Category Archives: live reviews

2019 in Darren’s music blog – the ten most popular posts of the year

I wish everyone a happy New Year and give my special thanks to all those who have visited (and hopefully enjoyed) Darren’s music blog during 2019. Looking back over the year, here are my ten most popular blog posts from 2019. A bit of a 70s theme going on here as we look at icons of glam rock, heavy rock, folk rock and punk rock…

1. Live review: Giants of Rock, Minehead 25-28 January 2019

The sixth annual classic rock weekend at Butlins including Eric Bell, Scarlet Rebels (pictured above), Geordie and Oliver-Dawson Saxon. Full review here

2. Live review: Mott The Hoople ’74 at Shepherds Bush Empire 27/4/19

If this tour is to be the final chapter in the ballad of Mott the Hoople it serves as a fitting end to the career of a wonderful, unique and utterly, utterly irreplaceable band. Full review here

3. News: All change at The Sweet

With little creative input from me I simply endeavoured to keep fans rapidly updated on changes in the band by publishing the band’s official statement. Full post here

4. Six recently revived rock bands that are turning out to be dynamite

Focusing on Atomic Rooster, Lindisfarne, Geordie, Satan’s Empire, Rock Goddess and Towers of London. Full post here

5. Live review: Steeleye Span at St Mary, Ashford 13/4/19

Lining up alongside Maddy Prior are Julian Littman, Andrew Sinclair, Roger Carey, Liam Genockey and Benji Kirkpatrick. Talented players all, they bring a fantastic assortment of instruments, sounds and techniques with them, not to mention a rich array of voices. Full review here

6. Live review: Slade at Concorde 2, Brighton 21/9/19

Dave Hill is, of course, Dave Hill. Eccentrically-dressed as ever: a diminutive figure bouncing all over the stage, delivering the familiar solos and holding the whole thing together. Full review here

7. Interview with Andy Scott ahead of Sweet’s 2019 UK winter tour

The new line-up, the winter tour, the split in the early 80s, keeping in touch with Steve Priest and Rock Against Cancer I was delighted to have a long chat with Andy. Full interview here

8. Live review: UFO at Shepherds Bush Empire 4/4/19

Yelling along to ‘Doctor Doctor; and ‘Shoot Shoot’ as the guys come back on stage for an encore seems a fitting way to say farewell to a band whose music I’ve been enjoying for almost forty of their fifty years. Full review here

9. Steeleye Span at St Mary in the Castle, Hastings 21/11/19

A second trip to see Steeleye Span this year and a second review that seemed to rack up the hits. Full review here

10. Live review: Glen Matlock headlines Hastings Fat Tuesday 5/3/19

A bona fide rock ‘n’ roll icon. Performing in the pub. Free entry. On a Tuesday night. It can only be Hastings Fat Tuesday. Full review here

Here’s to 2020!

Best wishes

Darren

 

 

 

Live review: Sweet at De La Warr Pavilion, Bexhill 21/12/19

My last gig of the year and my first time seeing the Sweet with their all-new line-up. I’d seen the previous line-up (Andy Scott, Bruce Bisland Pete Lincoln and Tony O’Hora) many times but when I interviewed Andy Scott recently he was positively brimming about how much the new line-up rocked. Lincoln and O’Hara are gone, replaced by Paul Manzi (ex Cats in Space) on lead vocals and Lee Small on bass – and, assisting temporarily, Sweet alumni and ex MSG man Steve Mann on keyboards/rhythm guitar.

Scott promised that as well as the glam singles this new line-up would certainly be delving into the hard rock side of the band’s persona. The Sweet Fanny Adams and Desolation Boulevard albums are duly raided for tracks like ‘Burn On The Flame’, ‘AC/DC’, ‘Sweet FA’ and ‘Set Me Free’ and acoustic versions of the band’s early bubblegum singles are abandoned.

Impressions: the new-look band are definitely fired up, the band rock hard (whether delivering the glam singles or the classic album tracks) while still maintaining those exquisite harmony vocals that are such an essential element of the overall sound. On top of that it has to be stressed that Manzi is just an incredible, incredible front-man. Unlike the previous line-up the vocalist does not have an instrument in his hands and uses every single minute of the gig to zip all over the stage and engage the audience in the most direct way possible.

