Category Archives: Book reviews

Book review: ‘Top Of The Pops: The Lost Years Rediscovered 1964-1975’ by Peter Checksfield

A prolific author and archivist of music history and pop culture, the latest book from Peter Checksfield is a mammoth 650-page tome devoted to the Top of The Pop’s glory days – from its inception in 1964 through until 1975.

As a writer I’d already made use of Checksfield’s own meticulously-researched publication ‘Look Wot They Dun’ which chronicled the TV appearances of all the key figures from the UK’s glam rock scene in the early to mid- 1970s and it’s referenced in my own book ‘The Sweet in the 1970s’. Likewise, I’m pretty sure I’ll be making similar use of this latest volume.

It includes a complete episode guide stretching from the first ever show on New Year’s Day 1964 through to the Christmas Top Of The Pops edition that went out on 25th December 1975. Each entry includes a chronological run-down of the acts performing on that show, potted bios and relevant chart positions. This is no mean feat given that many of the episodes from this period no longer survive. Only five complete shows from the 1960s still exist and only two complete shows from 1972 at the height of the glam period survive – although many more clips (the handiwork of early home-taping, sneaky BBC technicians or overseas TV stations) mean the archive isn’t quite as empty as the official figures initially suggest.

While the book is a crucial reference work, what really brings it to life is a succession of anecdotes that Checksfield has garnered from various artists who appeared on the show. Ralph Ellis of the Swinging Blue Jeans recalls a scuffle with Keith Richards in the BBC canteen, surviving members of the Bonzo Dog Doo Dah Band recall their time on the show miming to ‘Urban Spaceman’ and Ray Dorset (Mungo Jerry) recalls arriving late for rehearsals when ‘In The Summertime’ hit the charts as he was still working at the Timex factory and had to ask his boss for time off.

There’s also plenty of little nuggets I learned for the first time. Who knew that for a few months in 1971 Top Of The Pops ran an ‘Album Spot’ where artists would perform three songs from a current album, for example? My own personal recollection from when I really remember looking up and avidly watching an episode of Top Of The Pops (rather than it just being on in the background as I coloured with crayons or whatever) was when that week’s presenter announced a brand-new single from Mud called ‘Tiger Feet’. What 7yo doesn’t love tigers?! On checking the episode guide I find that the episode in question went out on 3rd January 1974.

Thoroughly researched and with some fascinating personal insights together with a comprehensive index of each artist’s appearances on the show ‘Top Of The Pops: The Lost Years Rediscovered 1964-1975’ will appeal to any fan of the show and anyone with an interest in pop culture over that period.

Published: 2021

Related post

‘Look Wot They Dun! – The ultimate guide to UK glam rock on TV in the 70s’ by Peter Checksfield

Reviews roundup: ‘The Sweet in the 1970s’ – a huge thank you!

Since my book ‘The Sweet In the 1970s’ was published in the summer, not only have I been bowled over by sales (the first print-run sold out even prior to publication date) I’ve been hugely encouraged by the reviews, too.

Jason Ritchie at Get Ready To Rock was first to review:

“An excellent overview of The Sweet, appraising the band’s 70s output and tracking the band’s ups and downs during that decade. Well researched and referenced too, with the final part of the book giving a whistle stop tour of what the band did from 1980 to the present day.”

You can read the full Get Ready To Rock review here

Then over in the US, Dave Thompson gave the following review in Goldmine magazine:

“Certainly this is not the first Sweet biography to appear in recent years, but it’s sharp, it’s concise, and it doesn’t spend half its time moping around the not-happened-yet sixties and the oh-dear-are-they-still-going beyond. Well, not much. We skip the first ten pages, covering the “early years,” and the last ten detailing “what happened next.” Don’t care. But there’s close to a hundred pages between those bookends that are just non-stop blockbusting, hell raising, teenage rampaging little willying, with every album and single spotlighted for special examination, key quotes highlighted and individual song titles telling their own stories, too. Throughout, author Darrell Johnson (sic) captures the excitement of the great records; can usually find something nice to say about the less great ones, and doesn’t try to kid us that Cut Up Above the Rest was even remotely well-titled. It’s a book for fans, then, but one for the curious, too. Nicely done.”

