Tag Archives: singer songwriter

Singer songwriter: album review – Marianne Faithfull ‘Negative Capability’

This review was originally published  by Get Ready To Rock here

With a recording career spanning over fifty years ‘Negative Capability’ is Marianne Faithfull’s twenty-first album. Battling arthritis, contemplating bereavement and dealing with loneliness, it’s a highly autobiographical and emotive offering from Faithfull. “It’s the most honest album I’ve ever made,” she says. “I’ve always tried not to reveal myself. There’s nothing like real hardship to give you some depth. I’ve had terrible accidents and I’m really damaged. It’s changed my life forever. I’m in a lot of pain and worked really hard to get strong so I can do my work. The great miracle is I was able to make this beautiful record. I really had no idea how it would turn out.”

Alongside a house band composed of Rob McVey, Warren Ellis and Rob Ellis and Ed Harcourt (who also collaborates with Faithfull on the writing on several of the tracks), Nick Cave also puts in a guest appearance on one track, the magnificent ‘The Gypsy Faerie Queen’ which Cave has co-written with Faithful.

Faithfull’s voice today is a world away from the soft, gentle, wistful lead vocal the world fell in love with when ‘As Tears Go By’ was released back in 1964. Her vocals, aged, deepened and absolutely full of life, love, loss, tragedy and reflectiveness, these songs are delivered with 100% sincerity and conviction. For those wanting to make comparisons, Faithfull even returns to her iconic 1964 Jagger & Richards interpretation, one of two covers on the album, alongside Bob Dylan’s ‘It’s All Over Now Baby Blue.’ Of the new material, the aforementioned collaboration with Cave, alongside the majestic ‘In My Own Particular Way’, the haunting ‘Witches’ Song’ and ‘They Come At Night’ (co-written with Mark Lanegan) are all absolute stand-outs.

With beautiful songs and stunning musicianship in ‘Negative Capability’ Marianne Faithfull has delivered a late-career classic.

Released: 2nd November 2018 on BMG

http://www.mariannefaithfull.org.uk/

61o+z9+AIiL._SX466_

Advertisements

Folk/singer songwriter: album review – Steve Tilston ‘Distant Days’

This review was originally published in the Autumn 2018 issue of fRoots magazine

Just as Richard Thompson went down the acoustic retrospective route a few years ago with the very well-received Acoustic Classics, Steve Tilston follows with this excellent nineteen-track album which reworks songs from across his almost five-decade career. À la Thompson, it’s just Tilston, his guitar, his voice and his songs. There’s a beautifully laid-back vibe to the whole affair which really gets you focusing on the songs and appreciating just what a finely talented song-writer Tilston is.

Highlights include the autobiographical On The Road When I Was Young, which originally appeared on his 2008 album Ziggurat; I Really Wanted You, from his first album in 1971 An Acoustic Confusion; and his most covered song The Slip Jigs And Reels, originally released in 1992. There is also some deft guitar work on the previously unreleased instrumental Shinjuku, dedicated to Bert Jansch.

It’s efficiently packaged rather than lavishly so, with all nineteen tracks squeezed on to a single disc. However, detailed liner notes from Tilston himself give a track by track run-down on the inspiration behind each song as well as details on where they first appeared.

Much admired as an artist, much covered as a song-writer Distant Days is a timely celebration of the gentle force of nature that is Steve Tilston. With some lovely guitar, poignant lyrics and gorgeous melodies Distant Days is turning out to be one of my favourite releases of the summer. Highly recommended.

Released by Riverboat Records July 2018

http://www.stevetilston.com/

61FIHoeZiZL._SL1200_

Singer/songwriter: album review – JR Harbidge ‘First Ray of Light’

This review was originally published by Get Ready To Rock here

Involved in the Midlands music scene since his teens, in bands such as the grunge-influenced Third Bullet as well as production work for a variety of outfits, a change of direction, together with a change of location, has led to a new, more introspective approach for JR Harbidge. Out goes the harder-edged rock artist to be replaced by a soulful, Americana-tinged singer songwriter. The album itself has flavours of Bob Dylan, Crosby, Still & Nash and Neil Young.

There’s a distinctive feel to Harbidge’s vocals, some nice acoustic guitar work and some fine supporting musicians who capture that laid-back Americana vibe just perfectly. The thing about the whole singer songwriter routine, though, is that you really have to have the songs to pull it off. And I’m pleased to say Harbidge has more than delivered in that department. There’s a maturity about the song-writing that belies the fact this is a new direction for the artist.

Covering themes from the personal to the political, from relationships (‘The Side Of You That Cares’) to war and peace (‘I Won’t Support Your Wars’) the songs are engaging and the lyrics elicit empathy. Harbidge has an ear for a good tune as well: “I always try and bring out melody in everything because I live to sing along to songs. If I can’t sing along to a song I’m not interested in it.”

With a voice you can easily warm to, songs you can easily relate to and melodies you can hum along to this is a worthy solo debut for JR Harbidge. Well worth exploring further.

