Tag Archives: Sweet

Reviews roundup: ‘The Sweet in the 1970s’ – a huge thank you!

Since my book ‘The Sweet In the 1970s’ was published in the summer, not only have I been bowled over by sales (the first print-run sold out even prior to publication date) I’ve been hugely encouraged by the reviews, too.

Jason Ritchie at Get Ready To Rock was first to review:

“An excellent overview of The Sweet, appraising the band’s 70s output and tracking the band’s ups and downs during that decade. Well researched and referenced too, with the final part of the book giving a whistle stop tour of what the band did from 1980 to the present day.”

You can read the full Get Ready To Rock review here

Then over in the US, Dave Thompson gave the following review in Goldmine magazine:

“Certainly this is not the first Sweet biography to appear in recent years, but it’s sharp, it’s concise, and it doesn’t spend half its time moping around the not-happened-yet sixties and the oh-dear-are-they-still-going beyond. Well, not much. We skip the first ten pages, covering the “early years,” and the last ten detailing “what happened next.” Don’t care. But there’s close to a hundred pages between those bookends that are just non-stop blockbusting, hell raising, teenage rampaging little willying, with every album and single spotlighted for special examination, key quotes highlighted and individual song titles telling their own stories, too. Throughout, author Darrell Johnson (sic) captures the excitement of the great records; can usually find something nice to say about the less great ones, and doesn’t try to kid us that Cut Up Above the Rest was even remotely well-titled. It’s a book for fans, then, but one for the curious, too. Nicely done.”

Dave Thompson produced his own well-written Sweet biography a decade ago, of course, so I was particularly pleased to get his endorsement. I’ll even forgive him getting my name slightly wrong!

You can read the full Goldmine review here

Back on to the British magazine racks, Mick Gafney at Powerplay magazine also had some very nice things to say:

“What comes across in spades in this book is the author’s unwavering love and passion for the band, and whilst it might not be the weightiest of tomes, Johnson still manages to fill it with plenty of well-researched facts and insightful opinion.”

You can read the full review here:

And Steve Swift at Fireworks magazine also gave it the thumbs up:

 “Johnson clearly loves the band and the tone is warm and welcoming; Johnson does something simple but lovely…”

You can read the full review here:

Over on Amazon it’s been picking up some very encouraging customer reviews, too:

“The Sweet In The 1970s is an excellent and concise book about rock’s most underrated band who transformed from ‘bubblegum’ to ‘glam rock’ to ‘hard rock’ to something a little more progressive throughout the aforementioned decade. It also reminds the reader how Sweet managed to ‘snatch defeat from the jaws of victory’ on many occasions.”

“Fabulous book. It does what it says on the cover it tells the Sweet story in the 70s. That doesn’t mean that the 60s and 80s are totally ignored.”

“Whether you a big Sweet fan or not this is a really interesting story written and presented very well. I’ve learnt a lot!”

“Draws together from many sources it borders on the academic, yet reads easily. Clearly a fan, our author is not blind to the weaknesses of the band and is never modest on their behalf either. I learnt quite a bit and it’s a great reference book for the material recorded by the band.”

At one point it made it to number three on Amazon’s UK best sellers list for music history and criticism, as well number ten in its popular music books and number fourteen in its rock music books.

When I first began writing the book I never dreamed it would do so well and writing for Sonicbond Publishing had been an extremely positive experience.

You can read how I first came to write the book here

Better, still you can read the book!

‘The Sweet in the 1970s’ is available from the following outlets:

UK

You can order ‘The Sweet in the 1970s’ direct from the publishers via the Burning Shed on line shop here

It’s available from a number of other UK retailers including: WH SmithWaterstones, and Bookshop.org

You can order from Amazon UK here

US

You can order via Walmart and Amazon.com

Sweden

You can order via Adlibris 

‘The Sweet in the 1970s’ now also set for publication in the US on 24th September

I’m delighted to report sales of my book, which was published in the UK by Sonicbond on 30th July, have been brisk.

