Tag Archives: blues

News: new album in train for Kent-based blues rock guitarist Dave Good

Dave Good is a Kent-based blues rock guitarist who played his first gig aged just 13,  growing up on the likes of Jimi Hendrix, the Stones, Peter Green, The Rev Billy Gibbons, Jeff Beck and Rory Gallagher.

Blues guitarist Norman Beaker, who has played with the likes of Chris Farlowe, Larry Garner and Van Morrison, says of him:

“Dave Good manages to cross seamlessly from the down home acoustic blues through Chicago and on to Rock Blues. All played with taste and conviction.’’

Dave has been working with Charlie Creese (pictured) at Magpie Studios in Kent over the past four years. Charlie is a gifted engineer and a talented musician in his own right. Dave and Charlie have spent this last few months prepping a number of Dave’s songs at Dave’s studio, ready to record a new album in June.

Charlie Creese

Between them they have agreed a nine-track album.

Dave says“This project has taken far too long to pull together due to lockdown etc…!!”

“I’m really wanting to get it down and finished and out there.”

Dave Good

Charlie will be playing bass, Tim Robins will be on drums and Dave will be doing guitars and vocals. Dave will also be joined on vocals by Pip Bowers, an incredible vocalist and arranger.

A number of guest players will also be featured including Nick Bold and guest guitarist, Robin Burrows.

Visit: www.davegoodband.co.uk for more info

This week’s featured artist: Matt Steady – new album ‘New Buryin’ Ground’ released 27th April

Matt Steady is a singer-songwriter from Leicester. His music is most closely identified with blues and folk but he pulls in a wide range of influences. Even within the confines of those two genres, however, he traverses a refreshingly broad spectrum: on the blues front going from the blistering electric variety to the mournful acoustic type and on the folk side there’s everything from contemporary singer-songwriter to Celtic soundscapes to traditional balladry. Classically-trained, Matt Steady is a highly talented and naturally expressive player, whether that’s guitar or violin, and he’s an evocative lyricist, too.

Steady has a brand new album out New Buryin’ Ground on 27th April. Prior to that though, he released a compilation album featuring highlights from his previous six albums which he launched with a very generous and fairly unique offer. If you fancy the album, you can order it online and he’ll send out the CD to you direct to your door absolutely free of charge.

The Echoes Remain is a very fine compendium of Matt Steady’s work – eleven tracks in all – and something I’m very pleased to now have in my CD collection.

What on earth possessed him to make it completely free of charge, though, I asked him:

MS: “I’m all about the win/win. This compilation album is a win for listeners and a win for me too! Firstly, as an independent artist, the main challenge I have is getting people to listen to my music. Our attention spans on social media are so short that posting up songs, no matter how good they are, is not a strategy that works particularly well. People are unlikely to stop scrolling to listen to a whole song from someone they’ve never heard of for sure! However the people who enjoy my eclectic style of music often still have CDs player, and often love listening to music in their cars or while working. It costs me very little to have CDs made these days, and with the postage paid for I’m not generally out of pocket on them. And actually any shortfall is made up by some generous folks who either leave a tip or buy an extra CD with it. So the win for the listener is obvious – a free CD delivered to their door; a menu of tracks from my other albums to introduce them to my music. And the win for me is that more people are listening to my music, more people are messaging me and having conversations with me, more people are discovering my other albums and enjoying those too. It’s a win/win for everyone!”

“And for those evolved people who don’t have CDs … it’s available as a free download as well. I don’t want to stop anyone from listening from lack of a piece of equipment. And for streamers, this compilation isn’t up on Spotify etc., but all my albums that the tracks come from are, so that’s a way of listening too.”

