Tag Archives: album release

‘O’ the new album from Orianthi released 6th November

Fans of guitar whizz Orianthi can look forward to a new album. Released on 6th November on the Frontiers label ‘O’ will be Orianthi’s first studio album in seven years and follows her recent signing to the Italian based rock/metal label.

“It is a very inspired album, with things kept pretty raw. I didn’t overthink it,” explains Orianthi. “Marti [Frederiksen, producer, mixer, co-songwriter] and I wanted to create a unique sound and vibe with every track and we experimented a lot with synths and different guitar tones. Lyrically, a lot of this record comes from life experience and other people’s stories. It’s going to be so fun to play these songs live!”

‘Impulsive’ a single and video from the forthcoming album was recently released.

The Australian vocalist/guitarist first came to public attention back in 2009 when ‘According to You’ became an international hit for the then 24-year old. She soon became a go-to player for a number of the best known rock celebs, including Alice Cooper, Carlos Santana and Steve Vai and was also slated to appear as part of Michael Jackson’s planned series of concert dates at the O2 until the singer’s shock death put an end to that.

“I am thrilled about this new chapter with Frontiers!” she adds. “Their passion and enthusiasm for music is such a great reminder of why I love creating music. I couldn’t be more excited to release my upcoming album with them.”

Line-up:
Orianthi Panagaris (Guitars, Vocals, Programming)
Evan Frederiksen (Drums, Bass)
Marti Frederiksen (Percussion, Programming, Bass on Track 3)

‘O’ is released on 6th November 2020 by Frontiers

https://iamorianthi.com/

News: ‘Something on Me’ – new album from Snowy White due out 9th October

A new album from blues-infused guitar legend Snowy White and his band The White Flames is due out on 9th October this year.

In advance of next month’s full album release, ‘I Wish I Could’ a delicious slice of virtuoso blues combined with White’s characteristically laid-back and personal lyrics is now available as a single.

Most famous for his 1983 worldwide hit ‘Bird of Paradise’ from his debut solo album, White has developed his own unique style of ‘English’ blues, a combination of clear, clean blues phrases and harder-edged contemporary rock riffs.

In the seventies he toured the east coast of America, getting as far south as New Orleans and discovering the life of a touring musician was one that suited him. By that time he had become friendly with former Fleetwood Mac guitar legend, Peter Green, and they spent a lot of time jamming together. In the Autumn of 1976 he was invited to tour America and Europe with Pink Floyd and the following year went on to guest on the solo album of Floyd’s keyboard player Rick Wright. In 1979 White accompanied Peter Green on his return to the studio after several years away and the album ‘In the Skies’ was the result. Further work with Pink Floyd ensued which was then followed by a three year stint in Thin Lizzy, leaving in 1982 to commence his solo career.

White’s first solo album was entitled White Flames and included the aforementioned ‘Bird of Paradise’ smash. In 1987 White put together a blues-orientated outfit, the Blues Agency, recording two albums. In the 90s White then toured and recorded with two Dutch-Indonesian musicians, Juan van Emmerloot (drums/percussion) and Walter Latupeirissa (bass and rhythm guitar). As The White Flames they recorded a string of albums, including No Faith Required, Restless, The Way It Is and Realistic, performing all over Europe.

A long stint then followed working with Roger Waters once more,which included Waters’ Dark Side Of The Moon and Wall’ tours. In between tours White founded the Snowy White Blues Project, recording the albums ‘In Our Time Of Living’ and ‘In Our Time…Live’.

White’s most recent solo album, The Situation came out in 2018. The new album Something On Me features Thomas White on drums, Rowan Bassett on bass and appearances by various other White Flames.

http://www.snowywhite.com/

News: ‘Love Life’ the new album from Tawny Ellis released 24th July

An album of soulful Americana Love Life is the latest album from US singer-songwriter Tawny Ellis.

