Tag Archives: Gary Moat

News: ‘The Isolation Sessions’ new album in support of The National Emergencies Trust

From heavy metal to country, rock and roll to folk The Isolation Sessions is a newly-released digital download album aimed at raising money for The National Emergencies Trust Covid Appeal. Assembled by Danny Stoakes, the album features imaginative reworkings of ten of Stoakes’ favourite songs in collaboration with a host of different artists. These include Romeo’s Daughter’s Craig Joiner, Voodoo Six’s Matt Pearce and Tygers of Pan Tang’s Craig Ellis.

Tracks recorded include covers of Pink Floyd’s ‘Wish You Were Here’, AC/DC’s ‘Whole Lotta Rosie’ and The Stones’ ‘You Can’t Always Get What You Want’.

Sicilian guitarist Antonello Giliberto and Tygers drummer Craig Ellis feature on ‘Diamonds and Rust’, a track which is a cross between the Joan Baez original and Judas Priest’s own reworked acoustic version.

Support has come from founding member of Judas Priest and KK’s Priest guitarist, KK
Downing
, who says:

“I would like to say congratulations and a big thank you to Danny Stoakes and all of the talented musicians for this collaboration. The Isolation Sessions is a collection of many well-known and loved songs that have been interpreted in a unique way during these past difficult months, and all in the name of a most worthy and appropriate charity, The National Emergencies Trust Covid Appeal.

“As I listen to the songs it is difficult to find favourites, but I admit I do warm to Diamonds and Rust – a song I have played with Priest so many times. I would strongly urge everyone to get on board and check out The Isolation Sessions, not only for its much needed cause, but for the undoubtable enjoyment you will have from listening to it. Again, much respect to all involved in this creation and my sincere thanks to you all for your support.”

Check out Diamonds and Rust here:

The Isolation Sessions also features Kyle Lamley of THEIA, Hoss Thompson of Thirteen Stars, The Big Dirty Axeman, C. Diddy, Liberty Lies drummer Adam Stevens, Burnt Out Wreck’s Gary Moat, Ian Sanderson and Michael Armstrong. The album has been mastered by Benedict Harris Hayes, of Oceanica and Massive Dynamic, who also features on the opening track, a cover of Floyd’s ‘Wish You Were Here’.

Stoakes himself adds:

“I’d like to say a huge thank you to all the artists who have got involved and got behind this project. They have all done this for nothing ensuring that 100% of the money goes to the charity. Covid 19 is still very much out there and I really hope that we are able to help and support those who most need it. Thank you again to you all.”

The National Emergencies Trust collaborates with charities and other bodies to raise and distribute money and support victims during times of a domestic disaster.

Donate and order The Isolation Sessions via: https://www.justgiving.com/fundraising/theisolationsessions

Or via Progressive Gears Bandcamp:
https://progressivegears.bandcamp.com/album/the-isolation-sessions

News: ‘This Is Hell’ single and brand new video from Burnt Out Wreck

This is Hell’ the title track from Burnt Out Wreck’s second album released last October is now being released as a single with a brand new accompanying video.

Lead singer Gary Moat says: “Here’s our new video the title track from our second album This is Hell …. I wrote this before the pandemic and we all have our own Hell … enjoy the madness. Thanks to Graham Gebbe for the live footage from Winterstorm 2019. We had a great time, also thanks to Mark Leary for creating such a brilliant lyric video at such short notice!”

This Is Hell is the band’s second album, following their debut Swallow which was released in 2017.

“This is Hell, the title says it all,” adds Moat. “It’s a hard hitting, fast paced more focused album. It’s an angry set of songs that follows on in the same vein as Swallow.”

Gary Moat has a colourful history as the drummer and main songwriter for Heavy Pettin’.
For Burnt Out Wreck, he has swapped the drum kit for the microphone stand and Paul Gray now takes the drum stool. Often compared to AC/DC’s Bon Scott and Krokus’s Marc Storace, Moat’s vocal style developed in Mother’s Ruin, the band that rose from the ashes of Heavy Pettin’ in 1991.

