Sons of Southern Ulster have teamed up with The Boomtown Rats’ Pete Briquette on a new EP collaboration. The Turf Accountant Schemes EP, featuring four tracks remixed by Briquette, is out on 27th August. A single from the EP ‘Polaris’ was released on 2nd July.
Formed around the song-writing partnership of Justin Kelly and David Meagher, Sons of Southern Ulster released their well-received debut album Foundry Folk Songs back in 2016. Many of their songs reflect the experience of growing up in a small southern border town, Bailieborough in Ireland’s County Cavan. This was long before the internet and the country’s “Celtic Tiger” rapid growth period. They explore themes of regret and disappointment, interspersed with moments of light and insight.
“The first music I ever bought was the ‘Like Clockwork’ single by the Boomtown Rats when I was twelve or thirteen. I was obsessed with The Rats so when Pete Briquette reached out to ask if he could remix a few tracks from our ‘Sinners and Lost Souls’ album, we were absolutely shocked. Apparently, a mutual friend has passed the album on to him and he was suitably intrigued. Pete also grew up in County Cavan, so he’d get a lot of the references and the tone. Lyrically the songs are very “Cavan” in that they are on the surface often quite harsh but contain a lot of dark humour,” says Justin Kelly.
“I remember when the Boomtown Rats broke through. At that time it was highly unusual for an Irish band to make it in Britain. But for a Cavan man to be there!!! That was just bizarre. Cavan men were made to be farmers – not No.1 pop stars.”
The Turf Accountant Schemes EP features four tracks from the band’s second album Sinners and Lost Souls which was released in 2020. Each of the tracks is re-imagined and re-mixed by Briquette.
“In Sons of Southern Ulster, we took a very conscious decision to sing songs about Cavan as it was always a bit underserved, not just in music but in infrastructure and resources. In many ways, the Irish government ignored us and left us to our own devices – for better or worse. I think Pete picked up on that,”says David Meagher.
‘Polaris (Pete Briquette Remix)’ is out July 2. On August 27, the ‘Turf Accountant Schemes’ EP will be released across online platforms, including Apple Music and Spotify, as well as on vinyl. It can already be pre-ordered via Bandcamp.
‘Underworld’ is the new single from Kent-based folk-rock band Green Diesel. It’s released on 14th May ahead of a long-awaited new album scheduled for release this summer.
Written by new drummer, Paul Dadswell, ‘Underworld’ builds on the band’s signature trad folk sound. Showcasing the band’s vocal harmonies, the new single gives a flavour of what fans can expect from Green Diesel’s forthcoming album: all changing time signatures and lots of twelve-string guitars – inspired by spending far too long listening to early 1970s Genesis records, the band confess!
The song itself is inspired by Philip Glass’s celebrated soundtrack to the 1982 experimental film Koyaanisqatsi.
Reflecting on ‘Underworld’ the song’s writer Paul Dadswell comments:“When you have to choose between fantasy and reality, being born, or growing up, or moving past addiction. The moment of choice between living in the past and embracing the future. Endlessly suspended between the familiar and the unknown.”
Hailing from Faversham in Kent, Green Diesel first emerged back in 2009, taking their inspiration from the depths of English folk lore and legend, and the classic folk-rock sound of their predecessors: Fairport Convention and The Albion Band. Blending violin, mandolin, dulcimer and accordion with electric guitars and drums, Green Diesel’s sound is born from a love of traditional English music and a desire to bring it to a modern audience.
Green Diesel’s three albums to date: Now Is The Time (2012), Wayfarers All (2014) and The Hangman’s Fee (2016) have all won praise from critics and fans alike for the quality of song-writing and musicianship and the band have been a popular draw at festivals, from Broadstairs Folk Week to Beverley Folk Festival.
Dave Good is a Kent-based blues rock guitarist who played his first gig aged just 13, growing up on the likes of Jimi Hendrix, the Stones, Peter Green, The Rev Billy Gibbons, Jeff Beck and Rory Gallagher.
