Tag Archives: rock

Soul/pop/rock: album review – John Wallace Wheatley ‘Spent the Morning Watching TV and Looking Through My Phone’

Having made a noteworthy impact on the UK Americana scene and garnering many favourable reviews as part of Suburban Dirt, their frontman John Wallace Wheatley is open about seeking out a complete change in musical direction for his first solo album: Spent the Morning Watching TV and Looking Through My Phone. “I got bored of mandolins, banjos and hipsters wearing cowboy shirts and singing about mountains, trees and birds,” he confessed to one interviewer recently.

The acoustic guitars and cowboy shirts are out and, picking up his electric guitar, Wheatley delivers an album of perfectly crafted, bitter-sweet, soulful pop-rock.

With ten self-composed songs, including one co-written with cousin Donald Wheatley, John Wallace Wheatley’s tender, soulful vocals and warmly evocative guitar and piano playing instantly transport you back to some of popular music’s most memorable eras. It’s immediately evident that Wheatley is well-suited to this change in musical direction and he’s come up with the songs to boot. Moreover, the team he’s assembled for this solo project, particularly Andy Fairlough’s work on the mellotron, provide for some lush, exquisite, multi-layered, musical textures.

As a lyricist Wheatley doesn’t do either lightweight or upbeat. Themes include death, self-doubt and existential crisis and two of the songs are inspired by a visit to a cemetery and the chance discovery of a gravestone bearing his own name. For soulful pop-rock with intelligent song-writing, sincere vocal delivery and gorgeous instrumentation, time spent immersing oneself in this album could prove immeasurably more satisfying than a morning spent watching TV and looking through your phone.

Released: 27th November 2020

https://www.facebook.com/johnbumbag/

News: ‘Something on Me’ – new album from Snowy White due out 9th October

A new album from blues-infused guitar legend Snowy White and his band The White Flames is due out on 9th October this year.

In advance of next month’s full album release, ‘I Wish I Could’ a delicious slice of virtuoso blues combined with White’s characteristically laid-back and personal lyrics is now available as a single.

Most famous for his 1983 worldwide hit ‘Bird of Paradise’ from his debut solo album, White has developed his own unique style of ‘English’ blues, a combination of clear, clean blues phrases and harder-edged contemporary rock riffs.

In the seventies he toured the east coast of America, getting as far south as New Orleans and discovering the life of a touring musician was one that suited him. By that time he had become friendly with former Fleetwood Mac guitar legend, Peter Green, and they spent a lot of time jamming together. In the Autumn of 1976 he was invited to tour America and Europe with Pink Floyd and the following year went on to guest on the solo album of Floyd’s keyboard player Rick Wright. In 1979 White accompanied Peter Green on his return to the studio after several years away and the album ‘In the Skies’ was the result. Further work with Pink Floyd ensued which was then followed by a three year stint in Thin Lizzy, leaving in 1982 to commence his solo career.

White’s first solo album was entitled White Flames and included the aforementioned ‘Bird of Paradise’ smash. In 1987 White put together a blues-orientated outfit, the Blues Agency, recording two albums. In the 90s White then toured and recorded with two Dutch-Indonesian musicians, Juan van Emmerloot (drums/percussion) and Walter Latupeirissa (bass and rhythm guitar). As The White Flames they recorded a string of albums, including No Faith Required, Restless, The Way It Is and Realistic, performing all over Europe.

A long stint then followed working with Roger Waters once more,which included Waters’ Dark Side Of The Moon and Wall’ tours. In between tours White founded the Snowy White Blues Project, recording the albums ‘In Our Time Of Living’ and ‘In Our Time…Live’.

White’s most recent solo album, The Situation came out in 2018. The new album Something On Me features Thomas White on drums, Rowan Bassett on bass and appearances by various other White Flames.

http://www.snowywhite.com/

Uriah Heep’s 50th anniversary – interview with Mick Box

Uriah Heep celebrate their 50th anniversary this year. An anniversary tour, like pretty much everything else this year, has now been rescheduled for 2021 but Greater Manchester Rock Radio’s Tony Charles recently caught up with Heep’s Mick Box to reflect on the band’s past half century.