Released by Absolute via Universal/Sony on 5th October 2018

https://jrharbidge.com/

resize

Folk: album review – Eddi Reader ‘Cavalier’

This review was originally published by Bright Young Folk here

Marking 40 years as a live performer, the former Fairground Attraction singer and celebrated solo artist, Eddi Reader, releases a brand new studio album. Featuring an impressive sixteen songs Cavalier comprises traditional material, her own compositions (along with some from her co-producer, John Douglas) in addition to a couple of covers.

There are some lovely arrangements of traditional songs on the album but, sound-wise, it doesn’t narrowly confine itself to what we have come to regard as folk. From Maiden’s Lament with its laid-back, jazzy clarinet; to the title track, Cavalier, with its slightly funky, slightly indie-ish feel; to Starlight, with its 1950s doo-wop-style harmonies, there’s a wonderful array of sounds and musical influences across the ages here. Of course, the album is not without its more mainstream folk moments either, with tracks like Meg O’ The Glen, based on extracts from the poems of the 18th century Paisley-born poet, Robert Tannahill, which contains some deliciously infectious fiddle.

Reader’s gentle but superbly expressive vocals and her distinctive Scottish lilt are the common thread throughout the album, but it’s also all held together with a talented cast of supporting musicians, some twenty-five in total, through strings and brass and whistle and flute, not to mention five excellent additional backing vocalists.

Cavalier contains some beautiful interpretations of traditional songs and some folk-influenced singer song-writing yet at the same time it is so much more than a folk album. File under ’F’ for fascinating.

Released 28th September 2018 on Reveal Records

http://eddireader.co.uk/

Eddi-Reader-Cavalier-Cover-500

 

Folk/country/Americana: album review – Marina Florance ‘Fly Beyond The Border’

Catching singer-songwriter Marina Florance live a couple of years ago she immediately impressed both with her heartfelt songs and the seemingly effortless but compellingly sincere country-ish vibe that she pulled off. Fly Beyond the Border is Florance’s third album, bringing together brand new material, some recent collaborations with other artists and some previously released singles.

Although coming late in life to a professional music career, the album sees Florance really hitting her stride as a song-writer of note. Her themes of life, love and relationships are universal but her honest, heartfelt delivery makes you want to hang on to every word.

Florance has been working with the lottery-funded Warm & Toasty Club’s Coast To Coast Project where she was commissioned, alongside co-writer Jules Fox Allen, to write three songs based on the memories of residents at retirement complexes along the Essex Coast. One of these songs ‘Sirens’, celebrating the tenacity of women in often very difficult circumstances, features on the album.

It’s not just the sensitive lyrics and Florance’s heartfelt delivery though. There’s some suitably impressive musicianship on this album, too. Alongside Florance’s guitar and mandolin there’s a fine group of accompanying musicians, including some lovely Americana-tinged fiddle playing from Mark Jolley that compliments Florance’s songs perfectly. Meanwhile, ‘The Blue Lady’, featuring some beautiful dobro and guitar from Ben Walker, is a definite highlight.

If you have not yet come across Marina Florance, there’s plenty for fans of folk, country, Americana or singer-songwriter to fall in love with and Fly Beyond The Border is well worth checking out.

Released: March 2018

https://www.marinaflorance.com/

DYWcU6GXUAEIBom

Related reviews

Album review – Marina Florance ‘This That & The Other’

Marina Florance – Emerging Talent Showcase

Singer/songwriter: album review – Jim McCarty ‘Walking In The Wild Land’

This review was originally published by Get Ready To Rock here

Jim McCarty, of course, is known to rock fans as the long-standing drummer of the Yardbirds. Indeed, he is the only original Yardbird left in the latter-day version of the band and the only member to have appeared on all of the band’s recordings. McCarty, however, has also had something of a career sideline as a singer-songwriter/guitarist, releasing ‘Out In The Dark’ in 1994 and ‘Sitting On Top Of Time’ in 2009. Now, for 2018, comes a third solo release: ‘Walking In The Wild Land’.

Completely, different from anything you might expect under the Yardbirds name, it’s an album of lovely, mellow, countrified rock in classic singer-songwriter vein. While “drummer releases solo album” headlines might set alarm bells ringing in certain quarters there is nothing to fear here. There is some quality song-writing and deft musicianship on this album, from the laid-back charms of the title track to the melancholic ‘Changing Times’ to the jauntily upbeat delights of ‘Charmed’.

‘Connected’ meanwhile, with its jaunty piano refrain, put me in mind of a Sunny Afternoon-era Ray Davies.‘Soft In A Hard Place’ has a beautifully fluid guitar solo and on checking the sleeve notes we discover it’s provided by none other than Rush’s Alex Lifeson. In a way that sums up the album as a whole, quietly understated but unselfconsciously delivering something that is both elegant and meaningful.

Away from the Yardbirds drum-stool, ‘Walking In The Wild Land’ demonstrates Jim McCarty’s genuine gift as a singer-songwriter. This is an album well worth checking out – just don’t go expecting ‘For Your Love’ or ‘I’m A Man’.

Released by Angel Air 9th March 2018

http://www.jamesmccarty.com/

9200000088335432