Blues guitarist Norman Beaker, who has played with the likes of Chris Farlowe, Larry Garner and Van Morrison, says of him:
“Dave Good manages to cross seamlessly from the down home acoustic blues through Chicago and on to Rock Blues. All played with taste and conviction.’’
Dave has been working with Charlie Creese (pictured) at Magpie Studios in Kent over the past four years. Charlie is a gifted engineer and a talented musician in his own right. Dave and Charlie have spent this last few months prepping a number of Dave’s songs at Dave’s studio, ready to record a new album in June.
Between them they have agreed a nine-track album.
Dave says: “This project has taken far too long to pull together due to lockdown etc…!!”
“I’m really wanting to get it down and finished and out there.”
Charlie will be playing bass, Tim Robins will be on drums and Dave will be doing guitars and vocals. Dave will also be joined on vocals by Pip Bowers, an incredible vocalist and arranger.
A number of guest players will also be featured including Nick Bold and guest guitarist, Robin Burrows.
In the Autumn of 2020 former Accept lead vocalist, Udo Dirkschneider, began putting together a new project that brought together some familiar faces. Going by the moniker Dirkschneider & The Old Gang, the name is pretty self-explanatory. Along with Dirkschneider and his son, Sven, two former Accept members (bassist Peter Baltes and guitarist Stefan Kaufmann) have also been brought in, along with singer Manuela Bibert.
A single ‘Where The Angels Fly’ was released on April 2nd and has already clocked up over two millions views on YouTube.
More information about the new venture is promised over the coming weeks:
“Anyone who had previously believed that they already knew all the essentials is mistaken. Dirkschneider & The Old Gang started with a sensational video, but only vaguely indicated the entire dimension. So keep your eyes and ears open: From now on it will be really exciting!”
Udo Dirkschneider was lead vocalist with Accept from the bands formation in 1976 through to 1987, performing on numerous albums including the much-celebrated Balls To The Wall. While he rejoined Accept for a period in the late 90s and early 00s he has also enjoyed a successful career with his own band U.D.O.
‘Where The Angels Fly‘ released 2nd April 2021 by AFM Records
Taking their cues from the classic pop-punk anthems of the late 90s and early 00s Project Revise are a three-piece from Worcestershire inspired by bands such as Blink 182, Goldfinger and Less Than Jake. Project Revise regularly feature on Spotify playlists like ‘New Punk Tracks’, ‘Skatepark Punks’, ‘Pop Punk’s Not Dead’ and ‘Punk Unplugged’. The band performed a live session for BBC Introducing which was broadcast back in January 2019.
Their latest single ‘Hold Your Ground’ is released on March 19th, immediately qualifying them as this week’s featured artist. A catchy, hard-hitting and instantly-memorable slice of pop-punk is all about everyday struggles in life, according to the band, and how to overcome them while still trying to remain true to yourself.
Guitarist/vocalist Chris Tamburro tells Darren’s Music Blog:
“Hold Your Ground really pulls together all the old school punk rock and emo influences we have between us. We really feel as though our musical direction has been progressive over the last year with our previous few singles, but this song really pushes things even further! We genuinely cannot wait for everyone to hear it and are excited to finally get back into the rehearsal studio again to work on some more new music!”
The video for ‘Hold Your Ground’ features almost 70 of the band’s followers from social media joining in with the lyrics, including an appearance from Bowling For Soup front-man Jaret Reddick.
Making a name for herself fronting roots rock ‘n’ roll band Beth Lee & The Breakups, Texas-based singer-songwriter Beth Lee dips deep into a much broader range of musical influences for her latest album. These span her nineties love of Hope Sandoval, to the pop-friendly melodies of sixties girl groups, to the southern soul of Stax Records to contemporary Americana artists like Nicole Atkins.
Waiting On You Tonight puts Lee’s soulful, heartfelt vocals and her evident song-writing abilities centre-stage. She effortlessly distils generations of musical influences, from country to blues to soul to 60s pop to rock n roll, to deliver this gorgeous set of original songs that captures so much of what’s great about American music in its most golden age.
