Tag Archives: Fairport Convention

Fairport Convention folk-rock band

Book review: ‘On Track: Fairport Convention – every album, every song’ by Kevan Furbank

This review was originally published by Get Ready To Rock here

The ‘On Track’ series by publishers Sonic Bond provides an album by album, track by track overview of a number of artists. The latest in the series to get this treatment are British folk-rock legends Fairport Convention. Author, Kevan Furbank, takes us on a fascinating journey through each of the band’s thirty studio album’s, from 1968’s self-titled debut to this year’s Shuffle and Go.

Each entry begins with a factual summary of personnel, recording information and release dates, followed by a brief potted history the album’s genesis and the band’s fortunes at the time it was recorded. That is then followed by Furbank’s review of each track. Having read a fair few books on folk-rock, Fairport and some of their leading personnel, most of the history was familiar to me. However, Furbank really comes into his own with his pithy and usually very insightful track by track reviews. And what he’s superb at doing is capturing the familiar styles of different Fairport personnel as well as some of the band’s most used external songwriters. ‘Tale In Hard Time’ one of Richard Thompson’s early songs on 1969’s What We Did On Our Holiday, for example, is thus introduced as “another of Richard’s gloomy/jaunty songs, an upbeat rhythmic number with slit-your-wrists lyrics” beautifully summing up a whole canon of classic Thompson output.

Furbank is also meticulous at pointing out where the band have returned to a song, as they have done on frequent occasions, and making comparisons with the earlier versions – or highlighting where the band have returned to a similar lyrical theme or musical arrangement in a different song. So if, like me, you were thinking I’m sure they’ve recycled that Eddie Cochran riff for one of those fifties rock n roll – meets trad folk song mash-ups just once too often, this book will tell you exactly which song and which album they tried it on first and where (perhaps unwisely) they thought it was a good idea to try it again.

I read the book over a single weekend, often playing the relevant albums as I turned the pages. I thoroughly enjoyed the author’s critical insights even if I did not always agree them. For those familiar with Fairport Convention’s history this will be a fascinating sit-down read, as well as a really useful reference for the future. However, if you are a Fairport fan looking to learn more this shouldn’t be the first book you read on the band. Start with Clinton Heylin’s ‘What We Did Instead Of Holidays’ or Mark Eden’s ‘Electric Eden’ or the band’s own authorised biography first and you will enjoy what this book has to offer all the more.

Published 26 March 2020 by Sonic Bond

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Related reviews:

Fairport Convention at Bexhill 2020

Fairport Convention at Cropredy 2017

Album review – Fairport Convention ‘Come All Ye: The First Ten Years’

Fairport Convention – 50th anniversary gig at Union Chapel 2017

Fairport Convention at Cropredy 2014

Fairport Convention at Union Chapel 2014

Iain Matthews in Etchingham 2016

Album review – Fairport Convention ‘What We Did On Our Saturday’

Album review – Ashley Hutchings ‘From Psychedelia to Sonnets’

Album review – Ashley Hutchings ‘Twangin’ ‘n’ a-Traddin’ Revisited’

Album review – Sandy Denny ‘I’ve Always Kept a Unicorn: The Acoustic Sandy Denny’

Fotheringay at Under the Bridge, London 2015

Fotheringay at Great British Folk Festival 2015

Richard Thompson at Royal Festival Hall 2015

Richard Thompson at Folk By The Oak 2014

Album review – Richard Thompson ‘Acoustic Classics’

Judy Dyble at WM Jazz at The o2

Albion Christmas Band at Kings Place 16/12/14

Live review: Fairport Convention at De La Warr Pavilion, Bexhill 20/2/20

Another February, another Fairport winter tour. There has been a radical revamp of the set-list for this tour, however. This is not unwelcome. In recent years it was getting a tad repetitive. True, they had their 45th and then 50th anniversaries to celebrate and were rightly focused on delivering a set-list that reflected career highlights over the decades. For this tour the set is dominated by just two albums: the band’s latest Shuffle & Go and a revisit of the band’s 1970 album Full House. The latter is itself reaching its 50th anniversary this year (never let it be said that this band ever misses an opportunity to celebrate an anniversary…)

Before we get to any of this, however, the Americana-flavoured songs of acoustic guitar/harmony vocals duo Smith & Brewer go down extremely well. Fairport Convention have long used the support slot on their winter tours in a fairly strategic way to showcase emerging talent and bring artists to wider public attention. But for both musicality and entertainment value this act has been one of the finest to take this slot in recent years and they are suitably rewarded at the merch stand during the interval.

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After sharing the stage with Smith & Brewer for their final song ‘Don’t Say You Don’t Love Me’ Fairport kick off their own set with much-loved show-opener ‘Walk A While’ but swiftly move on to tracks from the new album. I had not purchased the album prior to the gig so it’s a first taste of these songs. I particularly like the first of these tonight and the opening track on the album. One of my criticisms of recent Fairport albums is that some of the songs from Chris Leslie’s hand have been a little on the twee and whimsical side (‘Our Bus Rolls On’ anyone?). ‘Don’t Reveal My Name’ about the card magician Dai Vernon is dark, brooding and mysterious, on the other hand, and a great addition to the Fairport repertoire. We get a whopping ten of the album’s thirteen tracks tonight, including the wistful celebration of the nation’s pubs ‘A Thousand Bars’ and Chris Leslie’s ‘Moondust & Solitude’ marking the anniversary of the Apollo moon landing. Some impressive songs in there, I will say.