It’s also very satisfying to see the Sweet boys filling out this considerable venue, too. We might be besides the sea and it might be late December but this is not some Christmas package tour in some rundown venue squeezed in between the tribute acts and the panto but rather a high-octane rock show in the prestigious (and packed out) Grade I listed De La Warr Pavilion.

Of course, we get all the big hits as well: ‘Hellraiser’. The Six Teens’, Wig Wam Bam’, ‘Fox On the Run’ et al and the band encored with some exceptionally energetic delivery of ‘Blockbuster’ and ‘Ballroom Blitz’. The band have proved, beyond doubt, that there’s plenty of life left in the Sweet yet – and, as Andy Scott tells the audience this new version of the band is just in its infancy. We want Sweet!

Set-list:

Action
New York Groove
Hell Raiser
Burn on the Flame
The Six Teens
Peppermint Twist
AC/DC
Turn It Down
Sweet F.A.
Set Me Free
Teenage Rampage
Wig-Wam Bam
Little Willy
Love Is Like Oxygen
Fox on the Run
Blockbuster
The Ballroom Blitz

Sweet Bexhill pic

http://www.thesweet.com/

Related posts:

Interview with Andy Scott

News: All change at The Sweet

Review: Sweet 50th anniversary concert – Berlin

Review: Sweet live 2017, London and Bilston

Review: Rainbow and Sweet, Birmingham 2017

Review: Sweet, Bilston 2016

The Sweet versus Bowie: the riff in Blockbuster and Jean Genie – origins and influences

Review: Sweet at Dartford 2015

Review: Sweet at Bilston 2014

Live review: Diamond Head and Uriah Heep at De La Warr Pavilion, Bexhill 6/12/19

Bexhill’s Grade 1 listed modernist masterpiece have had a really impressive programme this year. In the last couple of months I’ve been here to see Justin Hayward and Glenn Hughes – and I’m rounding off the year with a trip to see the Sweet. But tonight we have not one but two classic British hard rock acts.

Filling the support slot for Uriah Heep on this tour are New Wave Of British Heavy Metal veterans Diamond Head. Quite the heaviest band I’ve seen on the De La Warr stage they hit the crowd with classics like ‘In The Heat of The Night’, ‘Shoot Out The Lights’ and ‘Am I Evil’. As with Heep themselves, it’s the lead guitarist who is the mainstay of the band through many line-up changes. But, like Heep’s Mick Box, Brian Tatler has assembled a talented group of musicians and a strong vocalist in Danish-born Rasmus Bom Andersen and they deliver a powerful set. They work the Heep audience nicely and get a very warm response in return.

https://www.diamondheadofficial.com/

With one exception the songs performed by Uriah Heep tonight are either very, very old or very, very new. Apart from ‘Too Scared To Run’, when the band completely re-invented its sound in the early 80s, the set is either songs from the band’s classic early 70s Byron- fronted era or from the band’s latest album Living The Dream.

After experimenting with a more modern sound (the 80s production sheen of the band’s albums from that period now sounds terribly dated, ironically) with the Heep of today it is forever 1972 – in all its progged up, Hammond pounding, era-defining glory. And that is exactly how we love it!

Vocalist Bernie Shaw and Keyboard player Phil Lanzon may have only come on board in the mid 80s – a good decade after the band’s golden period of the early 70s – but they completely get what the classic Heep sound is all about and know exactly what to deliver, whether that’s on songs originally performed by David Byron and Ken Hensley or songs from their latest album. Following the retirement and tragic death of Lee Kerslake and Trevor Bolder respectively, drummer Russell Gilbrook and bass-player Davey Rimmer have also prove worthy additions to the band. Tracks like set opener ‘Grazed by Heaven’ from their recent album sit neatly alongside those from the Demons & Wizards and Look at Yourself albums.

