Tag Archives: Steeleye Span

Steeleye Span folk-rock band

Folk: album review – Peter Knight & John Spiers ‘Both In A Tune’

First brought together for a one-off performance at the FolkEast festival back in 2016, the pairing of Peter Knight and John Spiers proved to be an inspired match. An album and a tour followed and Spiers’ famed melodeon even made its way into the expanded version of Knight’s acclaimed Gigspanner project. The pair are now back with a second duo album, however.

Both In A Tune, taken from a line in Shakespeare’s As You Like It (“I’ faith, i’ faith; and both in a tune, like two gypsies on a horse”) is the follow-up album to 2018’s Well Met.

While no-one would have expected these two to have played it safe, the inventiveness of this latest album is simply stunning. Even though the album starts off with something as widely known as that old favourite in the repertoire of every pub folkie ever since the revival, namely ‘Scarborough Fair’, within a few bars they’ve taken us to places we’ve barely even contemplated.

Peter Knight: “Since recording our first album, John and I have far more experience of playing together. With Both In A Tune I felt it was important to push the boundaries further, without forsaking the integrity of the tune itself. Combining my interest in folk music and free improvisation is not always easy, but I feel the endeavor is absolutely necessary for the world of music. It’s probably more risky but I believe it’s a risk well worth taking.”

The risk-taking has certainly paid off. Like the previous album it’s an entirely instrumental affair, containing a mix of the duo’s interpretations of traditional tunes and their own compositions. But whereas the previous album provided a platform for the pair to let rip on a number of jaunty Morris-inspired tunes, this one is an altogether darker, broodier and more experimental affair. It’s all rather magnificent and acts as an exhilarating showcase for the breath-taking interaction between the world-class fiddle-player and the world-class melodeon player. Wonderful stuff.

Released: 11th February 2022

https://www.peterknight.net/shop/details/both-in-a-tune

Gigspanner at Hastings 2021

Gigspanner at Hastings 2017

Gigspanner Big Band at Hastings 2016

Gigspanner ‘Layers of Ages’ album

Steeleye Span in London 2015

Gigspanner at Hastings 2015

Gigspanner at Whitstable 2014

Book review: ‘All Around My Hat – The Steeleye Span Story’ by John Van Der Kiste

In spite of the title and the very period-looking cover from the band’s mid -70s heyday ‘All Around My Hat’ is a very thoroughly researched, if somewhat concise, history of folk rock legends Steeleye Span that covers the band’s entire history from its formation at the tail-end of the 60s to the present day. Timed to coincide with Steeleye Span’s fiftieth anniversary it charts the story of the band through its many line-up fluctuations, extensive touring and recording history and the numerous challenges and opportunities that were thrown at its members along the way .

Although key stages of the band’s history were already pretty familiar to me (the band’s formative years and heyday period are covered extensively in Rob Young’s excellent ‘Electric Eden’, for example) there are other eras that I knew far less about. I definitely learnt a good deal about the band, particularly around the years when Gay Woods (who appeared with her husband Terry on the very first album) returned in the mid 90s and the subsequent intra-band tensions that arose and ultimately led to Maddy Prior’s departure, albeit a temporary one. There were even a couple of gigs where neither Woods nor Prior were with the band and remaining members Peter Knight and Tim Harries had to cast around for a temporary lead singer and temporary drummer to fulfil existing tour commitments.

And the title? Named after the band’s bestselling single John Van Der Kiste’s book very much demonstrates that rather than Top 20 hits and going on Top of The Pops being a weird fluke, getting folk music out of tiny folk clubs and on to big stages was always very much a driving vision for founder member Tim Hart. Even in the early days of his career, as one half of a duo with Maddy Prior, he felt the folk scene needed a shot of glamour, publicity and marketing.

Some of the key players past and present (Maddy Prior, Peter Knight, Martin Carthy et al) are interviewed for the book but other insights are taken from pre-existing interviews previously published elsewhere (including, for that matter an interview I did with Julian Littman for the Get Ready To Rock website).