Dave Thompson produced his own well-written Sweet biography a decade ago, of course, so I was particularly pleased to get his endorsement. I’ll even forgive him getting my name slightly wrong!

You can read the full Goldmine review here

Back on to the British magazine racks, Mick Gafney at Powerplay magazine also had some very nice things to say:

“What comes across in spades in this book is the author’s unwavering love and passion for the band, and whilst it might not be the weightiest of tomes, Johnson still manages to fill it with plenty of well-researched facts and insightful opinion.”

You can read the full review here:

And Steve Swift at Fireworks magazine also gave it the thumbs up:

 “Johnson clearly loves the band and the tone is warm and welcoming; Johnson does something simple but lovely…”

You can read the full review here:

Over on Amazon it’s been picking up some very encouraging customer reviews, too:

“The Sweet In The 1970s is an excellent and concise book about rock’s most underrated band who transformed from ‘bubblegum’ to ‘glam rock’ to ‘hard rock’ to something a little more progressive throughout the aforementioned decade. It also reminds the reader how Sweet managed to ‘snatch defeat from the jaws of victory’ on many occasions.”

“Fabulous book. It does what it says on the cover it tells the Sweet story in the 70s. That doesn’t mean that the 60s and 80s are totally ignored.”

“Whether you a big Sweet fan or not this is a really interesting story written and presented very well. I’ve learnt a lot!”

“Draws together from many sources it borders on the academic, yet reads easily. Clearly a fan, our author is not blind to the weaknesses of the band and is never modest on their behalf either. I learnt quite a bit and it’s a great reference book for the material recorded by the band.”

At one point it made it to number three on Amazon’s UK best sellers list for music history and criticism, as well number ten in its popular music books and number fourteen in its rock music books.

When I first began writing the book I never dreamed it would do so well and writing for Sonicbond Publishing had been an extremely positive experience.

You can read how I first came to write the book here

Better, still you can read the book!

‘The Sweet in the 1970s’ is available from the following outlets:

UK

You can order ‘The Sweet in the 1970s’ direct from the publishers via the Burning Shed on line shop here

It’s available from a number of other UK retailers including: WH SmithWaterstones, and Bookshop.org

You can order from Amazon UK here

US

You can order via Walmart and Amazon.com

Sweden

You can order via Adlibris 

Book review: ‘Bob Dylan in London: Troubadour Tales’ by Jackie Lees & KG Miles

While not an obsessive fan (I have a greatest hits CD and a copy of Highway 61 Revisited in my collection but that’s all I’m afraid) Bob Dylan’s presence has loomed large in the history of many of the bands, such as Fairport Convention and The Byrds, that  I am pretty obsessive about. Moreover, many of the music biographies I have read make frequent references to Dylan’s sundry visits to London in the early to mid-1960s – both in terms of the impact he had on London’s folk and nascent rock scenes and vice versa.

Given what a pivotal figure Dylan is then, the idea of having a proper contextual overview rather than relying on what I’ve pieced together through a series of fleeting appearances in other people’s biographies was therefore appealing.

‘Bob Dylan in London: Troubadour Tales’ begins with his first visit to London in the Winter of 1962. We start off in the King and Queen pub in Fitzrovia, where Dylan made his first live appearance in London, and take in iconic folk-scene venues such as the Pindar of Wakefield (now the Water Rats) in Kings Cross, home of Ewan MacColl’s Singers’ Club, and the Troubadour in Earls Court.

One might assume that the remaining chapters would take us on similarly meandering detours of the capital for each of Dylan’s subsequent visits. However, ‘Bob Dylan in London’ is as much guide-book as it is biography and the publication is generally arranged geographically rather than strictly chronologically and includes a 16-page colour sections with maps and illustrations.

Two long-time Dylan devotees, Jackie Lees and KG Miles, take us through several decades of Dylan in London, bringing to life the writer/performer’s presence in a series of locations through a mixture of contemporary concert reviews, anecdotes from fellow artists and recollections from audience members, with some of their own personal memories thrown in for good measure. At one point we even get to hear from a homeowner whose Crouch End property was on the market and Dylan’s early 80s visit as a prospective buyer is recalled.