Amazon and other retailers will be dispatching to customers in the US from 24th September. When writing the book I did take care to ensure the book would be relevant to US readers – putting Billboard chart positions in as well as UK ones, for example, as well as explaining some peculiarly English turns of phrase like w*nk and Sweet FA…

My book also picked up a very nice review from Jason Ritchie at Get Ready To Rock recently:

“An excellent overview of The Sweet, appraising the band’s 70s output and tracking the band’s ups and downs during that decade. Well researched and referenced too, with the final part of the book giving a whistle stop tour of what the band did from 1980 to the present day.”

Full review here

Over on Amazon it’s been picking up some very encouraging customer reviews, too:

“The Sweet In The 1970s is an excellent and concise book about rock’s most underrated band who transformed from ‘bubblegum’ to ‘glam rock’ to ‘hard rock’ to something a little more progressive throughout the aforementioned decade. It also reminds the reader how Sweet managed to ‘snatch defeat from the jaws of victory’ on many occasions.”

“Fabulous book. It does what it says on the cover it tells the Sweet story in the 70s. That doesn’t mean that the 60s and 80s are totally ignored.”

“Whether you a big Sweet fan or not this is a really interesting story written and presented very well. I’ve learnt a lot!”

At one point it made it to number three on Amazon’s UK best sellers list for music history and criticism, as well number ten in its popular music books and number fourteen in its rock music books. All beyond my wildest dreams really. When I began writing and researching the book it very much became my lockdown project. Any success in terms of sales was going to be the icing on the cake rather than the main reason for doing it.

However, I’m really pleased it’s selling so well and it’s been a very positive experience working with Sonicbond Publishing who have an excellent range of other music books in their portfolio.

On with the next one!

‘The Sweet in the 1970s’ is available from:

UK

You can order ‘The Sweet in the 1970s’ direct from the publishers via the Burning Shed on line shop here

It’s available from a number of other UK retailers including: WH SmithWaterstones, and Bookshop.org

You can order from Amazon UK here

US

You can order via Walmart and Amazon.com

Sweden

You can order via Adlibris 

The Sweet in the 1970s: publication date for my book is getting close – out on 30th July!

Just over a year ago I had a dream that I had written a book about The Sweet. When I woke up I was more than a little disappointed to release I hadn’t written any such book. But with the idea still fresh in my mind I decided to fire off an email to the publishers Sonicbond to see if they were interested in me writing one. Amazingly they came back and said yes.

Starting work last summer, writing and researching ‘The Sweet in the 1970s’ very much became my lockdown project during the latter part of 2020 and the early part of 2021. I finished it back in February, delivered the manuscript and my mind, which had been so utterly pre-occupied with all things Sweet for several months, pretty much moved on to other things. In recent weeks, however, it’s all started to become very real again. There were proofs to read, images and the cover blurb to check through and so on. And although, it’s not in the shops until July 30th I took delivery of some advance copies this week!

I also did an interview for the excellent Glam-themed fanzine Wired Up – talking about how I came to write the book, how I first became obsessed with The Sweet as a teenager in the early 80s trawling through second-hand albums in Preston’s Action Records – as well as a little bit on what readers can expect from the book. You can find out more about the Wired Up fanzine here.

I’ve dedicated the book to my dad. I know he would have enjoyed reading it.

UK:

You can order ‘The Sweet in the 1970s’ direct from the publishers via the Burning Shed on line shop here

A number of other UK retailers are also taking orders including: WH SmithWaterstones, and Bookshop.org

Amazon are also taking orders here

US: you can order via Walmart and Amazon.com

Sweden: you can order via Adlibris 

‘The Sweet in the 1970s’ by Darren Johnson – published by Sonicbond 30th July 2021

Book news! Coming soon: ‘The Sweet in the 1970s’ by Darren Johnson – published 30th July 2021

Followers of this blog will be aware that my love of 1970s glam icons The Sweet is pretty well documented. They’ve featured heavily on Darren’s Music Blog over the seven years of the blog’s existence. I’m therefore very pleased to be announcing the publication of my first book due out this summer: ‘The Sweet in the 1970s’.