Intelligent, well-researched and well-written, even though a good deal of the material comes from secondary sources Van Der Kiste does a fine job in pulling the various threads together and producing this timely history of a ground-breaking and much-loved band.

Published by Fonthill Media 5th December 2019

https://www.fonthill.media/products/all-around-my-hat-the-steeleye-span-story

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Related posts:

Interview with Maddy Prior

Interview with Julian Littman

Review: Steeleye Span at Hastings 2019

Review: Steeleye Span at Ashford 2019

Review: Steeleye Span at Hastings 2017

Review: Steeleye Span, London 2015

Review: Steeleye Span at New Forest Folk Festival 2014

 

2019 in Darren’s music blog – the ten most popular posts of the year

I wish everyone a happy New Year and give my special thanks to all those who have visited (and hopefully enjoyed) Darren’s music blog during 2019. Looking back over the year, here are my ten most popular blog posts from 2019. A bit of a 70s theme going on here as we look at icons of glam rock, heavy rock, folk rock and punk rock…

1. Live review: Giants of Rock, Minehead 25-28 January 2019

The sixth annual classic rock weekend at Butlins including Eric Bell, Scarlet Rebels (pictured above), Geordie and Oliver-Dawson Saxon. Full review here

2. Live review: Mott The Hoople ’74 at Shepherds Bush Empire 27/4/19

If this tour is to be the final chapter in the ballad of Mott the Hoople it serves as a fitting end to the career of a wonderful, unique and utterly, utterly irreplaceable band. Full review here

3. News: All change at The Sweet

With little creative input from me I simply endeavoured to keep fans rapidly updated on changes in the band by publishing the band’s official statement. Full post here

4. Six recently revived rock bands that are turning out to be dynamite

Focusing on Atomic Rooster, Lindisfarne, Geordie, Satan’s Empire, Rock Goddess and Towers of London. Full post here

5. Live review: Steeleye Span at St Mary, Ashford 13/4/19

Lining up alongside Maddy Prior are Julian Littman, Andrew Sinclair, Roger Carey, Liam Genockey and Benji Kirkpatrick. Talented players all, they bring a fantastic assortment of instruments, sounds and techniques with them, not to mention a rich array of voices. Full review here

6. Live review: Slade at Concorde 2, Brighton 21/9/19

Dave Hill is, of course, Dave Hill. Eccentrically-dressed as ever: a diminutive figure bouncing all over the stage, delivering the familiar solos and holding the whole thing together. Full review here

7. Interview with Andy Scott ahead of Sweet’s 2019 UK winter tour

The new line-up, the winter tour, the split in the early 80s, keeping in touch with Steve Priest and Rock Against Cancer I was delighted to have a long chat with Andy. Full interview here

8. Live review: UFO at Shepherds Bush Empire 4/4/19

Yelling along to ‘Doctor Doctor; and ‘Shoot Shoot’ as the guys come back on stage for an encore seems a fitting way to say farewell to a band whose music I’ve been enjoying for almost forty of their fifty years. Full review here

9. Steeleye Span at St Mary in the Castle, Hastings 21/11/19

A second trip to see Steeleye Span this year and a second review that seemed to rack up the hits. Full review here

10. Live review: Glen Matlock headlines Hastings Fat Tuesday 5/3/19

A bona fide rock ‘n’ roll icon. Performing in the pub. Free entry. On a Tuesday night. It can only be Hastings Fat Tuesday. Full review here

Here’s to 2020!

Best wishes

Darren

 

 

 

Live review: Steeleye Span at St Mary in the Castle, Hastings 21/11/19

Twenty-odd musicians passing through the ranks over the years, twenty-odd studio albums, a top five hit and countless songs depicting the cruel, the gruesome and the other-worldly, the folk rock institution that is Steeleye Span is fifty years old this year. This tour is being billed as a celebration of that and the band’s new album Est’d 1969 emphasises the point further.

