Back in 2019, when Sweet were faced with some unexpectedly sudden changes in personnel, it became clear that not only was the band embarking on a change in line-up it was also undergoing something of a change in personality, too. When I interviewed Andy Scott ahead of Sweet’s 2019 UK winter tour he hinted that the band was now headed in a harder rock direction:
“We felt like we ought to go for a bit more like it used to be in the 70s when we did a festival set. You’d get down to the nitty gritty. You play a couple of the heavier rock tunes that people want to hear so that’s what’s happening. It’s a work-in-progress.”
At that stage the refreshed/revitalised Sweet (with Paul Manzi taking over on lead vocals and Lee Small coming in on bass, following the departures of Pete Lincoln and Tony O’Hora, and with Steve Mann guesting on keyboards/second guitar) had only performed a handful of gigs. Back in 2019, as Andy Scott stressed, it was very much a work in progress. Limited rehearsal time before hitting the road probably meant a complete revamp of the setlist was out of the question. However, with a vastly expanded period of preparation following eighteen months of Covid-related postponements and rescheduling, we can now see this new vision for the band coming fully to fruition. Quite simply, this new line-up has given the band a whole new personality.
Sweet now is perhaps less a celebration of the band’s persona as era-defining singles act (albeit all the notable ones are still there in the set). Instead, it’s far about reconnecting with what the original band set out to achieve when they entered the studio to record the likes of Give Us A Wink and Off The Record. Although Andy Scott is now the last man standing (following the sad death of Steve Priest last year) it’s as though this new line-up have bottled up the spirit of what propelled Sweet onwards from the glam years into the mid to late 70s and unleashed it here and now in 2021.
Andy Scott is clearly very proud of this new line-up – as well as being very obviously delighted to be back on the road performing at long last. However, he makes no apology for the tight Covid-related security procedures in operation throughout this tour: “Basically, me and Brucey don’t wanna fucking die,” he tells us. Quite right, Andy. As our last surviving member from the classic foursome we want to hold on to you and no Sweet fan in their right mind would want to do anything to jeopardise that.
It’s an incredible gig tonight though. Paul Manzi is a hugely talented rock vocalist, Lee Small is an equally talented bass-player, the trademark harmonies are all top notch and, together with guest keyboard player/second guitarist Tom ‘TC’ Cory, the three inject a massive boost of energy alongside the truly heroic guitar-playing of Andy Scott and powerhouse drumming of Sweet veteran, Bruce Bisland.
As well as the big hits, the band power their way through the likes of ‘Windy City’, ‘Set Me Free’, ‘Defender’ (a bonus track originally recorded for a 2015 compilation) and an exceptional version of the band’s current single ‘Everything’. The latter is a song that first appeared on the Sweet Life album in 2002 – in my view by far the best Sweet album since the original band released Level Headed back in 1978. It’s great to see a song from this era finally make it back into the setlist – amazing what you can squeeze once you jettison the likes of ‘Co-Co’ and ‘Peppermint Twist’!
For casual fans there’s still a chance to sing along like crazy to ‘Wig-Wam Bam’, ‘Teenage Rampage’ ‘Hell Raiser’ et al and, of course, the band encore with blinding versions of ‘Blockbuster!’ and ‘Ballroom Blitz’. However, it’s now almost impossible to imagine this latest version of Sweet touring provincial theatres on package tours with the Rubettes and Mud as it was only a few years ago. Sweet is back – and in full-on rock god mode packing out decent venues with some energetic, re-invigorated and uncompromising melodic hard rock. And a glorious thing it is, too.
New York Groove
Set Me Free
The Six Teens
Wig-Wam Bam / Little Willy
Love Is Like Oxygen
Fox on the Run
The Ballroom Blitz