Live review: Steeleye Span at St Mary in the Castle, Hastings 14/12/17

This review was originally published by The Stinger here

It’s only been a year since I last saw Steeleye Span but already, in this constantly evolving band, there have been a couple more line-up changes. In comes renowned ex-Bellowhead alumni, Benji Kirkpatrick, (whose father John also did a couple of stints in the band back in the day) alongside Roger Carey (who will be known to many Hastings gig-goers as a member of The Tabs) who replaces long-standing Steeleye bass-player, Rick Kemp.

Tonight’s performance is in two parts. While the second set is mainly a selection of well-known Steeleye Span favourites, the first takes us right back to the band’s debut album ‘Hark The Village Wait’ from 1970, which they perform in full from start to finish. For those who immediately, on hearing the name Steeleye Span, think of the band’s electrified rocked-up persona from their mid 70s commercial peak, the first couple of albums are an altogether more pastoral affair. Some would say this tends to be a neglected era of the band’s legacy so it’s nice to see the rejuvenated 2017 line-up take it on. They deliver stunningly beautiful versions of songs like ‘Black Leg Miner’, ‘The Dark-Eyed Sailor’ and ‘The Hills of Greenmoore’.

The second set takes in some familiar rocked-up classics from the band’s illustrious back catalogue, including everyone’s favourite ugly witch song ‘Alison Gross’, as well as a handful of more recent material like ‘The Dark Morris Song’ from the Terry Pratchett-inspired 2013 album ‘Wintersmith’ and a couple of songs from the new album, ‘Dodgy Bastards’.

On past tours I have seen Maddy Prior struggle a bit with some of the vocals but there are no such problems tonight. Maddy plays to her strengths and the vocals are shared out in such a way that her wonderfully distinctive voice remains an essential part of the performance but isn’t put into a position where it’s strained over songs she’s no longer suited to. She pulls off a magnificent vocal performance on the trad. arr. favourite ‘Tam Lin’, for example. But Steeleye Span as a band has always evolved, changed and adapted with each arrival of fresh blood and it would be entirely wrong to see it as little more than Maddy Prior’s backing band. It’s good, therefore, to see the newer members taking a prominent role vocally. In particular, the arrival of Julian Littman, Andrew ‘Spud’ Sinclair and, most recently, Benji Kirkpatrick has really breathed new life into the band.

They encore, of course, with ‘All Around My Hat’. It comes with an invitation from Maddy Prior for everyone to sing along. I do, of course, know all the words to this (my sister had to learn it for the Brownies when it made the charts back in the mid 70s and it has been imprinted on my brain ever since). Sing along? It would be rude not to.

From tonight’s performance it is clear that Steeleye Span has now really found its feet following the departure of long-standing fiddle maestro Peter Knight, back in 2013. Tonight’s performance is the best I’ve seen from the band in several years. Let’s hope the current line-up will be around for a while.

Set-list

First Set:
A Calling-On Song
The Blacksmith
Fisherman’s Wife
Blackleg Miner
Dark-Eyed Sailor
Copshawholme Fair
All Things Are Quite Silent
The Hills of Greenmore
My Johnny Was a Shoemaker
Lowlands of Holland
Twa Corbies
One Night as I Lay on My Bed

Second Set:
Cruel Brother
Alison Gross
Edward
Marrowbones
Little Sir Hugh
London
Tam Lin
The Dark Morris Song
All Around My Hat
Dodgy Bastards

http://steeleyespan.org.uk/

 

IMGP6510 (1)
Photo Credit: Richard Broady

Related posts:
Maddy Prior and The Carnival Band at Hastings 2016
Steeleye Span in London 2015
Steeleye Span at New Forest Folk Festival 2014

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