The focus tonight, however, is not on self-reverential backslapping but firmly on the songs. As lead singer and founder member, Maddy Prior, said when I interviewed her for the Hastings Online Times recently it is the material that has been at the heart of the band’s success. And what a choice of songs we get tonight: from those like ‘The Blacksmith’ that appeared on the band’s very first album to several (like ‘January Man’ and Mackerel of the Sea’) that appear on their latest. There’s plenty of familiar material, like the wondrous ‘Alison Gross’, from the band’s 1970s commercial heyday, but one of the really nice things about a Steeleye Span gig is they never let the set-list become over-familiar. They mix it up from tour to tour, retrieving old songs from their back catalogue, giving others a rest and introducing the audience to new material. Indeed, the set-list tonight is quite different from the last time they performed at St. Mary in the Castle back in 2017.

The line-up of this constantly-evolving band is pretty much the same as the last time they performed here for us, save for Violeta Barrena filling in on violin for Jessie May Smart who is taking time out from the band on maternity leave. On stage the seven musicians really work well together. The ‘electric’ trio of Roger Carey on bass and Julian Littman and Spud Sinclair on guitars provide some real oomph as the band rock out on some of their harder-edged arrangements and provide a lovely contrast to the elegant beauty of Barrena’s fiddle playing and Benji Kirkpatrick’s mandolin. Long-standing Steeleye Span member and local Hastings musician, Liam Genockey, holds it all together on the drum-kit and all of the band members provide some lovely vocals on the choruses alongside Prior.

Of course, there is one song that never leaves the set. “You know what’s coming next,” says Prior when the band come back on for an encore and they launch into a thunderously energetic and suitably celebratory rendition of their 1975 Top 5 hit ‘All Around My Hat’. Rather than delving into yet another familiar old favourite the band finish the night with ‘Dodgy Bastards’, the title song from their excellent 2016 album and we are all able to leave thanking Steeleye Span for fifty years of incredible music.

Set-list:

First half:

Thomas the Rhymer
One Misty Moisty Morning
The Elf-Knight
Alison Gross
The Blacksmith
The Boy and the Mantle (Three Tests of Chastity)
Roadways
Mackerel of the Sea
Seventeen Come Sunday

Second half:

Tam Lin
King Henry
Black Jack Davy
January Man
Wintersmith
Old Matron
Domestic
All Around My Hat
Dodgy Bastards

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http://steeleyespan.org.uk/

Related posts:

Interview with Maddy Prior

Interview with Julian Littman

Review: Steeleye Span at Ashford 2019

Review: Steeleye Span at Hastings 2017

Interview with Steeleye Span’s Maddy Prior

This article was originally published by the Hastings Online Times here

Steeleye Span are celebrating 50 years with an anniversary tour. Ahead of their gig at St Mary in the Castle on 21 November, Darren Johnson talks to founder member Maddy Prior.

DJ: You start your winter tour very soon. What can we expect from this fiftieth anniversary tour?

MP: Well we started in the Spring – this is the second part of it. We do some songs from our new album which is called Established 1969 and some classic pieces which are part of our catalogue if you like, so it’s a sort of a mixture. We always do a mixture actually.

One of the things that I like about Steeleye Span is that you vary your set-list from tour to tour. There are old favourites in there but they tend to be a different set of old favourites each time.

We try to keep it varied. If you sing a song for a long time you want to leave it to ‘green up’ as it were. You leave it fallow for a year or two so it sort of greens up again and you have a fresh look at it. And quite often we do slight readjustments of the arrangements and things like that. Sometimes we completely re-arrange them.

You’re at St Mary in the Castle on 21 November. Steeleye Span has had quite a connection with Hastings over the years, hasn’t it?

Yes we do. There’s Liam (Genockey) our drummer – he’s been here forever. And also now there’s Roger Carey in the band as the bass player – so there’s quite a strong connection. And we’re rehearsing here at the moment in Hastings. And also, of course, Peter (Knight) was here for a long time as well. So, as you say, we’ve got strong connections here and we always come here regularly over the years. It’s strong on our map!

For the benefit of our readers who might not have kept up with who’s in the band these days, can you quickly talk us through who’s playing in Steeleye Span these days?