The most fascinating parts of the book, however, are the ones where Dylan was at his creative and commercial peak in the 1960s. Insightful anecdotes from this period abound, including Donovan and Joan Baez in Dylan’s Savoy hotel room helping him write out the cue cards for the iconic trailer for ‘Subterranean Homesick Blues’, filmed in a nearby alleyway off The Strand called Savoy Steps.

The recollections do not always put Dylan in a favourable light. The treatment of Joan Baez on a 1965 tour leaves a particularly unpleasant taste. However, this short, concise book is highly readable, entertaining and informative. Anyone with an interest in London’s musical heritage and Dylan’s artistic legacy will find much to enjoy here.

Published: March 2021 by McNidder & Grace

https://mcnidderandgrace.com/bobdylaninlondon

‘The Sweet in the 1970s’ now also set for publication in the US on 24th September

I’m delighted to report sales of my book, which was published in the UK by Sonicbond on 30th July, have been brisk.

Amazon and other retailers will be dispatching to customers in the US from 24th September. When writing the book I did take care to ensure the book would be relevant to US readers – putting Billboard chart positions in as well as UK ones, for example, as well as explaining some peculiarly English turns of phrase like w*nk and Sweet FA…

My book also picked up a very nice review from Jason Ritchie at Get Ready To Rock recently:

“An excellent overview of The Sweet, appraising the band’s 70s output and tracking the band’s ups and downs during that decade. Well researched and referenced too, with the final part of the book giving a whistle stop tour of what the band did from 1980 to the present day.”

Full review here

Over on Amazon it’s been picking up some very encouraging customer reviews, too:

“The Sweet In The 1970s is an excellent and concise book about rock’s most underrated band who transformed from ‘bubblegum’ to ‘glam rock’ to ‘hard rock’ to something a little more progressive throughout the aforementioned decade. It also reminds the reader how Sweet managed to ‘snatch defeat from the jaws of victory’ on many occasions.”

“Fabulous book. It does what it says on the cover it tells the Sweet story in the 70s. That doesn’t mean that the 60s and 80s are totally ignored.”

“Whether you a big Sweet fan or not this is a really interesting story written and presented very well. I’ve learnt a lot!”

At one point it made it to number three on Amazon’s UK best sellers list for music history and criticism, as well number ten in its popular music books and number fourteen in its rock music books. All beyond my wildest dreams really. When I began writing and researching the book it very much became my lockdown project. Any success in terms of sales was going to be the icing on the cake rather than the main reason for doing it.

However, I’m really pleased it’s selling so well and it’s been a very positive experience working with Sonicbond Publishing who have an excellent range of other music books in their portfolio.

On with the next one!

‘The Sweet in the 1970s’ is available from:

UK

You can order ‘The Sweet in the 1970s’ direct from the publishers via the Burning Shed on line shop here

It’s available from a number of other UK retailers including: WH SmithWaterstones, and Bookshop.org

You can order from Amazon UK here

US

You can order via Walmart and Amazon.com

Sweden

You can order via Adlibris 

Book review: ‘Rock History: the Musician’s Perspective’ by Dr Rob Brosh

When an American academic, Dr Rob Brosh of the University of the Arts in Philadelphia, got in touch to see if I was interested in reviewing the textbook he had written for music students, my first thought was, “Why me?” I play music all day long but can’t hold a tune for the life of me. I read about music, write about music and think about music but have never had any pretensions to being a musician and barely know one end of an instrument to another. Music history always fascinates me, however, so I emailed Rob back and told him I’d be very interested in reading his book.

In the pre-internet days I used to devour rock encyclopaedias – books like The NME Book of Rock, The Virgin Encyclopaedia of Seventies Music and The All-Music Guide To Rock. Huge, lengthy tomes that I would constantly dipping in and out of to find out background information on bands and artists that I was newly discovering. There’s something about the old rock encyclopaedia format in Brosh’s book but rather than an A-to-Z directory this book takes us through the evolution of rock music genre by genre.

I found ‘Rock History: the Musician’s Perspective’ absolutely gripping and read it cover to cover. It does three main things.

Firstly, it gives us a detailed overview of the vast range of music genres that fall within the canon of rock music and how each developed from the development of rock and roll itself, through blues rock, psychedelia, hard rock, folk rock, punk rock and many, many more. What I thought came across brilliantly in the early part of the book is the dynamics of how successive waves of musicians in the US and the UK influenced one another, sending new musical trends back and forth across the Atlantic as rock music involved from its earliest foundations.