When it comes to introducing one of the real highlights of the set, Mick Box recalls the time the band were in the studio but he had to take a few days out due to contracting some sort of bug. When he returned the band had worked up three separate pieces. Box, however, observed that all three were in the same key and suggested joining the them together and adding a dramatic introduction to create something really special. ‘July Morning’ was born. The band deliver a truly majestic rendition tonight. That’s followed by a much less complex but no less memorable ‘Lady In Black’, Box donning his acoustic guitar and the crowd all joining in with this folky strum-along.

Back for a quick encore of ‘Sunrise’ and the glorious ‘Easy Livin’ the band have certainly delighted their Bexhill audience tonight.

http://www.uriah-heep.com/newa/index.php

Set-list:

Grazed by Heaven
Too Scared to Run
Living the Dream
Take Away My Soul
Rainbow Demon
Rocks in the Road
Gypsy
Look at Yourself
July Morning
Lady in Black
Sunrise
Easy Livin’

Related reviews:

Uriah Heep, London 2014
Uriah Heep at Giants of Rock 2018

Live review: Steeleye Span at St Mary in the Castle, Hastings 21/11/19

Twenty-odd musicians passing through the ranks over the years, twenty-odd studio albums, a top five hit and countless songs depicting the cruel, the gruesome and the other-worldly, the folk rock institution that is Steeleye Span is fifty years old this year. This tour is being billed as a celebration of that and the band’s new album Est’d 1969 emphasises the point further.

The focus tonight, however, is not on self-reverential backslapping but firmly on the songs. As lead singer and founder member, Maddy Prior, said when I interviewed her for the Hastings Online Times recently it is the material that has been at the heart of the band’s success. And what a choice of songs we get tonight: from those like ‘The Blacksmith’ that appeared on the band’s very first album to several (like ‘January Man’ and Mackerel of the Sea’) that appear on their latest. There’s plenty of familiar material, like the wondrous ‘Alison Gross’, from the band’s 1970s commercial heyday, but one of the really nice things about a Steeleye Span gig is they never let the set-list become over-familiar. They mix it up from tour to tour, retrieving old songs from their back catalogue, giving others a rest and introducing the audience to new material. Indeed, the set-list tonight is quite different from the last time they performed at St. Mary in the Castle back in 2017.

The line-up of this constantly-evolving band is pretty much the same as the last time they performed here for us, save for Violeta Barrena filling in on violin for Jessie May Smart who is taking time out from the band on maternity leave. On stage the seven musicians really work well together. The ‘electric’ trio of Roger Carey on bass and Julian Littman and Spud Sinclair on guitars provide some real oomph as the band rock out on some of their harder-edged arrangements and provide a lovely contrast to the elegant beauty of Barrena’s fiddle playing and Benji Kirkpatrick’s mandolin. Long-standing Steeleye Span member and local Hastings musician, Liam Genockey, holds it all together on the drum-kit and all of the band members provide some lovely vocals on the choruses alongside Prior.

Of course, there is one song that never leaves the set. “You know what’s coming next,” says Prior when the band come back on for an encore and they launch into a thunderously energetic and suitably celebratory rendition of their 1975 Top 5 hit ‘All Around My Hat’. Rather than delving into yet another familiar old favourite the band finish the night with ‘Dodgy Bastards’, the title song from their excellent 2016 album and we are all able to leave thanking Steeleye Span for fifty years of incredible music.

Set-list:

First half:

Thomas the Rhymer
One Misty Moisty Morning
The Elf-Knight
Alison Gross
The Blacksmith
The Boy and the Mantle (Three Tests of Chastity)
Roadways
Mackerel of the Sea
Seventeen Come Sunday

Second half:

Tam Lin
King Henry
Black Jack Davy
January Man
Wintersmith
Old Matron
Domestic
All Around My Hat
Dodgy Bastards

img_0060.jpg

http://steeleyespan.org.uk/

Related posts:

Interview with Maddy Prior

Interview with Julian Littman

Review: Steeleye Span at Ashford 2019

Review: Steeleye Span at Hastings 2017

Live review: Glenn Hughes performs classic Deep Purple live, De La Warr Pavilion, Bexhill 16/11/19

“Ian Paice, Roger Glover and Ian Gillan don’t do these songs” former Deep Purple bass player/vocalist, Glenn Hughes, tells the Bexhill audience, as he explains his decision to put together a tour celebrating the legacy of MK 3/MK 4 era Deep Purple at the urging of many promoters.