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After the interval there’s a few more songs from the new album, a blast of the wondrous ‘Farewell, Farewell’ from the Liege and Lief album and then it’s time to launch into that Full House celebration. Back when it was released in 1970, this was the first of the all-male Fairport line-ups where the band were working out their future direction following the departure of Sandy Denny (along with Ashley Hutchings). The five deliver nicely-worked treatments of ‘Sir Patrick Spens’, ‘Sloth’ and ‘Doctor of Physick’ – albeit with Chris Leslie’s mandolin taking the place of Richard Thompson’s guitar licks (although Dave Pegg tells the audience that Mr Thompson, along with former Fairport drummer Dave Mattacks, will be joining the band to play the Full House album live at the Cropredy festival in the summer.)

The set ends with the usual trio of Fairport show-closers ‘Who Knows Where The Time Goes’, ‘Matty Groves’ and ‘Meet On The Ledge’ and regardless of whether they have or haven’t played the De La Warr before (there was a bit of a dispute about this between Simon Nichol and Dave Pegg earlier in the evening) the band nevertheless have an appreciative audience tonight.

Set-list

First set:

Walk Awhile
Don’t Reveal My Name
Cider Rain
Good Time for a Fiddle and Bow / The Christmas Eve Reel
A Thousand Bars
Shuffle and Go
Moses Waits
Bankruptured
Moondust and Solitude

Second Set

Jolly Springtime
Steampunkery
The Year of Fifty Nine
Farewell, Farewell
Sir Patrick Spens
Sloth
Doctor of Physick
Who Knows Where the Time Goes?
Matty Groves
Meet on the Ledge

https://www.fairportconvention.com/

Related reviews:

Fairport Convention at Cropredy 2017

Album review – Fairport Convention ‘Come All Ye: The First Ten Years’

Fairport Convention – 50th anniversary gig at Union Chapel 2017

Fairport Convention at Cropredy 2014

Fairport Convention at Union Chapel 2014

Iain Matthews in Etchingham 2016

Album review – Fairport Convention ‘What We Did On Our Saturday’

Album review – Ashley Hutchings ‘From Psychedelia to Sonnets’

Album review – Ashley Hutchings ‘Twangin’ ‘n’ a-Traddin’ Revisited’

Album review – Sandy Denny ‘I’ve Always Kept a Unicorn: The Acoustic Sandy Denny’

Fotheringay at Under the Bridge, London 2015

Fotheringay at Great British Folk Festival 2015

Richard Thompson at Royal Festival Hall 2015

Richard Thompson at Folk By The Oak 2014

Album review – Richard Thompson ‘Acoustic Classics’

Judy Dyble at WM Jazz at The o2

Albion Christmas Band at Kings Place 16/12/14

 

Folk-rock: album review – Julie July Band ‘Lady of the First Light’

The Julie July Band and their reinterpretation and celebration of the music of Sandy Denny have been proving quite a hit on the festival and live folk circuit in recent years. So much so that last year they released a tribute album ‘Who Knows Where The Time Goes?’ – an album that certainly caught my attention along with other reviewers.

However, as extensive as Sandy Denny’s back catalogue is and as impressive as Julie July and her band’s interpretations are I doubt that there is an entire recording career to be built around simply recording more and more of her past material. The question then comes as to what form a follow-up album would take. Would it be covers of traditional songs that are given a suitably Sandy-esque treatment? Would the band seek inspiration from other singer-songwriters of that era? Would there be some new material, perhaps?

In fact, the band have opted for the latter approach with Lady of the First Light presenting eleven originals, each penned by various members of the band. Musically, it’s probably more within the vibe of Denny’s early to mid 70s solo singer-songwriter albums than, say, the more overt folk rock from her time with Fairport Convention and Fotheringay. However, it’s worth stressing that this is far more than simply a Sandy Denny pastiche or a North-Star-Grassman-and-the-Ravens-by-numbers. The Sandy influence is there, of course (and why not she remains one of the greatest singer-songwriters this country has ever produced) but it’s an influence rather than a straitjacket. There’s some quality songwriting here and, combined with Julie July’s beautifully clear voice and the strength of the band’s musicianship, the album more than stands up in its own right.

Title track, the upbeat ‘Lady of the First Light’ is an absolute stunner. More rockier than some of the other material with some gorgeous lead guitar and Julie July in fine voice, it’s not impossible to imagine a parallel universe where it’s a recently-discovered track from Fairport’s Unhalfbricking sessions. Likewise, ‘The Ballad of Rory Starp’ could equally have come from some long-lost session for the Liege & Lief album. These provide a nice contrast to the more sombre and reflective, yet no less gorgeous, material like the opening number ‘Broken Wing’. The end result is a lovely palette of contrasting textures, emotions and influences. The anthemic ‘Shine Together’ finishes the album in a pleasingly celebratory mood.

If the last album was a gorgeous tribute to the songs of Sandy Denny then this one is very much a celebration of the influences that combined to make the late 60s and early 70s such an incredibly exciting, vibrant and creative time for British music. Buy it!

Released: June 2019

https://juliejuly.co.uk/

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Previous review:

Julie July Band – Who Knows Where The Time Goes?

Live review: Ashley Hutchings ‘The Beginnings of Fairport Convention’ at Cecil Sharp House 1/11/18

As well as being a hugely influential musician Ashley Hutchings is a natural raconteur and an elegant wordsmith and here he’s built on his previous touring show (captured on the album ‘From Psychedelia To Sonnets’ in 2016) to put something together specifically about the early days of the band he founded: Fairport Convention.