Well, we’ve got some new blood as it were. Violeta Barrena is on fiddle for this tour. She shares the fiddle slot with Jesse May Smart, but Jesse’s just had a baby so she’s taken a back seat for this tour. They’re both brilliant players and they’re both really good improvisers. We’ve got Roger Carey on the bass, Spud Sinclair on guitar and Liam Genockey on the drums. Julian Littman on guitar and Benji Kirkpatrick on various things – guitar, sitar, mandolin. Julian plays keyboards as well, so there’s quite a lot of variety instrumentally. I think that’s everybody – now we are seven!

Can you see Steeleye Span carrying on without you at some point in the future, or would that be like the Rolling Stones without Mick Jagger?

I don’t know. I’ve no idea. But I think Steeleye is mainly about the material. A lot of which came in with Bob Johnson. Peter Knight brought quite a lot in. Rick Kemp brought quite a lot in. This new band – we’ve done another album of traditional material very largely – which we play around with. We write new tunes and get tunes from all sorts of places. But it’s the material that I think is the point of the exercise really.

So that suggests that there could be some form of Steeleye Span continuing without Maddy Prior?

Are you trying to bump me off?? No, it is something that’s talked about. If you think about it as a small family firm that could go on forever. Just getting to know how the material works is the issue if you like, but I don’t see any reason why it couldn’t.

Have there been times when being Maddy Prior folk rock icon has got in the way of other musical projects you wanted to pursue or are you happy it’s never stopped you doing anything else you wanted to do?

I don’t think it’s stopped me doing anything I wanted to do. It’s usually helpful on the whole. There’s nothing I’ve missed out on. We were on Top Of The Pops. That was the biggest thing of the day. And we’ve done a lot of tours of big venues and we’ve worked with material that I dearly love.

There aren’t many people on the folk circuit who’ve done Top Of The Pops. Was that a bit of a culture shock?

We had done a lot of work by then. Sell-out tours and so on – it wasn’t out of nowhere. We were well-known by the time we had those songs and we were on the same week as Noddy Holder and Slade, so that was quite interesting.

When you look around at younger bands – and a number say they’ve been influenced by Steeleye Span – do you feel optimistic about the future of the UK folk scene?

Absolutely. There’s so many brilliant young players. They’ve got their chops together fantastically well and they’re interested in the music and there’s a big movement, so it will be interesting to see what happens and where it goes. But the music comes in and out of fashion and we have revivals every so often, but it never quite goes away. Folk music became extremely unfashionable but that’s all it is – fashion. I’ve been literally right outside of the curve and then it comes back to the middle a bit. It’s part of our heritage and it comes knocking on the door every so often.

Ahead of the tour and particularly ahead of the gig in Hastings, is there anything else you’d like to leave us with?

The band is really, really good at the moment. I had a look at us on Wikipedia and it was brilliant because every so often it said “They came back to form” and I thought that was a hell of a good way of putting it. Because over fifty years you’re not going to be perfect all the way through and it’s been like that. But we’ve been very largely led by the songs so if the songs are good we’ve tended to be better. But we found with different people coming in, they bring different energies and different musical styles and that’s what we’ve been like in Steeleye – things change!

maddy p

Steeleye Span 50th Anniversary Tour Thursday 21 November, 7.30m. St Mary in the Castle, 7 Pelham Crescent, Hastings TN34 3AF. Tickets £26.95 including booking fee available from 01323 841414 and online.

Related posts:

Interview with Julian Littman

Review: Steeleye Span at Ashford 2019

Review: Steeleye Span at Hastings 2017

Live review: Steeleye Span at St Mary the Virgin Church, Ashford 13/4/19

It’s 2019 and yet another band are celebrating their fiftieth anniversary. That post beat-boom period of the late 60s to early 1970s was a period of exceptional creativity in popular music, perhaps unparalleled. From hard rock, glam rock, prog rock and, indeed, folk rock so many bands and styles made their mark and we are lucky to have a good number of them still touring today.