Having caught Hughes on one of his more regular tours a few years ago I knew we were in for an absolute treat. The few Deep Purple classics he threw into the set-list when I saw him back then completely set the audience alight and he proved, beyond any reasonable doubt, that he still had the vocal ability to hit those high notes and deliver those songs in a way they deserve to be heard. When the Bexhill date was announced I therefore jumped at the chance to see Hughes perform an entire set of Purple material.

As well as still being in very fine voice and being an absolute legend on the bass Hughes has also got himself a very good band together indeed, particularly guitarist, Soren Anderson, who handles the material amazingly well – from the classic Ritchie Blackmore riffs in the MK 3 material to the more funked up jazzy feel of the MK 4 material.

Material from the MK 3 line-up features more prominently in the set and we get some wonderful versions of classics like ‘Stormbringer’ and ‘Might Just Take Your Life’. However, MK4 Purple and , isn’t overlooked entirely. ‘You Keep On Moving’ and ‘Gettin’ Tighter’ from Come Taste The Band, Hughes’ final album with the band, both get an airing. Introducing the latter, a song he co-wrote with the late Tommy Bolin, Hughes tells us he’s played it at every gig he’s performed since 1976 in tribute to his former colleague who died that same year. The Bolin tribute is followed by a raw, emotive and absolutely majestic version of ‘Mistreated’ one of the truly classic Purple songs from any era of the band.

And while the modern-day Gillan-fronted version of Deep Purple may no longer play any of the material that Hughes originally performed on, Hughes and his bandmates are not quite so churlish. They give us a magnificently rocking version of ‘Smoke on the Water’ and, after encoring with a stunning ‘Burn’, they close with a thrilling version of MK 2’s ‘Highway Star’ – Hughes hitting all the high notes in a way Ian Gillan could now only dream of. Back in the day Bolin performed both of these songs live during his three-year stint with Deep Purple, of course, so it seems only right to include them now.

I grew up with most of the songs played tonight, from albums that were frequently pumping out of my dad’s stereo as a kid. Never having seen Hughes and Coverdale with Deep Purple first time around, however, (they split when I was aged 10 – a good five years before I started going to gigs!) I am very grateful to Glenn Hughes for giving these songs a new lease of life and providing me and many others a chance to hear them performed on stage once more. Glenn Hughes has done the Purple legacy proud with this tour.

Set-list
Stormbringer
Might Just Take Your Life
You Keep On Moving
Sail Away
You Fool No One / High Ball Shooter
Gettin’ Tighter
Mistreated
Smoke on the Water / Georgia on My Mind
Burn
Highway Star

tour-poster-696x984

http://www.glennhughes.com/

Related reviews:

Glenn Hughes, London 2015

Deep Purple, London 2015

Ritchie Blackmore’s Rainbow, Birmingham 2017

Whitesnake – The Purple Album

Live review: Marry Waterson & Emily Barker at St Mary in the Castle, Hastings 16/10/19

Described as English folk royalty meets Australian soul the unlikely musical pairing of Marry Waterson and Emily Barker attracted many favourable reviews when the two released an album together A Window To Other Ways back in March this year. Following a successful tour to promote the album, the partnership is enduring and a second tour kicks off tonight in Hastings’ St Mary in the Castle.

For support, the two are joined by a more enduring (but no less talented) duo: St Leonards on Sea’s very own Trevor Moss & Hannah-Lou. Now on to their fifth album together, they recently announced that they would be putting the duo on hold for a while so it was nice to be able to catch them together at least one last time. Delighting the audiences with songs such as ‘Everything You Need’ and ‘We Should’ve Gone Dancing’ from their latest album Fair Lady London, it’s good to hear that they are accompanying Waterson and Barker for the whole UK tour not just for this local gig. That should definitely win them over some new fans – even if expanding their fan-base isn’t particularly going to be their number one priority for the foreseeable future!