It’s published by the excellent Sonicbond Publishing who’ve been running the On Track series, where they look at a band’s entire recorded output track by track, and more recently the Decades series, where they look at a band’s history and development through a key decade. I’d already reviewed a couple of Sonicbond publications (on Fairport Convention and Hawkwind) when I had a dream that I’d just written my own book about The Sweet. With the dream still fresh in my head the following morning I thought it might actually be an idea to see if this could perhaps be turned into reality.

I emailed Stephen Lambe at Sonicbond that morning with the synopsis that was formulated in the dream still in my head to see if they were interested. Happily, he came back and said that they were and a contract soon followed. It became my lockdown project starting last summer and after several months of feverish writing, researching and listening I completed it at the end of February.

It’s now available to pre-order direct from the publishers via Burning Shed here

A number of other retailers are now also taking pre-orders including: WH Smith, Waterstones, and Bookshop.org

Amazon are also taking pre-orders here

From the Amazon synopsis you hopefully get a taste of what’s in store:

The Sweet’s look, sound and attitude became an instantly recognisable hallmark of the early 1970s glam rock era. But the band did not start the 1970s as a glam band and certainly didn’t finish as one. This book charts the band’s journey through the decade that made them a household name, from their initial rise as purveyors of manufactured, bubblegum pop to their metamorphosis into harder-edged glam rock icons. The Sweet in the 1970s takes a look at both their successes and their struggles in their quest to be recognised as a more serious rock act in the latter part of the decade, once the sparkle of glam and glitter had begun to pale. The decade saw them score fifteen UK Top 40 singles, release seven studio albums and tour several continents. Unlike many bands of the era personnel changes were few. The Sweet begin the 1970s with the arrival of new guitarist, Andy Scott, and end the decade with the departure of frontman, Brian Connolly, and an ultimately ill-fated attempt to continue as a three-piece. This book is an unashamed celebration of the music of the Sweet and charts the lasting impact they had on many of the bands than followed them.

And of the author, Amazon has this to say:

After acquiring a second-hand copy of Sweet’s Give Us A Wink album from Action Records in Preston as a teenager in the early 1980s, Darren Johnson has been a dedicated fan of the band ever since. A former politician, he has written for a number of UK national newspapers but after stepping away from politics, he has been able to devote more time to his first love: music. A keen follower of both rock and folk, he maintains a popular music blog Darren’s Music Blog and has reviewed albums and gigs for a variety of publications. He lives in Hastings, East Sussex, UK

Other outlets:

A number of retailers are now also taking pre-orders including: WH Smith, Waterstones, and Bookshop.org

Alternatively, the book (and all others in the series) will be available from ‘all good bookshops’ and via Sonicbond’s own online shop at Burning Shed here

‘The Sweet in the 1970s’ by Darren Johnson – published by Sonicbond 30th July 2021

2020 in Darren’s music blog – the ten most popular posts of the year

I wish everyone a happy New Year. My special thanks go to all those who have visited (and hopefully enjoyed) Darren’s music blog during 2020. Weirdly, although I originally started this blog nearly seven years ago mainly to cover live gig reviews, I’ve had far more visits to my site this year than any previous year. This is in spite of all the gigs (and the gig reviews!) stopping in March.

Anyway, as we look back over the year here are my ten most popular blog posts from 2020. Although I’ve covered the usual eclectic range of metal, folk, Americana, brit pop, rock n roll and glam rock this year, it seems that people were particularly seeking out my glam content this year. Glam ended up pulling in eight of the ten top slots. Here they are in order of popularity…

1. Veteran drummer Don Powell out of Slade

When Don Powell announced he had been sacked from Dave Hill’s continuing version of Slade it came as a shock to many, eventually being covered extensively in the music press and the tabloids. I posted the sad news up on my blog within minutes of it being announced on Don Powell’s Facebook page – I was first to report it and for the first 24 hours pretty much the only one to report it. My post went viral and was shared all around the world.

Read full post here

2. Glitter, glam and Blackpool rock: interview with glam rock legend John Rossall

Following the release of his highly acclaimed new album ‘The Last Glam In Town’ I talk to former Glitter Band legend, John Rossall. Our chat covers glam rock, show bands, growing up in Blackpool and, of course, John’s new album and the prospect of touring again post-Covid.