Steeleye Span are not resting on their laurels, however. This tour is about far more than a career retrospective from the band’s weighty back catalogue. The band have a new album out and songs from that are given as much prominence in the set as some of the old favourites. The album is not officially released until June but it’s available for sale on the tour so you can get a sneak preview via both the stage and the merch desk. In contrast to the epic prog-folk of the band’s Wintersmith album of a few years ago Est’d 1969 is very much in the spirit of the band’s ‘classic era’ early 70s albums, both in terms of song choices and overall sound. A version of Dave Goulder’s ‘The January Man’, an adaptation of John Masefield’s poem ‘Roadways’ and various traditional ballads from the album are among the songs performed tonight. Of course, there is room, too, for a good number of Steeleye Span favourites like ‘One Misty Moisty Morning, Alison Gross and Black Jack Davey. A new song, the beautiful ‘Reclaimed’ written by Prior’s daughter and sung a capella forms part of the encore, along with the ever-present ‘All Around My Hat’.

With a line-up that’s always been evolving only Maddy Prior remains from the band’s earliest days. Unlike those other veterans of the folk rock scene, Fairport Convention (whose fluctuating line-up has stabilised in recent decades), Steeleye Span continues to evolve. Jessie May Smart, who replaced long-standing fiddle player Peter Knight a few years ago, is currently on maternity leave so her place on this tour is ably filled by classical violinist Violeta Barrena. Lining up alongside Maddy Prior, the rest of the band’s current members are Julian Littman, Andrew Sinclair, Roger Carey, Liam Genockey and Benji Kirkpatrick. Talented players all, they bring a fantastic assortment of instruments, sounds and techniques with them, not to mention a rich array of voices.

Although rightly celebrated as icons of folk rock this band have always continued to vary their style, their set-list and, very often, their line-up from tour to tour which means there’s always an element of the unexpected and nearly always something very special to look forward to. Long may that continue.

Set-list

Harvest
One Misty Moisty Morning
The Elf Knight
The January Man
Alison Gross
Old Matron
Thomas The Rhymer
Tam Lin
Roadways
Black Jack Davy
Little Sir Hugh
The Weaver And The Factory Maid
King Henry
Seventeen Come Sunday
Domestic
Reclaimed
All Around My Hat

http://steeleyespan.org.uk/

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Related reviews:

Steeleye Span live 2017

Interview with Julian Littman

Steeleye Span live 2015

Steeleye Span live 2014

 

 

Interview with Steeleye Span’s Julian Littman

This article was originally published by Get Ready To Rock here 

Interview by Darren Johnson

Next year iconic folk rockers Steeleye Span celebrate their fiftieth anniversary. 2019 will see a brand new album and associated tours as the ever-evolving band mark their half century. More immediately, however, there is the matter of an autumn tour. Lead guitarist, Julian Littman, takes time out of the band’s rehearsals to have a chat with me ahead of the first live dates next week.

“The band is in a really good place,” he enthuses. “It’s sounding great. And when it’s heavy it’s really heavy and when it’s light it’s nice and light, which is great. Because we do wander into prog a little bit as well so it’s a really good combination. The whole idea of the band is that we unite folk with rock. That’s what we try and do but never losing the folk tradition and all that stuff. So it’s in a really good place and we quite often do very old stuff from Steeleye and then, of course, brand new stuff. We do a couple from the Wintersmith project we did with Terry Pratchett so we go right across the board with it. And of course we’ve still got Maddy – thank god. And our latest addition is Benji Kirkpatrick who is a fantastic player – bouzouki, acoustic guitar and mandolin. And he’s the son of (former member) John Kirkpatrick. The tradition is going well. We’re now having people’s sons in the band you know. And it sounds fantastic because Benji keeps that acoustic thing going because we’ve got Spud Sinclair on electric guitar so it’s really good.”

Littman has now been with the band eight years and his creative input on recent albums ‘Wintersmith’ and ‘Dodgy Bastards’ has been widely praised. I ask him what it was like, not just being a newbie in a very established band, but a newbie who has actually gone on to put their own indelible stamp on the band, someone who has really made their mark on the sound and feel of Steeleye Span.

