Tag Archives: heavy metal

Live review: Toledo Steel at The Carlisle, Hastings 3/11/18

A third live blast of this band for me in recent months, Toledo Steel are rapidly becoming one of my absolute favourite modern-era heavy metal bands.

Although they released their debut album ‘No Quarter’ earlier this year, the band are not quite new kids on the block, having been around since 2011 and with two prior EPs and a relentless round of gigging under their belts. Unlike a number of similar bands, however, their line-up has been relatively stable during that time and on-stage they are a formidable unit together.

Rich Rutter’s powerfully melodic vocals, combined with the twin guitar assault of Tom Potter and Josh Haysom and some truly, truly memorable songs make Toledo Steel a really great classic heavy metal outfit.

Storming through a set-list including ‘Heavy Metal Headache’ and ‘No Quarter’ from their recent album and ‘City Lights’ and ‘Speed Killer’ from their last EP the impact on the crowd is instant. These are not just great songs. They are fully-formed heavy metal anthems.

And with a nod to the classic era of heavy metal that has done so much to help shape and influence this band we also get a brilliant cover of Judas Priest’s ‘Heading Out to the Highway’.

Following in the footsteps of Black Sabbath and Motorhead in having an eponymously-named killer track they leave us with a momentous blast of ‘Toledo Steel’ for an encore and for everyone to roar along to. Superb!

While the Carlisle is not packed tonight the band absolutely storm the place and it’s clear Toledo Steel have some committed fans in the audience, myself included. Hopefully, it won’t be too long before they are playing on far bigger stages to far bigger crowds. They 100% deserve it.

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http://www.toledosteel.co.uk/

Related reviews:

Toledo Steel – album launch gig in London

Toledo Steel at Mearfest 2017

 

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The new wave of classic rock: six more bands to watch out for

There has been a definite groundswell of bands forming in recent years playing their own original brand of classic hard rock/metal, influenced by both the first wave of hard rock/metal bands formed in the late 60s/early 70s and the NWOBHM (New Wave Of British Heavy Metal) formed a decade later. Following my last round-up a few months ago, here is another batch of bands that have gone out of their way to impress me recently.

1. Ethyrfield

Absolutely everyone who saw them at Minehead’s Giants of Rock this year was raving about Ethyrfield. Not me I’m afraid – this was one of the bands I sadly missed at Minehead. However, I finally managed to catch Ethyrfield at the New Cross Inn and it was well worth the wait. Aged just 17, 16 and 14, Zach Cornish (vocals/bass), Ben Cornish, (vocals/lead guitar) and Dan Aston (drums) put in an absolutely incredible performance. Tony Iommi has mentored the band, they’ve picked up various awards and were voted winners of the introducing stage at Giants of Rock this year and will thus be returning to the main stage next year. I’ll be there. Simply incredible.

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https://www.ethyrfield.com/

2. Saints Of Sin

If many of the bands flying under the NWOCR look to the NWOBHM scene of the late 70s/early 80s for inspiration Saints Of Sin appear to have stepped straight out of the LA metal scene circa 1987. Big hooks, catchy choruses and bags of attitude they were one of Friday’s highlights for me. The band’s excellent album ‘Welcome To The Circus’ is well worth getting hold of.

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https://www.saintsofsin.band/

3. The Black Bullets

The Black Bullets who, if I had to describe them, bring to mind a meeting of Bon Scott and Angus Young circa 1975 and The New York Dolls. Sleazy, raunchy, dirty and brilliantly fun this is the kind of music you could never tire of. From an amazingly strong line-up of acts at the New Cross Inn’s Four Sticks Classic Rock All Dayer back in March The Black Bullets were one of my favourite bands of the day.

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https://www.facebook.com/TheBlackBulletsUK

4. Tomorrow Is Lost

Tomorrow Is Lost, a young band from Newcastle formed last year and fronted by female singer, Cass King, were one of the highlights at the New Cross Inn’s second Four Sticks event this October. Great vocals and a real sense of showmanship I snapped up their two recent EPs after their set and they are now a definite addition to my ‘ones to watch’ list.

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https://tomorrowislost.com/

5. Animal Drive

Bite! Is the debut album from Croatian hard rock band Animal Drive. Four guys in their mid to late twenties, front-man Dino Jelusic has toured as a vocalist with the Trans Siberian Orchestra. I came equipped with zero knowledge of the Croatian rock/metal scene prior to reviewing this CD but extremely polished production, a thunderous rhythm section some blinding guitar work and powerfully melodic vocals means there’s much to like about this album. Such is the sheer professionalism of Bite! that it wouldn’t be out of place sitting alongside releases from much more experienced and established bands. One of the most impressive debuts I’ve heard in a while.