Part book reading, part anecdotal reflection, part theatrical performance, part quiz show (!) and part full-on folk-rock concert, The Beginnings Of Fairport Convention is a two-hour show celebrating Hutchings’ period with the band 1967-69 and the four iconic albums they released.

For these performances Hutchings has put a full five-piece band together. Initially influenced by the folk rock that was springing up on America’s west coast and the burgeoning singer-songwriter genre Hutchings and his band-mates perform material that the original Fairport performed in their early days: songs like Eric Anderson’s ‘Close The Door Lightly When You Go’ and Leonard Cohen’s ‘Bird On A Wire’. It’s far removed from the English folk rock that Fairport Convention would move on to in just a year or two’s time and Cecil Sharp might be turning in his grave if he were to hear what was being performed in the hallowed venue he gave his name to but Hutchings and co. do a superb job of capturing the sound, and some of the energy, of those early Fairport gigs. (Well I was only a toddler at time so what do I know but to my ears it was like having some of the BBC sessions from Fairport’s Heyday album being brought to life some fifty years later.)

There’s anecdotes, too, of course: the band’s first gig, Jimi Hendrix asking if he could jam with them one night and, for their second album, Sandy Denny joining.

After a short break the band return and Hutchings talks us through the band’s evolution from ‘Britain’s Jefferson Airplane’ to the pioneers of English folk rock, following the band’s tragic crash on the M1. Hutchings recalls the weeks spent poring over manuscripts in the library next door and the revolutionary sounds they began to create together rehearsing in the Hampshire countryside ahead of the recording and release of the iconic ‘Liege and Lief’ album. The unforgettable instrumental from that album (‘The Lark In The Morning’ Medley) is recreated together with a beautiful version of Richard Thompson’s and Dave Swarbrick’s ‘Crazy Man Michael’. Becky Mills, who performs on the aforementioned ‘From Psychedelia To Sonnets’ album, does a beautiful job throughout the evening performing songs once sung by Sandy Denny, Judy Dyble and Iain Matthews.

Ashley Hutchings “the single most important figure in English folk rock” as Bob Dylan puts it, has more than earned his right to celebrate the legacy of the band he helped create in this way and, with the help of some talented musicians, gives us a very entertaining two-hour show.

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http://ashleyhutchings.co.uk/

Related reviews:

Album review – Ashley Hutchings ‘Twangin’ ‘n’ a-Traddin’ Revisited’

Album review – Ashley Hutchings ‘From Psychedelia to Sonnets’

Album review – Fairport Convention ‘What We Did On Our Saturday’

Fairport’s Cropredy Convention August 2017

Albion Christmas Band at Kings Place 16/12/14

Folk-rock: album review – Julie July Band ‘Who Knows Where The Time Goes?’ – A Tribute To Sandy Denny

Sandy Denny died forty years ago this year. Although her old band, Fairport Convention, never let a gig go by without still playing at least a couple of songs in tribute to her and although Fairport’s Simon Nicol has a wonderfully rich voice, there is something about hearing Denny’s songs delivered live with a beautiful pure female vocal that has made the Julie July Band a popular choice at festivals and folk gigs. I was certainly immediately won over when I saw them at Warwick Festival last year.

However, with my Sandy Denny boxed set, my Fotheringay boxed set, all my Fairport albums and everything else Sandy-related in my collection the question is do I really need a CD of someone singing Sandy’s songs? I’ve certainly played it a fair few times since it arrived so that’s looking like a very definite yes.

Although not necessarily a complete carbon copy of Denny’s unmistakable vocals, Julie July certainly has a lovely voice and delivers her songs sympathetically. The band, themselves, are a talented bunch and what I find pleasing is that when covering some the material from Denny’s solo albums rather than going for those over-produced slightly schmaltzy arrangements that you get on some of the originals, the band have gone for a more stripped-back sound that lets the songs and the vocals do the main work.

As a devoted Sandy fan there’s absolutely nothing not to love on this gorgeous and heartfelt album. Eleven timeless songs written by Sandy Denny along with Richard Farina’s ‘The Quiet Joys Of Brotherhood’. My only niggle is maybe there could have been one or two left-field surprises as well to make this album just that little bit more unique – say a cover of one of the unearthed Sandy lyrics that Thea Gilmore put to music a few years ago, or a traditional song not generally associated with Denny, or perhaps even a post-Denny Fairport song that was given a full-on Sandy-esque makeover, that just might have given us a glimpse of an alternative universe. But these are minor niggles.

I salute the July Julie Band for their dedication in keeping Sandy Denny’s music alive. Both their live performances and this album do justice to her enormous legacy.

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Released 27th July 2018 by Aurora Folk Records

http://www.juliejuly.co.uk/

 

Live review: Fairport’s Cropredy Convention August 2018

This review was originally published by Get Ready To Rock here

Day one: Thursday

Cropredy 2018 kicks off with Fairport Convention doing a brief twenty-minute acoustic stint. We’ll be hearing a lot more from them later on in the weekend, of course, but a short opening set from the hosts has become something of a Cropredy tradition.

