Category Archives: Folk music

folk performers and music

This week’s featured artist: John Paul Mason – debut album ‘Overstory’

Album reviews, Folk music, , , , , , , , ,

John Paul Mason is a Scottish singer-songwriter whose debut album, Overstory, was released late last Autumn. Originally from Edinburgh, but now based in Comrie, Perthshire, Mason draws inspiration from the natural beauty of his surroundings, and the mountains, rivers, forests, and lochs that define his home.

As a breathwork therapist and trainer, Mason integrates his therapeutic work into his songwriting. His stated mission is to create music that seeks to heal, awaken, and inspire.

Influenced by artists like Spell Songs, Will Varley, Kris Drever, and Krishna Das, Mason’s sound is a blend of modern Scottish folk, spiritual resonance, and environmental activism. Using guitars, cello, and violin, his music weaves together poignant storytelling and a call to action, echoing the transformative power of nature and community.

His ten-track album, showcasing titles such as ‘Forest’, ‘Nightingale’, ‘Sweet Spirit’ and ‘Crows’, represents a beautiful interplay between folk and nature.

Writing in the sleeve-notes, John Paul Mason asks: “What would a life-affirming story look like? Perhaps if we listen, quietly, closely, by a stream or within a forest to those remaining wild things we share our world with, and to the whisperings of our own soul, nature might, just maybe, bring us back home.”

Alongside Mason on guitar and vocals are some stunning contributions from assorted guest musicians who provide  bass, percussion, string arrangements and backing vocals, together with some lovely choral backing from the Earnsong Choir on the penultimate track, ‘Carry Me’.

With its enchanting melodies, powerful eco-themed story-telling and classy production, Overstory is a wonderfully uplifting debut album and John Paul Mason is an endearing performer with much to say.

Overstory released: 21 November 2025 https://johnpaulmason.com/

Folk: album review – Honey & The Bear ‘A Wish & A Tide’

Album reviews, Folk music, , , , , , ,

Already with three albums under their belt, the popular East Anglian folk duo, Honey & The Bear, have just released a fourth. Featuring eleven original songs, A Wish & A Tide could well be their best album yet. Once more, the husband and wife team of Jon and Lucy Hart delve deep into Suffolk’s landscapes and legends for inspiration as well as exploring more personal themes of love, loss and resilience.

Lucy Hart: “This album has been 14 months in the making. At the start of 2025 Jon hit on a songwriting streak and decided it was time to start work on our fourth album… and here we are. A collection of songs with far-ranging inspiration. We feature a few myths and legends from our Suffolk home, as well as taking inspiration from nature around us and historic tales, but we’ve also taken a much more inward look with some poignant numbers that can only be written after experiencing something truly life altering. We hope you’ll find beauty in it … and maybe something you’ll find yourself connecting with.”

The song-writing is as thoughtful, perceptive and compelling as ever, the gentle melodies soar with some dazzling musicianship and the harmony vocals of Lucy and Jon are just sublime. Once again, the duo’s regular cast of supporting musicians, Toby Shaer (flutes, whistles and fiddle), Archie Churchill-Moss (accordion), Evan Carson (percussion and bodhran) and Graham Coe (cello), add some truly magical touches. A particular mention must go to Shaer’s flute-playing on tracks like ‘Close to the Edge’ which complements the duo’s vocals and melodies so perfectly, it’s almost starting to become part of their USP.

Honey & The Bear continue to impress, with every album even more of a delight than the previous one. A Wish & A Tide is no exception.