You can order your free CD here

Photo credit: Frank Roper Photography

I also asked Matt to tell us a little more about the new album that’s due to be released next week:

MS: “My new album is called New Buryin’ Ground, and this time rather than releasing it under my own name, it’s being released under the band name “The Grace Machine”. Alongside my vocals and guitar work, I am frankly astounded to have playing with me two very sought-after musicians – Terl Bryant on percussion and Matt Weeks on bass. I’ve been listening to their work since I was a teen (ahem that’s quite a long time ago now), and I’m still in shock that they wanted to form this band! The music itself is rocky gospel blues. Many of the tracks are interpreting old spirituals and slave songs, bringing them up to date for a modern audience. We owe so much of our musical lives and heritage to black music, crafted under such dire circumstances, and this album is a homage to those often unknown musicians. The album is full of joy and angst in equal measure, and I can only hope that we’ve done the songs justice.”

New Buryin’ Ground available from Matt Steady’s website here

Released 27th April 2021

Blues rock: album review – Storm Warning ‘Different Horizons’

Another album of impressive blues rock from Storm Warning who have been a fixture on the UK live scene for over fifteen years now. However, this latest album Different Horizons is tinged with a note of sadness. Shortly after completing recording, guitarist, Bob Moore, sadly passed away. Different Horizons thus now acts as something of a tribute to Moore’s playing and song-writing. He was part of the band from its inception.

“Not flashy or fast, but clear, beautifully intoned and with exactly the right combination of effects. No one sounded like Bob, live or in the studio,” says vocalist Stuart Maxwell in the liner notes.

Although the band are also known for stamping their own mark on blues standards here they focus on nine new original compositions.

Commencing with birdsong before embarking on a classic slice of blues rock with title track ‘Horizons’, it’s a beautiful album and a fitting tribute. I particularly loved the moody, smouldering, bluesy guitar on tracks like ‘Can’t Sleep For Dreaming’ and ‘Long Road’ where Ian Salisbury’s soulful keyboards perfectly compliment Moore’s guitar playing. But there’s also lots to enjoy on the rockier tracks, too, like ’Questions’ with its Bad Company-esque riffing. ‘Come On In’, meanwhile, goes for some choppier Feelgoods-style R&B.

Different Horizons is an album that’s highly recommended for blues rock fans and a fitting tribute to their departed guitarist, Bob Moore.

Released: Autumn 2020

https://www.facebook.com/stormwarning.co.uk

Folk/acoustic: album review – Stephen Clark ‘The Lady Aurora’

Featuring original compositions, some new arrangements of traditional tunes and a couple of reworkings of well-known covers this mainly instrumental album on the theme of nature is the solo debut from London-based acoustic guitarist, Stephen Clark.

Encompassing acoustic blues riffs, Appalachian mountain tunes, some Celtic influences and a 14th century Arabic love song, not to mention a touch of J.J. Cale and the Penguin Café Orchestra, The Lady Aurora is an aural delight.

On the live circuit Clark is one half of acoustic duo One Man Down, along with musical partner Jeff Porter who also plays on three of the album’s tracks. Clark’s musical influences range from Django Reinhardt, to John Martyn, Nick Drake, and Johnny Cash and, indeed, such influences and numerous others shine through on this album to create something satisfyingly original.

The evocative ‘Rising Tide’, with a melody that manages to convey both beauty and menace, was written at the time of the great floods of 2014 while a couple of tunes ‘Shimmering Light’ and the title track itself were inspired by a sightseeing trip to the Northern Lights. ‘Muddlin’ Through Boogaloo’, meanwhile, is a traditional blues groove with a hint of Latin. The Appalachian tunes include a lovely version of ‘Shady Grove’ that many will be familiar with as the melody that Fairport Convention recycled for their version of ‘Matty Groves’ on their seminal Liege and Lief album.

Acoustic blues junkies, die-hard folkies and, even though there’s only a couple of actual songs, followers of the acoustic singer-songwriter genre will all find plenty to like in this album. Stephen Clark is a nimble and talented player with a wide musical hinterland and a gift for evocative composition and arrangements The Lady Aurora is well worth exploring.

Released: 6th November 2020

https://stephenpeterclark.wixsite.com/website

News: ‘Something on Me’ – new album from Snowy White due out 9th October

A new album from blues-infused guitar legend Snowy White and his band The White Flames is due out on 9th October this year.