Read full post here

3. Sweet launch video to promote new single ‘Still Got The Rock’ and forthcoming album ‘Isolation Boulevard’

Sweet’s ‘Still Got The Rock’ single was released in digital format in December followed by the digital release of new album Isolation Boulevard. The single is reworking of a song that first appeared as a newly-recorded bonus track on the 2015 Sweet compilation album Action: The Ultimate Story, by the band’s previous line-up. The new version features the current line-up of Andy Scott, Bruce Bisland, Lee Small and Paul Manzi.

Read full post here

4. Before glam: the debut 60s singles of Bowie, Bolan, Slade, Mud and Sweet

When glam rock burst into the UK pop charts in the early 1970s the genre may have appeared all shiny and new and suitably outrageous but many of its lead players had been trying to make their all-important breakthrough in the previous decade. Five of the acts we look at here all released their debut singles in the mid to late 60s.

Read full post here

5. Slade legend Jim Lea releases video footage in bid to locate recently stolen guitar

Founder members of Slade were not having much luck at the start of the year. Jim Lea’s cherished Fender Stratocaster was stolen in central London on 31st January. He released a video in the hope that it will prompt members of the public in helping reunite him with his guitar.

Read full post here

6. Live review: Supergrass at Alexandra Palace 6/3/20

The only live review to make the top ten this year, this Ally Pally gig from the Supergrass reunion tour was actually my penultimate live gig before lockdown. (I managed Glen Matlock at the 100 Club the night after). Without a doubt, for me, the greatest band of the Britpop era, I was at the Brixton Academy on the Supergrass farewell tour in 2010 and ten years later I was excited to be their for the their first of two nights at Alexandra Palace on the long-awaited reunion tour.

Read full post here

7. Death of a glam icon – Steve Priest: 1948-2020

Steve Priest, bass-player with the Sweet and an icon of 70s glam rock sadly passed away in June following an illness that had hospitalised him. In an emotional post on his band’s Facebook page, former band-mate Andy Scott paid tribute to the best bassist he ever worked with. A phenomenal bass-player whose harmony vocals were an essential part of the band’s classic sound Steve Priest we salute you – a true glam rock icon.

Full post here

8. Slade at No. 8 in the UK albums chart – their highest position since 1974!

I was well chuffed to see Slade’s new greatest hits compilation Cum On Feel The Hitz go straight in at No. 8 in the UK’s album charts back in October. This was the band’s highest ranking in the UK album charts since Slade In Flame was released back in 1974. Even during the days of the band’s early 80s comeback, a decade after glam, Slade albums were still struggling to make it to the Top 40, even when they had a second run of hit singles.

Full post here

9. Slade’s Don Powell recovering from stroke

The run of bad luck for Slade icons in the early part of the year continued. Don Powell, suffered a stroke on Saturday 29th February at his home in Denmark. Fortunately, his step-daughter Emilie, a doctor, was with him when it happened and was able to act swiftly to call an ambulance and get him to hospital. His wife Hanne released a statement and Jim Lea and Andy Scott both sent their best wishes.

Full post here

10. ‘Confess’ by Rob Halford – a gay heavy metal fan reviews the Metal God’s autobiography

As someone who became a Judas Priest fan not long after my dad brought home a newly-released copy of ‘British Steel’ back when I was a young teenager, and as someone who has known they were gay from around that same time I was particularly keen to read Halford’s memoir. There is a fair bit of revelatory gossip and down to earth black country humour but there are many segments that are deeply, deeply moving, too. One of the best rock biogs in ages.

Read full post here

Related post:

2019 in Darren’s music blog

News: Sweet launch video to promote new single ‘Still Got The Rock’ and forthcoming album ‘Isolation Boulevard’

Sweet have released a new video for their current single ‘Still Got The Rock’. The single is reworking of a song that first appeared as a newly-recorded bonus track on the 2015 Sweet compilation album Action: The Ultimate Story, by the band’s previous line-up. The new version features the current line-up of Andy Scott, Bruce Bisland, Lee Small and Paul Manzi. You can read my interview with Andy Scott about how the new line-up came about here.