Waterson (of renowned Yorkshire folk family the Watersons – daughter of Lal) and Barker (Aussie-born, now UK-based, singer-songwriter) met up via a song-writing retreat and explain tonight how the spark of the ensuing partnership meant they both brought fragments of languishing half-written songs to one another and the album project emerged from there. There’s a lovely contrast between their voices, their delivery and their lyrical style – and they way they deftly draw inspiration from a whole range of musical genres from folk to jazz to country rock to bluesy soul. Having previously enjoyed both artists perform solo it is a privilege to see them work their magic on stage together tonight.

Performing songs mainly from their recent album, like the wonderful ‘Drinks Two and Three’ the two do a remarkable job bringing these songs to life. They are ably aided by two musicians who performed on the album: Lukas Drinkwater on electric and double bass and Rob Pemberton on drums, percussion and sampling.

After enthralling us with the songs they created together, the two give us one song each from their respective solo repertoires. As per a request from a member of the audience, Barker hits us with beautifully melancholic ‘No. 5 Hurricane’ from her last solo album, while Waterson delivers a breathtakingly powerful a cappella version of the traditional ‘Farewell Sailor’.

The evening concludes with the full band giving us a joyous, life-affirming version of ‘Bright Phoebus’ the title track of the ‘lost classic’ iconic folk-rock album by Waterson’s mother, Lal, and uncle, Mike. For all her gorgeous Memphis-tinged soul, Emily Barker it turns out, is a huge long-time fan of the Watersons. Maybe her and Marry might treat us to a performance of the full Bright Phoebus album at some future point?

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http://www.emilybarker.com/

https://www.marrywaterson.com/

Related reviews:

Emily Barker at Record Store Day 2017

Marry Waterson and Eliza Carthy – Hastings 2016

Trevor Moss & Hannah Lou – Hastings 2019

Trevor Moss & Hannah Lou – Fair Lady London

 

Live review: The Counterfeit Stones at St Mary in the Castle, Hastings 12/10/19

This review was also published on the Gig Buddies website here

From the camp swagger of a stand-in in Mick Jagger, to the fag-in-mouth rock star posturing of a wanna-be Ronnie Wood and Keith Richards to endless tongue-in-cheek between-song banter (“Don’t worry we’re not going to be doing any of the recent stuff”) a night with the Counterfeit Stones is as much theatre as it is rock gig. However, they play just great and capture the sound of the 60s and 70s Stones really nicely.

CS-80

Photo credit: artist publicity

From the very early covers (‘Carol’ and ‘It’s All Over Now’) through to the era-defining Jagger/Richards compositions of the mid 60s (‘Time Is On My Side’, ‘Get Off My Cloud’, ‘Nineteenth Nervous Breakdown’, ‘Satisfaction’ et al) through to those perennial giants of late 60s/early 70s rock mega-stardom (including ‘It’s Only Rock n Roll’, ‘Brown Sugar’ and ‘Honky Tonk Women’) the band kept true to their word of not playing anything released in the last thirty years. The disco-funk of ‘Miss You’ from 1978 and what many consider to be the last really great Stones song – ‘Start Me Up’ (released in 1981) were the most recent material that made the set-list tonight.

Aside from their tongue-in-cheek personas and schoolboy humour stage name’s the band are highly competent musicians who play well together, the Nicky Hopkins soundalike adding a real touch of authenticity. Outfit-wise they eschewed the hounds-tooth jackets or menacing black suits of the early Stones and gone for a late 70s/early 80s Stones look.

The full band are:

  • Nick Dagger is played by Steve Elson.
  • Keef Rickard is played by Stuart Fiddler
  • Charlie Mott is played by John Prynn.
  • Ronnie B Goode are played by David Birnie.
  • Bill Hymen is played by Steve Jones.
  • Nicky Popkiss is played by Holger Skepeneit.