Cult US glam-influenced band The Hollywood Stars, who reunited back in 2018 after four decades apart, have a new single coming out, a live recording of the original band composition ‘Escape’ which was later made famous by Alice Cooper. ‘Escape’ (Live) is released on 15th February.
Formed in 1973 and becoming a regular draw at the legendary Whisky A Go Go club the band’s live shows attracted the the likes of John Lennon, Angie Bowie and Iggy Pop.
“I didn’t used to like The Hollywood Stars, I used to like The New York Dolls. Then I heard The Hollywood Stars play Satisfaction. Now I wanna fuck ‘em.” – Iggy Pop
An album was recorded for Columbia in 1974 but record company politics meant it ended up being scrapped.
“It was a really depressing time,” recalls lead guitarist Ruben De Fuentes. “The sessions were going great and we were so close to finishing the record. Then it all just went away.”
It would take 39 years for the scrapped Columbia album to finally see the light of day. Shine Like a Radio: The Great Lost 1974 Album was released by Last Summer/Light in the Attic in 2013.
However, two of the songs recorded for the scrapped album, both co-written by the band’s lead singer/guitarist Mark Anthony and pop Svengali Kim Fowley, went on to enjoy success with two mega US acts. ‘King of the Night Time World’ would be recorded by Kiss on their Destroyer album released in 1976 and on their Alive II album released in 1977. Another song ‘Escape’, meanwhile, was recorded by Alice Cooper on his 1975 album Welcome to My Nightmare.
The Hollywood Stars split in 1974 but (with a change in line-up) picked things up again in 1976 and kept gigging through until 1978, opening for such diverse legends as rock pioneer Bo Diddley, disco star Sylvester, and punk royalty Ramones.
Forty years after the dissolution of the 1978 line-up, The Hollywood Stars reconvened for a one-off benefit concert in November 2018 at The Bootleg Theatre in Los Angeles. The line-up included founding members Phares, De Fuentes and Rae, alongside the bassist from the band’s second line-up, Michael Rummans, and new guitarist, Chezz Monroe.
The revived Hollywood Stars released a live version of ‘King Of The Night Time World’ last December and are now set to release a new version of ‘Escape’ as a single on 15th February. Recorded live in 2019 when the reunited band returned to their old haunt the Whisky A Go Go this is the Hollywood Stars’ own version of the song made famous by Alice Cooper.
The Hollywood Stars current line-up is:
Ruben De Fuentes — Lead guitar
Scott Phares — Lead vocals
Terry Rae — Drums, vocals
Chezz Monroe — Second guitar
John Schayer — Bass guitar, vocals
‘Escape’ (Live) released 15th February 2021 on Golden Robot Records
Like many bands who have had to schedule and reschedule tour dates a number of times over recent months, folk rock legends Lindisfarne have announced that they hope to have their live shows up and running again from August onwards.
Founder member, Rod Clements, comments: “While the earlier dates we had for 2021 are now looking unlikely to happen due to the protraction of the pandemic we are hoping to reinstate our concerts for August onwards.”
The band expect to play Shrewsbury, Milton Keynes, Shoreham, Bradford, Kinross, Carlisle amongst other key UK towns including their popular Christmas show in home city Newcastle-upon-Tyne in December.
“We’re really hoping that the country will be in a better place by August to enable concerts and festivals to happen,” says Clements. “We all need to blow away the cobwebs!”
You can read my interview with Rod Clements ahead of the band’s sadly aborted 2020 Spring tour – where he discusses the current line-up, what fans can expect on stage and how they originally came up with the name – here
Meanwhile, the Lindisfarne legacy continues to appeal to emerging artists with outstanding covers of the band’s best known songs by emerging talents Sam Fender (“Winter Song”) and Elizabeth Liddle (“Meet Me On The Corner”) – catch Liddle’s rendition here:
Rod Clements’s solo back catalogue dating back to the 1980s has also been re-released by Singsong Music. The releases complement the band’s extensive catalogue with takes on classics as well as new compositions and blues covers.
