Tag Archives: album review

Folk-rock: album review – Julie July Band ‘Diamond Rainbows’

Rock music, Folk music, Album reviews, , , , , ,

Diamond Rainbows is the fifth album from the Julie July Band and their fourth album of original material. Their first, back in 2018, was a tribute to the late Sandy Denny, representing a foundational plank of their live show. Although Denny herself drew on a much wider range of influences than the folk rock label usually given to her would imply, with each successive release the Julie July Band have been on a mission to broaden the palette of musical textures they draw from. The results have been consistently pleasing and Diamond Rainbows is no exception.

The joyfully optimistic ‘Sunny Day’ with its jaunty fiddle playing is a classic slice of English folk rock while opening track ‘Riverside’ has that lush West Coast feel from the golden age of introspective singer-songwriter albums. The Eagles-ish ‘Just a Little’ again picks up that West Coast vibe. Meanwhile, ‘Medicine Man’ with its energetic rhythms coupled with gorgeous vocal harmonies put me in mind of songs like Fleetwood Mac’s ‘The Chain’. Elsewhere on the album there’s some more ethereal prog-rock influences and even a touch of gypsy jazz.

In short, while the songs exude freshness and vibrancy, the influences are pleasingly familiar, without ever straying into the formulaic.

As the Julie July Band themselves put it: “Diamond Rainbows celebrates the excitement of hearing new songs for the very first time. Every classic song was once unknown. This collection is an invitation to rediscover that sense of musical discovery.”

Throw in some top-notch musicianship from seasoned players, crystal clear vocals, beautiful harmonies and great song-writing and you’ve got the perfect summer album. Diamond Rainbows is highly recommended.

Released: 20th June 2026 https://www.juliejuly.co.uk/

Related posts:

Folk-rock: album review – Julie July Band ‘Wonderland’

Folk-rock: album review – Julie July Band ‘Who Knows Where The Time Goes?’ – A Tribute To Sandy Denny

Folk-rock: album review – Julie July Band ‘Lady of the First Light’

Folk-rock: album review – Julie July Band ‘Flight Of Fancy’

Folk: album review – Bity Booker ‘There’s No Song About a Stone’

Album reviews, Folk music, , , , ,

I first came across the delightful Bity Booker supporting Green Diesel in Brighton last summer. Describing her as “a London-based alt-folk singer-songwriter with beautiful songs, a sweet voice and some hilariously deadpan introductions” her performance certainly left an impression on me. Now she has an album out, which she refers to as her “first non-debut album”.

Bity Booker at the Folklore Rooms, Brighton – Photo credit: Darren Johnson

Bity Booker: “I call it a ‘non-debut album’ because I have long been making music in different forms, from death metal to alternative folk, so it feels strange calling it a ‘debut album’. It is the product of years of songwriting and performing solo as Bity Booker. I do take my time making things in a way that makes me happy, out of the commercial sphere and outside of norms and rules. I like to think of my creations as something organically formed and shaped by time, dreams, thoughts, rain and wind. These tape recordings feel very much alive, in the background you can hear sounds of birds, people, the sounds of London, all of which were in the room with me while recording.”

Photo credit: Stef Martin

Featuring Booker’s magical voice, her classical guitar and nine of her unique and never less than utterly charming compositions, There’s No Song About a Stone was recorded at home on a four-track tape recorder over a three-year period in South London and Thanet.

The natural world is a recurring theme in Booker’s songs or, more accurately, the natural world as a metaphor for human emotions: love, hope, sadness and a sense of belonging. The latter is very much the sentiment behind ‘Parrots in London’, Booker’s delightful paean to the growing population of feral parakeets who have made London their home. The song never fails to raise a smile when performed live, with its knowing nod to one of the capital’s most enduring urban myths (‘Some say they escaped from Jimi Hendrix’s cage’).

It’s certainly not all light and whimsical though and darker themes are explored in songs like ‘The Ballad of Lost Town’ and ‘A Tear’. Whatever the subject matter, Booker’s beguiling honesty as a performer and natural gift as a storyteller shine through.

Released: 5th June 2026 https://www.bitybooker.com/

Related post:

Bity Booker and Green Diesel in Brighton – June 2025

This week’s featured artist: John Paul Mason – debut album ‘Overstory’

Album reviews, Folk music, , , , , , , , ,

John Paul Mason is a Scottish singer-songwriter whose debut album, Overstory, was released late last Autumn. Originally from Edinburgh, but now based in Comrie, Perthshire, Mason draws inspiration from the natural beauty of his surroundings, and the mountains, rivers, forests, and lochs that define his home.

As a breathwork therapist and trainer, Mason integrates his therapeutic work into his songwriting. His stated mission is to create music that seeks to heal, awaken, and inspire.