In a fascinating hour-long programme that GMRR have shared with me for this blog, Mick and Tony takes us through the band’s entire history starting with the very early days and the band’s formation. The classic David Byron-fronted years of the early to mid 70s are discussed in some detail, of course, but Box’s reflections on the years that came after that are definitely worth hearing.

Talking about the late 70’s and the band’s temporary implosion following the release of the Conquest album in 1980, Box reflects: “I’ll tell you what it was. I think the writing got a bit too poppy. We started off as a rock band and then you got songs like ‘Free Me’ and ‘Come Back To Me’ and although they were good songs we didn’t really associate them with Uriah Heep if you like and I think a lot of fans fell by the wayside because we lost that rocking edge.”

Uriah Heep bounced back in 1982 with a new line-up and the Abominog album. Box looks back on that now as: “Very much an album of the 80s in its production, in its writing and everything and we had great success with it.”

In more recent years the band has returned to a more classic sound with the last album Living The Dream receiving heaps of praise. Box: “With Living The Dream we had a great producer Jay Rushton and what he did was he kept the heritage of the band and all the trademarks that the band is known for – with the five-part harmony and the wah-wah guitar, the solos, the Hammond organ – and he kept all of those elements but he had a wonderful way of blending them to make them sound very modern.”

Thanks to Tony Charles and Greater Manchester Rock Radio – you can listen to the full hour-long interview on soundcloud here:

Related posts:

Uriah Heep, London 2014

Uriah Heep at Giants of Rock 2018

Uriah Heep, Bexhill 2019

Are you an aspiring Radio DJ? Introducing Greater Manchester Rock Radio

Glam-punk: album review: Tiny Bit of Giant’s Blood ‘Gigantosaur’

This review was originally published by Get Ready To Rock here

Following ‘Dram A’ a five-track EP released back in 2018 Gigantosaur is the debut full-length album from US-based self-styled glam punks Tiny Bit Of Giant’s Blood. A curious but likeable album from this gloriously eccentric bunch, the likes of Queen, Bowie and Van Halen are hailed as influences. Such influences are clearly evident but there’s also plenty of Ramones-style attitude and a sprinkling of over the top Tubes-style outlandishness and some Mott-style craziness that gives the album that punk edge.

Tiny Bit Of Giant’s Blood are Tony Rogers – vocals/keyboards, John Scholvin – guitar/vocals, Jackie Schimmel – bass/vocals, and Larry Beers – drums/vocals.

‘Girl Over Here’ is one of the stand-out tracks and one of those where the glam influences are most obvious. Punchy and hook-laden, it put me in mind of Transformer-era Lou Reed with early Stooges-style attitude and Queen-esque backing vocals. One of the more out and out punk tracks is the wonderfully off-the-wall ‘Mick Jagger Carries My Boots’. The album also includes a raggedly anarchic cover of ‘If You Want Blood’ which manages to sound absolutely nothing like AC/DC yet manages to sound inspired. If you’re going to do a cover an all-time classic rock song there’s absolutely no point in making it sound like a copy of the original so they just take this brilliantly-written song, ignore what was recorded originally and apply their own unique formula. They pretty much pull it off.

Gigantosaur is definitely something a little different. Taking a sideways look at some great elements of rock history and coming up with something quirky, fun and just that bit crazy do check out Tiny Bit of Giant’s Blood.

Released: 22nd May 2020 by Jumbo Records

https://www.tinybitofgiantsblood.com/

Rock/Americana: album review – Lee Gallagher & The Halleluja ‘L.A. Yesterday’

Taking inspiration from that the likes of The Byrds, The Flying Burrito Brothers and Buffalo Springfield, Lee Gallagher lays out his own take on that cosmic California sound with his latest album L.A. Yesterday. It’s all majestic-sounding piano, nifty guitar licks and laid-back California vibes. With Gallagher’s emotive, highly expressive vocals (he’s been compared to everyone from Steve Marriott, to Tom Petty to Neil Young) and his not inconsiderable songwriting skills it makes for an instantly appealing mix.