In advance of next month’s full album release, ‘I Wish I Could’ a delicious slice of virtuoso blues combined with White’s characteristically laid-back and personal lyrics is now available as a single.

Most famous for his 1983 worldwide hit ‘Bird of Paradise’ from his debut solo album, White has developed his own unique style of ‘English’ blues, a combination of clear, clean blues phrases and harder-edged contemporary rock riffs.

In the seventies he toured the east coast of America, getting as far south as New Orleans and discovering the life of a touring musician was one that suited him. By that time he had become friendly with former Fleetwood Mac guitar legend, Peter Green, and they spent a lot of time jamming together. In the Autumn of 1976 he was invited to tour America and Europe with Pink Floyd and the following year went on to guest on the solo album of Floyd’s keyboard player Rick Wright. In 1979 White accompanied Peter Green on his return to the studio after several years away and the album ‘In the Skies’ was the result. Further work with Pink Floyd ensued which was then followed by a three year stint in Thin Lizzy, leaving in 1982 to commence his solo career.

White’s first solo album was entitled White Flames and included the aforementioned ‘Bird of Paradise’ smash. In 1987 White put together a blues-orientated outfit, the Blues Agency, recording two albums. In the 90s White then toured and recorded with two Dutch-Indonesian musicians, Juan van Emmerloot (drums/percussion) and Walter Latupeirissa (bass and rhythm guitar). As The White Flames they recorded a string of albums, including No Faith Required, Restless, The Way It Is and Realistic, performing all over Europe.

A long stint then followed working with Roger Waters once more,which included Waters’ Dark Side Of The Moon and Wall’ tours. In between tours White founded the Snowy White Blues Project, recording the albums ‘In Our Time Of Living’ and ‘In Our Time…Live’.

White’s most recent solo album, The Situation came out in 2018. The new album Something On Me features Thomas White on drums, Rowan Bassett on bass and appearances by various other White Flames.

http://www.snowywhite.com/

Interview with blues/Americana rising star Elles Bailey

This interview was originally published by Get Ready To Rock here

I recently caught up with blues/Americana singer-songwriter Elles Bailey to talk about her newly-released album Road I Call Home, about the impact of her critically-acclaimed debut and about her current tour.

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GRTR: Your debut album was fantastically well-received. At what point did you start to feel you had something really special on your hands? While you were writing? Or recording? Or mixing? Or not until you started to see the reactions and read the positive reviews?

EB: I guess it was when the critics and their fans got there hands on it and the reviews started to come in that I was like ‘hang on, I think folks are really liking this!’ I find it is really hard to be objective about your own music but I am really pleased that Wildfire got the reviews it did, across genres! That took me by surprise.

GRTR: You must have felt under quite a bit of pressure when it came to putting the second album together. What was your overall philosophy when it came to writing and recording Road I Call Home?

EB: Just be honest – I wanted to write an album that was honest, bare to the bones, not sugar-coating anything!

I guess there was a bit of pressure when it came to putting this album together but it was such a blur of a year I am not quite sure how it all happened! I’m currently sat in my managers office and looking at the vinyl…. And that’s weird, actually having it physically in my hand and thinking – ‘how the hell did this happen?

GRTR: What has the experience of co-writing with some of these iconic song-writers been like, compared to writing songs on your own?

EB: I love to collaborate when I write, its great being in a room with someone sparking off ideas and working with folks like Roger Cook, Bobby Wood and Dan Auerbach is kinda mind blowing. Every now and then I have to pinch myself just in case I am dreaming!!

GRTR: What’s been your most memorable live gig so far and how much are you looking forward to doing Ramblin’ Man in July?

EB: The album launch at The Lexington in London was totally off the chain. The album had been out a couple of days and had loads of people singing the words back to me! I felt like crying it was so emotional! I’ll never forget that gig!

Ramblin man….. I can’t wait and am so excited to finally see Beth Hart live!

GRTR: There’s a lot of different influences in your music – from blues to country to rock to soul. Name some of your favourite artists.

EB: Gosh I have so many but right now I am listening to Mavis Staples, Christ Stapleton, The Band, Larkin Poe, Hozier ( I love his new record) and Ida Mae to name a few.