“Well, I like to think I have but at first it was really daunting. Really daunting – because I was following in the footsteps of Ken Nicol who is an amazing guitar player. But everyone’s different so the philosophy is like – you are different so therefore you are ok. But at first it was really difficult. Everyone was very welcoming but I used to get quite nervous really and think ‘oh god I hope I can do this’. And then gradually as I found my place you kind of find your feet. And then I started writing and now I sing a couple of lead vocals. And gradually the anxiety left and I could start to enjoy it and start to be relaxed – in that I wasn’t going to get fired and stuff like that. And it was a process. It probably took a couple of years to settle in and to find where I could contribute. So yes it was daunting to say the least when I first joined, but you do settle into these things and if people like you and they like what you do then gradually you get your confidence.”

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The wonderfully prog-folky ‘Wintersmith’, the band’s acclaimed 2013 collaboration with the late author Terry Pratchett, deservedly received very positive reviews. For me, it stands up as not only one of the best Steeleye Span albums of recent years, but one of their best throughout their long career. I ask Littman if we are likely to see any similar literary collaborations in the future.

“Well obviously poor Terry – we have no more Terry. He loved the band, of course. I’m sure we will but not at the moment.”

Rather than seeing ‘Wintersmith’ as an entirely new way of working, however, Littman sees similarities with the way the band has always approached its material.

“In a way every song that Steeleye does is a literary collaboration because basically we take a lot of old ballads – as in tales of sorcery and witchcraft and incest and death and murder and all that – and we take them and it’s almost like collaborating with someone else anyway. Most of the songs are stories. Every song is a collaboration really because we rarely write things that are absolutely, completely original. For instance, in the new album we’re doing a John Masefield poem which is called Roadways. Because John Masefield was very fond of the sea and wrote a lot about the sea. So it’s about longing for sea. He’s saying my road, the right road for me, is the ocean. So that’s a collaboration.”

Littman clearly has a deep attachment to Steeleye Span and what it represents. I ask if he was always a fan of the band, prior to joining.

“Well I’ve sort of been by default almost. I’ve always listened to Steeleye over the years. I don’t think I bought an album, as such, but I was so aware of them. I hadn’t seen them live I have to say but friends had records and I used to hear them and so they are almost part of the DNA. If you like the folk rock thing Steeleye and Fairport are the two aren’t they.”

Of the Steeleye Span albums he doesn’t play on he singles out one from the mid 70s Mike Batt-produced era as his favourite.

“I would say I think it’s Rocket Cottage. They’ve done god knows how many albums and there’s something on every album that you go – ah I really like that one.”

Finally, before he gets back to rehearsals, I ask him what fans can expect from this latest tour.

“Well basically we’re not going to do any of our albums in their entirety because we did that last year. But we’re going to do three songs from the new album so there’ll be three completely new pieces that no-one’s ever heard. And then we delve back a bit. We’re going to do a couple of the epic ballads. We’re going to do some from the album Dodgy Bastards. And we’re going to do one we’ve never done before called Gulliver Gentle – verging on pop, probably the poppiest one. And we’re doing an a cappella piece written by Rose Kemp, Maddy’s daughter, and that’s called Reclaiming and it’s about reclaiming things for the future and ecology.”

As our chat draws to a close I tell him that one of the things I really like about Steeleye Span is that although they have a huge back catalogue every tour has a different theme and a different feel to it, whereas there are some bands of a similar vintage whose set-list changes very little from one tour to the next.

“We try and do that,” Littman agrees. “We always do try and keep it new and exciting and fresh or – play things that people haven’t heard for a long time. We always try and keep it going – keep it fresh, keep it exciting, keep it surprising sometimes.”

Steeleye Span’s Autumn 2018 tour kicks off at the Lyric Theatre in Carmarthen on 1st October. Full tour dates here: http://steeleyespan.org.uk/sample-page/tour-dates-2018/

Related articles:
Interview with Maddy Prior
Steeleye Span at St Mary in the Castle, Hastings 2017
Steeleye Span at Cadogan Hall, London 2015 
Steeleye Span at New Forest Folk Festival 2014

Live review: Steeleye Span at St Mary in the Castle, Hastings 14/12/17

This review was originally published by The Stinger here

It’s only been a year since I last saw Steeleye Span but already, in this constantly evolving band, there have been a couple more line-up changes. In comes renowned ex-Bellowhead alumni, Benji Kirkpatrick, (whose father John also did a couple of stints in the band back in the day) alongside Roger Carey (who will be known to many Hastings gig-goers as a member of The Tabs) who replaces long-standing Steeleye bass-player, Rick Kemp.