Released: 23 April 2026 https://honeyandthebear.co.uk/

Related posts:

Album review: Honey & The Bear – Away Beyond The Fret

Album review – Honey and The Bear ‘Journey Through The Roke’

Live review: Moore, Moss, Rutter at Cecil Sharp House 13/4/16

Live review: Sam Kelly & The Lost Boys at Fairport’s Cropredy Convention August 2018

This week’s featured artists: Melanie Crew & Ross Palmer – new album ‘Some Other Stories’

Album reviews, Folk music, Uncategorized, , , , , ,

Melanie Crew & Ross Palmer are a South London-based duo. Their personal partnership also became a musical one when Crew turned her hand to songwriting and started performing them live. Palmer, already a songwriter himself and a veteran of the folk and roots scene, began sitting in on live performances, contributing guitar and occasional harmonies and before they knew it, a duo was born. Following an EP and a well-received debut album, Quiet After Midnight, the pair released their second album, Some Other Stories, at the end of 2025.

Drawing on influences from Fairport Convention to Elliott Smith, many of the songs reflect highly personal themes such as the beautifully melancholic ‘Look Back on Before’ which was released as a single.

Melanie Crew & Ross Palmer: “The songs contemplate the connections we make with each other and what happens when those connections break down. They examine the people we are and how we become those people. They look at the past with a kind eye and to the future with cautious optimism.”

The pair split songwriting duties just as they split lead vocal duties but as with all the best duos they are very much more than the sum of their parts and complement one another to perfection. The pair are also ably accompanied by Adam Beattie and Colin Somervell on double bass, Basia Bartz on violin, Nick Frater on piano and Hammond organ, and Ben Handysides on cello. Palmer’s bandmates, Yo Zushi and Russell Parton, from his other project Great days of Sail also feature in the choral parts on ‘Our Captain Cried All Hands’, the album’s one traditional ballad and another definite highlight.

Certainly a duo to watch and an album well worth checking out.

Released: 5 December 2025 https://www.melaniecrewandrosspalmer.com/

This week’s featured artist: Holly Clarke – new album ‘Wild Feral Fierce’

Album reviews, Folk music, , , , , , ,

A singer and guitarist who’s been making waves on the folk scene in recent years, Cumbria-born Holly Clarke has performed alongside the likes of Nancy Kerr & James Fagan, Daoiri Farrell and Queer Folk. Appearing at festivals and venues such as, Sidmouth Folk Festival, Bromyard Folk Festival, Tiree Music Festival and The Glasshouse International Centre For Music, between 2019 and 2020 she was Artist in Residence at the latter, specialising in Traditional Folk Song and Ballads.

As well as performing solo, Holly has a duo with George Sansome (Granny’s Attic), The powerhouse band RE:VULVA (Amy Thatcher, Janice Burns, Cathy Geldard) and she also gigs with the trio, Holly and the Reivers, reviewed here back in 2024.

Wild Feral Fierce is Clarke’s debut solo album. Across ten tracks which mix interpretations of traditional ballads with original material, it’s an album that’s deeply rooted in folklore, myth and metaphor.

Holly Clarke: “The tracks on this record summon visions of the macabre, the supernatural and iconic figures from folklore and myth. This album is an unearthing of themes that aren’t just found lying dormant in the furrows of the land, they are alive and more relevant than ever.”

Traditional songs include beautifully atmospheric interpretations of well-known classics like ‘The Spectral Stag’ and ‘John Barleycorn’. However, like the late, great Bob Johnson of Steeleye Span, who had a similar fascination with such other-worldly themes, Clarke doesn’t just look to the British Isles for inspiration but also delves deep into the folk myths from Scandinavia where they’ve long excelled at this stuff over many centuries. ‘The Maiden Hind’, a classic Danish shapeshifting ballad, and ‘Sir Aage and Lady Elselil’, which has its roots in old Norse texts are two such tracks on this album.

Alongside her passion for adapting traditional ballads, Clarke is also a talented songwriter. The self-composed title track of the album, is a song where shape-changing is a metaphor for the joy that comes from self-acceptance and positive transformation.

Joining Clarke on the album is a core band featuring Anna Hughes (of Salthouse & Watersmeet) and fiddle and viola; Amy Thatcher (of Kathryn Tickell & The Darkening & The Shee) on accordion and synth; and John Pope (of Archipelago & MeLostMe) on double bass. The album also features a guest appearance from Kathryn Tickell on Northumbrian pipes.