I work for a charity called Stay Up Late which campaigns for adults with learning disabilities to be able to choose the sort of lifestyle they want to live and we also run the successful Gig Buddies project across Sussex. Accompanying me to the gig was Daniel who is one of our participants and an active campaigner for the charity as well as being an avid gig-goer.

Daniel’s verdict: “It was brilliant. I enjoyed dancing. I thought I’d bring my earplugs just in case but I loved how loud it was. Afterwards, I managed to get the whole band’s autographs.”

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https://www.thecounterfeitstones.com/

Live review: Slade at Concorde 2, Brighton 21/9/19

Put together in the early 90s following the demise of the original band, Dave Hill and Don Powell’s version of Slade has now been around even longer than the twenty-five years that the classic Noddy Holder-fronted line-up managed. The band are at Brighton’s Concorde 2 for a rescheduled date following a cancellation last Christmas when drummer, Don Powell, was hospitalised after his legs gave way and both tendons snapped.

Since their last gig at this venue in 2016 there’s been a few changes. Don Powell is absent tonight. He’s making a good recovery, Dave Hill tells us, but is still under doctor’s orders not to resume work behind the drum-kit just yet. Stand-in drummer, Alex, does an admirable job filling in. The more lasting change, however, is that former lead singer and rhythm guitarist, Mal McNulty, has gone – to be replaced by keyboard player/vocalist, Russell Keefe. This has had a significant impact on the band’s sound and set-list.

On the plus-side it means that several of the hit singles that were built around Jim Lea’s piano-playing can be performed in a way that’s a far closer approximation to the original recordings. The likes of ‘Look Wot You Dun’, My Friend Stan’, ‘Everyday’ and ‘My Oh My’ do sound far, far better on stage with keyboards. On the minus side Keefe is really not a very appealing singer at all. Noddy Holder had a famously gravelly vocal delivery but there was a warmth to Holder’s voice and there was a fantastic range. Keefe’s voice is gravelly alright but has none of the latter and very little of the former.

The good news, however, is that Keefe only performs lead vocals for around half the set. Bass-player, John Berry, whose vocals began taking on a more prominent role in Slade’s stage-set during the latter period of McNulty’s years, takes lead vocals on many of the slower numbers. Keefe, meanwhile, is left to murder the out and out rockers, singing on the likes of ‘Gudbuy ‘T Jane’, ‘Bangin’ Man’ and ‘Get Down and Get With It’. My advice to Dave Hill is this: get John Berry doing vocals on everything. He’s got a great voice, he’s been a loyal member of the band for a good number of years now and while he never pretends to sound like Noddy Holder he’s got an authentic delivery and a passion to his vocals that suits Slade’s style.

Dave Hill is, of course, Dave Hill. Eccentrically-dressed as ever: a diminutive figure bouncing all over the stage, delivering the familiar solos and holding the whole thing together. The crowd respond accordingly. Both he and they genuinely look to be having a really great time. I am delighted he’s still out on the road and still giving his all to Slade. Hopefully, both Dave Hill and a returning Don Powell have a few more years of Slade left in them yet. I do just hope that they get to rethink the situation with the vocals somewhat.

https://www.slade.uk.com/

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Related posts:

Jim Lea For One Night Only – At The Robin
Interview with Jim Lea
Slade at Donnington 1981
Slade, strikes and the three-day week: the greatest Christmas record ever made
Slade at White Rock Theatre, Hastings 2015
Giants of Rock, Minehead 26-29 January 2018

Live review: Justin Hayward at De La Warr Pavilion, Bexhill 18/9/19

Strolling along the seafront earlier this summer I spot a poster advertising a Moody Blues tribute band at Hastings’ White Rock Theatre and a few paces along I spot another poster advertising Justin Hayward doing a solo gig at Bexhill’s De La Warr Pavilion. Hmm a difficult one – £22.50 for a tribute or £39.50 for the lead singer of the real thing. Unsurprisingly, I forked out the extra seventeen quid and plumped for the latter.

It’s a stripped-down but not quite acoustic set from My Hayward tonight. With the man himself on vocals and guitar he’s accompanied by young guitar virtuoso, Mike Dawes, keyboard player, Julie Raggins, and flautist, Karmen Gould. Hayward’s voice is a deeper register than the one we know on the classic recordings but it’s still in very, very good shape and still instantly recognisable.