Tonight’s performance is in two parts. While the second set is mainly a selection of well-known Steeleye Span favourites, the first takes us right back to the band’s debut album ‘Hark The Village Wait’ from 1970, which they perform in full from start to finish. For those who immediately, on hearing the name Steeleye Span, think of the band’s electrified rocked-up persona from their mid 70s commercial peak, the first couple of albums are an altogether more pastoral affair. Some would say this tends to be a neglected era of the band’s legacy so it’s nice to see the rejuvenated 2017 line-up take it on. They deliver stunningly beautiful versions of songs like ‘Black Leg Miner’, ‘The Dark-Eyed Sailor’ and ‘The Hills of Greenmoore’.

The second set takes in some familiar rocked-up classics from the band’s illustrious back catalogue, including everyone’s favourite ugly witch song ‘Alison Gross’, as well as a handful of more recent material like ‘The Dark Morris Song’ from the Terry Pratchett-inspired 2013 album ‘Wintersmith’ and a couple of songs from the new album, ‘Dodgy Bastards’.

On past tours I have seen Maddy Prior struggle a bit with some of the vocals but there are no such problems tonight. Maddy plays to her strengths and the vocals are shared out in such a way that her wonderfully distinctive voice remains an essential part of the performance but isn’t put into a position where it’s strained over songs she’s no longer suited to. She pulls off a magnificent vocal performance on the trad. arr. favourite ‘Tam Lin’, for example. But Steeleye Span as a band has always evolved, changed and adapted with each arrival of fresh blood and it would be entirely wrong to see it as little more than Maddy Prior’s backing band. It’s good, therefore, to see the newer members taking a prominent role vocally. In particular, the arrival of Julian Littman, Andrew ‘Spud’ Sinclair and, most recently, Benji Kirkpatrick has really breathed new life into the band.

They encore, of course, with ‘All Around My Hat’. It comes with an invitation from Maddy Prior for everyone to sing along. I do, of course, know all the words to this (my sister had to learn it for the Brownies when it made the charts back in the mid 70s and it has been imprinted on my brain ever since). Sing along? It would be rude not to.

From tonight’s performance it is clear that Steeleye Span has now really found its feet following the departure of long-standing fiddle maestro Peter Knight, back in 2013. Tonight’s performance is the best I’ve seen from the band in several years. Let’s hope the current line-up will be around for a while.

Set-list

First Set:
A Calling-On Song
The Blacksmith
Fisherman’s Wife
Blackleg Miner
Dark-Eyed Sailor
Copshawholme Fair
All Things Are Quite Silent
The Hills of Greenmore
My Johnny Was a Shoemaker
Lowlands of Holland
Twa Corbies
One Night as I Lay on My Bed

Second Set:
Cruel Brother
Alison Gross
Edward
Marrowbones
Little Sir Hugh
London
Tam Lin
The Dark Morris Song
All Around My Hat
Dodgy Bastards

http://steeleyespan.org.uk/

 

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Photo Credit: Richard Broady

Related posts:
Maddy Prior and The Carnival Band at Hastings 2016
Steeleye Span in London 2015
Steeleye Span at New Forest Folk Festival 2014

Folk – album review – Peter Knight’s Gigspanner ‘The Wife Of Urban Law’

This review was originally published by Get Ready To Rock here

Folk rock icon, fiddle supremo and former Steeleye Span-er, Peter Knight, along with the rest of his trio Gigspanner have been busy lately. This is their second new album of the year. First, in the summer came a live album from the expanded line-up of the band (known as the Gigspanner Big Band) and now this autumn the trio release ‘The Wife Of Urban Law’.

