Tag Archives: Judas Priest

Metal: first single from KK’s Priest out this week and debut album set for release in August

After performing a one-off gig together in November 2019 it was announced last year that three former member of Judas Priest, guitarist KK Downing, vocalist Tim ‘Ripper’ Owens and drummer Les Binks, would be working together more permanently as part of KK’s Priest.

Downing, of course, had severed his long-standing ties with Judas Priest back in 2011, citing a breakdown in band relations. Owens’ own eight-year tenure in the band, came to a conclusion in 2003 when lead singer, Rob Halford, returned. Binks, meanwhile, left Judas Priest in 1979 after recording three classic albums (Stained Glass, Killing Machine and Unleased In The East) following a row over money with the band’s management.

Binks, who had already been touring with his own outfit Les Binks’ Priesthood – performing songs from his time in the band, has unfortunately had to put activities on hold due to a wrist injury. Downing and Owens, however, are now raring to go with a new single ‘Hellfire Thunderbolt’ released this week, an album Sermons Of The Sinner set for release on 20th August this year, with live dates to be announced as coronavirus restrictions are lifted.

Downing: “We are delighted to finally be able to release our first track to the world. It gives a real flavour of the sound and showcases the amazing players I’ve got in this band. We can’t wait for the fans to hear the record.”

Joining Downing on guitar and Owens on vocals, are Tony Newton (Voodoo Six) on bass, A.J. Mills (Hostile) on guitar and Sean Elg (DeathRiders/Cage) on drums. It is hoped Binks will make special guest live appearances when the band tours. 

Downing notes that Sermons Of The Sinner is an album that celebrates his classic metal roots and encourages us to cherish those iconic pioneers whom we still have with us. He jokes that KK’s Priest is “like a new old band. Or an old new band.”

“The whole concept is the fact that I continue proudly to be who I am and what I am and do what I do,” declares Downing. “It’s been nearly 10 years. I’m back making music.”

Downing continues: “The ultimate message is we’ve moved away from this music that we loved for so long and we’re so dedicated to, and now we’re in a situation where lots of people are actually passing away. We’ve lost a lot of great people – Dio, Lemmy, I could go on – and that’s gonna be accelerated over the coming years. Basically, enjoy everything that’s left of this brand of metal including from me. It’s not going to last forever.”

The new single certainly captures a lot of the energy, attitude and sound of classic Judas Priest and there’s more than enough room in the classic rock and metal scene for bands to thrive. This has got to be good news for Priest fans. I’ll certainly be keeping a close eye on this band as well as Judas Priest itself. Let’s make the most of them while we’ve still got them.

KK’s Priest is set to tour worldwide as soon as current restrictions are lifted. Details of touring to be announced.

Sermons Of The Sinner released 20th August 2021

Connect with KK’S Priest via:

Website – www.kkspriest.com

Facebook – www.facebook.com/KKsPriest

Twitter – https://twitter.com/KKsPriest

Instagram – www.instagram.com/kkspriest

Related posts:

Album review : Judas Priest – Redeemer of Souls

Live review: Judas Priest at Brixton Academy 2015

Live review: Les Binks’ Priesthood at Minehead 2020

Book review: ‘Confess’ by Rob Halford

2020 in Darren’s music blog – the ten most popular posts of the year

I wish everyone a happy New Year. My special thanks go to all those who have visited (and hopefully enjoyed) Darren’s music blog during 2020. Weirdly, although I originally started this blog nearly seven years ago mainly to cover live gig reviews, I’ve had far more visits to my site this year than any previous year. This is in spite of all the gigs (and the gig reviews!) stopping in March.