With the title reflecting the theme that runs throughout the songs on the album, Ellis says:

“This record took about three years to finish. I can’t tell you why. It’s just the natural progression of it. The songs for the most part are very personal stories or perhaps stories I tell you about what I have observed in relationships. I built these songs mostly with three different people, Gio Loria – my husband, Jesse Seibenberg and Ted Russell-Kamp. I was lucky to have all of their extraordinary talent and input on board.”

Alongside her lush vocals and lyrical storytelling Ellis says she is known as ‘the girl with the weird instruments’ and her steel guitar an omnichord playing can be heard on the album, her talent for the latter developing when she borrowed an instrument that had originally belonged to Brian Eno, at the suggestion of her producer/musician friend Daniel Lanois.

“It’s a wonderful tool for writing and experimenting and I ended up writing most of the record on it. It’s progressions opened up doorways for me, kind of like a key to the magic.”

Also featuring on the album are Jessie Siebenberg (guitar, steel guitar, drums, piano, keys), Ted Russell-Kamp (guitar, bass), Gio Loria (guitar), Kaitlin Wolfberg (violin, vocals), Scarlet Rivera (violin), Quinn (drums) and Brooke Lizotte (piano).

Released: 24th July 2020 by Music Building Records

https://tawnyellis.com/home

News: 40th anniversary re-release for Hunter/Ronson/Van-Zandt-produced classic by the Iron City Houserockers

Forty years ago former Mott and Bowie alumni Ian Hunter and Mick Ronson teamed up with Steven Van Zandt (Bruce Springsteen and Southside Johnny), co-producers the Slimmer Twins (Steve Popovich Sr. and Marty Mooney) and the Iron City Houserockers to create the band’s legendary second album Have a Good Time (But Get Out Alive).

Hailed by Rolling Stone magazine at the time as “a new American classic” Cleveland International Records is now releasing the album as an expanded 40th anniversary deluxe reissue on 22nd May.

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Although their debut album Love’s So Tough essentially took the band’s live show and brought it to the studio, they were looking for something more far-reaching for the follow-up. Lead singer Joe Grushecky wrote the title track ‘Have a Good Time (But Get Out Alive)’ at the time Pittsburgh’s steel industry was “going down the chutes,” he says. 

“I started really zeroing in on the characters of Pittsburgh, the people who lived in my neighbourhoods, the guys who were coming out and seeing us play every night,” says Grushecky. “The whole identity of Pittsburgh was changing.”

During one particular show, as the audience was becoming a bit too enthusiastic, Grushecky told a fan, “Man, have a good time, but get out alive!” He suddenly realised he had a great song title, which ended up becoming the moniker for the album as a whole.

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Grushecky credits Van Zandt for making him a better writer by encouraging him to make every lyric of every song count and guiding him through that process. “Steve was great with arranging,” he says. “He gave invaluable input and ideas to the band.”

Ronson and Hunter may have looked the archetypal rock and roll stars of the day, but Grushecky recalls the reality being somewhat different. “They were salt of the earth guys and they were a team,” he says. “You could tell the strong affection they had for each other. It was an honour for me to work with both of them. I’ll say that to my dying days. It was just a tremendous experience for me.”

Ian Hunter looks back fondly on his time working with the band:

“Joe and the Houserockers were and are an actual rock and roll band. So many ‘rock and roll’ bands are not real – they just look and act like they are – and fool people most of the time. These guys are for real – and what a lovely man Joe is.”

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In the liner notes Grushecky offers his own reflection of the record that emerged:

“We had great songs and the band was smoking,” he writes. “We all knew something special was happening. The results were a mixture of Pittsburgh rock and roll, Jersey Shore savvy and soul, and English mystic and muscle. Add a dash of Cleveland moxie and an anything goes attitude and a legendary album was born.”