Haunting and ethereal, with compelling storytelling and captivating vocals, Wild Feral Fierce is a wonderful slice of trad. arr. inspired folklore.

Released: 6 March 2026 https://hollyclarkemusic.com/

Related post:

Album review: Holly & The Reivers – Three Galleys

Folk: album review – Andy M. Stewart ‘Songs of Robert Burns’

Album reviews, Folk music, , , , ,

No, not the tartan-bedecked Andy Stewart of ‘Donald Where’s Your Troosers’ fame but Andy M. Stewart, former lead singer Scottish folk band, Silly Wizard, who went on to enjoy a successful solo career before succumbing to a tragic premature death in 2015.

A number of his self-penned songs have entered the folk canon and been widely performed by artists around the world but Stewart was also an adept interpreter of traditional material as well and was particularly fond of the work of Robert Burns.

Back in 1989, Stewart was  approached by a German record label, Wundertute, to record an album of Burns’ songs. Accompanied by Mánus Lunny (guitar and bouzouki), Charlie McKerron (fiddle) and Donald Shaw (accordion and keyboards) the album proved to be a wonderful celebration of Scotland’s national bard but for one reason or another it suffered from a distinct lack of promotion at the time and failed to attract the attention it deserved. Now, almost four decades later, Stewart’s son, Donald, and his former Silly Wizard bandmate, Martin Hadden, have remastered the album and made it available through Hadden’s own Birnam CD enterprise.

This rediscovered lost gem is a genuinely delightful album. From the rousing rendition of ‘Rantin’ Rovin’ Robin’ which opens the album to the sombre beauty of ‘Green Grow the Rashes, O’ it’s a wonderful showcase for both Stewart’s extraordinary talent as an interpreter of traditional material and for Burns’ timeless genius as a poet and lyricist.

Released: 25 January 2026 https://www.birnamcdshop.com/product/andy-m-stewart/

Folk Rock / Indie: album review – The Revellers ‘Reactors’

Album reviews, Folk music, Rock music, , , , , , ,

Following a gap of nine years since their previous release, popular Shetland indie folk rock band, The Revellers, are back with their third album, Reactors. The Revellers are Michael Anderson (lead guitar), Magnus Bradley (lead vocals, guitars), Daniel Gear (fiddle), John William Halcrow (drums, vocals), Erik Peterson (mandolin, vocals). Lewie Peterson (banjo, mandolin, tenor guitar, vocals) and Adam Priest (electric and double bass).

Often described as ‘heavy folk music’, The Revellers are seven musicians brought up on a typical millennial musical diet of alt rock, punk and metal that’s combined with a love and reverence for traditional music that’s an intrinsic part of any Shetland upbringing. The result is an explosive mix of soaring melodies, searing guitar riffs and energetic fiddle, mandolin and banjo.

From reflections on the challenges and contradictions of modern life (‘The Reflector’) to standing up for what’s right (‘Stand Up and Fight’) there are themes that wouldn’t be out of place on any typical indie rock album, but this being a band with traditional influences at its heart there’s also material like a reworking of Rhoda Butler’s poem ‘Clearances’ in the Shetland dialect and the song ‘Republic of Vinland’ which celebrates Shetland’s Norse heritage.

An album fizzing with energy and verve, it’s one that will appeal to ardent rock fans as much as dedicated folkies. Highly recommended.

Released: 26/11/25 https://www.facebook.com/therevellersshetland/

This week’s featured artist: singer-songwriter Stuart Mick Macfarlane – new album ‘The Test of Time’

Album reviews, Folk music, , , , , ,

Stuart ‘Mick’ Macfarlane is a Scottish singer, songwriter and guitarist based in the Glasgow area. He has performed his folk-flavoured acoustic songs across Scotland, holding long-running residencies at venues including Jinty McGuinty’s in Glasgow and The Drovers Inn near Loch Lomond. Alongside his solo achievements, Macfarlane is a core creative force in Glasgow’s respected progressive rock band, Abel Ganz. His song ‘Thank You’, featuring special guest performances by Runrig’s Malcolm Jones and Fairport Convention’s Jerry Donahue on the group’s acclaimed self-titled album, has become an enduring live favourite among audiences.