Sweet’s new album, Isolation Boulevard, recorded within the necessary constraints imposed by the Covid-19 global pandemic, plays on the title of the mid-70s album by the band’s classic line-up: Desolation Boulevard.

In a statement on the band’s Facebook page, Sweet’s Andy Scott says:

“Once again you, the hard-core Sweet fans have stepped up and reacted positively to the new album Isolation Boulevard. The cover artwork tips a hat to Desolation Boulevard, 1975 and the band’s first Headline Tours in the USA. The comparison between the old and new is obvious as they are both a compilation of the best of Sweet’s recordings, satisfaction guaranteed.

Scott continues:

“Let’s go back to February 2020 and the world was just getting reports of a new virus, identified as Covid 19. Reaction to the news was slow at the start. I had some news of my own that I was dreading at this time, my cancer had returned. After our Denmark trip in March where we had a show cancelled due to new virus rules on social distancing, I started my treatment during the first lockdown in late March. This meant I was out of action until July/August and was naturally kept in total isolation. I have come through all clear thankfully and am looking forward to getting to grips with some new material next year when we as a band can be all together in a studio without restrictions.

“The new album Isolation Boulevard was put together between lockdowns in September and October. It was pointed out to me that it had been more than 5 years since our last successful album release and as we hadn’t got Paul or Lee on any recordings especially the hits, we had better put that right as soon as possible. Most of the recording and editing was done in my studio and the results speak for themselves. The drum tracks and new bass lines are very powerful, the guitars are so clear you can hear the plectrum hit the strings and the vocal performances from Paul and Lee are perfection personified. Bruce and I cannot believe how lucky we are that this line up has hit the ground sprinting never mind running. I would personally like to sing the praises of Tom Cory, TC from the Novatines for his technical know-how and engineering skills during the recording of the album. Genius!

“So, there you have it. Enjoy the single and album and with any luck we may just get back on the road next year.”

The ‘Still Got The Rock’ single was released in digital format on 8th December 2020. 18th December will see the digital release of the album Isolation Boulevard. There will be a limited-edition colour vinyl of both to pre-order on the release dates with delivery early in 2021. There will also be a CD format of the album available sometime in the new year.

Pre-order the vinyl album and single here:

https://www.prudentialmusicgroup.com/store.html#!/Sweet-Isolation-Boulevard-LP-&-7-SINGLE-Bundle-PRE-ORDER/p/260247381/category=28915503

http://www.thesweet.com/

Album personnel:

Andy Scott – All Guitars, Synthesizers and Vocals
Bruce Bisland – Drums and Vocals
Paul Manzi – Lead Vocals
Lee Small – Bass Guitar and Vocals
Guest Musicians –
Steve Mann – Keyboards on Love is Like Oxygen
Producer – Andy Scott
Engineer – Tom “TC” Cory
Studio assistance – Kevin Smith
Recorded, Edited and Mixed at Black Rock Studio, Wiltshire

Album track list:

  1. Fox On The Run (2020)
  2. Still Got The Rock (2020)
  3. Action (2020)
  4. Love Is Like Oxygen (2020)
  5. Hellraiser (2020)
  6. The Six Teens (2020)
  7. Blockbuster (2020)
  8. Set Me Free (2020)
  9. Teenage Rampage (2020)
  10. Turn It Down (2020)
  11. New York Groove (2020)
  12. Ballroom Blitz (2020)

Related posts:

‘The Sweet in the 1970s’ by Darren Johnson – published 30th July 2021

Interview with Andy Scott

News: All change at The Sweet

Review: Sweet at Bexhill 2015

Review: Sweet 50th anniversary concert – Berlin

Review: Sweet live 2017, London and Bilston

Review: Rainbow and Sweet, Birmingham 2017

Review: Sweet, Bilston 2016

The Sweet versus Bowie: the riff in Blockbuster and Jean Genie – origins and influences

Review: Sweet at Dartford 2015

Review: Sweet at Bilston 2014

News: Cardiff rock duo Falling Nine release cover of Sweet classic ‘Fox On The Run’

Falling Nine are a two-piece rock project from Cardiff consisting of David Lydiard (Vocals, Guitars, Synths) & Steven Watts (Guitars, Bass, Drums, Synths). Releasing their debut EP back in 2007 they’ve had numerous releases since then and the pair has been joined by several collaborators.