Influenced by artists like Spell Songs, Will Varley, Kris Drever, and Krishna Das, Mason’s sound is a blend of modern Scottish folk, spiritual resonance, and environmental activism. Using guitars, cello, and violin, his music weaves together poignant storytelling and a call to action, echoing the transformative power of nature and community.

His ten-track album, showcasing titles such as ‘Forest’, ‘Nightingale’, ‘Sweet Spirit’ and ‘Crows’, represents a beautiful interplay between folk and nature.

Writing in the sleeve-notes, John Paul Mason asks: “What would a life-affirming story look like? Perhaps if we listen, quietly, closely, by a stream or within a forest to those remaining wild things we share our world with, and to the whisperings of our own soul, nature might, just maybe, bring us back home.”

Alongside Mason on guitar and vocals are some stunning contributions from assorted guest musicians who provide  bass, percussion, string arrangements and backing vocals, together with some lovely choral backing from the Earnsong Choir on the penultimate track, ‘Carry Me’.

With its enchanting melodies, powerful eco-themed story-telling and classy production, Overstory is a wonderfully uplifting debut album and John Paul Mason is an endearing performer with much to say.

Overstory released: 21 November 2025 https://johnpaulmason.com/

Folk: album review – Honey & The Bear ‘A Wish & A Tide’

Album reviews, Folk music, , , , , , ,

Already with three albums under their belt, the popular East Anglian folk duo, Honey & The Bear, have just released a fourth. Featuring eleven original songs, A Wish & A Tide could well be their best album yet. Once more, the husband and wife team of Jon and Lucy Hart delve deep into Suffolk’s landscapes and legends for inspiration as well as exploring more personal themes of love, loss and resilience.

Lucy Hart: “This album has been 14 months in the making. At the start of 2025 Jon hit on a songwriting streak and decided it was time to start work on our fourth album… and here we are. A collection of songs with far-ranging inspiration. We feature a few myths and legends from our Suffolk home, as well as taking inspiration from nature around us and historic tales, but we’ve also taken a much more inward look with some poignant numbers that can only be written after experiencing something truly life altering. We hope you’ll find beauty in it … and maybe something you’ll find yourself connecting with.”

The song-writing is as thoughtful, perceptive and compelling as ever, the gentle melodies soar with some dazzling musicianship and the harmony vocals of Lucy and Jon are just sublime. Once again, the duo’s regular cast of supporting musicians, Toby Shaer (flutes, whistles and fiddle), Archie Churchill-Moss (accordion), Evan Carson (percussion and bodhran) and Graham Coe (cello), add some truly magical touches. A particular mention must go to Shaer’s flute-playing on tracks like ‘Close to the Edge’ which complements the duo’s vocals and melodies so perfectly, it’s almost starting to become part of their USP.

Honey & The Bear continue to impress, with every album even more of a delight than the previous one. A Wish & A Tide is no exception.

Released: 23 April 2026 https://honeyandthebear.co.uk/

Related posts:

Album review: Honey & The Bear – Away Beyond The Fret

Album review – Honey and The Bear ‘Journey Through The Roke’

Live review: Moore, Moss, Rutter at Cecil Sharp House 13/4/16

Live review: Sam Kelly & The Lost Boys at Fairport’s Cropredy Convention August 2018

Alt-rock: album review – Vinyl Floor ‘Balancing Act’

Album reviews, Rock music, , , , , , ,

Balancing Act is the sixth album from Danish alt-rock outfit, Vinyl Floor. Built around the nucleus of multi-instrumentalist brothers, Charlie and Daniel Pederson, the duo handle most of the musical duties themselves but expand their sound with some carefully-chosen guest musicians. The emphasis is firmly on catchy melodies and vibrant musical textures, with an array of strings, horns and vintage-sounding keyboards enriching the basic guitar-drums-bass indie-rock template.

Vinyl Floor: “Balancing Act is about trying to balance life and searching for beauty and meaning in a world full of chaos, treason,  insecurity and false promises. A world which itself currently seems out of balance.”

That’s a balancing act many of us are trying to pull off, of course, with varying degrees of success but I will say that here the scales very much tip towards the side of optimism. There’s a warmth about this album that undoubtedly puts one in a better mood for having listening to it.

Appearing alongside the Pederson brothers are the Swedish multi-instrumentalist Bebe Risenfors (whose CV includes work with Tom Waits and Elvis Costello) on horns and upright bass; Danish classical musician, Christian Ellegaard (who is a member of the national Danish Symphony Orchestra) on strings; and guitarist Daniel Hecht (of the Danish hard rock band, Franklin Zoo) who contributes additional guitar on a couple of tracks.

Intelligent indie rock with gorgeous sounds, lush harmonies and great hooks, Balancing Act grapples with contemporary angst with a firm nod to vintage pop-rock and in the process creates something that’s both satisfying and uplifting.

