Scarfoot are a three piece hard rock/metal outfit from Merseyside. A video for their latest release ‘Cactus Killer’ was unveiled back in June and has already clocked up an impressive 8,000+ views.
The band are Oliver Carins (guitar and vocals), Phil Eakins (drums and vocals) and Rhys Jones (bass). Formed back in 2018 their line-up has now settled with bass-player Rhys joining the two founder members.
I get the lowdown on the video:
“We were intending to make a more… budgetarily weighty video,” confesses Rhys. “But lockdown after lockdown after lockdown made us just decide – balls to this, we’ll have some cactuses fight and animate them. It isn’t the video we originally intended to make, but in a pandemic you do what you gotta do to keep the ball rolling. We had cactuses, we’re a bit daft, so this is what we made!”
And how would the band describe their sound?
Rhys: “A yet to be defined genre. Probably stoner metal would be the closest I think but we do argue about it.“
Guitarist/vocalist/songwriter Ryan O’Donovan, is a Sussex-based musician who has built up a solid reputation through the learning disabled music scene. Whether it’s providing backing vocals and guitar for Beat Express, vocals and lead guitar for Zombie Crash (both bands of which are managed by Brighton-based charity Carousel that facilitate learning disabled people in the arts), lead vocals for Lost Asylum or venturing place to place solo, as his favourite saying goes, he is always out to rock out.
During the past year or so through lockdown, Ryan has attracted a significant following through a variety of online events, hosted by the likes of Carousel, Gig Buddies and, most recently, Electric Umbrella – as well as his own regular ‘Rockin at Home With Ryan’ online gigs.
I caught up with Ryan recently to discuss his musical background, influences and what inspires his song-writing.
How I got into music:
The way I got into music was rather extraordinary. I did terribly at it in school and college, I’ve never done a good job of reading musical notation or scores, yet I always seemed to be able to pick up sounds, pitches and keys by ear and identify them that way, which made me a very projective type when using my voice. I can still remember one or two examples of feedback from teachers highlighting how I put the most effort in to singing during nativity plays (I was in a Church of England primary school). According to my mum, as a baby I was even able to sing back (or more so hum at that age) a tune on the radio in perfect key with it! I grew up seeing my dad’s guitars on the walls here and there and hearing him practice; around the time I was born, he had a short-lived stint as the lead vocalist of a band called Blue Parish, though he only got as far as one gig with them where he was plagued by stage fright and never performed in another gig. Still, it would later be an influence, as well as my mum’s brothers being guitar players in their own time. I even later on heard that my great-grandmother (mother to my paternal grandma) was involved in theatre.
As well as those influences, the music of Busted made me want to pick up a guitar all the more, as well as seeing the cast of Rock School get going as a group (albeit temporary) under the coaching and guidance of Kiss’s Gene Simmons. With a few pointers on the tuning of whatever guitar I could borrow from my dad, I started playing songs I knew when I was 15; not by looking up any tabs or scores, but by remembering what key the songs were in and played the notes from there. Anything else I learned in pointers here and there over the years to come.
My musical influences:
My influences as they are now depend on which band, or any kind of group capacity, that I’m active with. As a solo artist, my influences (in alphabetical order so that I don’t miss anyone significant) include the likes of Alanis Morrisette, Alter Bridge, Avril Lavigne, Black Stone Cherry, Busted, Def Leppard, Fightstar, Fozzy, Godsmack, Guns N’ Roses, Kid Rock, Linkin Park, Nickelback, Nirvana, Pearl Jam, Puddle of Mudd, Saliva and Queen. It was music I grew to love that typically involved heavy guitar playing to varying degrees – and made me want to be more and more of the sort myself.