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Fairport are then swiftly followed by Smith & Brewer. Ben Smith and Jimmy Brewer met a few years ago while on tour with Joan Armatrading and their Americana-infused acoustic playing, combined with August sun and a few beers is the perfect way to get us into the festival vibe for this most friendly and laid-back of festivals. Next up and on a similar sort of theme is Police Dog Hogan. Guardian readers will perhaps be aware of them through Guardian writer, Tim Dowling’s regular exploits as banjo player for the band in his regular Saturday column. No reflection on Tim or the rest of the band but your GRTR crew departed at this stage for a bit of chill-out time back at the campsite ahead of the evening’s headliners – 80s folk rock veterans Oysterband and surf supremo, Brian Wilson.

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Oysterband are as good as ever but for me, and many others, it’s Brian Wilson’s night. A visibly frail Brian Wilson took to the stage assisted by a walking frame and a couple of roadies. Seated at his huge white keyboard in the centre of the stage, however, he was master of all he surveyed giving us an hour and a half of sheer magic. He’s accompanied, of course, by a stage full of top class musicians and amazing vocalists and hit after hit of Beach Boys classics come thick and fast, followed by a rendition in full of the masterpiece that is Pet Sounds, followed by yet more hits. Wilson these days is also often accompanied by his old Beach Boys colleague Al Jardine. At 75 his voice sounds almost as fresh as it did at 20. Jardine’s son Matt, blessed with equally amazing vocal abilities, is also part of the line-up. If there comes a time when the last surviving Wilson brother becomes too frail to tour I would happily pay good money to see Jardine and his son continuing the Beach Boys legacy. Definitely one of the highlights of the weekend for me.

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Day Two – Friday

Festival-goers will be familiar with those days when the skies are grey, the temperature drops, the rain is relentless and everything – just everything – becomes an ordeal. Friday is one of those mornings. None of our group can face the thought of standing in the wet and cold all day and we head off to explore the ‘Cropredy Fringe’. Although Fairport have resisted the pressure to go down the route of other festivals and introduce multiple stages, a mixture of local pubs and enterprising landowners have put together their own programmes of entertainment to compliment (or compete with?) the action on the main stage. We therefore spent the first couple of hours in a marquee full of soggy festival-goers drinking cider and looking out on some truly depressing weather. Missing the first two acts on the main stage we were contemplating whether to brave it for the third when the sky brightened, the sun shone and we made it back to the main arena on a glorious August afternoon just in time to catch The Travelling Band begin their set. This talented band’s brand of Mancunian Americana was the perfect tonic as the day morphed from a horrendously cold and wet morning into a beautiful lazy sunny afternoon.

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I assume that a big chunk of this year’s artist budget had been blown on securing Brian Wilson (a decision I thoroughly, thoroughly approve of by the way). In consequence, compared to other years this year’s line-up was perhaps a touch lighter on household names. However, even if it lacked many big names we did have the likes of Jim Cregan who had an 18-year stint with one of the biggest names ever – Rod Stewart. A talented musician and songwriter Cregan co-wrote a number of Stewart’s hits and Cregan and Co turned out to be one of the unexpected highlights of the whole weekend. 20,000 people up dancing and singing along to the likes of Baby Jane, You’re In My Heart and Tonight I’m Yours as hit followed hit followed hit. Cregan also reminded us he’d done a stint with Steve Harley & Cockney Rebel – before launching into a wondrous Come Up And See Me (Make Me Smile) which sent the crowd even crazier. We even got a special treat right at the end as the Fairport boys came out en masse to do the mandolin part on Maggie May.

Larger than life Quebec folkies Le Vent Du Nord never disappoint and they wowed the crowd at Cropredy, just as I’d seen them wowing the crowd at Womad a couple of years earlier. Then it was the former Marillion main-man, Fish, but sadly coming on for that early evening slot where, once again. we really needed some chill-out time if we were to keep going until midnight.

We did make it back to the arena to see an utterly stunning set from Kate Rusby. Witty, passionate and engaging, with beautiful voice and deeply emotional songs the Barnsley-based folkie absolutely stormed it, in a time-slot where, to be truthful, I’d seen other female folkies struggle a bit to keep the crowd’s attention in the past.

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Then came Friday headliners, The Levellers, who I found to be a real disappointment to be perfectly frank. I’d seen them only a few weeks ago where they have been completely reworking their material in a sit-down, mellow, acoustic set accompanied by a string orchestra. Now while that was well-received in a medium-sized theatre with an audience of devoted fans, it is really not what you want for a festival set – certainly not when you are headlining and it’s late at night, it’s getting cold and the majority of the crowd were probably expecting to warm themselves up bouncing around to a full-on, rocked-up, classic Levellers set. A huge missed opportunity for the band – an innovative idea but just completely the wrong approach for a festival.

Day Three: Saturday

No relentless rain to put a damper on things on the Saturday morning, we have bright sunshine for Richard Digance, who has become quite a Cropredy institution over the years. His sentimental and gently humorous songs may not be everyone’s cup of tea but his set is worth it alone for the surreal sight of 20,000 white hankies waving in the air when Digance finishes his spot each year by getting the whole crowd on their feet for some mass morris dancing.

With a brief interlude from singer song-writer Eric Sedge, it’s time for yet more insanity, this time from the Bar-Steward Sons Of Val Doonican. Their formula isn’t a million miles away from the path trodden over many years by the likes of the Baron Knights, the Wurzels et al – humorously silly alternative lyrics to well-known pop songs. But the Doonicans dress it up with a bit of very twenty-first century surrealism including, at one point, the lead singer launching himself off the stage to surf above the crowd in a rubber dinghy. I spoke to people who had been crying with laughter and had them down as one of the absolute highlights of their weekend while my brother (and GRTR’s official photographer for the weekend) was adamant that they were the worst act ever to appear at a festival in his entire existence. I quite liked them.