Secondly, it gives us a concise but fascinating overview of many of the key artists within each of those genres, for example detailing how bands came together, how they developed their own style and giving us some memorable highlights from their careers. The fact that it’s arranged by genre rather than artist obviously makes it a little trickier to look up individual artists than the old encyclopaedia format did, but the internet has largely rendered that format obsolete now I guess anyway. However, it more than makes up for that by being able to place the evolution of individual artists into the wider context of the evolution of key genres and styles. I was definitely picking up new insights in this way and learning new facts so it’s obviously going to be a great resource for students.

The third thing the book does is focus in on particular songs, providing insights into the structure of them and how certain sounds were achieved. This last element is where you get the musician’s perspective and while some of it went over my head as a non-musician most of it didn’t! I definitely learnt a lot and ended up playing many of the songs that were being discussed in detail and it all started making a lot of sense.

This decidedly non-musician’s review of a musician’s perspective on the history of rock music is therefore a very positive one. Highly recommended.

Published by DDG Publishing, 2018

Book review: ‘How To Think Like David Bowie’ by Jonathan Tindale

I’m generally more one for Viz Top Tips than anything approaching self-help literature but when I was offered the chance to review a book entitled  ‘How To Think Like David Bowie – Habits of mind for leading a more creative and successful life’ my curiosity was piqued.

By sheer coincidence the book arrived in the post about thirty minutes before I was due to head off on a trip to Essex with former Bowie guitarist, Kevin Armstrong, who had worked with Bowie on Absolute Beginners and Tin Machine and played with him at Live Aid. I hadn’t even had time to open the book before he arrived but I mentioned it to a bemused Kevin on the journey up to Colchester and asked for his thoughts. “I think there’s very few people who ever really knew what David Bowie was thinking,” was Kevin’s response, saying that Bowie was always welcoming and warm-hearted but rarely shared his inner thought processes, concentrating very much on the task in hand and getting the best out of everyone present.

In the book itself, Kevin Armstrong’s own sentiments are very much echoed by an earlier collaborator, Rick Wakeman, whose recollections of recording ‘Space Oddity’ back in 1969 are reproduced in the book:

“He was always incredibly prepared in the studio. He never wrote in the studio; everything was already done. He was always what he called ‘75% prepared’. You’d go in and he’d get the piece that far, and then the studio would take it that extra 25%.”

So does author, Jonathan Tindale, really attempt to get inside the head of Bowie and tell us how to think like him? In truth, although the book references Jung and Myers- Briggs and ‘The Journal of Personality and Social Psychology’, the title is somewhat tongue-in-cheek and it’s more philosophy than psychology. Bowie’s approaches to numerous projects throughout his five-decade career are analysed, dissected and cross-referenced and various life lessons drawn from them. Tindale, whose previous publications have included travel writing and parenting, draws on a wide range of Bowie-related sources to derive a number of key lessons from Bowie’s career.

Arranged across twelve chapters, themes include Bowie’s individuality, his work ethic, his approach to creative collaborations and his attitude to the business side of things. The book is not a long read but it’s well referenced and entertaining and avoids falling into the cult-like demagogic devotion that some of the more hagiographic pieces written after his death have fallen victim to. Moreover, it doesn’t shy away from looking at some of Bowie’s flaws and the odd creative troughs in his career as well as the many peaks. Quirky and thought-provoking How To Think Like David Bowie will be of interest to more than just the most hardened Bowie devotee.

Published: 18th June 2021 and available to order here

Related posts:

Before glam: the debut 60s singles of Bowie, Bolan, Slade, Mud and Sweet

The Sweet versus Bowie: the riff in Blockbuster and Jean Genie – origins a influences

Mike Garson performs Aladdin Sane at Birmingham O2 2017

Holy Holy at Shepherd’s Bush Empire 2017

Holy Holy perform The Man Who Sold The World & Ziggy Stardust De La Warr Pavilion 2019

The Sweet in the 1970s: publication date for my book is getting close – out on 30th July!

Just over a year ago I had a dream that I had written a book about The Sweet. When I woke up I was more than a little disappointed to release I hadn’t written any such book. But with the idea still fresh in my mind I decided to fire off an email to the publishers Sonicbond to see if they were interested in me writing one. Amazingly they came back and said yes.