You can read my full-length interview with Gary Moat here

Burnt Out Wreck are: Gary Moat – Lead Vocals, Alex Carmichael – Bass, Paul Gray – Drums, Adrian Dunn – Lead Guitar, backing vocals and Miles Goodman – Rhythm Guitar, backing vocals.

https://www.burntoutwreck.com/

Related posts:

This Is Hell – Album Review

Interview with Gary Moat

Heavy Pettin Reissues

Anvil / Burnt Out Wreck / VOiD at The Underworld, Camden 2018

Burnt Out Wreck at Classic Rock Weekender 2018

Burnt Out Wreck at Classic Rock All Dayer 2018

Hard rock: album review – Burnt Out Wreck ‘This Is Hell’

This review was originally published by Get Ready To Rock here

After an extremely well-received 2017 debut ‘Swallow’, some barnstorming festival appearances and support slots for the likes of Anvil, Burnt Out Wreck – the band created by former Heavy Pettin’ drummer Gary Moat – ratchet up their impact with a second album.

While Heavy Pettin’ in the 80s (who had their back catalogue re-released recently) took their musical cues from the more polished classic rock albums of the previous decade, Burnt Out Wreck channel the down-n-dirty spirit of Bon Scott and early AC/DC.

As Moat says when I interviewed him for GRTR recently, “At 15/16 AC/DC were just the best thing in the world and Bon Scott was amazing. And so that’s why I sing like that, not because I wanted to copy what he was doing but just because that’s the way that my voice developed.”

As well as Moat on lead vocals the band are: Alex Carmichael on bass, Paul Gray on drums, Adrian Dunn on lead guitar and backing vocals, and Miles Goodman on rhythm Guitar and backing vocals. Moat’s vocal style developed in Mother’s Ruin, the band he put together in the early 90s following the demise of Heavy Pettin’. However, around five years ago he put Mother’s Ruin to bed in order to concentrate on songwriting. A number of songs that had lain half-written were finally completed for this album.

From the faux-dramatic introduction and killer riff on ‘Positive’ to the relentless boogie and tongue-in-cheek lyrics of ‘Paddywack’ to the seen-it-all-done-it-all-tales of rock ‘n’ roll life in ‘Guitars Electrified’ it blasts out the speakers like some long lost AC/DC album circa 1976. But the guys deliver with passion and conviction, Moat proves himself a very able songwriter and vocalist and Burnt Out Wreck easily demonstrate that they are far more than a poor man’s pastiche.

This Is Hell is a perfect album of sleazy, hard-hitting, in-your-face bluesy hard rock. Sure, it sounds like AC/DC but even if Angus and co. do release another album it’s not going to sound like this. Buy it!

https://www.burntoutwreck.com/

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Related posts:

Interview with Gary Moat

Heavy Pettin Reissues

Anvil / Burnt Out Wreck / VOiD at The Underworld, Camden 2018

Burnt Out Wreck at Classic Rock Weekender 2018

Burnt Out Wreck at Classic Rock All Dayer 2018

 

News: “Thirty years and a lot of hard work” – back catalogue of Heavy Pettin’ released on 29th November

Scottish hard rock band Heavy Pettin‘ see their 1983 debut and two subsequent releases being reissued on CD on 29th November.

Named after UFO’s 1976 studio album the band was formed in Glasgow in 1981 when guitarist Gordon Bonnar, drummer Gary Moat, bassist Brian Waugh, vocalist Steve ‘Hamie’ Hayman and lead guitarist Punky Mendoza joined forces. They gigged extensively before releasing their debut single, ‘Roll the Dice’ in 1982 on Neat Records. The single caught the attention of record bosses at Polydor and the band soon found themselves with a major label deal and Queen guitarist, Brian May as co-producer. Their debut album Lettin Loose was released in 1983 to very favourable reviews.

