Tag Archives: Pounding the Pavement

Live review: Anvil / Burnt Out Wreck / VOiD at The Underworld, Camden 6/2/18

Ever since they played their first ever gig at the start of Butlins’ Giants Of Rock festival in January 2017, I’d been hearing good things about Burnt Out Wreck. I was watching a band on the other stage at the time so never got to see them. I’d made a mental note, however, and when former AC/DC drummer Phil Rudd announced a solo tour with his new outfit, with Burnt Out Wreck as the support act, it seemed an ideal opportunity. That was cancelled and then rescheduled and then cancelled again. Third time lucky then when Anvil announced supported by Burnt Out Wreck. An opportunity to finally catch this band, along with Anvil, who I hadn’t seen since I was a teenager when they were supporting Motorhead.

It was a triple bill at Camden’s Underworld, first up were Welsh rockers VOiD. Formed in 2002 with three albums under the belt, VOiD’s brand of classy, melodic hard rock proved a good opener for the evening. I was particularly impressed with their extremely talented lead guitarist, Chris Jones, and even more impressed when the lead singer told the crowd it was Jones’ first ever gig with the band.

http://www.v0idonline.com/

Next up were Burnt Out Wreck. Formed by Gary Moat, drummer and chief songwriter of 80s band Heavy Pettin’, Burnt Out Wreck put out their debut album in early 2017 – not long after that first gig at Giants Of Rock. Their brand of bouncy, good-time, hard rock, reminiscent of Bon Scott-era AC/DC, immediately had the audience on their side. Songs like ‘Swallow’ brilliantly bring back some of that sleazy, rock ‘n’ roll boogie swagger, that late 70s pre-stadium AC/DC were so renowned for.

https://www.burntoutwreck.com/

Things could only get even better when the mighty Anvil took the stage couldn’t it? You cannot fault this band’s dedication, enthusiasm and sincerity, or their undying commitment to the rock ‘n’ roll dream – captured so well in the film smash The Story Of Anvil. But to be truthful I was a little underwhelmed by what I saw tonight. I remember when I first saw Anvil in 1983, I couldn’t help thinking that this was a band that sounded better on record than on stage and thirty-odd years later that same thought was occurring to me. For a start the sound wasn’t good. The amps were cranked up a good few notches compared to the support bands. There’s nothing wrong with that, of course, except that it lifted the drums and bass to a fairly deafening level while the guitar was barely audible in comparison. It was a shame because I enjoyed their new album and was looking forward to hearing a selection of songs from that, as well as earlier classics like the iconic ‘ Metal On Metal’. We got a good selection of each, plus a rousing rendition of the Steppenwolf classic ‘Born To Be Wild’. However, I came out of the gig 35 years after I last saw Anvil still convinced that they sound better on record than they do live.

That’s not to say I am not very happy to celebrate Anvil’s career renaissance in recent years. “I haven’t delivered a meal in ten fucking years,” Steve ‘Lips’ Kudlow told the crowd, alluding to the opening scenes in the Story Of Anvil film which saw him driving around in a van delivering school meals between gigs. And I finally got to see the fantastic Burnt Out Wreck and also become acquainted with Void, who are another band on my ‘ones to watch’ list. All in all a good night.

https://www.facebook.com/anvilmetal/

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Metal: album review – Anvil ‘Pounding The Pavement’

This review was originally published by Get Ready To Rock here 

Few who have seen the brilliant ‘Story Of Anvil’ film could fail to fall in love with this band. But is being the world’s most loveable metal band enough to make you want to carry on buying their albums? On the evidence of the band’s latest offering the answer has got to be yes. Ahead of a UK tour in February ‘Pounding The Pavement’ is a very creditable offering. While it’s true there is no new equivalent of ‘Metal on Metal’ here there is plenty of typically Anvil-style good-time heavy metal, with tracks like ‘Smash Your Face’ and ‘Rock Your Shit’ delivering trademark crunching riffs and sing-along choruses.

Opening with ‘Bitch In A Box’ I did at first think come on guys it’s not 1981 any more but the album does also showcase some more mature lyrical themes.

The anthemic ‘Nanook Of The North’ explores the fate of Canada’s inuit population. As a Canadian band, we wanted to focus on more Canadian topics,” Kudlow explains; “I remembered a course at the College of Movie History, where I saw one of the first TV documentaries ever. I did some research on the internet and came across that strange overtone singing the Inuit do. I was totally awed and knew immediately what I had to do: write a song with that typical tribal feel. That college documentary was made some time during the 1920s and is called ‘Nanook Of The North’, named after the protagonist of the documentary. So I had found my title and the subject of the song.”

Another noteworthy track is ‘Warming Up’ with its Ballroom Blitz-style drum shuffle.

It’s clear that vocalist and guitarist, Steve ‘Lips’ Kudlow, and drummer, Robb Reiner, still love what they are doing and that there’s more to them than simply being endearing but unlikely stars in a tragi-comic blockbuster. Along with current bass player, Chris Robertson, Kudlow and Reiner are still rocking and still making decent new music. This album is well worth a listen.

Released: January 18th 2018

https://www.facebook.com/anvilmetal/

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