Starting work last summer, writing and researching ‘The Sweet in the 1970s’ very much became my lockdown project during the latter part of 2020 and the early part of 2021. I finished it back in February, delivered the manuscript and my mind, which had been so utterly pre-occupied with all things Sweet for several months, pretty much moved on to other things. In recent weeks, however, it’s all started to become very real again. There were proofs to read, images and the cover blurb to check through and so on. And although, it’s not in the shops until July 30th I took delivery of some advance copies this week!

I also did an interview for the excellent Glam-themed fanzine Wired Up – talking about how I came to write the book, how I first became obsessed with The Sweet as a teenager in the early 80s trawling through second-hand albums in Preston’s Action Records – as well as a little bit on what readers can expect from the book. You can find out more about the Wired Up fanzine here.

I’ve dedicated the book to my dad. I know he would have enjoyed reading it.

UK:

You can order ‘The Sweet in the 1970s’ direct from the publishers via the Burning Shed on line shop here

A number of other UK retailers are also taking orders including: WH SmithWaterstones, and Bookshop.org

Amazon are also taking orders here

US: you can order via Walmart and Amazon.com

Sweden: you can order via Adlibris 

‘The Sweet in the 1970s’ by Darren Johnson – published by Sonicbond 30th July 2021

Book review: ‘Noise Damage – My Life as a Rock ‘n’ Roll Underdog’ by James Kennedy

This review was originally published by Get Ready To Rock here

I’ve not just got a passing interest in rock autobiographies. I positively devour them. Pretty much anyone I admire who puts one out these days will tend to end up on my reading list sharpish. Usually, though, it’s people whose careers I follow, whose albums I buy and whose concerts I go to. James Kennedy is none of these. I was vaguely aware of his former band Kyshera but they were around at a time when I was insanely busy in my work life and any downtime would be spent listening to familiar favourites rather than seeking out new bands. To be honest I had to google Kyshera to give myself any idea of what they sounded like or, indeed, who the aforementioned Mr Kennedy actually is. His memoir turned out to be every bit as gripping as those of my heroes, however.

Born in 1980, Kennedy is a talented kid from a poor background in South Wales. “I am thankful for having cultured, lefty, weed-smoking atheists for parents, continually blasting out Pink Floyd, Zappa, Kate Bush and Stevie Ray Vaughan,” he shares with us, nicely dispelling those tedious one-dimensional caricatures of working class culture that are constantly being sold to us by Red Wall-chasing Tory politicians these days.

Kennedy then finds himself entering a world of professional music at a time when the traditional industry model as we knew it was rapidly imploding. He is not one to get nostalgic for the old ways, however. Fairly early on in the book he sets out his stall thus:

“We have the ability to create, record, produce, release and promote our art, all from our bedroom with no interference, censorship or bullshit from any third parties, and share it with the world for hardly any cost. How we make any money doing this is the new problem.”

The subsequent two-thirds of Noise Damage is then pretty much devoted to that very problem of not making any money. From heinous scams by criminal promoters to unfeasible hours holding down a multiplicity of jobs Kennedy paints a detailed picture of a life that, while bursting with creativity, friendship and critical acclaim on the one hand, gets worn down by years of grim conditions, constant back-stabbings and an absence of anything approaching stability on the other.

The book is an absolute must-read for anyone attempting a career in music (certainly anyone without wealthy parents or an independent income). However, there’s enough self-reflection, critical evaluation and good-natured humility to make this a genuinely powerful testimony on a highly personal level. Noise Damage is Kennedy’s first book. Let’s finally hope he makes some money out of it.

Published 18th October 2020 by Eye Books

http://eye-books.com/books/noise-damage

‘Confess’ by Rob Halford – a gay heavy metal fan reviews the Metal God’s autobiography

I’ve read enough rock autobiographies over the years to know the score: boy from working class background, boy joins a band, struggles along for a few years, makes it big, fame, alcohol and/or drug addiction, groupies galore, several wives, numerous girlfriends, sobriety, reflection and, finally, publishing deal. Judas Priest lead singer Rob Halford’s ‘Confess’, however, is a rock confessional with a difference. The wives and girlfriends are notable by their absence and Halford tells his tale as an out and proud gay man.

