Tag Archives: John Verity

Live review: John Verity Band at Printers Playhouse, Eastbourne 20/10/18

When the booking for another venue in the town had fallen through and John Verity’s wife/manager, Carole, put out a call out on social media asking for possible alternatives I suggested Eastbourne’s Printers Playhouse, fast establishing itself as a decent small venue. Given that my off-the-cuff suggestion actually worked out and the John Verity Band were able to secure a booking there I thought the least I could do was get myself along. No chore this though. I have seen the former Argent guitarist at various Butlins weekends and it’s always a highly enjoyable set.

Playing some beautifully emotive slow blues as well as a few well-chosen rock classics, John Verity and his band-mates, John Gordon on bass and Liam Gray on drums, give us ninety minutes of sheer quality in this intimate and tightly-packed upstairs venue. While there are a fair few self-written songs played tonight, like ‘Blues in Heaven’ a beautiful tribute he had written for a former colleague and friend who passed away, there’s no shortage of covers either. Verity has never been at all snobbish about doing cover versions, whether blues standards or rock classics, but he always puts his own indelible stamp on them with his own inimitable guitar sound. As well as a cracking cover of a late-period Etta James song ‘The Blues Is My Business’ we are treated to J.J. Cale’s ‘Cocaine’ and, towards the end an awesome version of Hendrix’s ‘Purple Haze’.

Though he defines himself as a blues guitarist through and through, Verity does tell the audience, he “did have a little diversion at one point” before launching into the familiar powerful chugging intro of ‘Hold Your Head Up’ for a superb version of the Argent classic.

A hugely-talented blues guitarist, a genuine rock legend, an engaging stage personality with a nice line in self-deprecation and a really, really tight, together band it is well catching John Verity on one of his frequent tours.

http://www.johnverity.com/

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Live Review – Giants of Rock, Minehead 26-29 January 2018

Extracts from this review were also published on Get Ready To Rock here

Another weekend, another Butlins music festival. Giants of Rock at Minehead has become an absolute must in my musical calendar each January now. With three stages, forty-three bands and many, many clashes it’s obvious you can’t see everything – and I don’t even try. Inevitably, I missed some great performances but my general approach at weekends like this is as follows:

– I do like to watch act in full and properly appreciate their performance, from the minute they walk on stage to their final encore, rather than flitting about catching half an hour here and half an hour there.

– I also do like to eat, chill, socialise (and sleep) so I inevitably miss a good few bands – but the ones I do see generally get my full attention.

With those caveats here then are my highlights (and a couple of lowlights) from Giants of Rock 2018:

Friday

Taking a chance on Curved Air I thought they might be an Atomic Rooster-like surprise for me whom I enjoyed at Butlins Skegness so much the previous week. Unfortunately, it was not to be. It took me less than five minutes to realise that Curved Air were really, really not my cup of tea at all. That opened the way, however, for moving on to the Introducing Stage just as all-female foursome JoanovArc were about to start…

Dubbed the ‘new queens of rock’ JoanovArc immediately impressed with an energetic and high-quality performance. Big drums, powerful bass, nice heavy guitar and great vocals, their songs stand up nicely alongside the likes of female hard-rock trailblazers Girlschool, Rock Goddess and Joan Jett. These new queens of rock are definitely worth watching out for.

http://joanovarc.co.uk/

Then it was a return to one of the two main stages to watch former Wishbone Ash man, Martin Turner and his band wow the crowd with their performance of the classic 1972 album, Argus. I’d really enjoyed Andy Powell’s continuing ‘official’ version of Wishbone Ash at Giants of Rock two years ago. But Turner’s interpretation of this early material is just perfection. ‘Time Was’, ‘Blowin’ Free’, ‘The King Will Come’… No-one will ever do these songs better.

https://www.martinturnermusic.com/

Saturday

I was greatly entertained by ex-Argent guitarist John Verity at Giants of Rock two years ago and he was back once more with a lunchtime slot delivering a mix of rock classics, blues standards and material from his recent solo albums as well as, of course, a version of Argent’s irresistible classic ‘Hold Your Head Up’. A great way to start the day’s music.

http://www.johnverity.com/

Stage presence, charisma, good songs, great riffs, quality musicianship. Many upcoming young bands have some of these elements. Few have them all. But Hell’s Gazelles had absolutely everything – in spades. A young four-piece from Oxford, vocalist Cole Bryant has an immense vocal range and proved himself an incredible front-man. Similarly, the young Nath Digman is a great lead guitarist. Amongst very stiff competition Hell’s Gazelles were definitely the stand-out new act of the weekend for me. It’s hard to predict what the music industry or the rock scene is going to be like in twenty year’s time but if Hell’s Gazelles are not up there alongside whatever 2040’s equivalent of Iron Maiden or Judas Priest is by then there’s no justice in the world.