What inspires me to write:
Aside from the musical influences of artists I’ve talked about as well as my family’s influence, there are varying inspirations for me to write songs. I started by writing an abstract collection of songs that had more fun with whatever was on my mind at the time. Then I wrote songs reflecting my insecurity with being a single man, in varying tones of looking at where I was both in a positive and negative light. Now I write about my own personal acknowledgements towards seasonal traditions, when not writing about my main life experiences in hindsight. But most of all, my main inspiration is how far I’ve come along, especially now that I’ve been playing guitar for half my life and only developed along the way as a musician, performer and individual. This IS my life’s main worth, as nothing else has stood the test of time with me like my way as a musician. And I have nothing else in mind other than to live this lifestyle to the full and make the most of it all. That’s why my saying is “Always out to rock out”.
After performing a one-off gig together in November 2019 it was announced last year that three former member of Judas Priest, guitarist KK Downing, vocalist Tim ‘Ripper’ Owens and drummer Les Binks, would be working together more permanently as part of KK’s Priest.
Downing, of course, had severed his long-standing ties with Judas Priest back in 2011, citing a breakdown in band relations. Owens’ own eight-year tenure in the band, came to a conclusion in 2003 when lead singer, Rob Halford, returned. Binks, meanwhile, left Judas Priest in 1979 after recording three classic albums (Stained Glass, Killing Machine and Unleased In The East) following a row over money with the band’s management.
Binks, who had already been touring with his own outfit Les Binks’ Priesthood – performing songs from his time in the band, has unfortunately had to put activities on hold due to a wrist injury. Downing and Owens, however, are now raring to go with a new single ‘Hellfire Thunderbolt’ released this week, an album Sermons Of The Sinner set for release on 20th August this year, with live dates to be announced as coronavirus restrictions are lifted.
Downing:“We are delighted to finally be able to release our first track to the world. It gives a real flavour of the sound and showcases the amazing players I’ve got in this band.We can’t wait for the fans to hear the record.”
Joining Downing on guitar and Owens on vocals, are Tony Newton (Voodoo Six) on bass, A.J. Mills (Hostile) on guitar and Sean Elg (DeathRiders/Cage) on drums. It is hoped Binks will make special guest live appearances when the band tours.
Downing notes that Sermons Of The Sinner is an album that celebrates his classic metal roots and encourages us to cherish those iconic pioneers whom we still have with us. He jokes that KK’s Priest is “like a new old band. Or an old new band.”
“The whole concept is the fact that I continue proudly to be who I am and what I am and do what I do,” declares Downing. “It’s been nearly 10 years. I’m back making music.”
Downing continues:“The ultimate message is we’ve moved away from this music that we loved for so long and we’re so dedicated to, and now we’re in a situation where lots of people are actually passing away. We’ve lost a lot of great people – Dio, Lemmy, I could go on – and that’s gonna be accelerated over the coming years. Basically, enjoy everything that’s left of this brand of metal including from me. It’s not going to last forever.”
The new single certainly captures a lot of the energy, attitude and sound of classic Judas Priest and there’s more than enough room in the classic rock and metal scene for bands to thrive. This has got to be good news for Priest fans. I’ll certainly be keeping a close eye on this band as well as Judas Priest itself. Let’s make the most of them while we’ve still got them.
KK’s Priest is set to tour worldwide as soon as current restrictions are lifted. Details of touring to be announced.
By way of marking forty years since the emergence of the infamous masked drummer ‘Thunderstick’, who became the iconic figure for the then burgeoning ‘New Wave Of British Heavy Metal’ movement, his eponymously-named band are ready to release their first ever official live album. The limited-edition CD will be released by Roulette Records on 20th March.
Thunderstick’s alter ego and creator Barry Graham Purkis announces:“I am so happy to announce that after 40 years of ‘Thunderstick’ a live album will be released this month to celebrate. Comprising both Thunderstick and Samson material with the odd ‘cover’ thrown in for good measure, there has never been any official recordings of the band in concert before so for us this is pretty damn special..!!”