Anyway, as we look back over the year here are my ten most popular blog posts from 2020. Although I’ve covered the usual eclectic range of metal, folk, Americana, brit pop, rock n roll and glam rock this year, it seems that people were particularly seeking out my glam content this year. Glam ended up pulling in eight of the ten top slots. Here they are in order of popularity…

1. Veteran drummer Don Powell out of Slade

When Don Powell announced he had been sacked from Dave Hill’s continuing version of Slade it came as a shock to many, eventually being covered extensively in the music press and the tabloids. I posted the sad news up on my blog within minutes of it being announced on Don Powell’s Facebook page – I was first to report it and for the first 24 hours pretty much the only one to report it. My post went viral and was shared all around the world.

Read full post here

2. Glitter, glam and Blackpool rock: interview with glam rock legend John Rossall

Following the release of his highly acclaimed new album ‘The Last Glam In Town’ I talk to former Glitter Band legend, John Rossall. Our chat covers glam rock, show bands, growing up in Blackpool and, of course, John’s new album and the prospect of touring again post-Covid.

Read full post here

3. Sweet launch video to promote new single ‘Still Got The Rock’ and forthcoming album ‘Isolation Boulevard’

Sweet’s ‘Still Got The Rock’ single was released in digital format in December followed by the digital release of new album Isolation Boulevard. The single is reworking of a song that first appeared as a newly-recorded bonus track on the 2015 Sweet compilation album Action: The Ultimate Story, by the band’s previous line-up. The new version features the current line-up of Andy Scott, Bruce Bisland, Lee Small and Paul Manzi.

Read full post here

4. Before glam: the debut 60s singles of Bowie, Bolan, Slade, Mud and Sweet

When glam rock burst into the UK pop charts in the early 1970s the genre may have appeared all shiny and new and suitably outrageous but many of its lead players had been trying to make their all-important breakthrough in the previous decade. Five of the acts we look at here all released their debut singles in the mid to late 60s.

Read full post here

5. Slade legend Jim Lea releases video footage in bid to locate recently stolen guitar

Founder members of Slade were not having much luck at the start of the year. Jim Lea’s cherished Fender Stratocaster was stolen in central London on 31st January. He released a video in the hope that it will prompt members of the public in helping reunite him with his guitar.

Read full post here

6. Live review: Supergrass at Alexandra Palace 6/3/20

The only live review to make the top ten this year, this Ally Pally gig from the Supergrass reunion tour was actually my penultimate live gig before lockdown. (I managed Glen Matlock at the 100 Club the night after). Without a doubt, for me, the greatest band of the Britpop era, I was at the Brixton Academy on the Supergrass farewell tour in 2010 and ten years later I was excited to be their for the their first of two nights at Alexandra Palace on the long-awaited reunion tour.

Read full post here

7. Death of a glam icon – Steve Priest: 1948-2020

Steve Priest, bass-player with the Sweet and an icon of 70s glam rock sadly passed away in June following an illness that had hospitalised him. In an emotional post on his band’s Facebook page, former band-mate Andy Scott paid tribute to the best bassist he ever worked with. A phenomenal bass-player whose harmony vocals were an essential part of the band’s classic sound Steve Priest we salute you – a true glam rock icon.

Full post here

8. Slade at No. 8 in the UK albums chart – their highest position since 1974!

I was well chuffed to see Slade’s new greatest hits compilation Cum On Feel The Hitz go straight in at No. 8 in the UK’s album charts back in October. This was the band’s highest ranking in the UK album charts since Slade In Flame was released back in 1974. Even during the days of the band’s early 80s comeback, a decade after glam, Slade albums were still struggling to make it to the Top 40, even when they had a second run of hit singles.

Full post here

9. Slade’s Don Powell recovering from stroke

The run of bad luck for Slade icons in the early part of the year continued. Don Powell, suffered a stroke on Saturday 29th February at his home in Denmark. Fortunately, his step-daughter Emilie, a doctor, was with him when it happened and was able to act swiftly to call an ambulance and get him to hospital. His wife Hanne released a statement and Jim Lea and Andy Scott both sent their best wishes.

