Tag Archives: news

Tribute to John Rossall: Glitter Band founder passes away peacefully following cancer battle

In a moving post on his Facebook page, John Rossall’s partner, Julia, confirmed that the Glitter Band founder member sadly passed away on Saturday (2nd October) following a cancer diagnosis earlier in the year. John Rossall played on all the early Glitter Band hits before leaving to pursue a solo career. A popular figure at festivals and gigs on the 70s live music circuit for many years, he stunned both fans and critics alike with a hugely well-received comeback album The Last Glam in Town released in Autumn 2020.

Julia’s Facebook tribute thanked fans for their support as she shared the news:

To all John’s loyal friends and fans, this is the worst news I can ever imagine bringing you all.
My John passed away Saturday morning. As you all know, he had been bravely fighting cancer since April. The months we have spent together since his diagnosis have served to remind we what a true gentleman John was.

His thoughts and fears had always been primarily for me and his family, he was not some-one who would ever put himself first. He was the kindest, gentlest man I have ever known, and, I simply cannot imagine a world without John in it. His wished were to die at home and myself and John’s family enabled that to happen. At the end he was peaceful.

As well as gifting us those early hits in the Glitter Band’s heyday, as I said in my review last Autumn John’s 2020 solo album was genuinely the first great glam rock album since the 1970s.

All tribal beats, honking brass, fuzzed-up guitar, sing-along choruses and enough handclaps and chants of ‘Hey’ to last you a lifetime, The Last Glam In Town is a modern masterpiece of the genre.”

When I interviewed John last year he was immensely touched by the swathes of positive reviews: “It’s like I’ve written them myself almost! It’s a surprise. The reviews everywhere – it’s been beyond my wildest dreams really.”

Thank you John Rossall for being one of the key architects of the unforgettable glam rock sound of the early 1970s, for leaving us a string of classic hits and a critically-acclaimed and stunningly good comeback album.

The world just got that bit less glam.

Album review: Rossall – The Last Glam In Town

Glitter, glam and Blackpool rock: interview with glam rock legend John Rossall

April 16TH: Story of an 80s heavy metal band – new CD out ‘Epitaph’

Playing their first gig in April 1985, the band April 16TH were late to the party in terms of the UK’s New Wave Of British Heavy Metal scene. By then many of the bands that had started up in the late 70s and early 80s had either packed up, moved on or dramatically changed their style – bringing in keyboard flourishes and, with an eye on the more lucrative American market, a more commercial sheen. April 16TH resolutely didn’t go down this route, opting for a gutsy raw feel reminiscent of the likes of early Tygers of Pan Tang et al.

April 16TH at the Marquee

April 16TH were John Fisher (drums), Chris Harris (guitar), Lawrence Mills (lead guitar), Eric Puffett bass) and Dave Russell (vocals) – and unlike many bands of the era their line-up remained stabled throughout their entire tenure 1985-91.

“Musically APRIL 16TH always preferred a raw guitar base sound to that of the cleaner and ‘less real’ sound afforded by keyboards. The bands rough edge was further enhanced by the use of a single vocalist instead of the more traditional backing vocals set up,” states the band’s retrospective biog.

“Philosophically the band truly believed in the power of rock music as a form of expression. Their stage presentation was a totally unpretentious and honest, yet powerful and exciting experience. “APRIL 16TH” despised the use of stage clothing and over-hyped theatrical performances with larger-than-life egos. At gigs you could find and could talk to the band at the bar or the pub next door, not locked away in the dressing room.”

APRIL 16TH meet Lemmy

Gigging extensively around the south east the band’s early recordings began generating interest from regional radio stations and bookings started to come from further afield. An album Sleepwalking followed in January 1989 which led to further exposure for the band.  Radio One invited April 16TH to record a session for the Tommy Vance Rock Show and there was also a slot for London Weekend Television. Sadly, however, financial woes put paid to any future success, bankruptcy forced their departure from the music scene and April 16TH played their last ever gig at the Cartoon in Croydon on Saturday 13th July 1991.

The story doesn’t quite end thee however and thirty years later we now have a newly released CD chronicling all of the band’s studio recordings.

Why now? I asked guitarist, Chris Harris, who kindly sent me the CD.

Chris: “During our ‘career’ we produced two audio products. The first was a C60 cassette recorded at Cherry Studios in Croydon that we called the Cherry Jam tape. The second was a vinyl LP also recorded at Cherry Studios entitled Sleepwalking. The Cherry Jam tape was essentially a gig getting Demo tape but the Sleepwalking album was a ‘FOR SALE’ LP released by our record company – High Dragon Records of Paris. After the band went bankrupt it was always my intention to self-release a CD containing all the tracks that appeared on both the C60 and the LP. But this dream did not become a reality until July 2021.”