The music I play is always centred on rock and roll,” Gallagher reflects. “It’s very much rooted in what was a period of awakening – the late 60s/early 70s. So many obscure artists. So many mega artists. Just a lot of great art.”

Gallagher began his singing career in the bars of Southern Ohio but making the move from the mid-west to the sunshine state he soaked up those west coast influences and eventually put together a band, The Hallelujah. An EP and a full-length album followed and, with a slight shift in personnel, L.A. Yesterday is the outfit’s third release.

Recorded at Palomino Sound, a vintage 70s Los Angeles studio, Lee Gallagher (vocals, guitar, banjo, harmonica) is joined by long-time collaborators Kirby Hammel (keyboards) and Jimmy Dewald (bass) along with new additions Jason Soda (lead guitar, slide guitar, acoustic guitar, 12 string guitar, mandolin and Hammond organ) and Will Scott (drums).

Combining elements of psychedelia, Americana and good old rock and roll L.A. Yesterday is a luscious slice of vintage California. As Gallagher says: “Play it very loud rolling down the highway or simply melting into your favourite chair.”

Released: 24th July 2020

https://www.leegallaghermusic.com/

News: 40th anniversary re-release for Hunter/Ronson/Van-Zandt-produced classic by the Iron City Houserockers

Forty years ago former Mott and Bowie alumni Ian Hunter and Mick Ronson teamed up with Steven Van Zandt (Bruce Springsteen and Southside Johnny), co-producers the Slimmer Twins (Steve Popovich Sr. and Marty Mooney) and the Iron City Houserockers to create the band’s legendary second album Have a Good Time (But Get Out Alive).

Hailed by Rolling Stone magazine at the time as “a new American classic” Cleveland International Records is now releasing the album as an expanded 40th anniversary deluxe reissue on 22nd May.

iron Get-Out-Alive-CD-Cover

Although their debut album Love’s So Tough essentially took the band’s live show and brought it to the studio, they were looking for something more far-reaching for the follow-up. Lead singer Joe Grushecky wrote the title track ‘Have a Good Time (But Get Out Alive)’ at the time Pittsburgh’s steel industry was “going down the chutes,” he says. 

“I started really zeroing in on the characters of Pittsburgh, the people who lived in my neighbourhoods, the guys who were coming out and seeing us play every night,” says Grushecky. “The whole identity of Pittsburgh was changing.”

During one particular show, as the audience was becoming a bit too enthusiastic, Grushecky told a fan, “Man, have a good time, but get out alive!” He suddenly realised he had a great song title, which ended up becoming the moniker for the album as a whole.

Iron-City-Houserockers-01

Grushecky credits Van Zandt for making him a better writer by encouraging him to make every lyric of every song count and guiding him through that process. “Steve was great with arranging,” he says. “He gave invaluable input and ideas to the band.”

Ronson and Hunter may have looked the archetypal rock and roll stars of the day, but Grushecky recalls the reality being somewhat different. “They were salt of the earth guys and they were a team,” he says. “You could tell the strong affection they had for each other. It was an honour for me to work with both of them. I’ll say that to my dying days. It was just a tremendous experience for me.”

Ian Hunter looks back fondly on his time working with the band:

“Joe and the Houserockers were and are an actual rock and roll band. So many ‘rock and roll’ bands are not real – they just look and act like they are – and fool people most of the time. These guys are for real – and what a lovely man Joe is.”

Iron-City-Houserockers-04

In the liner notes Grushecky offers his own reflection of the record that emerged:

“We had great songs and the band was smoking,” he writes. “We all knew something special was happening. The results were a mixture of Pittsburgh rock and roll, Jersey Shore savvy and soul, and English mystic and muscle. Add a dash of Cleveland moxie and an anything goes attitude and a legendary album was born.”

The core group was Grushecky on vocals and guitar, Gil Snyder on piano and vocals, Ned E. Rankin on drums, Art Nardini on bass, Marc Reisman on harmonica and background vocals, and new recruit Eddie Britt on guitar, who replaced founding member Gary Scalese following an injury.