Full post here

10. ‘Confess’ by Rob Halford – a gay heavy metal fan reviews the Metal God’s autobiography

As someone who became a Judas Priest fan not long after my dad brought home a newly-released copy of ‘British Steel’ back when I was a young teenager, and as someone who has known they were gay from around that same time I was particularly keen to read Halford’s memoir. There is a fair bit of revelatory gossip and down to earth black country humour but there are many segments that are deeply, deeply moving, too. One of the best rock biogs in ages.

Read full post here

Related post:

2019 in Darren’s music blog

‘Confess’ by Rob Halford – a gay heavy metal fan reviews the Metal God’s autobiography

I’ve read enough rock autobiographies over the years to know the score: boy from working class background, boy joins a band, struggles along for a few years, makes it big, fame, alcohol and/or drug addiction, groupies galore, several wives, numerous girlfriends, sobriety, reflection and, finally, publishing deal. Judas Priest lead singer Rob Halford’s ‘Confess’, however, is a rock confessional with a difference. The wives and girlfriends are notable by their absence and Halford tells his tale as an out and proud gay man.

As someone who became a Judas Priest fan not long after my dad brought home a newly-released copy of ‘British Steel’ back when I was a young teenager, and as someone who has known they were gay from around that same time I was particularly keen to read Halford’s memoir.

Halford’s down-to-earth-working class upbringing in Walsall is easy to identify with. Coincidentally, although the two have never met, he lived just a couple of streets away from Noddy Holder’s family home, another musical hero of mine. Indeed, many of the place names were already familiar to me from Holder’s own autobiography. (The pub that Halford mentions as the location of his local bus stop as a kid is the same pub where the classic Slade foursome held their first ever rehearsal – trivia fans).

As Halford starts to metamorphosis from council estate kid to heavy metal rock god I certainly felt a sense of exhilaration as his dreams are achieved – such as the era-defining success of that iconic British Steel album, for example.

For much of the book, though, I also felt a sense of immense sadness. This paragraph, where he reflects on the state of his life in 1980 – by which time he was in his late 20s – is a telling one:

“It was five years since I’d been seeing Jason. Apart from the odd snatched random fumble I had been alone ever since… not just alone but forced to supress my longings, my needs, myself.”

When I think back to my own life at that stage, I had already met my partner. We’d bought a flat and been living together for several years by then. I was born fifteen years after Halford and my modest brush with life in the public eye never obliged me to hide my own sexuality. However, it’s not difficult to really grasp the pain and evident loneliness that Halford was going through. He does eventually find personal as well as professional fulfilment albeit that there are dysfunctional relationships, tragedy addiction along the way.

There is also a fair bit of revelatory gossip and down to earth black country humour to keep the reader entertained. However, there are a many segments that are deeply, deeply moving, too: Halford’s obvious joy at the emotions he experiences performing sober for the first time, the palpable relief he feels when he first publicly comes out back in the late 90s and the excitement he feels reuniting with Priest in the early 00s.

‘Confess’ does not always make for easy reading. There is a real sadness to parts of it but Rob Halford’s warmth and humanity shine through. Absolutely one of the best rock biogs in ages.

Published: Headline Publishing 29th September 2020

Related posts:

Album review : Judas Priest – Redeemer of Souls

Live review: Judas Priest at Brixton Academy 2015

Live review: Les Binks’ Priesthood at Minehead 2020

Metal: album review – Spirits Of Fire ‘Spirits Of Fire’

This review was originally published by Get Ready To Rock here

Spirits Of Fire is the new outfit fronted by ex-Judas Priest singer Tim ‘Ripper’ Owens.

A supergroup of sorts the project brings together Owens (ex-Judas Priest, Iced Earth), guitarist Chris Caffery (Savatage, Trans-Siberian Orchestra), bassist Steve DiGiorgio (Testament, Death) and drummer Mark Zonder (ex-Fates Warning, Warlord).