Lead singer Raven Blackwing adds: “I am really excited about the upcoming release of our live album ‘Something Wicked This Way Came’ Thunderstick live in France. The whole gig was a blast from start to finish with so many new friends made, a beautiful way for me to cherish that memory of that performance. It’s my first album with the band and I’m really hoping that people listening to it will pick up on the enjoyment that I and the guys had on stage that night. Much love Raven xx”
Recorded live in France in November 2019 the album features a full concert with the following track listing:
Riding With The Angels
Go Sleep With the Enemy (I Dare Ya)
Dark Night Black Light Monologue Teenage Suicide)
Dark Night Black Light
Blackwing …… The Curse
Dark Princess Thunder
Best known for his time with Samson and an early Iron Maiden Barry Graham Purkis (AKA Thunderstick) has been the legendary icon for the NWOBHM (New Wave Of British Heavy Metal) scene since the late 70s. His eponymously named band, renowned for its female fronted power rock and theatricality, have a considerable heritage. The band played live and recorded for six years both in the UK and in the United States until playing their last gig in October 1986.
Then In 2016 former lead vocalist, Jodee Valentine, tragically died. In recognition of her memory Barry decided to record some songs that Jodee had performed live. This became the ‘Something Wicked This Way Comes’ album, the first new Thunderstick product in over thirty years. It was released in July 2017 to enthusiastic reviews worldwide. Following the success of the album Barry put a live band together who have brought the Thunderstick magic to a series of festival dates and live gigs. Now signed to Roulette Records an eagerly-anticipated follow-up studio album is currently being recorded and is scheduled for release in July 2020.
Baz Crowcroft, the band’s resident artist has, once again, delivered spectacular artwork for the album. He was responsible for the artwork on the last album as well as the recent single ‘Go Sleep With The Enemy’. He will, of course, also be creating artwork for the forthcoming new studio album in the summer.
The full Thunderstick band line-up is:
Vocals – Raven Blackwing
Drums – Barry Graham Purkis aka Thunderstick
Guitar – Vinny Konrad
Guitar – Lee Quenby
Bass – Rex Thunderbolt
This review was originally published by Get ready To Rock here
UK audiences may not be too familiar with German-born Sascha Paeth but the multi-instrumentalist and producer has had a hand in many, many dozens of albums for an extensive roster of bands over the past three decades. These include the likes of Avantasia, Kamelot, Rhapsody and Epica.
Now Paeth has put together his own band: “Finally, I am putting my energy into a metal project of my own. It is the sum of my experiences over the years and a bit of a revival of what I was doing in the past.”
The musicians that he’s recruited are Felix Bohnke on drums, André Neygenfind on bass, Corvin Bahn on keyboards and American singer Adrienne Cowan. Style-wise it explores a variety of different textures from the melodic to the more straight-ahead metal. Cowan’s powerful range certainly suits the mix of styles on the album from the full-frontal assault of ‘The Time Has Come’ to the symphonic Blackmore-esque ‘Weight of the World’ to the delicate piano-driven ballad ‘The Path’. All of the album’s eleven tracks are either written by Paeth alone or co-written with lead singer, Cowan, and demonstrate a good ear for creating catchy but powerful songs.
Production-wise it’s as polished as anything you’d expect from the Frontiers stable and Paeth and the record label seem perfectly suited to one another.
Powerful, melodic and inventive Signs of Wings is a piece of well-crafted European metal that’s worth seeking out.
This review was originally published by Get Ready To Rockhere
Bite! Is the debut album from Croatian hard rock band Animal Drive. Four guys in their mid to late twenties, front-man Dino Jelusic has toured as a vocalist with the Trans Siberian Orchestra. He’s joined by talented guitarist Keller, bass-player Rokindja and Adrian Boric on drums.
I came equipped with zero knowledge of the Croatian rock/metal scene prior to reviewing this CD but extremely polished production, a thunderous rhythm section some blinding guitar work and powerfully melodic vocals means there’s much to like about this album.