Elles Bailey’s Road I Call home was released on March 8th. Review here

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Photo credits: artist publicity

Live review: The Story of The Blues at The Printworks Hastings 21/3/19

Tonight’s The Story of the Blues tells the tale of one of Black America’s most celebrated and influential contributions to popular music through a combination of archive film footage, spoken narration and live performance. Put together by Hastings’ own Green River Blues Band, the town’s Printworks venue is absolutely packed out for them.

Having a fascination with this genre, both in its original country blues acoustic format and its later electrified form (not to mention the influence it had on both American rock ‘n’ roll in the 50s and the British beat groups of the 60s) this was always going to be a must-see for me as soon as I saw it advertised. I was a little worried that if the band didn’t quite get the tone right that, however accomplished they are as players, we might end up with something that ends up being over-romanticised and shall we say a little saccharine Opening with Sam Cooke’s 1961 hit ‘Working On The Chain Gang’ I thought we may be at risk of going down this route but any notions that they might not pull this off are soon dispelled. Narrator Jonathan Linsley talks us through the early roots of the blues starting with the shameful brutality of the slave era and the spirited songs of defiance that arose from that. The film footage that plays on the screen behind reveals a highly moving montage of images, from the almost impossible to absorb images of slave-sale stores on US high streets through to footage of some of the heroes of the emerging blues scene in action. The six-piece Green River Blues Band deliver a passionate and skillfully-played set taking us through early songs like ‘Take This Hammer’ and ‘Pick A Bale of Cotton’ through to later songs like ‘Crossroads’ and ‘Sweet Home Chicago’. Between songs narrator, Jonathan Linsley gives us glimpses into the lives of some of the performers like Lead Belly, Lightnin’ Hopkins and Robert Johnson.

After a short interval and the band are back one stage, the acoustic guitars now being replaced with electric. Now we move later into the mid-twentieth century, the band presenting us with timeless classics like ‘Got My Mojo Working’, ‘Smokestack Lightning’ and ‘Little Red Rooster’. Of course, though these remain well-known classics today by the 1960s many of the songs, and certainly many of the performers, had fallen into obscurity – until, of course, picked up, adapted and re-popularised by a bunch of middle-class white boys on the other side of the Atlantic. The show touches on this and clearly this was the entry-point for where the blues came into the lives of the guys on stage tonight.

The show celebrates the songs and those who created and performed them while pulling no punches in terms of the poverty, the hardship and, often, the brutality of the environment that the blues sprang out of. A moving and passionate celebration of the genre the biggest surprise is possibly that this is not some slickly-produced show that regularly tours the country but that tonight is strictly a one-off, put together out of love with all profits going to a local good cause.

If the Story of The Blues were to be rolled out beyond a one-off night in Hastings Printworks, however, I am absolutely certain it would find appreciative audiences in many venues. The Story of The Blues is a genuine triumph for those who put this together.

https://www.facebook.com/Greenriverbandpage2016/

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Americana: album review – Elles Bailey ‘Road I Call Home’

This review was originally published by Get Ready To Rock here

After attracting a slew of favourable reviews with her debut album, 2017’s Wildfire, the Bristol-based singer-songwriter Elles Bailey is back with a follow-up. Like its predecessor, recorded primarily in Nashville Road I Call Home is a slice of soulful, classy, bluesy Americana. With her husky, emotive vocals and a definite ear for a good song it’s not difficult to see why Bailey has been picking up fans and rave reviews across a range of genres – from rock to folk to country to blues.

Backed by some top class musicians from the Nashville recording scene the album just oozes professionalism and quality. ‘Hell Or High Water’ is a suitably dramatic slice of country rock to open the album, while songs like ‘Little Piece Of Heaven’ and ‘Miss Me When I’m Gone’ perfectly capture the spirit of modern Americana. Some of the tracks, like ‘Deeper’ and ‘Foolish Hearts’ with their deliciously soulful organ and bags and bags of brass give an impression of being recorded not in Nashville but some 200 miles away and a several decades ago in Memphis’s Stax studio. But it’s that skilful yet instinctive blend of influences that has helped Bailey build a solid fan-base. ‘What’s The Matter With You’ meanwhile is a slow, smoky, heartfelt blues while the rock influences come more to the fore in the title track ‘Road I Call Home’ with its superb guitar solo.