The core group was Grushecky on vocals and guitar, Gil Snyder on piano and vocals, Ned E. Rankin on drums, Art Nardini on bass, Marc Reisman on harmonica and background vocals, and new recruit Eddie Britt on guitar, who replaced founding member Gary Scalese following an injury.

Featuring many of the Houserockers’ signature tunes like ‘Pumping Iron, ‘Junior’s Bar’, and, of course, the title track, the album is released by legendary indie label Cleveland as a remastered two-CD set that includes a bonus disc with 16 previously unreleased tracks of demos and other rarities. The new vinyl edition will include a download card of those same 16 tracks to go with a vinyl replica of the original album.

Cleveland International Records was originally launched in 1977 by Steve Popovich and was relaunched in 2019 by Popovich’s son.

More information at www.clevelandinternational.com

Have a Good Time (But Get Out Alive) is released on 22nd May 2020

Related posts:

Cleveland Rocks – iconic independent record label relaunches

Mott The Hoople at Shepherds Bush Empire 2019

Ian Hunter at Shepherds Bush Empire 2016

Ian Hunter at Giants of Rock 2016

Mott The Hoople Fan Convention 2016

Ian Hunter at Shepherds Bush Empire 2014

News: Cladaich Loch Iù – debut album from Gaelic folk singer Steven MacIomhair

Cladaich Loch Iù is the debut album from Gaelic folk singer Steven MacIomhair. In English meaning ‘Shores of Loch Ewe’ his album has been inspired primarily by songs from his own part of the world combined with other well-known Gaelic songs that he has picked up over the years.

“It was a great experience to come together with such brilliant musicians and take some of my favourite Gaelic songs and breath new life into them. Everyone involved in the album brought a different element with them which created a final product of which I’m very proud,” Steven tells Darren’s music blog.

“It was important for me to include, in the album, some songs from my own village and bring these excellent works to a wider audience’s attention.”

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Born in a small village in the West Coast of Scotland, Naast, near Poolewe, he grew up in a musical home where he developed a love for singing. During his school years his interest and passion for the Gaelic language grew and lead him to Sabhal Mòr Ostaig where he completed a course in Gaelic broadcasting, and most recently, an Honours Degree in Education and Gaelic. Steven started competing in both local and national Mòds when he was 12 years old and won the James C MacPhee Memorial Medal in 1999, just 10 years later he went on to win the coveted An Comunn Gàidhealach Gold Medal. He is currently a Gaelic primary school teacher in Dingwall.

Initially launched on the 28th of August 2019 at a gig he organised in Dingwall and available digitally the album is now also available on CD.

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The CD, Cladaich Loch Iù, is available to buy from:

Glasgow: Gaelic Books Council Shop, Mansfied Street, Partick.
Stornoway: An Comunn Gàidhealach Office
Online: www.BirnamCDshop.com

The album can also be downloaded through:

iTunes
Spotify
Amazon Music
Google Play Music

News: Comfort Zone – debut album from Prophecy Playground released on Friendly Folk Records

Prophecy Playground is an alternative-folk project founded by guitarist singer-songwriter and composer Or Izekson. They combine gently-written melancholic songs and instrumental themes with a carefully-arranged string section, taking elements from classical European chamber music. The melancholic nature of the songs combined with Izekson’s distinctive guitar means comparisons have often been made with the likes of Nick Drake.

Founded in 2018 in Tel Aviv, Prophecy Playground started performing in local bars and small music venues with the band’s live setup consisting of a cellist, violinist and percussionist plus singer-guitar player Izekson surrounded by his four acoustic guitars, each tuned differently.

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Released on the Dutch International folk label Friendly Folk Records, Prophecy Playground’s debut album Comfort Zone is something of a concept album. Izekson’s lyrics deal with themes such as the struggle for inner-self embetterment, the lack of purpose in the virtual age, and a perpetual longing for a home, both in the physical and the spiritual one. The album contains three instrumental pieces and two cover versions – a tribute to 60’s British folk-rock pioneer Kevin Ayers and legendary blues guitar player Mississippi John Hurt, two of Izekson’s most influential musical figures.