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http://www.hellsgazelles.com/

After bumping into Uriah Heep in the chippy and having a lovely chat with a very affable Mick Box and co, it was soon time to see them up on stage. Playing mainly Byron-era classics: ‘Gypsy’ followed by ‘Look At Yourself’ followed by ‘Sunrise’ followed by ‘Stealin’, they threw in one song from the last studio album (the excellent ‘One Minute’ from 2014’s The Outsider) before going on to 1998’s ‘Between Two Worlds’ then incredible versions of ‘July Morning’ ‘Lady in Black’ and ‘Easy Livin’. Pounding hammond, stunning vocals and Mick Box on guitar having the time of his life, not only did it rank of one of my favourite Giants of Rock performances ever, it’s now up there as one of my favourite performances by anyone, anywhere ever.

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Things were slightly different next door on the other main stage with rumblings from audience members that Hawkwind only got to play for an hour and didn’t have time for any well-known crowd pleasers like ‘Silver Machine’ at the end. But all bands get an hour – to use exactly as they see fit. While Uriah Heep used their allotted hour with devastating efficiency to give us an out-of-this-world-performance of some of their greatest songs ever, Hawkwind chose a different approach. But at the end of the day you only get an hour. It’s Butlins not Stonehenge…

http://www.uriah-heep.com/newa/index.php

From probably the best Giants of Rock performance ever to possibly the worst…

After Uriah Heep I wandered over to the other main stage to watch a bit of ex-Toto singer, Bobby Kimball. Never really a fan of that very polished, very commercial, very shiny American AOR anyway, this was more out of morbid curiosity than anything else. In the week’s building up to his appearance numerous videos circulated on social media showing some shockingly out-of-tune vocals as Kimball murdered numerous Toto hits like ‘Africa’. If Kimball would be able to turn things around and put in a half-decent performance at Butlins it would be one of the big surprises of the festival. If he wasn’t it was going to be one horrific car-crash. Unfortunately, it was the latter. I lasted three songs – just long enough to see him murder ‘Africa’ again, before joining the mass of exodus next door to catch Stray. At least Del Bromham and his band were guaranteed a large crowd. The place was absolutely rammed and Stray put in a blistering set. The second-time I’d seen them in a week, it was a great way to end the second day.

http://www.stray-the-band.co.uk/

Sunday

Killit, who were one of the Introducing Stage winners last year, were on one of the main stages this year starting the day with a lunchtime set. One of the most impressive bands I’ve come across in recent years, they have a knack of coming up with instantly catchy, instantly memorable songs and demonstrate the centrality of great song-writing to truly great classic rock. They are awesome performers, too, with vocalist Gaz Twist a talented front-man with a great voice. I so want this band to do well.

http://www.killitband.com/

My visit to the Introducing Stage on the Sunday was to catch Black Whiskey, who would go on to be that day’s winners and thus will be appearing on the main stage next year. Citing influences like Zeppelin, Free, Purple and UFO, Black Whiskey very much opt for a classic rock sound. Bluesy guitar, soulful vocals and solid rhythm. It’s a timeless, infectious mix and I am definitely happy to see more of them in future.

https://www.facebook.com/BlackWhiskeyUK/

My absolute must-see band for the Sunday night was Slade. It would be the twenty-fifth time I had seen this band since I first saw the original line-up send the crowd at Donington Monsters of Rock absolutely crazy as a 15-year old teenager back in 1981. Noddy Holder and Jim Lea have long gone, of course, but Dave Hill and Don Powell are still flying the flag with a stable line-up of vocalist/guitarist Mal McNulty and vocalist/bass-player John Berry. Anyone expecting a note-for-note musically and vocally perfect copy of the original Slade you’re going to be disappointed. But if you want a crazy, fun-packed, non-stop celebration of some of the greatest songs ever – clapping your hands, stamping your feet, getting your boots off, singing along at the top of your voice, and generally waving your arms about – you’re in for a treat. A brilliantly fun twenty-fifth Slade gig for me – I can’t wait for my twenty-sixth…

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https://www.facebook.com/OfficialSladeBand/

After Slade finished I opted not to stick around for Nazareth having already enjoyed them at Skegness the weekend before. (Read my review here to find out what I thought of Nazareth). Instead, I headed over to the other main stage to watch the AC/DC tribute, Bon, who were performing the Powerage album in full. I’ve nothing against tributes and have enjoyed quite a few of them at my local rock pub back home but generally it’s not what I travel hundreds of miles to Minehead for. However, a great bunch of musicians performing a classic album in full followed by a run-through of all the iconic title tracks from every Bon Scott-era AC/DC album seemed like a great party band and a great way to finish the weekend on a high – and it was.

Hard rock, prog rock, glam rock, space rock, blues rock, contemporary heavy metal… One of the great things about Giants of Rock is that if you are a classic rock fan there really is something for everyone. Another great thing is the strong sense of community amongst those coming together at Minehead to celebrate their shared love of rock. A vibrant and active presence on social media via the Giants of Rock Facebook group (set up by fans for fans completely independently of Butlins) has meant that many close bonds have been made over the four years since the the festival started. It makes for one of the friendliest weekends of this type you can possibly imagine. Roll on Giants of Rock 2019!

You can join the Giants of Rock Minehead Facebook discussion group here 

Related reviews:
Skegness Rock and Blues 2018
Minehead Giants of Rock 2017
Slade at Giants of Rock 2015