Hard rocking but more polished than most of their contemporaries on the New Wave Of British Heavy Metal scene, with their punchy choruses and harmony vocals Heavy Pettin’ took some of their cues from the previous decade’s glam and classic rock era. Touted as a possible next-big-thing after the mega success of Def Leppard two more albums followed: Rock Ain’t Dead in 1985 and The Big Bang in 1989. In the latter part of the 80s, however, things never really quite worked out for Heavy Pettin’ and the band had already spilt by the time their final album was released in 1989.

Heavy Pettin’ (now featuring two original members Gordon Bonnar and Hamie) reformed in 2017 and a brand new album is planned for 2020. Original Heavy Pettin drummer, Gary Moat, meanwhile, now fronts Burnt Out Wreck who released their second album last month.

Reflecting on the Heavy Pettin’ re-releases Gary Moat tells me:

“It’s taken 30 years and a lot of hard work from my management and wife to finally have the three Heavy Pettin albums back in safe hands. This time through Burntout Wreckords the royalties will make it back to Universal & Heavy Pettin!”

pGoxsFAA

This official licensed re-release of Lettin Loose includes newly written liner notes by Ross Muir and two rare bonus tracks: ‘Roll The Dice’ and ‘Shadows Of The Night’

Lettin Loose, Rock Ain’t Dead and The Big Bang are all released on CD on 29th November by Burnt Out Wreckords via Cherry Red Records.

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Related post:

Burnt Out Wreck – interview with Gary Moat

 

Interview with Gary Moat of Burnt Out Wreck

On the day Burnt Out Wreck’s new album ‘This Is Hell’ is released I caught up with the band’s front-man and former Heavy Pettin’ drummer, Gary Moat.

So the new Burnt Out Wreck album is released today. Tell us about it.

Just carrying on in the same sort of style as ‘Swallow’ – the song itself, not particularly the whole album. More a straight-ahead kind of rock n roll. It’s a bit faster paced this album. We needed some of that to go live really. And we’re really looking forward to getting out there and doing it.

Did ‘Swallow’ kind of set the template for Burnt Out Wreck then?

Yes most certainly. It’s just my favourite style of music, you know. And that’s the way I write so I had to go down that path eventually in my life. So this is it. It’s just the best form, the most enjoyable form of rock I’ve ever heard in my life. So that’s why I had to do this.

On this album particularly because we’ve got all of the new band and obviously they’re playing on it live and yeah – it just sounds good because it’s not all come out of me this time.

Was the first album you bringing in different musicians then, before you created the permanent band?

I was doing it on my own and I said to Adrian (Dunn – guitarist) do you want to come in and have a go at this but it was just the two of us. I played drums. I played bass. I played rhythm guitar. But when you put a band together it becomes a different animal, you know. And it’s far better for it I must say.

BOW band

Everyone obviously comments on the AC/DC influence when they see Burnt Out Wreck.

You know, everyone always goes on about Bon Scott and AC/DC and that’s obviously the first thing that comes to mind for them and I sing in that register. At 15/16 AC/DC were just the best thing in the world and Bon Scott was amazing. And so that’s why I sing like that, not because I wanted to copy what he was doing but just because that’s the way that my voice developed. And because I was listening to them my whole life, I suppose, I took it on in my head somewhere. There are other bands though. People forget about bands like Rose Tattoo and Krokus – Airbourne even. Some people try and have a little dig at you because your ‘copying AC/DC’ but you know all of these bands are copying AC/DC if you like. But they’re not really because they’re just blues rock bands. I keep going back to this but if you go back to bands that inspired AC/DC, you know the old blues players from America. You can’t distinguish who’s who. They’re all playing a twelve-bar blues and they all sing like each other. It was not that different in the modern era.

When did the desire to sing first emerge? Were you thinking about it back in the days you were drumming with Heavy Pettin’?