Hailed as “classic Priest meets Savatage” guitarist, Chris Caffery, says: “My influences for writing on this record were the bands that we were and are still in! I wanted to write songs that Priest, Savatage, Testament, and Fates Warning fans would like. But, I wanted them to have a personality of their own as well. To give it a vibe that was Spirits of Fire.”

And do they achieve that? There’s a satisfyingly Judas Priest-like vibe to the Spirits Of Fire album and it’s a great slice of classic heavy metal: well-written songs, powerful vocals, dynamic riffs and a thunderous rhythm section. Opening with a furious ‘Light Speed Marching’ it nicely sets the template for the album as a whole and showcases Owen’s considerable vocal range. Title track ‘Spirits Of Fire’, which ended up also providing a name for the band itself, is another furious assault with some nice soloing from Caffery.

Just like on a classic Priest album where you will typically find the odd slower number, here we get the excellent ‘A Game’ and the anthemic ‘Alone in the Darkness’ the latter of which closes the album, both tracks taking the tempo down while sacrificing none of the heaviness.

The whole Spirits Of Fire project has been masterminded by LA-based producer Roy Z who has worked with the likes Bruce Dickinson, Halford and Tribe Of Gypsies and does a sterling job on production duties here. Eleven tracks of classic, polished heavy metal – this debut from Spirits Of Fire is well worth checking out.

Released: 22.2.19 by Frontiers

https://www.facebook.com/SpiritsOfFireBand/

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Have we been seeing a creative renaissance for our vintage rock and metal acts?

OK, so Black Sabbath may have played its last ever tour, we have seen one devastating rock star death after another and a number of acts are no more. But, in spite of all that, have we been witnessing a real renaissance for some of our classic rock and metal bands in recent years? I would contend we have.

After some difficult years in the late eighties and nineties for many of our much loved rock giants, one band after another have been releasing albums that stand up really well against their early classics. The aforementioned Black Sabbath released the brilliant 13 album in 2013, which in my view can happily sit alongside the first four Sabbath albums as a genuine bona fide classic. Uriah Heep’s Outsider released in 2014 can unashamedly sit alongside the David Byron-era material in terms of Heep’s unmistakable brand of melodic hard rock. Girlschool’s Guilty As Sin is every bit as good as their era-defining early albums, with lead track Come The Revolution a match for any of their well-known classic tunes. Saxon’s Battering Ram from 2015 and Judas Priest’s Redeemer Of Souls from 2014, each reviewed elsewhere here, both stand up well and offer everything you’d want to hear in a new album from either band. Even The Stones have got in on the act with their critically-acclaimed back-to-basics Lonesome & Blue album celebrating their R&B roots.

My theory is that all of these bands have reached a stage in their musical careers where, unlike some often painful attempts a decade or two ago, they have more than proved themselves. They now no longer feel obliged to sound contemporary or try to keep up with modern trends but can simply concentrate on sounding like themselves and producing the kind of music and the kind of albums that brought them to the public’s attention in the first place.

Of course, it doesn’t mean we shouldn’t be championing newer rock acts and none of the bands I’m talking about here are going to be around forever. However, I think we could still be seeing a few more classic releases yet from some of our favourite rock veterans over the next few years.

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Metal: album review – Judas Priest ‘Redeemer of Souls’

After being so impressed with Judas Priest on their recent UK tour, it wasn’t long afterwards that I found myself putting their most recent studio album, 2014’s Redeemer of Souls, on my Christmas present list.

When the album was being launched guitarist, Glenn Tipton assured that fans that they need not expect something wildly experimental. “Sometimes in the past we may have come under fire for being too adventurous musically…so we have listened,” he claimed. “From start to finish, ‘Redeemer of Souls’ is 18 songs of pure classic Priest metal.” Well, I have only got the bog-standard 13 track version rather than the deluxe version, but other than that I’m not going to argue.