For their latest release they take on the mighty Sweet classic ‘Fox On The Run’ which was the glam heroes’ first self-written smash hit in 1975 after stepping away from song-writing team Mike Chapman and Nicky Chinn.

Falling Nine frontman David Lydiard explains: “I hadn’t heard the song for ages and one day during a trip down a YouTube rabbit hole I came across a live cover by the Chili Peppers with John singing. It had a raw, punk energy to it, and being a massive Frusciante fanboy, I instantly loved it. So I put up a very rough, live acoustic version of it on our YouTube Channel, just for a bit of fun. During lockdown, Steve (Watts) stumbled across it, tells me that he likes it, and asked me if I fancy recording a full version of it, and here we are.”

‘Fox on the Run’ is Falling Nine’s first new release in four years. “Sometimes life gets in the way, which is why we’ve taken so long between this and our last record (2016’s ‘Atonement’), but priorities have shifted and we’re pumped to be working on new music again.”

Falling Nine are:

David Lydiard – Vocals / Guitars / Synths

Steven Watts – Guitars / Bass / Drums

Guest lead guitarist Justin Larner was also enlisted by the duo and contributes his own original solo, giving the Sweet classic a twenty-first century makeover.

“Justin is an incredible guitar player and I’ve been a fan of his tone and his playing since first hearing him when he played with Grand Ultra, says Lydiard. “We wanted a solo that kicks you in the arse and Justin nailed it 100%.”

Fox on the Run’ was released on 27th November 2020 and is available on all streaming platforms

Link: https://ampl.ink/b1YaV

https://www.facebook.com/fallingnineband

Related posts:

Interview with Andy Scott

News: All change at The Sweet

Review: Sweet 50th anniversary concert – Berlin

The Sweet versus Bowie: the riff in Blockbuster and Jean Genie – origins and influences

Death of a glam icon – Steve Priest: 1948-2020

Steve Priest, bass-player with the Sweet and an icon of 70s glam rock has sadly passed away following an illness that hospitalised him in recent months.

In an emotional post on his band’s Facebook page, former band-mate Andy Scott paid tribute to the best bassist he ever worked with:

“Then there was one!

I am in pieces right now. Steve Priest has passed away. His wife Maureen and I have kept in contact and though his health was failing I never envisaged this moment. Never. My thoughts are with his family x.

He was the best bass player I ever played with. The noise we made as a band was so powerful. From that moment in the summer of 1970 when set off on our Musical Odyssey the world opened up and the rollercoaster ride started! He eventually followed his heart and moved to the USA. First New York then LA.

Rest in Peace brother. All my love.

Andy”

Steve Priest’s latter-day colleagues in Steve’s own US-based version of the Sweet broke the news on their Facebook page on behalf of Steve’s family:

“Dear Friends and Fans,

We have very sad news – Please see the below statement from Steve Priest’s family.”

Love,
Richie, Stevie, Mitch & Paulie…

“It is with a heavy heart that we announce at 8:25am PT today, Steve Priest, founding member of The Sweet, passed away. He is survived by his wife, Maureen, three daughters, Lisa, Danielle & Maggie and 3 grandchildren, Jordan, Jade & Hazel.”

Steve Priest’s death follows the deaths of vocalist Brian Connolly in 1997 and drummer Mick Tucker in 2002, leaving Andy Scott the sole surviving member of the band’s classic 70s lineup. When I interviewed Andy at the end of last year he talked about attempts to reunite the two for the band’s fiftieth anniversary but it was not to be. However, he did stress that the two kept in touch on a personal level and asked after one another’s health.

A phenomenal bass-player whose harmony vocals were an essential part of the band’s classic sound Steve Priest we salute you – a true glam rock icon.

