to many as fiddle supremo for folk rockers, Steeleye Span, over four decades. The Gigspanner trio initially began as a side project of Knight’s but he left Steeleye Span for good in 2013 to concentrate fully on Gigspanner. While there are numerous cases of artists carrying on doing exactly the same old thing as they’ve always done in a brand new band with a similar sounding name, this is far from the case with Gigspanner. Of course, Knight’s virtuoso fiddle playing is still at the heart of Gigspanner’s sound; but rather than the typical ingredients of the classic folk-rock band, Gigspanner is a complete melting pot of musical influences: English folk meets Cajun hoe-down meets French waltzes meets Latin-American drumming and much more besides. All of it producing a magically diverse texture of sounds that is awe-inspiring and utterly enthralling.

The band has performed at the old town’s Stables Theatre on a number of occasions now and seasoned Gigspanner followers will have immediately noticed a change as soon as they walked into the auditorium and seen a different percussion set-up as they glanced towards the stage. Indeed, conga drummer Vincent Salzfaas who had been with the band since its formation recently departed due to changes in his personal circumstances and he’s been replaced by Sasha Trochet. Salzfaas’s congas were such an integral part of the unique Gigspanner sound I was wondering what impact the new arrangements would have. Fans of the trio have nothing to fear. While Trochet introduces a much more varied selection of percussion instruments the essential ingredients of the Gigspanner sound are still there and are added to, rather than diluted.

The band have strong Hastings connections, of course. Knight was resident here for many years and a familiar figure in music pubs around the town. Guitarist, Roger Flack, is Hastings-based and also plays with local band The Tabs, as well as being a regular participant in folk sessions in the Dolphin. A Hastings gig, therefore, always has something of a home-coming feel for the trio, particularly as a number of the band’s songs are directly inspired by the town. ‘Seagull’, for example, one of the songs written by Knight that is performed tonight, was inspired by regular sessions of shove ha’penny in the Lord Nelson. It’s also noteworthy for being one of the songs that Knight plays the fiddle, not with a bow, but by plucking. Just as the fiddle supremo produces a whole range of beautiful sounds using his bow, there’s a whole set of other sonic delights that come from his fingers, too. Other songs include traditional folk staples like ‘She Moves Through The Fair’ and ‘Raggle Taggle Gypsy’ reworked to give them that unique signature Gigspanner feel.

As the evening draws to a close, once again the Stables audience respond with rapturous applause and once again, Hastings can be immensely proud of a music scene that has played a part in gifting the world a band of this calibre.

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http://www.gigspanner.com/