Tag Archives: rock

Rock: EP review – Jim Lea ‘Lost In Space’

This review was originally published by Get Ready To Rock here

Formed in the 60s, massive in the 70s and enjoying something of a revival in the 80s, the original Slade finally came to an end in 1991. Since then vocalist, Noddy Holder, has become a a perennial favourite on the nation’s chat show sofas talking about the old days. Guitarist, Dave Hill, and drummer, Don Powell, have resurrected the Slade name and continued to tour Britain and Europe belting out the old hits, with the latter also involved in a well-received collaboration with Suzi Quatro and Sweet’s Andy Scott. Arguably, however, it is bass-player, Jim Lea, who has delivered the most interesting musical output, post-Slade, of all four members. It’s not been a prolific output – family caring responsibilities and health issues put paid to that. However, 2007’s excellent solo album ‘Therapy’ has now been followed up with a six-track EP of new material: ‘Lost In Space’.

The title track is a great catchy slice of melodic pop-rock, proving that Lea has not lost none of his song-writing knack in that department. Semi-autobiographical, lyrically, the words are a paean to living life in an inner world, barely aware of what’s going on in normal life.

The rest of the EP takes on a decidedly more rocky approach. Whereas the the previous solo album took on a wistful, slightly Lennon-esque tone, a number of tracks here put me in mind of Slade in the early 80s – when the former glamsters enjoyed something of a renaissance at the hands of the emerging New Wave Of British Heavy Metal movement thanks to the band’s triumph at Reading festival in 1980. Tracks like ‘What In The World’, all catchy choruses, pounding drums and crunching guitars, would not have been at all out of place on Slade’s 1983 album ‘The Amazing Kamikaze Syndrome’.

Although it’s all previously unreleased tracks some of these songs have been around in demo form for quite some time prior to being worked up for release. Lea’s ‘Going Back To Birmingham’, which appears as a live track on the ‘Live At The Robin’ bonus disc accompanying ‘Therapy’, also finally gets a studio release here.

Anyone who has ever been wowed by Slade at one time or another should rush to buy this EP – not because it’s an interesting curio from the latter years of a former member but because it’s a great rocking EP with some great new songs and some great new music. It’s excellent. Buy it!

Lost in Space EP is released on 22nd June 2018 by Wienerworld

Read my interview with Jim Lea ahead of the release of his new EP here

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http://www.jimleamusic.com/

Related posts

Jim Lea For One Night Only – At The Robin
Slade at Donnington 1981
Slade, strikes and the three-day week: the greatest Christmas record ever made

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Live review: King King at St Mary in the Castle, Hastings 3/5/18

This review was originally published by The Stinger here 

Four-piece King King have been building quite a formidable reputation since forming a decade ago. ‘The best blues rock band in the world’ no less, according to Blues Rock Review.

It’s a big sound and a very classy sound that fills the cavernous St Mary In The Castle tonight, and one that just oozes the confident charm and riff-laden swagger from classic rock’s heyday when band’s like Bad Company dominated the album charts and filled the stadiums. Integral to the whole sound, and one of the things that really makes the gig special for me, is the interplay between guitarist Alan Nimmo and keyboard player Jonny Dyke. Dyke, the new boy in the band who replaced departing keyboard player Bob Fridzema last year, delivers deliciously soulful Hammond that perfectly compliments Nimmo’s guitar wizardry and bluesy vocals.

At the heart of all great blues rock, however, are great songs and King King certainly don’t disappoint in that department either. Songs like ‘You Stopped The Rain’ and ‘Rush Hour’ show some quality song-writing. And lyrically it’s not just standard stadium blues rock fare of feeling alright or looking for love. Material from the new album ‘Exile & Grace’, in particular, concentrates on some altogether more profound subject matter. “There’s an underlying theme on this latest album,” explained Nimmo, when launching the album late last year. “Some of the main songs are about the state of the world, y’know, this beautiful blue planet that’s turning into a battlefield.” ‘Broken’ one of the songs tonight from the new album is very much on that theme of a troubled world. In spite of the uncompromising lyrics though it’s delivered with the same class and seemingly effortless appeal that defines all the great songs of this genre.