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http://animal-drive.com/

6. New Device

Polished melodic hard rock and catchy well-written songs, New Device proved to be a great start to the day for when I caught them at the New Cross Inn’s first Four Sticks classic rock event. I picked up a copy of their 2013 album ‘Here We Stand’ and my initial positive impressions were definitely confirmed. Lead singer Daniel Leigh is an impressive vocalist, both when handling the all-out rockers as well as the slower, more sensitive material.

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http://www.newdevice.co.uk/

Related post:

A renaissance in classic heavy metal: six bands to watch out for

 

Live review: Toledo Steel at The Dev, Camden 12/5/18 (album launch gig for ‘No Quarter’)

The New Wave Of British Heavy Metal (NWOBHM) gave a shot in the arm to the hard rock/heavy metal scene in the late 70s/early80s. By the second half of the seventies many of the original pioneers from the late 60s/early 70s were on hiatus or running out of steam and a crop of new bands took the can-do spirit of punk and began taking hard rock out of the mega stadiums and into the altogether more accessible pubs and small venues. The scene didn’t last long and apart from a few bands who made it into the mega stadiums themselves, many fell by the wayside. In recent years, however, there has been a renewed interest in the NWOBHM. A number of the old bands have reformed and are out gigging again but, importantly, a whole new generation of younger bands, many of them taking direct musical inspiration from that scene, are once again filling up pubs and small venues, releasing albums and building up solid fan-bases.

One of those bands is Toledo Steel who are releasing their debut album ‘No Quarter’ and, in the guise of playing the official after-show party for the Frost & Fire heavy metal all-dayer at Camden’s Underworld, are at The Dev to formally launch it with a special gig.

Formed in 2011 in Southampton and with two well-received EPs under their belt the five-piece combine melodic vocals, a twin guitar attack, furiously heavy delivery and a ear for a catchy well-written song. Indeed, those very qualities that made NWOBHM bands like Saxon and Iron Maiden such a breath of fresh air back in the late 70s.

With two EPs and a brand new album the band have a really decent stash of powerful material to draw from, their set-list tonight combining earlier material like the utterly unforgettable ‘City Lights’ with material from the new album like the excellent title track ‘No Quarter’ and a song that celebrates the curse of tinnitus ‘Heavy Metal Headache.’

Looking around the crowd packed into this smallish boozer tonight it’s noticeable that there are a fair few of us in our late 40s/early 50s, clearly drawn to this renaissance of classic-sounding metal. But what is more significant is that we are far outnumbered by much younger guys and girls around the same age as the band. This is looking far less like a mid-life crisis driven nostalgia-fest and far more like a genuine movement – and that is a very hopeful sign for the future of rock.

Fast and furious, loud and heavy as hell but never less than tuneful and melodic Toledo Steel are everything you want from a truly great heavy metal band and ‘No Quarter’ is a brilliant debut album.

Released: May 18th 2018

http://www.toledosteel.co.uk/

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Related review:

Mearfest at the Carlisle, Hastings 2017

Live review: Four Sticks – Classic Rock All Dayer at the New Cross Inn, London 25/3/18

More evidence of the avalanche of impressive talents that constitute what has been loosely labelled the New Wave of Classic Rock came in the shape of the Four Sticks event at south London’s New Cross Inn last Sunday. From 2pm through until 11pm ten bands took to the stage and cranked up the volume.

I arrived just in time to catch New Device begin their set. Polished melodic hard rock and catchy well-written songs, New Device proved to be a great start to the day for me (even though I missed the first couple of bands…) I picked up a copy of their 2013 album ‘Here We Stand’ and my initial positive impressions were definitely confirmed. Lead singer Daniel Leigh is an impressive vocalist, both when handling the all-out rockers as well as the slower, more sensitive material.

http://www.newdevice.co.uk/

From there it’s on to Hammerjack who offered a brand of sleazy, raunchy rock ‘n’ roll that put me in mind of AC/DC, Aerosmith and Guns N Roses. The Guildford-based band have been around five years now. Definitely worth keeping an eye on.