Next up is young singer-songwriter Will Varley. A great voice and superb musicianship I felt at times, that he perhaps has to develop a bit more as a writer in order to give us some truly memorable songs – but I’m sure that will come. Then it’s time one of the weekend’s highlights for me was a cracking set from Sam Kelly & The Lost Boys. Putting a modern edge on traditional folk, Kelly and his band-mates really get the crowd up and jigging. Definitely one of the most exciting bands to emerge on the contemporary folk scene in recent years.

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Then it was back to the van for a big long snooze, missing both Afro Celt Sound System and Al Stewart. In my mitigation I thought the Old Speckled Hen mini keg that I’d polished off that afternoon contained five litres rather than five pints. Still, I was up bright, refreshed and rested for Fairport Convention’s Saturday night headline slot and, even more impressive, I’d completely missed out on all the heavy rain.

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Fairport Convention always strive to give us something a bit different with their mammoth Saturday night set each Cropredy festival. Last year was very much a celebration of the band’s fiftieth anniversary, with surviving former members from each era reuniting on stage. This year the two stand-out sections of the set were a lengthy and poignant tribute to former lead singer, Sandy Denny, who died forty years ago this year, and an emotional and amazingly touching tribute to another former member, multi-instrumentalist Maartin Allcock. The latter’s musical input was a huge part of the band’s renaissance as a touring, recording, functioning outfit in the 80s and early 90s. A couple of months before this year’s festival, however, Allcock announced on his website that he had been diagnosed with terminal liver cancer, was unlikely to be around for very much longer and that Cropredy would be his final public performance. An incredibly brave way of facing the final chapter of his life but what a performance it was and what love for him in the assembled crowd. Playing the rocked up ‘Metal Matty’ version of Fairport’s traditional classic. Matty Groves, that Allcock helped create back in his days with the band and, finally, taking centre stage to play out the encore Meet On The Ledge he said goodbye to the Cropredy Fairport family in true style with grace, dignity and some stunning playing. Certainly one of the most emotional moments I’ve ever experienced in thirty-odd years of festival-going. Thank you for your contribution Maartin and may your final days be full of love and free of pain.

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All photo credits: Sam Reynolds

Related reviews:

Fairport Convention at Cropredy 2017

Fairport Convention at Cropredy 2014

Album review – Fairport Convention ‘What We Did On Our Saturday’

 

Folk-rock: album review – Fairport Convention ‘What We Did On Our Saturday’

Adapting the chalk-board cover and title of the band’s classic 1969 album ‘What We Did On Our Holiday’, Fairport Convention’s latest album ‘What We Did On Our Saturday’ is a two-disc live recording of a 50th anniversary performance at their Cropredy festival last summer.

I was there last year and it was indeed very special to see all five surviving original members of the band take the stage and perform their earliest songs once again; along with surviving members of later line-ups and other guests deputising for the ones who are are, sadly, no longer around to perform. It was an absolutely unforgettable night and it’s obviously lovely to have a memento from that special performance.

The question now, however, is how much the live recording lives up to my memories of that evening, particularly when performing material from such iconic albums in the folk rock canon as the aforementioned ‘What We Did On Our Holidays’, ‘Liege & Lief’ and ‘Nine’.

The double CD’s twenty-five tracks are heavily weighted towards the band’s late 60s/early 70s heyday when what is now a much-loved national treasure really was pushing the boundaries in terms of both rock and folk music. The superb ‘Hiring Fair’, however, from the band’s mid 80s renaissance is rightfully included along with the instrumental ‘A Surfeit of Lampreys’, as is the rather twee ‘Our Bus Rolls On’ from last year’s studio album ‘50:50@50’.

Chris While and Sally Barker both do an excellent job filling in for the irreplaceable Sandy Denny on tracks like ‘Come All Ye’ and ‘Rising For The Moon’, as does PJ Wright standing in for Denny’s late husband Trevor Lucas on a superb ‘Ned Kelly’. Richard Thompson’s unmistakeably brilliant guitar on tracks like ‘Sloth’ alone make it worth buying, never mind all the other highlights.

Standing in a field in Oxfordshire last year witnessing all of this felt like something really, really special. This album is, indeed, proof that it was. Buy it.

Released: June 15th 2018 on Matty Grooves

http://www.fairportconvention.com/

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Related reviews:

 

Fairport Convention at Cropredy 2017

Album review – Fairport Convention ‘Come All Ye: The First Ten Years’

Fairport Convention – 50th anniversary gig at Union Chapel 2017

Fairport Convention at Cropredy 2014

Fairport Convention at Union Chapel 2014

Iain Matthews in Etchingham 2016

Album review – Ashley Hutchings ‘From Psychedelia to Sonnets’

Album review – Ashley Hutchings ‘Twangin’ ‘n’ a-Traddin’ Revisited’

Album review – Sandy Denny ‘I’ve Always Kept a Unicorn: The Acoustic Sandy Denny’

Fotheringay at Under the Bridge, London 2015

Fotheringay at Great British Folk Festival 2015

Richard Thompson at Royal Festival Hall 2015

Richard Thompson at Folk By The Oak 2014

Album review – Richard Thompson ‘Acoustic Classics’

Judy Dyble at WM Jazz at The o2

 

 

Fairport’s Cropredy Convention August 2017

This review was also published by Get Ready To Rock here

Fairport Convention’s festival at Cropredy has been an annual fixture for almost four decades now but the big celebration this year was marking the fiftieth anniversary of the band’s formation. In the eight years since I have been going it has always been quite an eclectic bill, straddling folk, rock and retro pop. This year it leaned more towards the folk-rock end than normal because, it being the fiftieth anniversary, a number of sets from ex-Fairport members and close associates were on the bill. This meant there were lots of acts that I was really looking forward to, this time, even if there was perhaps a little less variety in the festival line-up than normal.