The Cherry Jam tape cover

 “I don’t like the word compilation,” adds Chris. “The title Epitaph was chosen to reflect the sombre memory of our demise and to present all the (recorded) material that the band had available. And so Epitaph was compiled by using the original 1986/87 master tapes. The CD is an exact duplication of the original sound of the band and was not enhanced or re-mixed in any way.”

The Sleepwalking vinyl album

Although not one of the big names of the era Epitaph is a hugely enjoyable compendium of April 16TH’s recorded output and should be of interest to anyone with a love for the NWOBHM scene and in particular those who enjoy those bands who went for the hard, rootsy, gutsy approach and weren’t like the proverbial kids in a sweetshop when they got inside a recording studio but stuck to the basics.

Visit April the band’s Facebook page at April 16TH

And join their Facebook group here

‘Nightfall in the Labyrinth’ progressive duo Across The Sea return with new single

‘ferociously intense yet strikingly melodic’

Released: 6th August 2021

‘Nightfall in the Labyrinth’ is the new single from Sussex-based progressive duo Across The Sea. Released on 6th August it’s the lead single ahead of the duo’s much-anticipated second album, a nine-track concept piece entitled The Wayfarer Triptych which is scheduled for release on 1st October.

Deep amongst the maze-like ruins of a fallen city, a girl is pursued through the night as she flees in a desperate bid for survival. And far in the distance, a great wall of mist rises from the darkness, standing between her and the hope of salvation. What lies beyond? Will she reach the other side? Or will she remain imprisoned in this labyrinth forever?

The fastest track the duo have ever committed to tape, ‘Nightfall in the Labyrinth’ showcases Across The Sea at their most ferociously intense yet strikingly melodic, twisting and turning through a barrage of frenetic guitar riffs, towering vocal hooks and complex rhythmic shifts, as the track spirals towards its soaring and dynamic finale.

Hailing from Worthing on the West Sussex coast in the south of England, Across The Sea sound unlike any act you’ve heard before. Evocative, otherworldly, and utterly captivating, they defy categorisation, inhabiting a place where the boundlessness of the imagination transcends genre limitations and conventions. A breathtaking synthesis of the haunting, siren-like vocals of classically trained soprano Hannah Katy Lewis and the dynamic, unorthodox and experimental guitar style of Pete Ferguson, their mesmerisingly unique sound is wildly eclectic, fiercely inventive and singularly distinctive.

Their critically-acclaimed first album Infinite Worlds was released in December 2018, featuring on HMV Brighton’s recommended list and being lauded by a diverse range of outlets as a startlingly original debut. The June 2019 stand-alone single Behind the Looking Glass gained further recognition for the duo, picking up considerable airplay in the UK and internationally.

Playing over 150 shows since their inception, the pair have earned a reputation as one of the most tirelessly active and genuinely innovative acts on the live circuit, whose immersive and theatrical performances have enchanted audiences at venues throughout the south and – as part of a successful 2019 summer tour – festivals such as Victorious, Wickham and Rhythmtree.

‘Nightfall in the Labyrinth’ will be available from Across The Sea’s online store in a variety of digital formats www.acrosstheseauk.com

Across The Sea – what they say:

“Early Joni Mitchell meets Hawkwind in this Space-Rock-fuelled, Folk fusion journey. Set the controls for a far-flung flight of fantasy to a distant galaxy where Space Rock, Folk and Opera are one. Brimming with complex musical ideas and literary concepts, Across the Sea will challenge you to consider where one genre ends, and another begins.”Alistair Goodwin, Music Producer & Events Organiser, Wickham Festival

“A unique musical act that is virtually impossible to pigeonhole genre-wise, combining amazing vocals with breath-taking guitar work.”Ivan Roberts, Riff Taff Music Networking

“Something to get drawn into and swept away with.”Metal Meyhem Radio

“We love Across the Sea – uncompromising, dark, ethereal beauty. One of the most interesting acoustic artists around. Can’t wait to hear what they’ll do next.” John Fowler of prog duo Dandelion Charm

“Across the Sea are a rare find. The extreme juxtaposition of Hannah’s exquisitely pure vocal and Pete’s deep and intricate guitar playing is extraordinary and compelling.” Clare Fowler, Dandelion Charm