Related posts:

‘The Sweet in the 1970s’ by Darren Johnson – published 30th July 2021

Interview with Andy Scott

News: All change at The Sweet

Review: Sweet 50th anniversary concert – Berlin

The Sweet versus Bowie: the riff in Blockbuster and Jean Genie – origins and influences

Before glam: the debut 60s singles of Bowie, Bolan, Slade, Mud and Sweet

Before glam: the debut 60s singles of Bowie, Bolan, Slade, Mud and Sweet

When glam rock burst into the UK pop charts in the early 1970s the genre may have appeared all shiny and new and suitably outrageous but many of its lead players had been trying to make their all-important breakthrough in the previous decade. Five of the acts we look at here all released their debut singles in the mid to late 60s.

Bowie – 1964

David Bowie’s debut single ‘Liza Jane’ which was released under the name Davie Jones & the King Bees and was recorded at Decca Studios in West Hampstead in May 1964 but released on the Vocalion Pop label. Although producer Leslie Conn is credited as the composer the song is an arrangement of an old standard ‘Li’l Liza Jane’ which dates back to at least the 1910s. Bowie released two more singles the following year under the names The Manish Boys and Davy Jones & the Lower Third but his first release using the name David Bowie was his 1966 single ‘Can’t Help Thinking About Me’ which was released as David Bowie & the Lower Third. Bowie’s next single, ‘Do Anything You Say’ released that same year was the first credited solely to David Bowie. Bowie release four more singles and a debut album prior to his first success chart success in 1969 with the single ‘Space Oddity’ which reached number five.

Bolan – 1965

Marc Bolan’s debut ‘The Wizard’ was released by Decca in 1965. “I sounded like Dylan,” Bolan later admitted in an interview. Mark Paytress in ‘Bolan – The Rise and Fall of a 20th Century Superstar’ takes up the story: “On the morning of September 14th 1965 Mike Leander, Jim Economides, Mark Pruskin and Marc Bolan congregated in Decca’s Broadhurst Gardens studios in West Hampstead. A small backing orchestra, comprising string section and pop instruments, and The Ladybirds vocal group were briefed and awaited further instructions from Leander. It was ten in the morning and everyone knew the session would be over by lunchtime.” When it failed to make its mark on the charts a couple more solo singles followed after which their was a stint in John’s Children. Bolan then enjoyed modest success in the underground acoustic duo Tyrannosaurus Rex before shortening the name, expanding the personnel, turning up the amps and hitting glam rock superstardom.

Slade – 1966

Recording as the N’ Betweens prior to changing their name firstly to Ambrose Slade and then Slade, Noddy Holder, Jim Lea, Dave Hill and Don Powell made their debut single in 1966. ‘You Better Run’ released by Columbia was a cover of a song by US band The Young Rascalls. Ian Edmondson & Chris Selby in ‘The Slade Discography’ take up the story: “Visiting American record producer Kim Fowley saw something in them that he liked and decided to to approach them with a view to recording some music. Fowley was what was referred to in those days as a ‘freak’. This was a combination of his height and his way out American dress style and attitude. He was fond of calling his records ‘Instant Productions’. This seemed to be mainly because he didn’t waste a lot of time and money on recording.” ‘You Better Run’ sold exceptionally well in Wolverhampton but failed to sell many copies elsewhere. Several more singles and two albums would follow until the band hit the UK Top 20 with ‘Get Down and Get With It’ in 1971.

Mud – 1967

Mud released their debut single ‘Flower Power’ on CBS in 1967, a song written by the band’s guitarist Rob Davis. Several more flop singles would follow until Mud hit the charts with ‘Crazy’ six years later, after they were signed to Mickie Most’s Rak label and enjoyed the fruits of the Chinn-Chapman songwriting team. Even at this early stage, however, three-quarters of the classic Mud line-up are already in place: Les Gray, Rob Davis, Ray Stiles. Drummer, Dave Mount, would join a year later. The band worked the social clubs of Surrey whilst continuing with their day jobs, Les Gray recalling in an interview: “We would do anything because we wanted to work.” Before finding their glam-meets-rock n roll-revivalist niche they hit us with this wonderful bit of psychedelic kitsch silliness.