Released: 27 February 2026 https://www.facebook.com/vinylfloorband

Related post:

Album review – Thomas Charlie Pederson ‘Daylight Saving Hours’

Americana: album review – Valerie Smith ‘Maggie’s Journal’

Album reviews, americana, , , , , , ,

Missouri-born, Valerie Smith is a renowned Americana, roots and bluegrass singer who has been recording and performing since the late ‘90s. Her latest project, Maggie’s Journal, is an ambitious double-disc album which has been twelve years in the making, inspired by the journals of her late grandmother, Margaret. Decades after Margaret’s death, a journal was discovered in a trunk in the attic by Smith’s cousins, giving a raw and powerful first-hand account of life in late-nineteenth century rural Missouri. Detailing a brutal existence marred by poverty, domestic violence, infant mortality, spousal addiction and endless betrayal, Little House on the Prairie this is not.

Valerie Smith: “Her story was surprising for many reasons; she had told no one of her younger years. We found out that she had been married at a very early age to a violent man, and we also learned that under her hardened exterior was a beautiful, kind, and gentle soul. She has a story to tell and her words are very personal, emotional, and raw. To me, her story is a masterpiece about life was like on the Missouri farms after the Civil War. This project took me 12 years to create because I literally felt that I was writing music with my great-grandmother, Maggie, whom I had never met.”

Featuring a mixture of original song compositions and spoken-word readings over musical accompaniment across it’s thirty tracks, Maggie’s Journal, is an enormously powerful tale of hardship, endurance and resilience but ultimately one of independence, love and fulfilment. Smith is a powerful storyteller and while the words do not always make for comfortable listening, it’s an absolutely gripping album that’s beautifully performed.

Released: 1 January 2026 https://thevaleriesmith.com/

This week’s featured artist: Holly Clarke – new album ‘Wild Feral Fierce’

Album reviews, Folk music, , , , , , ,

A singer and guitarist who’s been making waves on the folk scene in recent years, Cumbria-born Holly Clarke has performed alongside the likes of Nancy Kerr & James Fagan, Daoiri Farrell and Queer Folk. Appearing at festivals and venues such as, Sidmouth Folk Festival, Bromyard Folk Festival, Tiree Music Festival and The Glasshouse International Centre For Music, between 2019 and 2020 she was Artist in Residence at the latter, specialising in Traditional Folk Song and Ballads.

As well as performing solo, Holly has a duo with George Sansome (Granny’s Attic), The powerhouse band RE:VULVA (Amy Thatcher, Janice Burns, Cathy Geldard) and she also gigs with the trio, Holly and the Reivers, reviewed here back in 2024.

Wild Feral Fierce is Clarke’s debut solo album. Across ten tracks which mix interpretations of traditional ballads with original material, it’s an album that’s deeply rooted in folklore, myth and metaphor.

Holly Clarke: “The tracks on this record summon visions of the macabre, the supernatural and iconic figures from folklore and myth. This album is an unearthing of themes that aren’t just found lying dormant in the furrows of the land, they are alive and more relevant than ever.”

Traditional songs include beautifully atmospheric interpretations of well-known classics like ‘The Spectral Stag’ and ‘John Barleycorn’. However, like the late, great Bob Johnson of Steeleye Span, who had a similar fascination with such other-worldly themes, Clarke doesn’t just look to the British Isles for inspiration but also delves deep into the folk myths from Scandinavia where they’ve long excelled at this stuff over many centuries. ‘The Maiden Hind’, a classic Danish shapeshifting ballad, and ‘Sir Aage and Lady Elselil’, which has its roots in old Norse texts are two such tracks on this album.

Alongside her passion for adapting traditional ballads, Clarke is also a talented songwriter. The self-composed title track of the album, is a song where shape-changing is a metaphor for the joy that comes from self-acceptance and positive transformation.

Joining Clarke on the album is a core band featuring Anna Hughes (of Salthouse & Watersmeet) and fiddle and viola; Amy Thatcher (of Kathryn Tickell & The Darkening & The Shee) on accordion and synth; and John Pope (of Archipelago & MeLostMe) on double bass. The album also features a guest appearance from Kathryn Tickell on Northumbrian pipes.

Haunting and ethereal, with compelling storytelling and captivating vocals, Wild Feral Fierce is a wonderful slice of trad. arr. inspired folklore.

Released: 6 March 2026 https://hollyclarkemusic.com/

Related post:

Album review: Holly & The Reivers – Three Galleys

Folk: album review – Andy M. Stewart ‘Songs of Robert Burns’

Album reviews, Folk music, , , , ,

No, not the tartan-bedecked Andy Stewart of ‘Donald Where’s Your Troosers’ fame but Andy M. Stewart, former lead singer Scottish folk band, Silly Wizard, who went on to enjoy a successful solo career before succumbing to a tragic premature death in 2015.