A single from the album ‘Politely Polluting’ was released in December with this experimental video filmed in Wales.

The instrumental arrangements for the album include the violin, cello, upright bass, harp, trumpet and flute, and were written by the Tel Aviv pianist/composer Yasmin Raviv. The aim behind the album’s production was to combine skillful acoustic guitar playing with carefully-written arrangements for string section and other orchestral instruments, whilst taking care not to harm the gentleness and fragility of the songs. The album was recorded with producer Gil Smetana, one of Israel’s leading and most experienced music producers, who contributed his distinctive touch.

The band is currently touring Israel in different venues and festivals and will hold album launch mini-tours in US and UK this coming spring, followed by a full European tour in the summer.

Comfort Zone released 15th February 2020 on Friendly Folk Records

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https://www.facebook.com/ProphecyPlayground/

News: Kankou Kouyate’s ‘Kuma’ album – when the Mali singer-songwriter met the Scottish folk-rock guitarist…

Back in 2017, Kankou Kouyate a singer and songwriter from Mali from a renowned musical family, met Scottish musician Mark Mulholland. A collaboration ensued which led to a batch of original songs fusing both African and western influences. The ten-track album Kuma (meaning “words” in Bambara – Mali’s most common language)  is the result of that collaboration.  Parisian musician Olaf Hund adds electronic beats and on a couple of tracks Vincent Bucher provides some beautifully evocative harmonica. Combined with the rock, blues and folk influences of Mulholland’s guitar work and Kankou’s enchanting voice they have created something altogether special.

Mali. Bamako. 06/2017. Kankou et Mark Mulholland.

In Mali, Kouyate has worked with musicians such as Toumani Diabate, Bassekou Kouyate and Cheick Tidiane Seck. She’s collaborated in Africa Express and also contributed to the soundtrack for a 2015 documentary about musicians displaced by Mali’s civil war while internationally she has worked with the likes of Damon Albarn, Brian Eno and Nick Zinner.

Released: Cannery Row Records 6th December 2019

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https://www.facebook.com/Kankou-kouyate-Malian-music-300084397563791/

News: a Blue Öyster Cult reissue plus a brand new fortieth anniversary live album

Back in April 2016, on the 40th anniversary of their Agents of Fortune album Blue Öyster Cult marked the occasion by performing the album in full for a televised concert at Red Studios in Hollywood.  Frontiers music is now releasing the recording in CD, vinyl, DVD and Blu-Ray formats.

On the recording BÖC’s original core duo of vocalist/lead guitarist Donald ‘Buck
Dharma’ Roeser and vocalist/rhythm guitarist Eric Bloom are joined by Richie
Castellano on guitar/keyboards plus the long-standing rhythm section of bassist
Kasim Sulton and drummer Jules Radino. Founding member Albert Bouchard also appeared as a special guest on selected tracks.

Originally released in 1976 Agents Of Fortune was BÖC’s fourth album, going on to
achieve platinum status in the States on the strength of songs such as ‘(Don’t Fear) The Reaper,’ the band’s biggest hit and a staple of classic rock station playlists. Here in the UK Agents of Fortune has featured in numerous publications’ lists of the greatest rock/metal albums of all time, including the likes of Kerrang! and Q magazine.

Frontiers are also reissuing BÖC’s thirteenth studio album Heaven Forbid. Released in March 1998, it was the group’s first full studio set containing original material since Imaginos a decade earlier. Science fiction author John Shirley contributed
heavily, writing lyrics for all except two of its new songs, while a live version of ‘In Thee’ (from 1979’s ‘Mirrors’) was also included.

40th ANNIVERSARY AGENTS OF FORTUNE 2016 live album and HEAVEN FORBID
both released 6th March 2020 by Frontiers Music

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http://www.blueoystercult.com/