At one point in the proceedings he talks about being haunted by a ghost – the ghost of Justin Hayward, young singer of the Moody Blues between 1967-1973 – as he contends that every media interview he does, after a few pleasantries about what he’s up to these days, immediately moves on to extensive questioning about what exactly was going through his mind in great detail at very precise moments during those heyday years. A cardboard cut-out of the young ‘ghost’ in question is brought on stage to emphasise the point. Though Hayward confesses he struggles to recall much of the period, it doesn’t stop him from giving us a few choice anecdotes. And of course, it doesn’t stop him from delivering some gorgeous versions of many of those classic songs. This ‘All The Way Tour’ promised an extensive look-back at Hayward’s back catalogue and, indeed, delivers.

‘Tuesday Afternoon’, ‘Voices In The Sky’ and, of course, ‘Nights in White Satin’ among many others from the Moody Blues catalogue, ‘Who Are You Now?’ from his recording work with John Lodge, not to mention ‘Forever Autumn’ from Jeff Wayne’s War of the Worlds. Even in more stripped-back mode without a full electric rock band behind them the songs are still lush and beautiful and highlight what a fearsomely talented song-writer Hayward is.

Coming back on stage for an encore he picks up his red electric for a wondrous rendition of ‘Blue Guitar’. It’s back to the acoustic for ‘The Story In Your Eyes’ and ‘I know You’re Out There Somewhere’ and Hayward and his band-mates leave the stage to rapturous applause.

Set-list:

Who Are You Now?
Dawning Is the Day
Tuesday Afternoon
Voices in the Sky
The Actor
Are You Sitting Comfortably?
Haunted
The Western Sky
Forever Autumn
Never Comes the Day
Your Wildest Dreams
Question
Nights in White Satin
Blue Guitar
The Story in Your Eyes
I Know You’re Out There Somewhere

http://www.justinhayward.com/

Live review: Pouk Hill Prophetz – charity gig for Dementia UK, St John’s Wood, London 15/6/19

Named after a piece of ruggedly inclined open space in the West Midlands and the title of an early Slade song, the Pouk Hill Prophetz got together and began to perform the occasional gig through a shared love of all things Slade. Tonight the three musicians, Nigel, Martin Brooks and Trevor West, get together to put on a charity gig – celebrating the 70th birthday of Slade’s Jim Lea with all money raised going to Dementia UK.

The gig tonight is just a stone’s throw from the historic Abbey Road studios and meant I had to cross that very famous street in order to get to the venue. Feeling a bit too embarrassed to use the zebra crossing along with all the tourists I thought I’d walk down a bit and make my own way across. I wasn’t concentrating properly, however, and almost got run over. That’ll teach me.

I get to the gig in one piece though. As usual, there’s a lot of Slade in the set-list – and it’s not just the well-known hits of the glory years, either. These guys like to dust down some of the very early material from Slade’s pre-glam days as well as the glam classics. And it’s not just about Slade either, with songs from Sweet, Queen and T-Rex thrown in for good measure. And while their stage-wear might suggest they are every inch the glam tribute act, their delivery is very much their own and draws on much broader rock influences. The absolute highlight of the evening, however, is not a cover version at all but an original. ‘Old New Borrowed and Blue’ is a poignant, bitter-sweet piano and vocal ballad that pays tribute to Wolverhampton’s finest, celebrating the Slade story with as much love and affection as ‘Saturday Gigs’ celebrates the Mott The Hoople story, albeit written from the fans’, rather than the band’s, point of view.

Some raucous glam classics, some poignant acoustic numbers and the first public performance of the aforementioned self-penned tribute, Pouk Hill Prophetz celebrate Mr Lea’s 70th birthday in fine fashion and raise a tidy sum for one his favourite charities in the process.

https://www.facebook.com/Pouk-Hill-Prophetz-852856794762299/

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Related:

Slade Convention 2016

Pouk Hill Prophetz raise thousands for brain tumour research