Featuring many of the Houserockers’ signature tunes like ‘Pumping Iron, ‘Junior’s Bar’, and, of course, the title track, the album is released by legendary indie label Cleveland as a remastered two-CD set that includes a bonus disc with 16 previously unreleased tracks of demos and other rarities. The new vinyl edition will include a download card of those same 16 tracks to go with a vinyl replica of the original album.

Cleveland International Records was originally launched in 1977 by Steve Popovich and was relaunched in 2019 by Popovich’s son.

More information at www.clevelandinternational.com

Have a Good Time (But Get Out Alive) is released on 22nd May 2020

Related posts:

Cleveland Rocks – iconic independent record label relaunches

Mott The Hoople at Shepherds Bush Empire 2019

Ian Hunter at Shepherds Bush Empire 2016

Ian Hunter at Giants of Rock 2016

Mott The Hoople Fan Convention 2016

Ian Hunter at Shepherds Bush Empire 2014

News: 40 years of Thunderstick celebrated with limited-edition live album – released 20/3/20

Something Wicked This Way Came – Live in France

Released 20/3/20 on Roulette Records

Order from: https://www.roulettemedia.uk/thunderstick-store

By way of marking forty years since the emergence of the infamous masked drummer ‘Thunderstick’, who became the iconic figure for the then burgeoning ‘New Wave Of British Heavy Metal’ movement, his eponymously-named band are ready to release their first ever official live album. The limited-edition CD will be released by Roulette Records on 20th March.

Thunderstick’s alter ego and creator Barry Graham Purkis announces: “I am so happy to announce that after 40 years of ‘Thunderstick’ a live album will be released this month to celebrate. Comprising both Thunderstick and Samson material with the odd ‘cover’ thrown in for good measure, there has never been any official recordings of the band in concert before so for us this is pretty damn special..!!”

Lead singer Raven Blackwing adds: “I am really excited about the upcoming release of our live album ‘Something Wicked This Way Came’ Thunderstick live in France. The whole gig was a blast from start to finish with so many new friends made, a beautiful way for me to cherish that memory of that performance. It’s my first album with the band and I’m really hoping that people listening to it will pick up on the enjoyment that I and the guys had on stage that night. Much love Raven xx”

Live in France - cover artwork

Recorded live in France in November 2019 the album features a full concert with the following track listing:
Riding With The Angels
Go Sleep With the Enemy (I Dare Ya)
Earth Mother
Buried Alive
Dark Night Black Light Monologue Teenage Suicide)
Dark Night Black Light
Vice Versa
Witches Trial
Blackwing …… The Curse
Dark Princess Thunder
Thunder Thunder
Time Warp

Best known for his time with Samson and an early Iron Maiden Barry Graham Purkis (AKA Thunderstick) has been the legendary icon for the NWOBHM (New Wave Of British Heavy Metal) scene since the late 70s. His eponymously named band, renowned for its female fronted power rock and theatricality, have a considerable heritage. The band played live and recorded for six years both in the UK and in the United States until playing their last gig in October 1986.

Then In 2016 former lead vocalist, Jodee Valentine, tragically died. In recognition of her memory Barry decided to record some songs that Jodee had performed live. This became the ‘Something Wicked This Way Comes’ album, the first new Thunderstick product in over thirty years. It was released in July 2017 to enthusiastic reviews worldwide. Following the success of the album Barry put a live band together who have brought the Thunderstick magic to a series of festival dates and live gigs. Now signed to Roulette Records an eagerly-anticipated follow-up studio album is currently being recorded and is scheduled for release in July 2020.

Baz Crowcroft, the band’s resident artist has, once again, delivered spectacular artwork for the album. He was responsible for the artwork on the last album as well as the recent single ‘Go Sleep With The Enemy’. He will, of course, also be creating artwork for the forthcoming new studio album in the summer.