In terms of both song-writing and delivery, epic power-ballad ‘Father’ very much put me in mind of David Coverdale. Indeed, the band cite Whitesnake, along with Skid Row and Dream Theater as key influences. Of the faster-paced material ‘Had Enough’ (also released as a single) is one of the stand-out tracks, a furious assault that comes with a catchy hook, great guitar soloing and some soulful mature vocals – all the ingredients you would want from a great hard hard song.
The band was originally formed in 2012 which in many respects shows the advantages of not rushing straight into recording an album. Dino Jelusic has clearly had the opportunity to hone his writing skills and, importantly, the band have managed to get themselves snapped up by a big label. The album is released by Frontiers, whose roster is full of well-known acts like Toto, Yes, Journey, Thunder, Survivor, Whitesnake and Boston. Such is the sheer professionalism of Bite! that it wouldn’t be out of place sitting alongside releases from much more experienced and established bands.
One of the most impressive debuts I’ve heard in a while.
Ever since they played their first ever gig at the start of Butlins’ Giants Of Rock festival in January 2017, I’d been hearing good things about Burnt Out Wreck. I was watching a band on the other stage at the time so never got to see them. I’d made a mental note, however, and when former AC/DC drummer Phil Rudd announced a solo tour with his new outfit, with Burnt Out Wreck as the support act, it seemed an ideal opportunity. That was cancelled and then rescheduled and then cancelled again. Third time lucky then when Anvil announced supported by Burnt Out Wreck. An opportunity to finally catch this band, along with Anvil, who I hadn’t seen since I was a teenager when they were supporting Motorhead.
It was a triple bill at Camden’s Underworld, first up were Welsh rockers VOiD. Formed in 2002 with three albums under the belt, VOiD’s brand of classy, melodic hard rock proved a good opener for the evening. I was particularly impressed with their extremely talented lead guitarist, Chris Jones, and even more impressed when the lead singer told the crowd it was Jones’ first ever gig with the band.
Next up were Burnt Out Wreck. Formed by Gary Moat, drummer and chief songwriter of 80s band Heavy Pettin’, Burnt Out Wreck put out their debut album in early 2017 – not long after that first gig at Giants Of Rock. Their brand of bouncy, good-time, hard rock, reminiscent of Bon Scott-era AC/DC, immediately had the audience on their side. Songs like ‘Swallow’ brilliantly bring back some of that sleazy, rock ‘n’ roll boogie swagger, that late 70s pre-stadium AC/DC were so renowned for.
Things could only get even better when the mighty Anvil took the stage couldn’t it? You cannot fault this band’s dedication, enthusiasm and sincerity, or their undying commitment to the rock ‘n’ roll dream – captured so well in the film smash The Story Of Anvil. But to be truthful I was a little underwhelmed by what I saw tonight. I remember when I first saw Anvil in 1983, I couldn’t help thinking that this was a band that sounded better on record than on stage and thirty-odd years later that same thought was occurring to me. For a start the sound wasn’t good. The amps were cranked up a good few notches compared to the support bands. There’s nothing wrong with that, of course, except that it lifted the drums and bass to a fairly deafening level while the guitar was barely audible in comparison. It was a shame because I enjoyed their new album and was looking forward to hearing a selection of songs from that, as well as earlier classics like the iconic ‘ Metal On Metal’. We got a good selection of each, plus a rousing rendition of the Steppenwolf classic ‘Born To Be Wild’. However, I came out of the gig 35 years after I last saw Anvil still convinced that they sound better on record than they do live.
That’s not to say I am not very happy to celebrate Anvil’s career renaissance in recent years. “I haven’t delivered a meal in ten fucking years,” Steve ‘Lips’ Kudlow told the crowd, alluding to the opening scenes in the Story Of Anvil film which saw him driving around in a van delivering school meals between gigs. And I finally got to see the fantastic Burnt Out Wreck and also become acquainted with Void, who are another band on my ‘ones to watch’ list. All in all a good night.