As someone who became a Judas Priest fan not long after my dad brought home a newly-released copy of ‘British Steel’ back when I was a young teenager, and as someone who has known they were gay from around that same time I was particularly keen to read Halford’s memoir.

Halford’s down-to-earth-working class upbringing in Walsall is easy to identify with. Coincidentally, although the two have never met, he lived just a couple of streets away from Noddy Holder’s family home, another musical hero of mine. Indeed, many of the place names were already familiar to me from Holder’s own autobiography. (The pub that Halford mentions as the location of his local bus stop as a kid is the same pub where the classic Slade foursome held their first ever rehearsal – trivia fans).

As Halford starts to metamorphosis from council estate kid to heavy metal rock god I certainly felt a sense of exhilaration as his dreams are achieved – such as the era-defining success of that iconic British Steel album, for example.

For much of the book, though, I also felt a sense of immense sadness. This paragraph, where he reflects on the state of his life in 1980 – by which time he was in his late 20s – is a telling one:

“It was five years since I’d been seeing Jason. Apart from the odd snatched random fumble I had been alone ever since… not just alone but forced to supress my longings, my needs, myself.”

When I think back to my own life at that stage, I had already met my partner. We’d bought a flat and been living together for several years by then. I was born fifteen years after Halford and my modest brush with life in the public eye never obliged me to hide my own sexuality. However, it’s not difficult to really grasp the pain and evident loneliness that Halford was going through. He does eventually find personal as well as professional fulfilment albeit that there are dysfunctional relationships, tragedy addiction along the way.

There is also a fair bit of revelatory gossip and down to earth black country humour to keep the reader entertained. However, there are a many segments that are deeply, deeply moving, too: Halford’s obvious joy at the emotions he experiences performing sober for the first time, the palpable relief he feels when he first publicly comes out back in the late 90s and the excitement he feels reuniting with Priest in the early 00s.

‘Confess’ does not always make for easy reading. There is a real sadness to parts of it but Rob Halford’s warmth and humanity shine through. Absolutely one of the best rock biogs in ages.

Published: Headline Publishing 29th September 2020

Related posts:

Album review : Judas Priest – Redeemer of Souls

Live review: Judas Priest at Brixton Academy 2015

Live review: Les Binks’ Priesthood at Minehead 2020

Book review: ‘Chasing Shadows – The Search for Rod Evans: Deep Purple’s original singer’ by Adrian Jarvis

Part biography, part rock ‘n’ roll travelogue and part love-letter in celebration of a teenage musical obsession, I enjoyed Adrian Jarvis’s ‘Chasing Shadows’. Subtitled ‘The Search for Rod Evans’ – the elusive lead singer from the very first line-up of Deep Purple back in the late 1960s – you could be forgiven for thinking it all starts sounding a bit obsessive and stalkerish.

But the book is not really like that at all. For a start, Jarvis is not particularly obsessed with the mysterious Mr Evans, who dropped out of the music businesses in the early 70s, reappeared in 1980 fronting a bogus Deep Purple, was sued by his erstwhile bandmates and promptly disappeared again. The author is certainly a huge fan of Deep Purple in all of their various guises (or “Marks”) over the years but he is open about what he sees as the limitations of Evans’ vocal style and lyric-writing abilities in comparison to his successors and Jarvis’s curiosity about the singer’s whereabouts is more about a symbolic missing piece in the jigsaw of the band he loves rather than an unfathomable obsession with Evans per se.

The “search” takes us down a number of unexpected and meandering routes, some of them with only the most tenuous connections to Evans himself. But it remains an entertaining read nevertheless. Moreover, as someone of a similar age to the author (ie one who was way too young to get into heavy rock/metal during its first wave in the late 60/early 70s but who was to discover an affection for those older bands via the New Wave of British Heavy Metal [NWOBHM] boom a decade later) there is much in this tale that I can relate to.

Published by Wymer Publishing 2017

Related reviews:

Glenn Hughes, Bexhill 2019

Glenn Hughes, Bexhill 2019

Glenn Hughes, London 2015

Deep Purple, London 2015

Ritchie Blackmore’s Rainbow, Birmingham 2017

Whitesnake – The Purple Album