The Sweet – 1968

The Sweet’s debut single ‘Slow Motion’, a song written by Wolverhampton pianist Dave Watkins, was released in July 1968 on Fontana. Set to be released under their original name The Sweetshop the band’s name was hurriedly shortened when they discovered another band had been using the same name. At the time of their debut three quarters of the band’s classic line-up, Brian Connolly, Steve Priest and Mick Tucker are already in place. Guitarist Andy Scott would join two years later in 1970. Produced by Phil Wainman, who would go on to produce the band’s hit singles during the glam era, ‘Slow Motion’ is a long way away from Blockbuster! and Ballroom Blitz but at the same time not a million miles away from the string of bubblegum hits (Funny Funny, Co-Co, Poppa Joe et al) that the band had before hitting their stride with a rocked-up glam sound.

Book: The Sweet in the 1970s

If you enjoyed reading this my book ‘The Sweet In The 1970s’ is out on 30th July 2021.

Details here

Related posts:

‘The Sweet in the 1970s’ by Darren Johnson – published 30th July 2021

The Sweet versus Bowie: the riff in Blockbuster and Jean Genie – origins and influences

Slade, strikes and the three-day week: the story of the greatest Christmas record ever made

From AC/DC to ABBA: five classic glam rock singles by non-glam bands

Lost In Space: interview with former Slade legend Jim Lea

Interview with Andy Scott ahead of Sweet’s 2019 UK winter tour

2019 in Darren’s music blog – the ten most popular posts of the year

I wish everyone a happy New Year and give my special thanks to all those who have visited (and hopefully enjoyed) Darren’s music blog during 2019. Looking back over the year, here are my ten most popular blog posts from 2019. A bit of a 70s theme going on here as we look at icons of glam rock, heavy rock, folk rock and punk rock…

1. Live review: Giants of Rock, Minehead 25-28 January 2019

The sixth annual classic rock weekend at Butlins including Eric Bell, Scarlet Rebels (pictured above), Geordie and Oliver-Dawson Saxon. Full review here

2. Live review: Mott The Hoople ’74 at Shepherds Bush Empire 27/4/19

If this tour is to be the final chapter in the ballad of Mott the Hoople it serves as a fitting end to the career of a wonderful, unique and utterly, utterly irreplaceable band. Full review here

3. News: All change at The Sweet

With little creative input from me I simply endeavoured to keep fans rapidly updated on changes in the band by publishing the band’s official statement. Full post here

4. Six recently revived rock bands that are turning out to be dynamite

Focusing on Atomic Rooster, Lindisfarne, Geordie, Satan’s Empire, Rock Goddess and Towers of London. Full post here

5. Live review: Steeleye Span at St Mary, Ashford 13/4/19

Lining up alongside Maddy Prior are Julian Littman, Andrew Sinclair, Roger Carey, Liam Genockey and Benji Kirkpatrick. Talented players all, they bring a fantastic assortment of instruments, sounds and techniques with them, not to mention a rich array of voices. Full review here

6. Live review: Slade at Concorde 2, Brighton 21/9/19

Dave Hill is, of course, Dave Hill. Eccentrically-dressed as ever: a diminutive figure bouncing all over the stage, delivering the familiar solos and holding the whole thing together. Full review here

7. Interview with Andy Scott ahead of Sweet’s 2019 UK winter tour

The new line-up, the winter tour, the split in the early 80s, keeping in touch with Steve Priest and Rock Against Cancer I was delighted to have a long chat with Andy. Full interview here

8. Live review: UFO at Shepherds Bush Empire 4/4/19

Yelling along to ‘Doctor Doctor; and ‘Shoot Shoot’ as the guys come back on stage for an encore seems a fitting way to say farewell to a band whose music I’ve been enjoying for almost forty of their fifty years. Full review here

9. Steeleye Span at St Mary in the Castle, Hastings 21/11/19

A second trip to see Steeleye Span this year and a second review that seemed to rack up the hits. Full review here

10. Live review: Glen Matlock headlines Hastings Fat Tuesday 5/3/19

A bona fide rock ‘n’ roll icon. Performing in the pub. Free entry. On a Tuesday night. It can only be Hastings Fat Tuesday. Full review here

Here’s to 2020!

Best wishes

Darren