The full Thunderstick band line-up is:

Vocals – Raven Blackwing
Drums – Barry Graham Purkis aka Thunderstick
Guitar – Vinny Konrad
Guitar – Lee Quenby
Bass – Rex Thunderbolt

Facebook: https://www.facebook.com/thunderstickofficial/
Roulette Records: https://www.roulettemedia.uk/

News: Thunderstick – masked drummer and his band return to Leo’s Red Lion for launch of new single

Single: Go Sleep With The Enemy/ I Close My Eyes released 7/2/20 on Roulette Records pre-order via https://www.roulettemedia.uk/product-page/thunderstick-go-sleep-with-the-enemy-i-close-my-eyes

First live gig: Leo’s Red Lion, Gravesend, Kent – Saturday 8/2/20 8pm
Tickets via https://www.ticketsource.co.uk/leosredlion/t-amaznk

Following a series of fantastically well-received live dates last year Thunderstick, with their mesmerising singer Raven Blackwing, are back with a new single and a return to live shows. Kent’s legendary rock venue ‘Leo’s Red Lion’ will be the first to support the release on Saturday 8th February.

Barry Graham Purkis aka Thunderstick: “The band will be touring our eccentric ‘Anomaly stage show’ throughout 2020. For those about to experience us live for the first time prepare yourself for the journey. We are the ‘Dark Cabaret Theatre Hooligans’ and we will steal your Rock’n’Roll hearts.”

CD Cover - Front

Raven Blackwing: “I’m very excited about the upcoming release. It’ll be my first Thunderstick recordings. I was given so much love and support throughout my first year with the band, we thought a ‘limited edition’ reworking of a couple of tracks from the ‘Something Wicked This Way Comes’ album would be a cool way to say thank you. My own particular milestone. It also sets the scene for the band’s very first live album ‘Something Wicked This Way Came…Thunderstick Live in France’. I hope that our fans enjoy both. Luv Raven xx”

The single features the tracks ‘Go Sleep With The Enemy’ and ‘I Close My Eyes’ which will be familiar to fans, reworked for the unique voice of Raven Blackwing. The single is available in both CD and digital formats.

Charismatic Raven Blackwing will lead her thunderous band mates Vinny Konrad (guitar), Lee Quenby (guitar), Rex Thunderbolt (bass) and the legendary Thunderstick/Barry Graham Purkis (drums) on a series of UK and European dates throughout the year. UK festivals ‘Breaking Bands’ on 25th May and ‘Cornwall Rocks’ on 20th November have now been confirmed, with many more to be announced. A new live album ‘Something Wicked This Way Came – Thunderstick live in France’ is set for release in March on Roulette, followed by a brand new studio album currently being recorded for release in July.

Raven Blackwing

Best known for his time with Samson and an early Iron Maiden Barry Graham Purkis (AKA Thunderstick) has been the legendary icon for the NWOBHM (New Wave Of British Heavy Metal) scene since the late 70s. His eponymously named band, renowned for its female fronted power rock and theatricality, have a considerable heritage. The band played live and recorded for six years both in the UK and in the United States throughout the 1980s until playing their last gig in October 1986. Then In 2016 former lead vocalist, Jodee Valentine, tragically died following a five-year battle with early onset Alzheimer’s. In recognition of Jodee’s memory Barry decided to record some songs that Jodee had performed live. This became the ‘Something Wicked This Way Comes’ album, the first new Thunderstick product in over thirty years. It was released in July 2017 to enthusiastic reviews worldwide.

Barry: ‘It was never my intention to put a performing band together but In light of the positive encouragement I received and much deliberation a new Thunderstick was formed. Staying true to its theatrical recognition we have been gathering momentum once more amongst the rock fraternity. The next chapter in this amazing story is ready for the writing.”

Facebook: https://www.facebook.com/thunderstickofficial/
Roulette Records: https://www.roulettemedia.uk/thunderstick

Rock and pop memorabilia at the V&A’s Theatre & Performance exhibition

With a free afternoon in London before heading off to Minehead for the Butlins rock weekend I thought I’d take a look at the V&A’s Theatre and Performance exhibition. This permanent exhibition is about stage performance in its widest sense, but amidst the magnificently ornate costumes from nineteenth century productions of Shakespeare, a sparkling line-up of pantomime dame outfits and Dame Edna’s famous Sydney Opera House-shaped hat, there are a number of exhibits that are of particular interest to rock and pop enthusiasts.