While Nimmo has had issues with his voice in recent years and had to undergo treatment on his vocal chords, there’s no sign of that hampering the performance tonight and the whole band give an absolute master-class in classic blues rock.

Setlist:

She Don’t Gimme No Lovin’
Waking Up
You Stopped The Rain
Broken
Long History
Lose Control
Rush Hour
Long Time Running
All Your Life
Stranger To Love
Let Love In

https://www.kingking.co.uk/

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Blues rock: single review – Big River ‘Blues Blood Baby’

Ahead of an album release this summer, Big River unveil a second single. Meaty rhythm, soulful vocals, catchy hooks and big fat guitar ‘Blues Blood Baby’ is another slice of swampy, bluesy, classic rock boogie from the Kent-based band.

The brainchild of guitarist and session man, Damo Fawsett (who was previously part of another Kent-based hard rock band, Slam Cartel) Big River have been making their mark on the live music scene for a couple of years now. With a vision to celebrate the blues, they bring those classic blues rock sounds of past decades to new and original material and demonstrate some deft song-writing abilities in the process.

The track was recorded on analogue equipment at Ranscombe Studios in Kent, giving it that raw and vintage vibe reminiscent of great albums of the era. I’m looking forward to Big River’s debut album coming out but, for now, ‘Blues Blood Baby’ is a nice taste of what’s in store.

Big River are: Adam Bartholomew (vocals), Damo Fawsett (guitar), Ant Wellman (bass), Joe Martin (drums) Paul Martin (rhythm guitar).

Released: 2nd March 2018

https://www.facebook.com/bigriverblues/

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Related Reviews
Big River – Hometown Hustler
Dave ‘Bucket’ Colwell at Leo’s Red Lion 2016
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Live review: Anvil / Burnt Out Wreck / VOiD at The Underworld, Camden 6/2/18

Ever since they played their first ever gig at the start of Butlins’ Giants Of Rock festival in January 2017, I’d been hearing good things about Burnt Out Wreck. I was watching a band on the other stage at the time so never got to see them. I’d made a mental note, however, and when former AC/DC drummer Phil Rudd announced a solo tour with his new outfit, with Burnt Out Wreck as the support act, it seemed an ideal opportunity. That was cancelled and then rescheduled and then cancelled again. Third time lucky then when Anvil announced supported by Burnt Out Wreck. An opportunity to finally catch this band, along with Anvil, who I hadn’t seen since I was a teenager when they were supporting Motorhead.

It was a triple bill at Camden’s Underworld, first up were Welsh rockers VOiD. Formed in 2002 with three albums under the belt, VOiD’s brand of classy, melodic hard rock proved a good opener for the evening. I was particularly impressed with their extremely talented lead guitarist, Chris Jones, and even more impressed when the lead singer told the crowd it was Jones’ first ever gig with the band.

http://www.v0idonline.com/

Next up were Burnt Out Wreck. Formed by Gary Moat, drummer and chief songwriter of 80s band Heavy Pettin’, Burnt Out Wreck put out their debut album in early 2017 – not long after that first gig at Giants Of Rock. Their brand of bouncy, good-time, hard rock, reminiscent of Bon Scott-era AC/DC, immediately had the audience on their side. Songs like ‘Swallow’ brilliantly bring back some of that sleazy, rock ‘n’ roll boogie swagger, that late 70s pre-stadium AC/DC were so renowned for.