Although Macfarlane’s compositions have frequently been covered by other artists, The Test of Time is his first solo album to receive a commercial release.

Stuart ‘Mick’ Macfarlane: “These songs mean so much to me. I’m delighted this album is finally out. I hope they resonate with people on an emotional level, as they’re all honest and heartfelt pieces of music that I’m very proud of.”

The themes explored on the album range from the highly personal to themes around environmental degradation and homelessness, and draw on traditional Scottish folk, classic singer-songwriter and progressive rock influences.

https://stuartmickmacfarlane.bandcamp.com/track/jigsaw-pride

Beautifully produced by long-time collaborator, Colin Johnson, at Glasgow’s Audio Lounge, the album features Macfalrlane on electric and acoustic guitars and vocals, Johnson on drums, Fiona Cuthill on fiddle, Stevie Lawrence on bouzouki and percussion, and a special guest vocal appearance from Macfarlane’s own daughter, Ceitidh, on the title track.

Showcasing some fine songwriting, lovely melodies and thought-provoking themes, The Test of Time is an engaging album that’s worth checking out.

Released 24 October 2025: stuartmickmacfarlane.bandcamp.com

2025 in Darren’s music blog – the ten most popular posts of the year

Folk music, Glam rock, Interviews, Live reviews, Rock music, , , , , , , , , , , , , , ,

A Happy New Year to all my readers and my sincere thanks to everyone who has visited Darren’s music blog during 2025. As well as 65 posts covering an eclectic musical mix of folk, prog, glam, heavy metal, punk, hard rock and britpop, I also managed to get my fourth book completed (Steeleye Span On Track 1970-89) which was published by Sonicbond this Summer.

To recap on the year, here are the top ten most viewed posts of 2025. Here’s to 2026! 

1. Interview with Fairport Convention’s Dave Pegg

Ahead of Fairport Convention’s Winter Tour back in January, I caught up with Dave Pegg. We discuss the making of the Full House album, the crucial role that Jethro Tull played in Fairport’s resurrection, changes taking place at Cropredy this summer so that the festival remains financially viable and the forthcoming tour.

Read full interview here

2. Live review: Santana at the O2, London 21/6/25

There are not many world-class rock acts still performing that remain to be ticked off on my own personal bucket-list but Santana definitely fitted into that category and prompted the first of two trips to the O2 this Summer. From the off it’s very much a give-the-audience-exactly-what-they-want greatest hits set, interspersed with nuggets of Woodstock-era exhortations in favour of love and peace and togetherness. “I’m a hippy!” explains Carlos Santana.

Read full review here

3. Live review: Alice Cooper and Judas Priest at the O2, London 25/7/25

Kicking off with ‘Lock Me Up’, Alice Cooper’s set is as over-the-top and theatrical as ever. An exhilarating combination of blistering hard rock, glam-meets-horror showmanship and that unmistakeable, menacing vocal drawl, the hits come thick and fast.

Coming on stage to the strains of Black Sabbath’s ‘War Pigs’, Judas Priest launched straight into ‘All Guns Blazing’ from the Painkiller album. Released 35 years ago, songs from that much-celebrated album feature heavily in tonight’s set.

Read full review here

4. Live review: Uriah Heep / April Wine / Tyketto at De La Warr Pavilion, Bexhill 27/2/25

I was still a pre-schooler when Uriah Heep released their debut album in 1970, although this year does mark 40 years since I first saw the band at Manchester Apollo back in 1985. Tonight’s performance proves beyond doubt that my enthusiasm for the band remains undimmed. I’m relieved to hear this is not quite the finale just yet.