“Combined they’re a 2 piece that sound like a 10 piece.”​Headlights and White Lines

“Hannah Katy Lewis’ vocal is startlingly good, ranging from Kate Bush theatricals to Middle-Eastern chanting…”​Listen With Monger

Nightfall in the Labyrinth – credits:

Vocals – Hannah Katy Lewis

Guitar – Pete Ferguson

Written, recorded & performed by Across The Sea

Recorded at Humber Studios & The Mothership, August – October 2020

Mixed by Pete Ferguson

Mastered by Augmented Sounds

Soundscapes/Effects – Pete Ferguson

Artwork – Angelina Andreas

Layout – Hannah Katy Lewis

Logo Design – Cynthia Renn

www.acrosstheseauk.com

News: Sons of Southern Ulster team up with Boomtown Rats’ Pete Briquette – new EP due

Sons of Southern Ulster have teamed up with The Boomtown Rats’ Pete Briquette on a new EP collaboration. The Turf Accountant Schemes EP, featuring four tracks remixed by Briquette, is out on 27th August. A single from the EP ‘Polaris’ was released on 2nd July.

Formed around the song-writing partnership of Justin Kelly and David Meagher, Sons of Southern Ulster released their well-received debut album Foundry Folk Songs back in 2016.  Many of their songs reflect the experience of growing up in a small southern border town, Bailieborough in Ireland’s County Cavan. This was long before the internet and the country’s “Celtic Tiger” rapid growth period. They explore themes of regret and disappointment, interspersed with moments of light and insight.

The first music I ever bought was the ‘Like Clockwork’ single by the Boomtown Rats when I was twelve or thirteen. I was obsessed with The Rats so when Pete Briquette reached out to ask if he could remix a few tracks from our ‘Sinners and Lost Souls’ album, we were absolutely shocked. Apparently, a mutual friend has passed the album on to him and he was suitably intrigued. Pete also grew up in County Cavan, so he’d get a lot of the references and the tone. Lyrically the songs are very “Cavan” in that they are on the surface often quite harsh but contain a lot of dark humour,says Justin Kelly.

“I remember when the Boomtown Rats broke through. At that time it was highly unusual for an Irish band to make it in Britain. But for a Cavan man to be there!!! That was just bizarre. Cavan men were made to be farmers – not No.1 pop stars.”

The Turf Accountant Schemes EP features four tracks from the band’s second album Sinners and Lost Souls which was released in 2020. Each of the tracks is re-imagined and re-mixed by Briquette.

“In Sons of Southern Ulster, we took a very conscious decision to sing songs about Cavan as it was always a bit underserved, not just in music but in infrastructure and resources. In many ways, the Irish government ignored us and left us to our own devices – for better or worse. I think Pete picked up on that,” says David Meagher.

‘Polaris (Pete Briquette Remix)’ is out July 2. On August 27, the ‘Turf Accountant Schemes’ EP will be released across online platforms, including Apple Music and Spotify, as well as on vinyl. It can already be pre-ordered via Bandcamp.

http://www.sonsofsouthernulster.com/

News: ‘Underworld’ new video and single from folk-rock band Green Diesel – released 14th May 2021

‘Underworld’ is the new single from Kent-based folk-rock band Green Diesel. It’s released on 14th May ahead of a long-awaited new album scheduled for release this summer.

Written by new drummer, Paul Dadswell, ‘Underworld’ builds on the band’s signature trad folk sound. Showcasing the band’s vocal harmonies, the new single gives a flavour of what fans can expect from Green Diesel’s forthcoming album: all changing time signatures and lots of twelve-string guitars – inspired by spending far too long listening to early 1970s Genesis records, the band confess!

The song itself is inspired by Philip Glass’s celebrated soundtrack to the 1982 experimental film Koyaanisqatsi.

Reflecting on ‘Underworld’ the song’s writer Paul Dadswell comments: “When you have to choose between fantasy and reality, being born, or growing up, or moving past addiction. The moment of choice between living in the past and embracing the future.  Endlessly suspended between the familiar and the unknown.”

Hailing from Faversham in Kent, Green Diesel first emerged back in 2009, taking their inspiration from the depths of English folk lore and legend, and the classic folk-rock sound of their predecessors: Fairport Convention and The Albion Band. Blending violin, mandolin, dulcimer and accordion with electric guitars and drums, Green Diesel’s sound is born from a love of traditional English music and a desire to bring it to a modern audience.