Following his debut folk album last year Ballads and Yarns, Roly Witherow releases a brand new single ‘The Bird and the Frog’ the first from a forthcoming new album. A prolific composer in the world of film, TV, and theatre, Roly’s credits have included Channel 4’s On The Edge, 2015 BIFA nominated film Gregor and David Hare’s The Permanent Way. For his album debut, however, Roly sought a quite different direction and recorded a highly-acclaimed album of progressive interpretations of traditional folk. Described by Folk Radio UK as 21st century Folk Music in all its glory ‘Ballads and Yarns’ received plaudits from the Times, the Guardian and many other publications.
‘The Bird and The Frog’ a self-composed song described as a fable-esque love story sees Roly continuing to draw on folk traditions. As a folk artist, Roly takes inspiration from the likes of Pete Seeger, Ewan MacColl, Nick Hart, Lisa O’Neill and Will Pound.
Roly Witherow:“The Bird and the Frog is a fable-esque love story, centred on the taming of a Bird by the Frog. The Frog seduces the bird, convincing her to give up her wild and free existence to live with him under a log. They live a peaceful yet humdrum life in the frog’s world and whilst the Frog is contented to have tamed the object of his love, the Bird is left with the sensation that something might be missing. I had in mind thoughts of suburban lifestyles – perhaps the home counties – and our adoption of a highly compartmentalised society, as well as being a tale of young love.”
Speaking on the forthcoming album, set to be released in Winter 2021, Roly added:
This new album is a very new direction for me. If my first album, ‘Ballads and Yarns’ had an experimental bent, stemming from my experience as a film composer and combining traditional songs with electric instrumentation, spoken word and elements of world music, this new album has a “back to basics” approach, focusing on the song itself in its most minimal form. The vast majority of the songs are for just acoustic guitar and voice, and the recordings have a very live feel to them, realised in large part by the deft production of Joe Garcia of Joe’s Garage recording studio in Bristol where I recently relocated with my wife and young son during the pandemic.”
“The album will be a combination of traditional songs from the British Isles and further afield, and originals, such as this first single ‘The Bird and the Frog’. There are also some collaborations on the album, including with renowned folk singer Nick Hart.”
The music video directed by fine artist, Beatrice Vorster is assembled from fragments of archival educational footage depicting the microbiological life of frogs and birds before they come into their own.
Beatrice Vorster:“Images of tadpoles are circuit bent, overlaying footage of contemporary countryside in life in a somewhat psychedelic reimagining of how a fable would be retold. I wanted to be playful with the use of colour channel mixing as a way of tracing the emotional arch of the love story while using videos from a variety of eras to think about the timelessness of these tales which are passed down through generations.”
Personal, amusing, heart-breaking, making a point, performances from the duo Milton Hide have always been memorable, strong in melody and full of hooks. Storytellers at heart, many of their songs are grounded in traditional English song, whilst others are rooted in other folk traditions, such as Appalachian, Klezmer and popular music. Emerging out of the East Sussex open mic and folk club circuit five years ago, the acoustic duo picked up many plaudits for their debut EP, Little Fish, released in 2018.
Now husband and wife duo, Jim and Josie Tipler, are set to release their first full-length album: Temperature’s Rising. All the songs on the album are self-penned originals that Milton Hide have performed live over the past few years.
Josie Tipler: “The name of the album and title track, Temperature’s Rising, seemed very appropriate when we started to work on the album. Greta Thunberg was making news and climate activists were very prominent in the media. Also, there was a lot of protesting going on – anger over US elections and Brexit. Added to which I was in the midst of menopause and suffering frequent hot flushes. All in all, the temperature was metaphorically and actually rising. Little did we know it was going to be even more appropriate as the global pandemic took hold.”