Read full review here

5. Live review: Fairport Convention at Union Chapel, London 22/2/25

It’s now 40 years since Sanders played on his first Fairport album – Gladys’ Leap. Ric Sanders tells the audience that he was phoned up by Dave Pegg who had asked him if he was interested in contributing fiddle to three tracks but initially he had no idea he was being asked to contribute to a Fairport Convention album.

Read full review here

6. Interview with Fairport Convention’s Ric Sanders

Ahead of this year’s Cropredy festival, I catch up with Fairport Convention’s Ric Sanders. We talk about first learning to play the violin at primary school, about getting his big break with Soft Machine and the invitation to play on Fairport’s Gladys’ Leap album forty years ago this year – and, of course, this year’s Cropredy line-up.

Read full interview here

7. Live review: Supergrass at the Roundhouse, London 21/5/25

Given I spent the battle of Britpop firmly in the Blur camp, I passed up on the chance to buy tickets for the Oasis reunion when it was announced last summer. A couple of weeks later, however, when Supergrass announced that they would also be reforming to celebrate the 30th anniversary of I Should Co-Co, I was in the online queue as soon as tickets went on sale. Always my favourite band of the Britpop era, a chance to hear Supergrass’s debut album performed in full promised to be something rather special.

Read full review here

8. Live review: Sweet at the Shepherd’s Bush Empire 5/4/25

In the months and years to come, who knows how many more Sweet gigs there’ll be. Andy Scott shows every sign of wanting to continue for as long as he is physically able to walk on stage, pick up his guitar and perform. I hope there’ll be plenty more nights like this for the band and I hope I get to see a few more of them myself but I savoured every precious moment of this concert as if it were my last.

Read full review here

9. Live review: X Generation X at the Brunswick, Hove 9/11/25

Making light of the seeming incongruity of launching a UK tour on a Sunday, Westwood asked the happy but clearly refreshed crowd at one point if they all had to be up in the morning. “No!!” the crowd yelled back in unison. “They’re all retired!” quipped Steve Norman. That’s as maybe but for 75 glorious minutes it was 1976 all over again and here in this sweaty cellar bar the spirit of punk was recaptured in all of its incendiary glory.

Read full review here

10. Live review: Fairport’s Cropredy Convention August 2025

There was a heavy Fairport bias to this year’s list, with interviews and live reviews bagging four of the top ten most popular slots. Just making it into the Top Ten is my review of this year’s Cropredy Festival which featured a guest appearance from none other than Robert Plant.

Read full review here

2024 in Darren’s music blog

2023 in Darren’s music blog

2022 in Darren’s music blog

2021 in Darren’s music blog

2020 in Darren’s music blog

2019 in Darren’s music blog

Live review: Steeleye Span at Revelation, St Mary the Virgin Church, Ashford 13/12/25

Folk music, Live reviews, Rock music, , , , , , ,

After spending much of last year and the first part of this year living and breathing all things Steeleye Span while I worked on my book about the band (which came out this summer) it felt kind of fitting for this to be my penultimate gig of the year.

Steeleye Span are always a joy to watch live and they always seem to go that extra mile in putting together a set-list that’s unique for each tour. It’s never a case of merely churning out the same old favourites year after year. They delve deep into their back catalogue, dust down songs that have not been played in years, retire others that have been in the set for a little while and generally mix things up to create a live show that’s fresh-sounding and unique. And, because this is a band that is still eagerly releasing new music, there’s often some brand new material (or never-been-tried-before trad. arr material) to look forward to as well. This tour is no exception and we get some fantastic renditions of material from the band’s excellent new album, Conflict, released earlier this year.

The line-up is a classic Span ‘Now We Are Six’ type formation, with guitarist, Spud Sinclair, and bass-player, Roger Carey, providing some real rock and roll oomph alongside long-time drummer, Liam Gernockey; multi-instrumentalist, Julian Littman, on guitars, mandolin and keyboards; the incredibly talented Violeta Vicci on violin; and, of course, the one and only Maddy Prior on vocals.