https://www.burntoutwreck.com/

Things could only get even better when the mighty Anvil took the stage couldn’t it? You cannot fault this band’s dedication, enthusiasm and sincerity, or their undying commitment to the rock ‘n’ roll dream – captured so well in the film smash The Story Of Anvil. But to be truthful I was a little underwhelmed by what I saw tonight. I remember when I first saw Anvil in 1983, I couldn’t help thinking that this was a band that sounded better on record than on stage and thirty-odd years later that same thought was occurring to me. For a start the sound wasn’t good. The amps were cranked up a good few notches compared to the support bands. There’s nothing wrong with that, of course, except that it lifted the drums and bass to a fairly deafening level while the guitar was barely audible in comparison. It was a shame because I enjoyed their new album and was looking forward to hearing a selection of songs from that, as well as earlier classics like the iconic ‘ Metal On Metal’. We got a good selection of each, plus a rousing rendition of the Steppenwolf classic ‘Born To Be Wild’. However, I came out of the gig 35 years after I last saw Anvil still convinced that they sound better on record than they do live.

That’s not to say I am not very happy to celebrate Anvil’s career renaissance in recent years. “I haven’t delivered a meal in ten fucking years,” Steve ‘Lips’ Kudlow told the crowd, alluding to the opening scenes in the Story Of Anvil film which saw him driving around in a van delivering school meals between gigs. And I finally got to see the fantastic Burnt Out Wreck and also become acquainted with Void, who are another band on my ‘ones to watch’ list. All in all a good night.

https://www.facebook.com/anvilmetal/

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Review: Mearfest at the Carlisle, Hastings 9/12/17

Saturday saw Hastings’ legendary rock pub, The Carlisle, host Mearfest. Inspired by personal tragedy Claire and Brian Mear have been running their rock and metal charity events for several years now, with funds going to The Willows stillbirth charity and other local causes.

Comprising a dozen bands and one solo acoustic set, all performing original material – no tribute acts or covers bands – what struck me throughout the day was the sheer quality of the acts taking the stage.

Particular standouts for me were Southampton five-piece, Toledo Steel; ‘Now Wave Of British Heavy Metal’ act, Kaine; and NWOBHM veterans Satan’s Empire, reformed after three decades.

Powerfully majestic but hard and heavy Toledo Steel put me in mind of classic-era Dio and Rich Rutter’s vocals and Tom Potter’s and Josh Haysom’s guitars are the perfect combination for this brand of hard-hitting melodic rock metal. Toledo Steel are definitely on my list to see and hear more of and I am certainly enjoying their excellent six-track EP ‘Zero Hour’.

http://www.toledosteel.co.uk/

Kaine is a four-piece formed in 2009 and musically inspired by the late 70s/early 80s New Wave Of British Heavy Metal boom. Powerful well-written songs and powerful delivery, you can hear the influences from their musical heroes like Iron Maiden in their performance. I took a copy of their excellent album ‘The Waystone’ away which confirms why they are getting so many plaudits on the contemporary metal scene.

https://kaine-metal.com/

Satan’s Empire had a breakthrough of sorts in 1981 when their excellent single ‘Soldiers Of War’ appeared on a Neat Records compilation. Sadly, they disappeared from view but now, with the original line-up still intact, they have reformed. Their performance oozed class, stage presence and memorable songs and it’s great to see them get a second bite of the cherry. They deserve it.

https://www.facebook.com/SatansEmpireOfficial/

I’ve just pulled three acts out here that particularly inspired but in truth the quality didn’t let up throughout the day. It’s clear that organisers Brian and Claire Mear love what they are doing and, importantly, know what they are doing.

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http://www.mearfest.org/

Michael Schenker Fest at Shepherds Bush Empire 2/11/17

Michael Schenker’s career, as well as his personal life, went through an increasingly erratic period a decade or so ago. Having seen Schenker a couple of times in recent years with his Temple Of Rock project, however, it was clear that he has absolutely, undisputably got his shit together again. If more proof was needed, tonight’s gig provides overwhelming evidence of that.