A number of his self-penned songs have entered the folk canon and been widely performed by artists around the world but Stewart was also an adept interpreter of traditional material as well and was particularly fond of the work of Robert Burns.

Back in 1989, Stewart was  approached by a German record label, Wundertute, to record an album of Burns’ songs. Accompanied by Mánus Lunny (guitar and bouzouki), Charlie McKerron (fiddle) and Donald Shaw (accordion and keyboards) the album proved to be a wonderful celebration of Scotland’s national bard but for one reason or another it suffered from a distinct lack of promotion at the time and failed to attract the attention it deserved. Now, almost four decades later, Stewart’s son, Donald, and his former Silly Wizard bandmate, Martin Hadden, have remastered the album and made it available through Hadden’s own Birnam CD enterprise.

This rediscovered lost gem is a genuinely delightful album. From the rousing rendition of ‘Rantin’ Rovin’ Robin’ which opens the album to the sombre beauty of ‘Green Grow the Rashes, O’ it’s a wonderful showcase for both Stewart’s extraordinary talent as an interpreter of traditional material and for Burns’ timeless genius as a poet and lyricist.

Released: 25 January 2026 https://www.birnamcdshop.com/product/andy-m-stewart/

Folk Rock / Indie: album review – The Revellers ‘Reactors’

Album reviews, Folk music, Rock music, , , , , , ,

Following a gap of nine years since their previous release, popular Shetland indie folk rock band, The Revellers, are back with their third album, Reactors. The Revellers are Michael Anderson (lead guitar), Magnus Bradley (lead vocals, guitars), Daniel Gear (fiddle), John William Halcrow (drums, vocals), Erik Peterson (mandolin, vocals). Lewie Peterson (banjo, mandolin, tenor guitar, vocals) and Adam Priest (electric and double bass).

Often described as ‘heavy folk music’, The Revellers are seven musicians brought up on a typical millennial musical diet of alt rock, punk and metal that’s combined with a love and reverence for traditional music that’s an intrinsic part of any Shetland upbringing. The result is an explosive mix of soaring melodies, searing guitar riffs and energetic fiddle, mandolin and banjo.

From reflections on the challenges and contradictions of modern life (‘The Reflector’) to standing up for what’s right (‘Stand Up and Fight’) there are themes that wouldn’t be out of place on any typical indie rock album, but this being a band with traditional influences at its heart there’s also material like a reworking of Rhoda Butler’s poem ‘Clearances’ in the Shetland dialect and the song ‘Republic of Vinland’ which celebrates Shetland’s Norse heritage.

An album fizzing with energy and verve, it’s one that will appeal to ardent rock fans as much as dedicated folkies. Highly recommended.

Released: 26/11/25 https://www.facebook.com/therevellersshetland/

This week’s featured artist: singer-songwriter Stuart Mick Macfarlane – new album ‘The Test of Time’

Album reviews, Folk music, , , , , ,

Stuart ‘Mick’ Macfarlane is a Scottish singer, songwriter and guitarist based in the Glasgow area. He has performed his folk-flavoured acoustic songs across Scotland, holding long-running residencies at venues including Jinty McGuinty’s in Glasgow and The Drovers Inn near Loch Lomond. Alongside his solo achievements, Macfarlane is a core creative force in Glasgow’s respected progressive rock band, Abel Ganz. His song ‘Thank You’, featuring special guest performances by Runrig’s Malcolm Jones and Fairport Convention’s Jerry Donahue on the group’s acclaimed self-titled album, has become an enduring live favourite among audiences.

Although Macfarlane’s compositions have frequently been covered by other artists, The Test of Time is his first solo album to receive a commercial release.

Stuart ‘Mick’ Macfarlane: “These songs mean so much to me. I’m delighted this album is finally out. I hope they resonate with people on an emotional level, as they’re all honest and heartfelt pieces of music that I’m very proud of.”

The themes explored on the album range from the highly personal to themes around environmental degradation and homelessness, and draw on traditional Scottish folk, classic singer-songwriter and progressive rock influences.

https://stuartmickmacfarlane.bandcamp.com/track/jigsaw-pride

Beautifully produced by long-time collaborator, Colin Johnson, at Glasgow’s Audio Lounge, the album features Macfalrlane on electric and acoustic guitars and vocals, Johnson on drums, Fiona Cuthill on fiddle, Stevie Lawrence on bouzouki and percussion, and a special guest vocal appearance from Macfarlane’s own daughter, Ceitidh, on the title track.

Showcasing some fine songwriting, lovely melodies and thought-provoking themes, The Test of Time is an engaging album that’s worth checking out.

Released 24 October 2025: stuartmickmacfarlane.bandcamp.com