http://www.hammerjackuk.com/

Next up were Black Whiskey who appeared on the introducing stage at Giants of Rock and will be returning to Butlins Minehead in 2019 on the main stage. A band who drip with classic rock influences, from Free to Led Zeppelin to Thin Lizzy, they effortlessly give the impression that they’ve been playing this way for for decades yet still manage to deliver something that is both original and compelling. I’d seen this band once before at the aforementioned Giants of Rock and picked up their album – but seeing them a second time they grew on me even more. Their debut album Heavy Train is well worth listening to and they’ve another album out later this year.

https://www.facebook.com/BlackWhiskeyUK/

After that it was time for the unbelievably talented Ethyrfield. Absolutely everyone who saw them at Minehead’s Giants of Rock this year was raving about them. Not me I’m afraid – a man’s got to eat at some point and this was one of the bands I sadly missed at Minehead. However, I finally managed to catch Ethyrfield at the New Cross Inn and it was well worth the wait. Aged just 17, 16 and 14, Zach Cornish (vocals/bass), Ben Cornish, (vocals/lead guitar) and Dan Aston (drums) put in an absolutely incredible performance. Tony Iommi has mentored the band, they’ve picked up various awards and were voted winners of the introducing stage at Giants of Rock this year and will thus be returning to the main stage next year. I’ll be there. Simply incredible.

https://www.ethyrfield.com/

Then it was time for StoneWire. Classic heavy, bluesy rock fronted by a female vocalist with a great voice, this London-based five-piece continued to keep the New Cross crowd entertained.

http://www.stonewire.net/

One of the great things about the slew of bands who are finding themselves thrown together under the New Wave of Classic Rock label is the huge variety in sound and styles. So from the precocious virtuoso talents of Ethyrfield and the experienced bluesy southern-flavoured rock of StoneWire we go straight to The Black Bullets who, if I had to describe them, bring to mind a meeting of Bon Scott and Angus Young circa 1975 and The New York Dolls. Sleazy, raunchy, dirty and brilliantly fun this is the kind of music you could never tire of. From an amazingly strong line-up of acts The Black Bullets were one of my favourite bands of the day.

https://www.facebook.com/TheBlackBulletsUK

Then it’s time for for penultimate headliners Beth Blade and The Beautiful Disasters. Big loud riffs, quality hard rock, great catchy songs and another female singer with a great voice, Beth and her band-mates certainly kept the quality levels high. I picked up a copy of their 2016 album Bad Habit which deservedly picked up a pile of rave reviews.

https://bethbladeandthebeautifuldisasters.com/

And so on to the headliners Burnt Out Wreck, the band fronted by former Heavy Pettin’ drummer, Gary Moat. When I saw these a few weeks ago supporting Anvil I actually thought they were much better than the headliners. But now they are headlining, over eight hours of bands and much alcohol, appears to have taken its toll on the New Cross audience and there don’t seem to be many of us who’ve stayed the course. This does not dampen Moat and co though who deliver an awesome set of rock ‘n’ roll swagger that has ‘headliner’ written all over it, regardless of how many they are playing to.

https://www.burntoutwreck.com/

So a fantastic day, some fantastic bands and, for me, my first all-day drinking session in the New Cross Inn since I was a student at Goldsmiths College across the road in the mid 90s. I’ll be back there for a full weekend in the Autumn – if not before.

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A renaissance in classic heavy metal: six bands to watch out for

There was a time not too long ago when anything described as a ‘new’ heavy metal band I simply did not get at all. All these weirdly-named sub-genres and even weirder-sounding vocals that just left me feeling old, bewildered and confused.

But in recent years there seems to have been a real renaissance in classic heavy metal from young, upcoming bands who cite influences such as Iron Maiden, Judas Priest, Saxon and a host of others from the New Wave Of British Heavy Metal (NWOBHM) stable from the late 70s/early 80s. Well-written songs, great guitar solos, melodic vocals and crunching riffs: classic heavy metal seems to be in better shape than it’s been for many, many years. There’s plenty out there but here’s a quick round-up of bands that have really captured my imagination recently.

Hell’s Gazelles

Stage presence, charisma, good songs, great riffs, quality musicianship. Many upcoming young bands have some of these elements. Few have them all. But Hell’s Gazelles had absolutely everything – in spades. A young four-piece from Oxford, vocalist Cole Bryant has an immense vocal range and proved himself an incredible front-man. Similarly, the young Nath Digman is a great lead guitarist. Amongst very stiff competition Hell’s Gazelles were definitely the stand-out new act of the weekend for me. It’s hard to predict what the music industry or the rock scene is going to be like in twenty year’s time but if Hell’s Gazelles are not up there alongside whatever 2040’s equivalent of Iron Maiden or Judas Priest is by then there’s no justice in the world. Get their debut EP ‘Hell’s Gazelles’.