Tonight’s gig, dubbed Michael Schenker Fest, features all three vocalists from the three key eras of MSG: Gary Barden, Graham Bonnet and Robin McAuley. Barden is first up. While I won’t say he is the strongest of the three vocalists who will appear on stage tonight this is undeniably my favourite era of the band and the classic songs come thick and fast, transporting me back to my teenage rock fan years: Victim Of Illusion, Cry For The Nations, Armed And Ready….

Schenker is on stunningly good form with some stunningly good guitar work coming from his signature Flying V. On stage there’s other familiar faces from the old MSG days, too: Chris Glenn on bass, Ted McKenna on drums and Steve Mann on keyboards.

Next up is Graham Bonnet and while I have heard him struggle a bit at times during previous gigs he is definitely on form tonight. Originally recording one excellent album with MSG and playing just one disastrous gig where he drunkenly flashed the audience and promptly got sacked, much water has passed under the bridge since then. It feels a privilege to witness Bonnet perform Dancer and Assault Attack with Schenker and properly celebrate the part he played in MSG’s legacy. Even the sound system crashing in the early part of Bonnet’s set didn’t dampen the mood (and allowed me a much-needed loo break!)

Then it is the turn of the third of tonight’s vocalists. Robin McCauley is easily the strongest of the three singers tonight. Although set-wise, the earlier songs probably have far more resonance for me than the McAuley Schenker era, he certainly doesn’t disappoint tonight. To end the set he delivers a brilliant rendition of Rock Bottom from Schenker’s UFO days.

That sets the tone for a brilliant out-of-this-world encore which becomes a complete and utter UFO-fest. McCauley, Bonnet and Barden all come back on stage for Doctor Doctor, followed by Shoot Shoot, Natural Thing (with Schenker’s son Tyson joining his father on guitar) and, finally, Lights Out.

Three great vocalists, a brilliant gifted guitarist, some top class musicians and song after song of unforgettable rock classics, this was definitely one of the best hard rock gigs of 2017.

Set-list:

Searching for Freedom
Into the Arena
Let Sleeping Dogs Lie
Victim of Illusion
Cry for the Nations
Attack of the Mad Axeman
Armed and Ready
Coast to Coast
Desert Song
Dancer
Assault Attack
Captain Nemo
No Time for Losers
Save Yourself
Bad Boys
Love Is Not a Game
Rock Bottom
Doctor Doctor
Shoot Shoot
Natural Thing
Lights Out

http://www.michaelschenkerhimself.com/home.php

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Gráinne Duffy at Nell’s Jazz & Blues, London 19/10/17

This review was originally published by Get Ready To Rock here

Irish singer-songwriter and guitarist, Gráinne Duffy, has been receiving plenty of plaudits since her debut album Out Of The Dark was released back in 2007. She has tended to be labelled a blues artist and, not having seen her before that is pretty much what I was expecting and looking forward to at this gig at Nell’s Jazz & Blues venue in west London.

On taking the stage, however, it soon becomes obvious that while Duffy and her band are incredible blues performers, that label really only describes a part what they deliver. From exquisite blues solos, to polished Eagles-ish country rock, to Stonesy rock workouts, to emotive singer songwriter acoustic renditions, to big fat Bad Company-esque stadium blues rock, to heartfelt soul and even funk, there’s an incredible versatility to Gráinne Duffy’s performance and repertoire.

Whether it’s her own material or her interpretations of some classic standards, Duffy has a soulful expressive voice that makes the songs her own, not to mention some captivating guitar skills and a fine band of supporting musicians. It’s little wonder she’s been wowing audiences from Glastonbury to numerous blues festivals, and although the place was not packed tonight there are enough of us there to give her a rousing reception and an enthusiastic demand for an encore.

Duffy has currently has a single out ‘Where I Belong’ and a new album is due shortly. A talented musician, singer and songwriter, Gráinne Duffy is well worth looking out for if you have not caught up with her already.

http://www.grainneduffy.com/

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Rock/metal: album review – Wicked Stone ‘Ain’t No Rest’

This review was originally published by Get Ready To Rock here

Formed in 2015, Wicked Stone are a British five-piece hard rock metal band, citing influences such as Guns n Roses, Alter Bridge and Black Stone Cherry ‘Ain’t No Rest’ is band’s debut album from Wicked Stone.