The album opens in strong form with Dragonaut which pretty much contains everything you want from a classic metal album, crunching guitars, tuneful melodic solos, thunderous vocals and an accessible, well-written tune you can sing along to.  Other memorable, stand-out tracks on the album include the title track, Redeemer of Souls, as well as Down In Flames and Metalizer. But if truth be told there’s not a weak track on the album. This is the first album with new guitarist, Ritchie Faulkner, who replaced founder member KK Downing. But as was also evident on their recent tour he certainly “gets” the Judas Priest sound.

In spite of having a reputation of purveyors of fearsome uncompromising metal, however, Judas Priest have also been able to pull the odd nicely-judged hard-rock ballad out of the hat. Beginning Of The End, the last track on the album, does the job beautifully.

After so much confusion around the band’s future only a few years ago, Redeemer Of Souls is a real return to form for Judas Priest. The line-up refreshed. The band rejuvinated. And with a clear sense of musical direction apparent from the outset. This is an album that stands up well against the band’s classics of the late 70s and early 80s.

Released July 2014

http://judaspriest.com/home/

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Previous review: Judas Priest at Brixton Academy 

Judas Priest at Brixton Academy 1/12/15

The evening kicked off with excellent support from Michael Schenker’s Temple of Rock. And Schenker clearly understood the golden rule of being an effective support act: unlike the headliners that everyone has paid to see, hit the crowd between the eyes with your best song first – don’t save it ’til the end! So we begin the night with a cracking version of Doctor Doctor. It couldn’t have been a better start to the evening in an absolutely jam-packed Brixton Academy.

I first discovered Judas Priest as a teenager back in the early 80s not long after British Steel came out and the band can still be heard regularly blasting out from my speakers. But as a gay heavy metal fan I can’t also fail to mention my personal admiration for lead singer Rob Halford. In a genre that always seemed so resolutely heterosexual, Halford’s decision to be open about being gay back in 1998 was a big moment both for him personally and for heavy metal generally. Seeing his total command of an adoring crowd tonight it’s hard to believe that Halford’s sexuality could ever even have been an issue. But there must be many a teenage rock fan across the globe who can personally thank Rob Halford for demonstrating so visibly that, yes, it’s ok to be both gay and like heavy metal. Cheers Rob.

Halford is not a frontman who goes for a lot of between-song chat and audience banter but, boy, does he know how to work a crowd: mass chanting, crowd sing-alongs, every stage movement eliciting a multitude of fists in the air and more costume changes than Elton John, Halford knows how to squeeze every last drop of adulation from an audience. His vocal range is as wide and as powerful as it always was. He growls the lowest of the low notes and howls the highest of the high notes just as he always did. It’s a performance of utter brilliance in every respect, as is that of the whole band. The unmistakeable twin lead guitars are as powerful as ever, with Glen Tipton being joined by new guitarist Richie Falkner (who replaced Priest veteran, KK Downing, in 2011).

And let’s not forget the songs of course. They deliver a great mix of songs representing different eras of the band’s history, the relevant album cover for each song flashing up on the giant screens on stage beforehand, fuelling anticipation of what might be coming next. We get some new songs from last year’s album, Redeemer of Souls, of course – the first with new guitarist, Falkner. But as we move through the hour-and-a-half set, more and more of the unforgettable classics of the 80s emerge: Breaking The Law, Hell Bent for Leather, You’ve Got Another Thing Comin’.

Soon we are nearing to a close, however, with the crowd going wild to a high-octane version of Painkiller and a brilliant sing-along Living After Midnight. Always metal. Always Loud. Never just noise. Judas Priest are still on form and are truly still the Metal Gods.

Setlist:
Battle Cry
Dragonaut
Metal Gods
Desert Plains
Victim of Changes
Halls of Valhalla
The Rage
Turbo Lover
Redeemer of Souls
Beyond the Realms of Death
Screaming for Vengeance
Breaking the Law
Hell Bent for Leather
The Hellion
Electric Eye
You’ve Got Another Thing Comin’
Painkiller
Living After Midnight

http://judaspriest.com/

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