Green Diesel’s three albums to date: Now Is The Time (2012), Wayfarers All (2014) and The Hangman’s Fee (2016) have all won praise from critics and fans alike for the quality of song-writing and musicianship and the band have been a popular draw at festivals, from Broadstairs Folk Week to Beverley Folk Festival.

Green Diesel are:

Ellen Care – lead vocals, violin

Paul Dadswell – drums

Matt Dear – lead guitar, vocals

Ben Holliday – bass

Greg Ireland – guitar, bouzouki, dulcimer, mandolin, keyboards, percussion, vocals

What they say:

“Green Diesel has skyrocketed into my top few bands”FATEA

“Folk-rock in the grand manner” – R2 Magazine

“A band with roots deep in the native soil, playing their own electric interpretations of ancient English music”Shindig!

“An established band simply getting better”FolkWords

Underworld: released 14th May 2021

Website: http://greendieselfolk.com/

Facebook: https://www.facebook.com/greendieselfolk

Twitter: https://twitter.com/greendieselfolk

Related posts:

Green Diesel at The Albion, Hastings 2017

Green Diesel album review – Wayfarers All

Green Diesel at Lewisham 2016

News: new album in train for Kent-based blues rock guitarist Dave Good

Dave Good is a Kent-based blues rock guitarist who played his first gig aged just 13,  growing up on the likes of Jimi Hendrix, the Stones, Peter Green, The Rev Billy Gibbons, Jeff Beck and Rory Gallagher.

Blues guitarist Norman Beaker, who has played with the likes of Chris Farlowe, Larry Garner and Van Morrison, says of him:

“Dave Good manages to cross seamlessly from the down home acoustic blues through Chicago and on to Rock Blues. All played with taste and conviction.’’

Dave has been working with Charlie Creese (pictured) at Magpie Studios in Kent over the past four years. Charlie is a gifted engineer and a talented musician in his own right. Dave and Charlie have spent this last few months prepping a number of Dave’s songs at Dave’s studio, ready to record a new album in June.

Charlie Creese

Between them they have agreed a nine-track album.

Dave says“This project has taken far too long to pull together due to lockdown etc…!!”

“I’m really wanting to get it down and finished and out there.”

Dave Good

Charlie will be playing bass, Tim Robins will be on drums and Dave will be doing guitars and vocals. Dave will also be joined on vocals by Pip Bowers, an incredible vocalist and arranger.

A number of guest players will also be featured including Nick Bold and guest guitarist, Robin Burrows.

Visit: www.davegoodband.co.uk for more info

Dirkschneider & The Old Gang: former Accept vocalist re-unites old colleagues for new project

In the Autumn of 2020 former Accept lead vocalist, Udo Dirkschneider, began putting together a new project that brought together some familiar faces. Going by the moniker Dirkschneider & The Old Gang, the name is pretty self-explanatory. Along with Dirkschneider and his son, Sven, two former Accept members (bassist Peter Baltes and guitarist Stefan Kaufmann) have also been brought in, along with singer Manuela Bibert.

A single ‘Where The Angels Fly’ was released on April 2nd and has already clocked up over two millions views on YouTube.

More information about the new venture is promised over the coming weeks:

“Anyone who had previously believed that they already knew all the essentials is mistaken. Dirkschneider & The Old Gang started with a sensational video, but only vaguely indicated the entire dimension. So keep your eyes and ears open: From now on it will be really exciting!”

Udo Dirkschneider was lead vocalist with Accept from the bands formation in 1976 through to 1987, performing on numerous albums including the much-celebrated Balls To The Wall. While he rejoined Accept for a period in the late 90s and early 00s he has also enjoyed a successful career with his own band U.D.O.

‘Where The Angels Fly‘ released 2nd April 2021 by AFM Records

https://www.udo-online.com/news-98.html

Related post:

Former Accept guitarist Herman Frank releases new solo album ‘Two For A Lie’ – 21st May

This week’s featured artist: pop-punk trio Project Revise – new single out 19th March

Taking their cues from the classic pop-punk anthems of the late 90s and early 00s Project Revise are a three-piece from Worcestershire inspired by bands such as Blink 182, Goldfinger and Less Than Jake. Project Revise regularly feature on Spotify playlists like ‘New Punk Tracks’, ‘Skatepark Punks’, ‘Pop Punk’s Not Dead’ and ‘Punk Unplugged’. The band performed a live session for BBC Introducing which was broadcast back in January 2019.

​Their latest single ‘Hold Your Ground’ is released on March 19th, immediately qualifying them as this week’s featured artist. A catchy, hard-hitting and instantly-memorable slice of pop-punk is all about everyday struggles in life, according to the band, and how to overcome them while still trying to remain true to yourself.