Before we got to the three-hour set from Fairport Convention on the Saturday night, therefore, there were plenty of highlights over the three days: including the ever-impressive Show of Hands; last year’s festival darlings, The Pierce Brothers, who returned for a repeat performance; and the Gigspanner Big Band (where Peter Knight’s trio join forces with folk duo Phillip Henry & Hannah Martin). Of the Fairport friends and family spin-offs we had Ashley Hutchings’ recreation of Morris On, a stunning solo set from Richard Thompson and original Fairport vocalists, Judy Dyble with her Band of Perfect Strangers and Iain Matthews with Plainsong. Lots of highlights there.

And niggles? With a three day festival and three days of camping and drinking and music we normally choose an act we’re not too bothered about for a bit of early evening down time back at the camp-site. On the Friday, the Trevor Horn Band drew the short straw for us this time. I’ve never been too bothered about either ’80s Yes or Buggles I figured. But sadly it meant missing a surprise guest appearance from Russ Ballard. ‘Since You’ve Been Gone’ (Ballard’s hit for Rainbow) and ‘God Gave Rock n Roll To You’ (the Argent classic). Both sounded great from the comfort of our gazebo anyway…

Marillion sounded good but they did a dedicated fans’ set rather than a festival set. I’ve got my one greatest hits album and was really hoping to hear a few more songs I was familiar with that I could sing along to. To me, Marillion not doing ‘Kayleigh’ at a festival is as daft as Petula Clark not doing ‘Downtown’. Happily the latter obliged. Would I pay to go and see a Petula Clark gig? Probably not. But was singing along to ‘Downtown’ in a field with several thousand others one of those not-to-be-missed life-affirming moments? Absolutely!

While it might not have been my favourite Cropredy line-up ever, it was definitely, without a doubt my favourite Fairport performance of all time. Fairport Convention are a band that never knowingly pass over the chance to celebrate an anniversary and they certainly pulled out all the stops for this one.

Things began with a couple of songs from the modern-day Fairport and then suddenly, magically we were transported back to 1967 with all of the surviving members from the first album reconvening on stage for a stunning recreation of the first track on the first album ‘Time Will Show The Wiser’, followed by ‘I Don’t Know Where I Stand’ and ‘Reno, Nevada’. It completely captured the magic of that first album and was really special seeing Ashley Hutchings, Simon Nicol, Richard Thompson, Judy Dyble and Iain Matthews sharing a stage together. When early Fairport reconvene like this I am always reminded of when groups of old school friends get together they often seem to slot back into the roles and pecking orders of decades ago. Even though he has not been a member of the band for 48 years, Ashley Hutchings effortlessly slots back into the role of band leader, doing all the talking and introducing the songs.

Tragically, it is now increasingly challenging to reconvene some of the later later line-ups of the band and more and more stand-ins are required. Nevertheless, Chris While does a superb job filling in for Sandy Denny and likewise Chris Leslie for Dave Swarbrick’s fiddle parts, in renditions from the iconic Liege & Lief album. Songs from other classic albums Full House, Nine and Rising From The Moon (with Sally Barker on vocals) also get a good airing.

The set-list is heavily weighted towards the band’s first eight years or so, with only a smattering of songs from later eras but considering Fairport’s outstanding legacy of truly groundbreaking from this period that seems entirely appropriate.

Having seen Fairport Convention on stage some twenty-five times now and never once failing to enjoy them, for me this has easily been the best. A stunning way to celebrate fifty years.

Fairport Convention set-list:
Bottom of the Punchbowl / East Neuke of Fife / Ye Mariners All
Summer By The Cherwell
Time Will Show the Wiser
I Don’t Know Where I Stand
Reno Nevada
Suzanne
Farewell, Farewell
Crazy Man Michael
Come All Ye
The Deserter
The Lark in the Morning Medley
Tam Lin
Walk Awhile
Poor Will and the Jolly Hangman
Sloth
Now Be Thankful
Sir Patrick Spens
Fotheringay
The Ballad of Ned Kelly
Talk About Money
Rising for the Moon
White Dress
A Surfeit of Lampreys
The Hiring Fair
The Hexhamshire Lass
Jewel in the Crown
Who Knows Where the Time Goes?
Our Bus Rolls On
Dirty Linen
Matty Groves
Meet on the Ledge

http://www.fairportconvention.com/

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Other recent reviews:
Come All Ye box set – album review
Fairport’s 50th anniversary concert at Union Chapel

Folk-rock: album review – Fairport Convention ‘Come All Ye: The First Ten Years’

This review was originally published by Bright Young Folk here

In the year of the band’s historic fiftieth anniversary a Fairport Convention box set, joining the long list of other compilations, box sets and reissued material from the Fairport family in recent years, is perhaps not entirely unexpected.

Titled Come All Ye: The First Ten Years this seven-disc anthology collects material from across the changing line-ups and evolving musical styles that characterised the band’s first decade in existence; from the US west coast-influenced beginnings in the late 1960s to exploring and ultimately defining English folk rock, with several journeys into diverse musical territories along the way.