Yeah I get asked this a lot. It was there in me. I suppose it’s there in everyone to get up and have a sing. When I was becoming a teenager and started going to pubs and clubs I started getting up and singing with other bands, as well as being the drummer in the band I was in at the time. But when we started Heavy Pettin’ Hamie was obviously the choice for the frontman because I was a drummer. And I had no intention of being a singer. I didn’t want to do it. But the thing is myself and Gordon were the songwriters and Hamie was the singer so I was making the parts up… So I’ve always been singing and writing songs. But when Heavy Pettin’ split up I thought I’m going to do it myself this time. But it’s taken all these years to actually get in there and make my own style.

And, presumably, when you were writing the songs it started to feel more authentic to sing them yourself and express yourself in that way?

Oh yeah. It sounds better coming out of yourself. And people tell me that all the time, you know and that they appreciate it. They like it. And thanks very much to those people.

It was quite a gap between Heavy Pettin’ coming to an end in the late 80s and Burnt Out Wreck now – talk us through what you were doing in between.

I was writing songs, of course, and some of the songs that are on these two albums were written many years ago but not finished. Never finished until I was going to pick them up for the albums. Because you just scribble an idea down. You just get a guitar riff and put it on tape or whatever way back and you just leave it on the shelf. But I’d get around to them eventually. After the band split up way back in 1989 everybody went their separate ways and did whatever they did – got jobs, got married, had kids and just cracked on with life, you know. It took until 1992 for me and Gordon to put a band together called Mother’s Ruin and we played around for many years just on and off. We did gigs mainly around the Milton Keynes area. And then everyone went their separate ways again, going to uni and stuff. We had some younger guys in it. But some of the songs from that are on the first album. But they just sat there and eventually it got to a point where I thought I just hate these songs being left there and nobody’s heard them so I thought I’d put them out you know.

It must be nice to see those song titles finally being released.

Yes and with the first album we’ve had praise from all around the world. Everyone seems to love it and the second album looks as though it’s going to go the same way.

Gary Moat

You’re supporting the Pete Way Band this autumn. And your old band was actually named after a UFO album. Did you know Pete from UFO days back then?

No. The only time I ever met Pete Way was 87/88 when we were recording the Big Bang album and Waysted were in the studio next door to us. I went to see UFO many times, of course. They were all big heroes and influences on all of us I suppose. He told me he really likes our stuff and obviously he’s looking forward to us playing. Yeah it’s just incredible that someone you think of as one of your old heroes thinks you’re good.

You obviously come across quite a few younger bands when you’re out gigging and doing festivals. Are you pleased to see this renaissance of classic rock and the so-called New Wave of Classic Rock? And are there any of the younger bands that you particularly admire?

We do a lot of these festivals and I’ve seen many people. I don’t actually listen to music. I just write my own stuff. I’m in my own little bubble and if I hear something then either instantly it’s good or instantly it’s oh never mind. There are some good bands. I especially like Scarlet Rebels who’ve supported us.

What can we expect from Burnt Out Wreck on this latest tour? Is it a mixture of songs from the two albums? Will there be any covers?

We usually play (Heavy Pettin’ song) ‘Rock Ain’t Dead’ but I don’t think we’ll be playing that any more. We’ve two albums worth now so we don’t need to be slapping that out now, even though it’s a big crowd pleaser and we’re certainly very good at playing it. But yeah we’re really excited and dying to get out to play live and to play some new material. Because we’ve been out on the road for three years, basically, and we’ve just been playing that one album. And we’ve been itching to get into the new one. We knew it was coming but I didn’t want to go out and play it until it was actually out. So we just waited and it will be a mixture. But more leaning towards the new album because er.. we just love it!

This Is Hell released 11 October 2019 on Burnt Out Wreck/Cherry Red
Burnt Out Wreck tour dates here https://www.burntoutwreck.com/tour

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Related reviews:

Anvil / Burnt Out Wreck / VOiD at The Underworld 2018

Four Sticks – Classic Rock All Dayer at the New Cross Inn

Four Sticks Classic Rock Weekender at the New Cross Inn

Pete Way interview