For those unfamiliar with Knight’s current outfit (Gigspanner actually began as a side project to Steeleye Span but is now his main focus after leaving his former band four years ago), they veer more towards the folk end rather than the folk-rock end of the spectrum. However, to merely describe them as folk ignores the huge range of musical influences that are at play on a Gigspanner album; from English folk to eastern European, French, Cajun, African and even aboriginal influences.

This latest album continues in that vein and is as expansive and inventive as ever. Knight’s virtuoso fiddle is, of course, an intrinsic part of the overall Gigspanner sound but so, too, is the suitably atmospheric acoustic-electric guitar of Roger Flack and the absolutely spellbinding percussion of new boy, Sacha Trochet, who took over from original conga player, Vincent Salzfaas, recently.

Material-wise, imaginative interpretations of traditional folk songs like ‘Green Gravel’ and ‘Bold Riley’ sit alongside self-penned numbers like the lively ‘Urban’s Reel’ which opens the album and ‘Lament for the Wife of Urban Law’ based on an inscription on a 19th century Oxfordshire gravestone which gives the album its title.

Hypnotic, infectious, inventive and utterly, utterly unique, Peter Knight’s Gigspanner continue to shine and this is yet another superb album from the trio.

Released 31 October 2017

http://www.gigspanner.com/

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Previous reviews:
Gigspanner at Hastings 2017
Gigspanner Big Band at Hastings 2016
Gigspanner ‘Layers of Ages’ album
Steeleye Span in London 2015

Peter Knight’s Gigspanner at The Stables, Hastings 22/3/17

My was review was originally published by the Hastings Online Times here

Peter Knight will be known to many as fiddle supremo for folk rockers, Steeleye Span, over four decades. The Gigspanner trio initially began as a side project of Knight’s but he left Steeleye Span for good in 2013 to concentrate fully on Gigspanner. While there are numerous cases of artists carrying on doing exactly the same old thing as they’ve always done in a brand new band with a similar sounding name, this is far from the case with Gigspanner. Of course, Knight’s virtuoso fiddle playing is still at the heart of Gigspanner’s sound; but rather than the typical ingredients of the classic folk-rock band, Gigspanner is a complete melting pot of musical influences: English folk meets Cajun hoe-down meets French waltzes meets Latin-American drumming and much more besides. All of it producing a magically diverse texture of sounds that is awe-inspiring and utterly enthralling.

The band has performed at the old town’s Stables Theatre on a number of occasions now and seasoned Gigspanner followers will have immediately noticed a change as soon as they walked into the auditorium and seen a different percussion set-up as they glanced towards the stage. Indeed, conga drummer Vincent Salzfaas who had been with the band since its formation recently departed due to changes in his personal circumstances and he’s been replaced by Sasha Trochet. Salzfaas’s congas were such an integral part of the unique Gigspanner sound I was wondering what impact the new arrangements would have. Fans of the trio have nothing to fear. While Trochet introduces a much more varied selection of percussion instruments the essential ingredients of the Gigspanner sound are still there and are added to, rather than diluted.

The band have strong Hastings connections, of course. Knight was resident here for many years and a familiar figure in music pubs around the town. Guitarist, Roger Flack, is Hastings-based and also plays with local band The Tabs, as well as being a regular participant in folk sessions in the Dolphin. A Hastings gig, therefore, always has something of a home-coming feel for the trio, particularly as a number of the band’s songs are directly inspired by the town. ‘Seagull’, for example, one of the songs written by Knight that is performed tonight, was inspired by regular sessions of shove ha’penny in the Lord Nelson. It’s also noteworthy for being one of the songs that Knight plays the fiddle, not with a bow, but by plucking. Just as the fiddle supremo produces a whole range of beautiful sounds using his bow, there’s a whole set of other sonic delights that come from his fingers, too. Other songs include traditional folk staples like ‘She Moves Through The Fair’ and ‘Raggle Taggle Gypsy’ reworked to give them that unique signature Gigspanner feel.

As the evening draws to a close, once again the Stables audience respond with rapturous applause and once again, Hastings can be immensely proud of a music scene that has played a part in gifting the world a band of this calibre.

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http://www.gigspanner.com/