Co-writing credits include renowned UK hit songwriter Roger Cook, these days firmly part of the Nashville music scene, along with Nashville’s own Bobby Wood who has written for Elvis Presley and Dusty Springfield among others. Bailey explains the process as follows: “Road I Call Home is a year’s snapshot of being on the road. Eight of the 11 songs were written in two months. I’m very honest to what I write, and right now that’s what I know. I live in that constant state of tiredness, but I love it. I feel so blessed to live this life.”

An incredible voice, some great songwriting and some seriously good musicianship, with Road I Call Home Elles Bailey and her friends in Nashville have given us an impressive album.

Released by Outlaw Music March 8th 2019

https://www.ellesbailey.com/

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Blues rock: single review – Big River ‘Blackened Rain’

A consistent presence on the live music scene and and around the south-east these past couple of years, Kent-based blues rockers Big River release their latest single ‘Blackened Rain’. We keep being promised an album but, for now, we’ll have to be tantalised with another single. Following on from ‘Hometown Hustler’ and ‘Blues Blood Baby’ it contains that same blend of meaty guitar, soulful vocals and catchy hooks but this latest offering takes the band into heavier terrain and is an out and out blast of unadulterated hard rock. Think Bad Company with a good dollop of Led Zep blasting out from behind and you’re probably along the right lines.

Vocalist, Adam Bartholomew had decided to take some time out from the band and late 2018 saw the announcement of a new lead singer. However, Bartholomew is back once more, providing both vocals and lyrics here, and the new single has already been picking up considerable airplay.

It seems like these guys have had some ups and downs to contend with of late but ‘Blackened Rain’ is a great slice of hard rock and I look forward to that forthcoming album.

Big River are Adam Bartholomew (vocals), Damo Fawsett (guitar), Ant Wellman (bass) and Joe Martin (drums).

Released: 28th January as download on the Groovy Uncle label

https://www.facebook.com/bigriverblues/

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Related reviews:

Big River – Hometown Hustler

Big River – Blues Blood Baby

Live review: John Verity Band at Printers Playhouse, Eastbourne 20/10/18

When the booking for another venue in the town had fallen through and John Verity’s wife/manager, Carole, put out a call out on social media asking for possible alternatives I suggested Eastbourne’s Printers Playhouse, fast establishing itself as a decent small venue. Given that my off-the-cuff suggestion actually worked out and the John Verity Band were able to secure a booking there I thought the least I could do was get myself along. No chore this though. I have seen the former Argent guitarist at various Butlins weekends and it’s always a highly enjoyable set.

Playing some beautifully emotive slow blues as well as a few well-chosen rock classics, John Verity and his band-mates, John Gordon on bass and Liam Gray on drums, give us ninety minutes of sheer quality in this intimate and tightly-packed upstairs venue. While there are a fair few self-written songs played tonight, like ‘Blues in Heaven’ a beautiful tribute he had written for a former colleague and friend who passed away, there’s no shortage of covers either. Verity has never been at all snobbish about doing cover versions, whether blues standards or rock classics, but he always puts his own indelible stamp on them with his own inimitable guitar sound. As well as a cracking cover of a late-period Etta James song ‘The Blues Is My Business’ we are treated to J.J. Cale’s ‘Cocaine’ and, towards the end an awesome version of Hendrix’s ‘Purple Haze’.

Though he defines himself as a blues guitarist through and through, Verity does tell the audience, he “did have a little diversion at one point” before launching into the familiar powerful chugging intro of ‘Hold Your Head Up’ for a superb version of the Argent classic.

A hugely-talented blues guitarist, a genuine rock legend, an engaging stage personality with a nice line in self-deprecation and a really, really tight, together band it is well catching John Verity on one of his frequent tours.

http://www.johnverity.com/

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