It means there’s bags of energy behind the band’s meaty renditions of songs like ‘Royal Forester’, and ‘King Henry’ which showcase Steeleye Span at their riffiest, folk-rockiest best. But, it being a church and all that, what became the most spellbinding moments in this beautiful setting were the choral, acapella versions of ‘Gaudette’, the band’s vintage Christmas hit, and ‘Dogs and Ferrets’ from the Commoners Crown album. Prior reminded us that the latter hadn’t been performed live since not long after the album was released over fifty years ago.

Vocally, the band are sounding superb. Carey, Littman and Sinclair all contribute and Prior’s voice has matured into something rich, warm and velvety while still being unmistakeably the voice of Maddy Prior. Meanwhile, the beautiful crystal-clear vocals of Vicci add a second female voice into the mix – and someone to “hit all the high notes” as Prior jokes. With an exceptional back catalogue, stellar musicians and incredible vocals, Steeleye Span continue to surprise and delight.

Setlist:

First set:
Over The Hills And Far Away
New York Girls
Lady Diamond
Roadways
Blackleg Miner
I Was An Oak Tree
Trees are Whispering
Royal Forester
Alison Gross
The Dark Morris Song

Second set:
Gaudete
Cruel Brother
Skip to Shore
Ghost Ship
King Henry
Dogs and Ferrets
We Shall Wear Midnight
Hard Times of Old England
Wintersmith
All Around My Hat
Dodgy Bastards

Presenting Maddy with a complimentary copy of the book after the gig

My book ‘’Steeleye Span 1970-1989 On Track: Every Album, Every Song‘ is available from Amazon or Burning Shed

Related posts:

‘Steeleye Span 1970-1989 On Track: Every Album, Every Song’ – Book reviews round-up

Interview with Maddy Prior

Interview with Julian Littman

Review: Steeleye Span at Hove 2023

Review: Steeleye Span at Hastings 2019

Review: Steeleye Span at Ashford 2019

Review: Steeleye Span at Hastings 2017

Review: Steeleye Span, London 2015

Review: Steeleye Span at New Forest Folk Festival 2014

‘Steeleye Span 1970-1989 On Track: Every Album, Every Song’ – Book reviews round-up

Book reviews, Folk music, Music culture & history, Rock music, , , , , , , ,

Following my ‘glam rock trilogy’ on Slade, Sweet and Suzi Quatro, my fourth book for Sonicbond Publishing came out in August 2025: Steeleye Span 1970-1989 On Track: Every Album, Every Song. I’ve been really heartened by the enthusiastic responses from readers so far (reaching Number 2 on Amazon’s Music Encyclopaedias Chart) and the many kind words from reviewers.

Darren Johnson

“Both satisfying and engrossing, what should’ve been a simple task to read and comment on, became a series of rabbit holes, as songs and entire albums had to be revisited or indeed investigated. Both for the purposes of research and pure enjoyment, as well as a degree of nostalgia.” Folk North West (read full review here)

“Darren Johnson has done a remarkable job in squeezing the details of fourteen albums into this slim volume” “Johnson’s research is thorough” RnR magazine

“I hadn’t heard some of these records for a very long time, but this deep dive into the band, their music and indeed the history behind some of the traditional songs they performed, caused me to listen again with fresh ears. Check it out if ‘The Span’ or indeed folk rock in general are your thing.” The Afterword (read full review here)

“The book though is very fair in recognizing it’s sources. It brings together a lot of info into a well written book – definitely recommended!” A Celebration of Steeleye Span  (read full review here)

Steeleye Span 1970-1989 On Track can be purchased via Amazon here as well as most other major book-sellers. And via the publisher’s own online shop at Burning Shed here

Related posts:

Reviews: ‘Slade in the 1970s’ reviews round-up

Reviews: ‘Suzi Quatro in the 1970s’ – reviews round-up

Reviews: ‘The Sweet in the 1970s’ reviews round-up