What this box set does not do is deliver a full repackage and reissue of all of the albums from this period. Rather, while it does include a selection of songs from across the band’s first 13 studio albums (from 1967’s Fairport Convention through to 1978’s Tipplers Tales) the meat of the anthology is the myriad of out-takes, alternative versions, B-sides, sessions and live recordings. 55 of the 121 tracks are previously unreleased, albeit that most of the songs will be familiar to Fairport fans even if the exact recordings are not.

The first two discs span the period of the band’s first four studio albums. Not withstanding that at least a couple of these rank amongst some of the greatest albums ever recorded, the avid Fairport Convention collector could be forgiven for thinking that they are not getting a huge amount of new material here.

While there are some real gems, some of the tracks are BBC sessions that differ little from the album versions, and even where they do, a significant number of the less familiar versions of songs have previously been released elsewhere, such as the 2010 Sandy Denny box set or as bonus tracks on album re-issues. Some of the most interesting and unexpected moments come in the later discs.

Disc Three includes some alternative versions of songs from the Babbacombe Lee album. Performed live for a BBC TV documentary ’The Man They Could Not Hang’ on the life of John ’Babbacombe’ Lee, they have a much looser feel than the original versions and also include a song written especially for the programme: Farewell To A Poor Man’s Son.

Disc Four holds some of the biggest surprises. It includes a number of hitherto unheard tracks from an abortive album from the time when Dave Pegg and Dave Swarbrick invited Canadian singer-songwriter David Rea into the band. The result is a laid-back kind of Americana rather than English folk rock. Indeed, few would ever guess that a track like Maverick Child could be Fairport Convention until, that is, the unmistakable sound of Swarb’s fiddle cuts in about two thirds of the way through. Nevertheless, it provides a fascinating insight into a short-lived and little-known line-up.

Disc Five includes Sandy Denny’s previously unreleased original demo of After Halloween from the Rising For The Moon album. It was recorded at her home in Byfield during her second stint with the band and captures her voice beautifully. This disc also gathers together some previously unreleased live recordings from 1976 after Denny had left the band for the second time and Simon Nicol had rejoined.

The final two discs are devoted to two full concert recordings. The first of these, with the line-up that recorded the Nine album performing at Croydon’s Fairfield Hall in 1973, has lain unreleased for over four decades and shows the band in cracking form with some excellent guitar from Jerry Donahue.

The second heralds Sandy Denny’s return to the band with a performance from the LA Troubadour in 1974. Although, unlike the previous disc, most of this material has been previously available, it is a superb concert that notably captures the band performing some of Denny’s solo material as well as a version of Richard Thompson’s post-Fairport Convention song Down Where The Drunkards Roll.

Although there is some repetition with other anthologies, overall Come All Ye: The First Ten Years has plenty to offer the dedicated Fairport fan and includes some thrilling material that has not been released before.

However, for the less committed it should be seen as something to complement the purchase of the classic early albums, not to act as a substitute for them. No-one is advised to even contemplate buying this box set, therefore, until they have at least picked up the What We Did On Our Holidays, Unhalfbricking, Liege & Lief and Full House albums and enjoyed the full magic of them in the way they were originally conceived.

Released July 2017

Come-All-Ye-The-First-Ten-Years

DISC ONE
1. Time Will Show The Wiser
2. Decameron
3. Jack O’ Diamonds
4. One Sure Thing
5. I Don’t Know Where I Stand (John Peel’s Top Gear programme 2/6/1968)
6. You Never Wanted Me (John Peel’s Top Gear programme 2/6/1968)
7. Fotheringay
8. I’ll Keep It With Mine
9. Mr Lacey (from the Sandy Denny box set)
10. Eastern Rain (Previously Unreleased)
11. Nottamun Town (Previously Unreleased)
12. Meet On The Ledge
13. Throwaway Street Puzzle (B Side on What We Did On Our Holidays remastered)
14. Reno Nevada (David Symonds radio show 6/1/1969)
15. Suzanne (John Peel’s Top Gear programme 1/9/1968)
16. A Sailors Wife (from the Sandy Denny box set)
17. Genesis Hall
18. Autopsy (Previously Unreleased)
19. Who Knows Where The Time Goes? (Previously Unreleased)

DISC TWO
1. Dear Landlord
2. Si Tu Doir Partir (John Peel’s Top Gear programme 6/4/1969)
3. Percys Song (John Peels Top Gear programme 1/9/1968)
4. Ballad of Easy Rider
5. The Deserter – Rehearsal version (Previously Unreleased)
6. Come All Ye (from the Sandy Denny box set)
7. Reynardine
8. Matty Groves (from the Sandy Denny box set)
9. Farewell Farewell
10. Quiet Joys Of Brotherhood (Take 1 edit, Liege & Lief Deluxe Edition)
11. Tam Lin (John Peel’s Top Gear programme 27/9/1969)
12. Sir Patrick Spens (John Peel’s Top Gear programme 27/9/1969)
13. The Lark In The Morning medley (John Peel’s Top Gear 27/9/1969)
14. Bonny Bunch Of Roses (Full House Out-Take)