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http://www.hellsgazelles.com/

JoanovArc

Dubbed the ‘new queens of rock’ JoanovArc immediately impressed with an energetic and high-quality performance. Big drums, powerful bass, nice heavy guitar and great vocals, their songs stand up nicely alongside the likes of female hard-rock trailblazers Girlschool, Rock Goddess and Joan Jett. Formed in 2004 by sisters Sam and Shelley Walker, they were soon joined by Deborah Wildish. After five years as a trio, Laura Ozholl completed the line-up. These new queens of rock are definitely worth watching out for.

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http://joanovarc.co.uk/

Kaine

Kaine is a four-piece formed in 2009 and musically inspired by the late 70s/early 80s New Wave Of British Heavy Metal boom. Powerful well-written songs and powerful delivery, you can hear the influences from their musical heroes like Iron Maiden in their performance. The band released its debut album ‘Falling Through Freedom’ in 2012, and it’s follow-up ‘The Waystone’ in 2014. New album ‘A Crisis of Faith’ is now on pre-order and due for release in 2018. Definitely on my ‘ones to watch list’.

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https://kaine-metal.com/

Killit

Killit are one of the most impressive bands I’ve come across in recent years. They just have that knack of coming up with instantly catchy, instantly memorable songs and demonstrate the centrality of great song-writing to truly great classic rock. They are awesome performers, too, with vocalist Gaz Twist a talented front-man with a great voice. Numbers like ‘Calm Before The Storm’ and ‘Shut It Down’ from their debut album meant that this classic-sounding heavy metal band can wow audiences with some classic-sounding heavy metal songs.

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http://www.killitband.com/

The Mighty Wraith

Hailing from the spiritual home of heavy metal itself, Birmingham-based four-piece The Mighty Wraith deliver powerful vocals and mighty riffs. Catching them on the off-chance one night while at a loose end in Wolverhampton last Autumn, frontman Matt Gore and his bandmates immediately stood out alongside the other bands taking the stage that evening. 2017 was an important year for the band, with a new EP ‘Outcast’ released, support slots for the likes of of Armored Saint and even hosting their own festival ‘Wraith Fest’. Looking forward to seeing more from these in 2018.

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https://www.themightywraith.com/home

Toledo Steel

Powerfully majestic but hard and heavy Toledo Steel put me in mind of classic-era Dio and Rich Rutter’s vocals and Tom Potter’s and Josh Haysom’s guitars are the perfect combination for this brand of hard-hitting melodic rock metal. Toledo Steel are definitely on my list to see and hear more of and I am certainly enjoying their excellent six-track EP ‘Zero Hour’. The band’s debut album ‘ No Quarter’ is released in May this year.

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http://www.toledosteel.co.uk/

Metal: album review – W.A.S.P. ‘Re-idolized (The Soundtrack To The Crimson Idol)

This review was originally published by Get Ready To Rock here

Moving away from the trashy, good-time, OTT lyrics of earlier albums, The Crimson Idol (released in 1993) saw Blackie Lawless and W.A.S.P. move into the territory of the concept  album.

The Crimson Idol tells the story of dispossessed teenager, Jonathan Steele, who becomes addicted to drink and drugs following the death of his brother and rejection by his parents. He turns his life around by becoming a rock ‘n’ roll star but still seeks acceptance from his parents. Trying and failing to reconcile with them the story ends with Steele committing suicide.

Now, some twenty-five years after it was first released, The Crimson Idol is back in the form of Re-idolized (The Soundtrack To The Crimson Idol). It’s a four-disc package that includes two CDs (the complete re-recording of the original album by the current W.A.S.P. line-up, including several tracks that were never included on the original album), along with DVD and Blue Ray versions of the hitherto unreleased Crimson Idol film. The album was originally intended to be accompanied by said film and several hundred hours of footage was shot at the time. Assembled here to create approximately 50 minutes of screen time it finally sees the light of day.

Filmed in grainy, evocative black and white, it is to be seen very much as an extended album-length video rather than (in contrast to say The Who’s Quadrophinia) a fully-formed rock film in its own right. As such, I’m not sure it’s something I would necessarily want to go and see at the cinema but it’s certainly a compelling visual memento of a very significant album in W.A.S.P.’s career.