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Madness memorabilia

From a small display devoted to Madness memorabilia, to stage outfits worn by the likes of Elton John and Jimmy Page, to a ukulele played by George Formby, there’s some interesting artefacts, even if the selection seems somewhat random.

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L-r: Jimmy Page's peacock suit, Elton John's bicycle outfit and George Formby's ukulele

However, the exhibition really needs to be seen in it’s wider context to properly appreciate it and the way that twentieth century rock and pop acts fitted into a tradition of stage performance stretching back centuries.

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Recreation of Kylie Minogue's backstage dressing room

If you are taking a trip to London’s museum quarter in South Kensington anyway it’s definitely worth taking a look at – and like all other permanent exhibitions in the capital’s main museums it’s completely free.

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L-r: Coldplay's Chris Martin's stagewear and Adam Ant's Dandy Highwayman outfit

 

Live review: Glenn Hughes performs classic Deep Purple live, De La Warr Pavilion, Bexhill 16/11/19

“Ian Paice, Roger Glover and Ian Gillan don’t do these songs” former Deep Purple bass player/vocalist, Glenn Hughes, tells the Bexhill audience, as he explains his decision to put together a tour celebrating the legacy of MK 3/MK 4 era Deep Purple at the urging of many promoters.

Having caught Hughes on one of his more regular tours a few years ago I knew we were in for an absolute treat. The few Deep Purple classics he threw into the set-list when I saw him back then completely set the audience alight and he proved, beyond any reasonable doubt, that he still had the vocal ability to hit those high notes and deliver those songs in a way they deserve to be heard. When the Bexhill date was announced I therefore jumped at the chance to see Hughes perform an entire set of Purple material.

As well as still being in very fine voice and being an absolute legend on the bass Hughes has also got himself a very good band together indeed, particularly guitarist, Soren Anderson, who handles the material amazingly well – from the classic Ritchie Blackmore riffs in the MK 3 material to the more funked up jazzy feel of the MK 4 material.

Material from the MK 3 line-up features more prominently in the set and we get some wonderful versions of classics like ‘Stormbringer’ and ‘Might Just Take Your Life’. However, MK4 Purple and , isn’t overlooked entirely. ‘You Keep On Moving’ and ‘Gettin’ Tighter’ from Come Taste The Band, Hughes’ final album with the band, both get an airing. Introducing the latter, a song he co-wrote with the late Tommy Bolin, Hughes tells us he’s played it at every gig he’s performed since 1976 in tribute to his former colleague who died that same year. The Bolin tribute is followed by a raw, emotive and absolutely majestic version of ‘Mistreated’ one of the truly classic Purple songs from any era of the band.

And while the modern-day Gillan-fronted version of Deep Purple may no longer play any of the material that Hughes originally performed on, Hughes and his bandmates are not quite so churlish. They give us a magnificently rocking version of ‘Smoke on the Water’ and, after encoring with a stunning ‘Burn’, they close with a thrilling version of MK 2’s ‘Highway Star’ – Hughes hitting all the high notes in a way Ian Gillan could now only dream of. Back in the day Bolin performed both of these songs live during his three-year stint with Deep Purple, of course, so it seems only right to include them now.

I grew up with most of the songs played tonight, from albums that were frequently pumping out of my dad’s stereo as a kid. Never having seen Hughes and Coverdale with Deep Purple first time around, however, (they split when I was aged 10 – a good five years before I started going to gigs!) I am very grateful to Glenn Hughes for giving these songs a new lease of life and providing me and many others a chance to hear them performed on stage once more. Glenn Hughes has done the Purple legacy proud with this tour.

Set-list
Stormbringer
Might Just Take Your Life
You Keep On Moving
Sail Away
You Fool No One / High Ball Shooter
Gettin’ Tighter
Mistreated
Smoke on the Water / Georgia on My Mind
Burn
Highway Star

tour-poster-696x984

http://www.glennhughes.com/

Related reviews:

Glenn Hughes, London 2015

Deep Purple, London 2015

Ritchie Blackmore’s Rainbow, Birmingham 2017

Whitesnake – The Purple Album