The title track is a strong opener. A powerful chugging riff with some nicely melodic lead guitar and a catchy chorus, their music definitely embraces a timeless classic rock feel while the vocals give it a more contemporary edge. ‘Hit It ‘n’ Quit’ It is another stand out track. Big and bombastic with a machine gun-like rhythm section and a Guns N Roses-esque stadium rock chorus, I can imagine this going down well live. ‘Rattleshake’ is another great track with some superb soloing which definitely helps convince you this band has got something going for it.

And in bolstering their classic rock pedigree still further the band can point to their drummer, Olly Smith, who played alongside current Judas Priest guitarist, Ritchie Faulkner, and the daughter of Iron Maiden bass player, Steve Harris, in the Lauren Harris Band. The other members of the band are Joe Hawx (vocals), James Forrister and Ryan Stageman (guitars) and James Amos (bass).

While I am not quite sure all of the songs are memorable enough to immediately pass the singing-in-the-shower test (always the sign of a genuinely classic hard rock record for me) there is, nevertheless, some real promise shown on this album and ‘Ain’t No Rest’ it is a worthy debut.

http://wickedstone.co.uk/

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Blues rock: single review – Big River ‘Hometown Hustler’

A big, fat, bluesy southern-rock sound, Big River know how to pull off an authentic classic rock vibe. Hometown Hustler is the band’s single release ahead of their forthcoming debut album. A meaty riff, gritty vocals, catchy chorus and delicious harmonica, Hometown Hustler also showcases some fine songwriting abilities as well as, hopefully, providing a real taste of what the album has in store when it’s released later this year. The band maintain Hometown Hustler has already become a firm live favourite after being introduced into the set earlier this year and I can see why.

Having enjoyed the Gravesend-based band last year when they shared a bill with ex-Bad Company guitarist, Dave ‘Bucket’ Colwell, it was clear then that they drew on some impeccable musical influences and could turn out some classic-sounding guitar-based blues rock. This new release has cemented their reputation in my mind. A band well worth checking out.

Big River are Adam Bartholomew (vocals), Damo Fawsett (guitar), Ant Wellman (bass), and Luke Calvert (drums).

Released: August 2017

https://www.facebook.com/bigriverblues/

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Metal: album review – Klogr ‘Keystone’

This review was originally published by Get Ready To Rock here 

Keystone is the new album from Italian-American alternative metal outfit, Klogr. Some may find the juxtaposition of very melodic, rather proggy instrumentation with grungy, alt-rock vocals something of an acquired taste but there are certainly some strong tunes here.

As with their previous album ‘Black Snow’ environmental themes loom large. Explaining the thinking behind the title, band-leader and vocalist/guitarist Rusty Rustichelli reveals, “Man proclaimed himself the “Keystone” of our system but he is just a guest, a not-essential animal. Without a lot of underestimated living beings, like bees, the cycle of nature would suffer serious damages. The earth without human beings could exist, human beings without the earth, no.”

One of the stand-out tracks is ‘Dark Tides’, dedicated to the marine conservation campaigners, Sea Shepherd, with whom the band have had a long association. Melodic and thoughtful, yet forceful and, at times, downright brutal, it warns in dramatic fashion of the threat posed by the destruction of the ocean ecosystem.

The album has been mixed by triple Grammy winner, David Bottrill, who has an impressive CV, working with the likes of Peter Gabriel, Muse, Smashing Pumpkins, Tool, Dream Theater, Stone Sour and Rush.

Personally, the vocals don’t really work for me but that is not to deny there is some great musicianship on this album along with some compelling song-writing, some powerful lyrics and some quality production. Fans of the band will certainly not be disappointed with ‘Keystone’. ***

Released October 2017

https://www.klogr.net/home/

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