The line-up of musicians appearing on the album are all people the duo have met through playing live. Being unable to come into the studio because of Covid-19 restrictions, the guest musicians all provided their parts to producer, John Fowler, which he then weaved into the songs utilising his incredible editing skills.
Jim Tipler:“We perform as an acoustic duo but, as with our previous EP release, we made the decision to simply present each song in the way we feel best suits it. For some, this is pretty much as we perform it live, for others, we have given it a full band treatment.”
“We asked John Fowler to record and produce it as we had previously worked well with him on a single, Say It All The Time. We knew John would not be afraid to add instrumentation where required and can also play really well. The advantage of working with other musicians is that they pick up on things in your music that you sometimes don’t notice yourself. We love John’s enthusiasm and amazing attention to detail. It was a great symbiosis and a lot of fun! That said, we had to complete the album, using social distancing – spacing ourselves out in the studio as well as doing some recording ourselves in our home studio.”
Milton Hide are:
Jim Tipler – guitars, vocals and piano
Josie Tipler – vocals, clarinet, cajon and xylophone
The full line-up of album guests is:
John Fowler from Dandelion Charm – engineer/producer and multi-instrumentalist: guitars, bass, keyboards and drums
Clare Fowler from Dandelion Charm – backing vocals
Bruce Knapp from Moltenamba – guitars
Fred Gregory from Hatful of Rain – mandolin
Phil Jones from Hatful of Rain – string bass
Ian McIlroy from Rough Chowder – accordion
Simon Yapp from Ian Roland Subtown Set – Fiddle
Artwork for the album was created by Hastings artist Helen Bryant who uses bright inks and watercolours with pen outlines to produce unique striking imagery.
1. ‘Temperature’s Rising’ – with a full band this is a rock track that was inspired by the first Women’s March after the inauguration of President Trump and the marches against Brexit, with the popular slogan “Bridges, not walls”
2. ‘A Little Piece Of Mind’ – is an ode to menopause and mid-life crisis.
3. ‘Littlefield’ – was the first single released from the album, late 2020. Whilst walking the dog one dreary depressing evening, Jim spotted a light in the window of a house that had been empty for many months. It cheered him up.
4. ‘Riding The Whale’ – describes Jim’s childhood memories of playing games on the beach with his dad
5. ‘Making Progress’ – a bit of a rant about stresses of the modern world – work, capitalism, the media and politics.
6. ‘Buckle Up’ – inspired by the true story of Sergeant Paul Meyer USAF, who ‘borrowed’ a C130 transport aircraft to fly from England back to his newly-wed wife in Virginia. A tale of extreme love and homesickness.
7. ‘Turnaround’ – the band often get lost and we now see this as a metaphor for our life. You can always change the road you’re on if you think you’re getting nowhere.
8. ‘Something You Don’t See Everyday’ – A social comment on the irony of becoming desensitised to daily horrors served up to us by modern media platforms. (contains a swearword – radio edit available)
9. ‘Spacetime’ – Professor Brian Cox explained the theory of spacetime on a documentary that Jim watched late one night. It made perfect sense after a large glass of Irish whiskey. This is Jim’s memory of the explanation.
10. ‘Say It All The Time’ – describes a black mood walk on the South Downs. Previously released as a single and re-mixed and mastered for the album.
11. ‘The Ghosts Of Milton Hide’ – written as a retrospective warning to our own children to avoid the woods after dark.
12. ‘Took To Wing (Nightingale)’ – an original modern fable about a woman seeking refuge from abuse and finding freedom in the forest. A finale to the album.
Milton Hide – what they say:
“…A superior folk-club act with a great deal of potential.” Rock’n’Reel magazine
“…high in melodic quality, perfectly-matched voices and rich with storytelling…” Folk Words
“Lovely stuff”Mike Harding
“This is a surprisingly enchanting EP” Northern Sky Magazine
“This is one of those mini-albums which goes straight onto my playlists in its entirety, with its thought-provoking lyrics and catchy tunes.” Trevor Oxborrow – The Folk Show