DISC THREE
1. Walk Awhile (Live on Pop2 5/12/1970)
2. Dirty Linen (Live on Pop2 5/12/1970)
3. Sloth (Live on Pop2 5/12/1970)
4. Journeyman’s Grace (Live on Pop2 5/12/1970)
5. Sir B.McKenzie (Live on Pop2 5/12/1970)
6. Flatback Caper – Live 1970 (Previously Unreleased)
7. Doctor of Physick – Live 1970 (Previously Unreleased)
8. Poor Will and The Jolly Hangman
9. Bonnie Black Hare (Previously Unreleased)
10. Lord Marlborough
11. Banks of the Sweet Primroses
12. Breakfast In Mayfair
13. Little Did I Think (Previously Unreleased)
14. John Lee (Previously Unreleased)
15. Cell Song (Previously Unreleased)
16. Time Is Near (Previously Unreleased)
17. Dream Song (Previously Unreleased)
18. Farewell To A Poor Man’s Son

DISC FOUR
1. Sweet Little Rock n Roller – Live at the LA Troubadour
2. That’ll Be The Day
3. Think It Over (Previously Unreleased)
4. Maverick Child (Previously Unreleased)
5. Sad Song aka As Long As It Is Mine (Previously Unreleased)
6. Matthew, Mark, Luke & John (Previously Unreleased)
7. Rattle Trap (Previously Unreleased)
8. Sheep In The Meadow (Previously Unreleased)
9. Rosie (Previously Unreleased)
10. Country Judy Jane (Previously Unreleased)
11. Me With You (Previously Unreleased)
12. My Girl (Previously Unreleased)
13. To Althea from Prison (Previously Unreleased)
14. Knights Of The Road
15. The Plainsman
16. Matthew, Mark, Luke & John (Old Grey Whistle Test)
17. Brilliancy medley (Old Grey Whistle Test)
18. Polly On The Shore
19. Fiddlestix (The Devil In The Kitchen) (Previously Unreleased)
20. Possibly Parsons Green (Previously Unreleased)
21. Bring Em Down

DISC FIVE
1. Sloth – Live in Sydney
2. John The Gun (John Peel session 6/8/1974)
3. Down In The Flood (John Peel session 6/8/1974)
4. Rising For The Moon (John Peel session 6/8/1974)
5. After Halloween (Byfield Demo – Previously Unreleased)
6. Restless
7. White Dress (Live on LWT)
8. Stranger To Himself
9. Dawn (from the Sandy Denny box set)
10. One More Chance (Previously Unreleased)
11. All Along The Watchtower (Live in Oslo 1975)
12. When First Into This Country
13. Sandy’s Song aka Take Away The Load
14. Royal Seleccion No 13 (Previously Unreleased)
15. Adieu Adieu (Previously Unreleased)
16. Reynard The Fox
17. Poor Ditching Boy (Previously Unreleased)
18. Flowers Of T

Fairport Convention – 50th anniversary gig at Union Chapel, London 27/5/17

This review is also published on the Get Ready To Rock website here

Folk-rock pioneers Fairport Convention have never been a band to shy away from celebrating their own legacy. When they decided to split in 1979 they held a big outdoor farewell gig in Cropredy, Oxfordshire that proved so successful they decided to stage it again each year, evolving into the big three-day festival we know today. Thirtieth, fortieth and forty-fifth anniversaries of the band have all been celebrated with emotional reunions of surviving ex-members and a similarly nostalgic trip down memory lane is scheduled for Cropredy this August.

An anniversary concert in north London, not far from where the band performed their first ever gig fifty years ago to the day, drips with symbolism. However, unlike the lavish reunions of the past, tonight was scheduled to be a fairly ordinary gig half-way through the band’s spring tour, albeit one that coincided with an extraordinary anniversary. For a band that has done more anniversary performances than many acts have done albums I was beginning to wonder what, if anything, would make tonight’s gig that bit more special than many of the other admittedly excellent performances I’d seen from this band.

The answer lay in the rapturous and sustained applause the band receive as they walk on stage tonight, even before they play a single note. The spontaneous wave of love and and affection is palpable and tonight was clearly going to be as much about the audience as about the band. Performing a mixture of songs from their new album 50:50@50 and older staples, original member Simon Nicol (joined 1967) together with “newbies” Dave Pegg (joined 1969), Ric Sanders (joined 1985), Chris Leslie (joined 1996) and Gerry Conway (joined 1998) provide a nice overview of different eras of the band. From the late 60s classic Sandy Denny/Richard Thompson era the unforgettable ‘Who Knows Where The Time Goes’ is an obvious highlight. While from the mid 80s, when Fairport became a working, touring band again, Ralph McTell’s ‘Hiring Fair’ is another genuine highlight of tonight’s set.

A couple of “surprise” moments are when Pentangle’s Jacqui McShee joins the band on stage to sing ‘The Lady of Carlisle’ the track for which she provides guest vocals on the current album; and when Sally Barker (who reprised a number of Sandy Denny songs when she toured with the surviving members of Denny’s post-Fairport outfit Fotheringay a couple of years ago) lovingly recreates the magic of Denny’s ‘Rising For The Moon’.

‘Matty Groves’ and ‘Meet On The Ledge’ are two songs the band could never get away without performing and for many years now have been the traditional climax to any Fairport gig. After an energetic ‘Matty Groves’ the band are serenaded with a spontaneous audience rendition of ‘Happy Birthday’ when they come back on for an encore. As tonight seemed as much about celebrating the longevity of the Fairport audience as celebrating the longevity of the band, this seems an especially nice touch and makes the ensuing sing-along to ‘Meet On The Ledge’ all the more poignant. Happy 50th Fairport!

http://www.fairportconvention.com/

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