For the CDs there is a definite energy and vitality about the recordings, even if I remain to be fully convinced of what overriding artistic point is being served by bands re-recording classic albums.  However, having seen the band perform the album in full on their recent UK tour, W.A.S.P. are definitely firing on all cylinders, Lawless’s voice is as powerful as ever, guitarist Doug Blair is an awesome player and it’s great to hear the album with the original missing songs fully restored to their rightful place in the story.

The serious W.A.S.P. fan will almost certainly want to buy this. For the more casual fan, whose interest in W.A.S.P. may have been rekindled by both the recent tour and the publicity around this release, the original version of The Crimson Idol (retailing at around half the price) may well suffice.

Released: February 2nd 2018

http://www.waspnation.com/waspnation.htm

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Related review:
W.A.S.P. at Hastings 2017

Metal: album review – Anvil ‘Pounding The Pavement’

This review was originally published by Get Ready To Rock here 

Few who have seen the brilliant ‘Story Of Anvil’ film could fail to fall in love with this band. But is being the world’s most loveable metal band enough to make you want to carry on buying their albums? On the evidence of the band’s latest offering the answer has got to be yes. Ahead of a UK tour in February ‘Pounding The Pavement’ is a very creditable offering. While it’s true there is no new equivalent of ‘Metal on Metal’ here there is plenty of typically Anvil-style good-time heavy metal, with tracks like ‘Smash Your Face’ and ‘Rock Your Shit’ delivering trademark crunching riffs and sing-along choruses.

Opening with ‘Bitch In A Box’ I did at first think come on guys it’s not 1981 any more but the album does also showcase some more mature lyrical themes.

The anthemic ‘Nanook Of The North’ explores the fate of Canada’s inuit population. As a Canadian band, we wanted to focus on more Canadian topics,” Kudlow explains; “I remembered a course at the College of Movie History, where I saw one of the first TV documentaries ever. I did some research on the internet and came across that strange overtone singing the Inuit do. I was totally awed and knew immediately what I had to do: write a song with that typical tribal feel. That college documentary was made some time during the 1920s and is called ‘Nanook Of The North’, named after the protagonist of the documentary. So I had found my title and the subject of the song.”

Another noteworthy track is ‘Warming Up’ with its Ballroom Blitz-style drum shuffle.

It’s clear that vocalist and guitarist, Steve ‘Lips’ Kudlow, and drummer, Robb Reiner, still love what they are doing and that there’s more to them than simply being endearing but unlikely stars in a tragi-comic blockbuster. Along with current bass player, Chris Robertson, Kudlow and Reiner are still rocking and still making decent new music. This album is well worth a listen.

Released: January 18th 2018

https://www.facebook.com/anvilmetal/

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Review: Mearfest at the Carlisle, Hastings 9/12/17

Saturday saw Hastings’ legendary rock pub, The Carlisle, host Mearfest. Inspired by personal tragedy Claire and Brian Mear have been running their rock and metal charity events for several years now, with funds going to The Willows stillbirth charity and other local causes.

Comprising a dozen bands and one solo acoustic set, all performing original material – no tribute acts or covers bands – what struck me throughout the day was the sheer quality of the acts taking the stage.

Particular standouts for me were Southampton five-piece, Toledo Steel; ‘Now Wave Of British Heavy Metal’ act, Kaine; and NWOBHM veterans Satan’s Empire, reformed after three decades.

Powerfully majestic but hard and heavy Toledo Steel put me in mind of classic-era Dio and Rich Rutter’s vocals and Tom Potter’s and Josh Haysom’s guitars are the perfect combination for this brand of hard-hitting melodic rock metal. Toledo Steel are definitely on my list to see and hear more of and I am certainly enjoying their excellent six-track EP ‘Zero Hour’.

http://www.toledosteel.co.uk/

Kaine is a four-piece formed in 2009 and musically inspired by the late 70s/early 80s New Wave Of British Heavy Metal boom. Powerful well-written songs and powerful delivery, you can hear the influences from their musical heroes like Iron Maiden in their performance. I took a copy of their excellent album ‘The Waystone’ away which confirms why they are getting so many plaudits on the contemporary metal scene.

https://kaine-metal.com/

Satan’s Empire had a breakthrough of sorts in 1981 when their excellent single ‘Soldiers Of War’ appeared on a Neat Records compilation. Sadly, they disappeared from view but now, with the original line-up still intact, they have reformed. Their performance oozed class, stage presence and memorable songs and it’s great to see them get a second bite of the cherry. They deserve it.

https://www.facebook.com/SatansEmpireOfficial/

I’ve just pulled three acts out here that particularly inspired but in truth the quality didn’t let up throughout the day. It’s clear that organisers Brian and Claire Mear love what they are doing and, importantly, know what they are doing.