Guitarist/vocalist Chris Tamburro tells Darren’s Music Blog:

“Hold Your Ground really pulls together all the old school punk rock and emo influences we have between us. We really feel as though our musical direction has been progressive over the last year with our previous few singles, but this song really pushes things even further! We genuinely cannot wait for everyone to hear it and are excited to finally get back into the rehearsal studio again to work on some more new music!”

The video for ‘Hold Your Ground’ features almost 70 of the band’s followers from social media joining in with the lyrics, including an appearance from Bowling For Soup front-man Jaret Reddick.

Project Revise are:

Richard Marshall – Bass & Vocals

Chris Tamburro – Guitar & Vocals

David Yarnell – Drums

‘Hold Your Ground’ released 19th March 2021

https://www.projectrevise.co.uk/

This week’s featured artist: Beth Lee – new album out ‘Waiting On You Tonight’

Making a name for herself fronting roots rock ‘n’ roll band Beth Lee & The Breakups, Texas-based singer-songwriter Beth Lee dips deep into a much broader range of musical influences for her latest album. These span her nineties love of Hope Sandoval, to the pop-friendly melodies of sixties girl groups, to the southern soul of Stax Records to contemporary Americana artists like Nicole Atkins. 

Waiting On You Tonight puts Lee’s soulful, heartfelt vocals and her evident song-writing abilities centre-stage. She effortlessly distils generations of musical influences, from country to blues to soul to 60s pop to rock n roll, to deliver this gorgeous set of original songs that captures so much of what’s great about American music in its most golden age.

Released: 12th February 2021

https://www.bethlee.net/

News: ‘Escape’ new live single from cult US glam-era band The Hollywood Stars

Cult US glam-influenced band The Hollywood Stars, who reunited back in 2018 after four decades apart, have a new single coming out, a live recording of the original band composition ‘Escape’ which was later made famous by Alice Cooper. ‘Escape’ (Live) is released on 15th February.

Formed in 1973 and becoming a regular draw at the legendary Whisky A Go Go club the band’s live shows attracted the the likes of John Lennon, Angie Bowie and Iggy Pop.

“I didn’t used to like The Hollywood Stars, I used to like The New York Dolls. Then I heard The Hollywood Stars play Satisfaction. Now I wanna fuck ‘em.”Iggy Pop

An album was recorded for Columbia in 1974 but record company politics meant it ended up being scrapped.

“It was a really depressing time,” recalls lead guitarist Ruben De Fuentes. “The sessions were going great and we were so close to finishing the record. Then it all just went away.”

It would take 39 years for the scrapped Columbia album to finally see the light of day. Shine Like a Radio: The Great Lost 1974 Album was released by Last Summer/Light in the Attic in 2013.

However, two of the songs recorded for the scrapped album, both co-written by the band’s lead singer/guitarist Mark Anthony and pop Svengali Kim Fowley, went on to enjoy success with two mega US acts. ‘King of the Night Time World’ would be recorded by Kiss on their Destroyer album released in 1976 and on their Alive II album released in 1977. Another song ‘Escape’, meanwhile, was recorded by Alice Cooper on his 1975 album Welcome to My Nightmare.

The Hollywood Stars split in 1974 but (with a change in line-up) picked things up again in 1976 and kept gigging through until 1978, opening for such diverse legends as rock pioneer Bo Diddley, disco star Sylvester, and punk royalty Ramones.

Forty years after the dissolution of the 1978 line-up, The Hollywood Stars reconvened for a one-off benefit concert in November 2018 at The Bootleg Theatre in Los Angeles. The line-up included founding members Phares, De Fuentes and Rae, alongside the bassist from the band’s second line-up, Michael Rummans, and new guitarist, Chezz Monroe.

The revived Hollywood Stars released a live version of ‘King Of The Night Time World’ last December and are now set to release a new version of ‘Escape’ as a single on 15th February. Recorded live in 2019 when the reunited band returned to their old haunt the Whisky A Go Go this is the Hollywood Stars’ own version of the song made famous by Alice Cooper.

The Hollywood Stars current line-up is:

Ruben De Fuentes — Lead guitar

Scott Phares — Lead vocals

Terry Rae — Drums, vocals

Chezz Monroe — Second guitar

John Schayer — Bass guitar, vocals

 ‘Escape’ (Live) released 15th February 2021 on Golden Robot Records

https://www.facebook.com/thehollywoodstarsband/