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http://www.mearfest.org/

W.A.S.P. at White Rock Theatre, Hastings 12/10/17

This review is also published on Get Ready To Rock here

Loud, brash, obnoxious, Blackie Lawless’s LA metal outfit W.A.S.P. burst on to the scene in the early 80s and were never far from controversy. Over time, however, the band evolved and their output started showing signs of growing maturity. To be honest it’s not going to be too difficult for your music to start getting more mature if your first record is called ‘Animal (Fuck Like A Beast)’ is it?

The W.AS.P. of the early 90s had moved on to recording a full-blown concept album. ‘The Crimson Idol’ tells the story of a boy Jonathan and explores themes of estrangement, drugs, fame, money and suicide. It has become something of a cult heavy metal album and, twenty-five years since it was originally released, Lawless and his band are touring it in full.

Apart from the ever-present Blackie Lawless, W.A.S.P. has undergone numerous line-up changes over the years and no-one else on stage tonight originally performed on ‘The Crimson Idol’ album. Nevertheless, the band are in fine form and there is some powerful playing from new drummer, Aquiles Priester, and from lead guitarist, Doug Blair. Lawless’s distinctive vocals are as strong and as recognisable as ever.

Songs like ‘The Invisible Boy’ , ‘Chainsaw Charlie (Murders in the New Morgue) and ‘I Am One’ are superb tracks and stand up well on stage. Unlike when some acts choose to revisit an album in full and take the opportunity to reminisce on the history behind every track, there is little in the way of on-stage chat tonight, but Lawless is a charismatic stage presence nonetheless. Visuals from the accompanying film for the album play on three large screens at the back of the stage, adding to the atmosphere. It’s a great album and a great performance tonight.

However, throughout the show part of me was excitedly anticipating the encore and, hopefully, a run-through of some of the great songs from the earlier, dumber, stupider, trashier era of W.A.S.P. It wasn’t a long encore – three songs – as the band didn’t get on stage until 9pm, having only just arrived in the UK following the Scandinavian leg of their tour. But we did get gloriously over the top versions of ‘L.O.V.E Machine’ and ‘Wild Child’ which made a fitting end to the proceedings. Was I disappointed that we didn’t have a bit more of this? A little – but that has only made me more determined to catch Blackie and the boys again when they are next over…

Set-list:

The Titanic Overture
The Invisible Boy
Arena of Pleasure
Chainsaw Charlie (Murders in the New Morgue)
The Gypsy Meets the Boy
Doctor Rockter
I Am One
The Idol
Hold on to My Heart
The Great Misconceptions of Me
The Real Me
L.O.V.E. Machine
Wild Child

https://www.waspnation.com/waspnation.htm

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Rock/metal: album review – Wicked Stone ‘Ain’t No Rest’

This review was originally published by Get Ready To Rock here

Formed in 2015, Wicked Stone are a British five-piece hard rock metal band, citing influences such as Guns n Roses, Alter Bridge and Black Stone Cherry ‘Ain’t No Rest’ is band’s debut album from Wicked Stone.

The title track is a strong opener. A powerful chugging riff with some nicely melodic lead guitar and a catchy chorus, their music definitely embraces a timeless classic rock feel while the vocals give it a more contemporary edge. ‘Hit It ‘n’ Quit’ It is another stand out track. Big and bombastic with a machine gun-like rhythm section and a Guns N Roses-esque stadium rock chorus, I can imagine this going down well live. ‘Rattleshake’ is another great track with some superb soloing which definitely helps convince you this band has got something going for it.

And in bolstering their classic rock pedigree still further the band can point to their drummer, Olly Smith, who played alongside current Judas Priest guitarist, Ritchie Faulkner, and the daughter of Iron Maiden bass player, Steve Harris, in the Lauren Harris Band. The other members of the band are Joe Hawx (vocals), James Forrister and Ryan Stageman (guitars) and James Amos (bass).

While I am not quite sure all of the songs are memorable enough to immediately pass the singing-in-the-shower test (always the sign of a genuinely classic hard rock record for me) there is, nevertheless, some real promise shown on this album and ‘Ain’t No Rest’ it is a worthy debut.

http://wickedstone.co.uk/

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