Tag Archives: single release

Tony Fox Sales re-records the Iggy Pop classic ‘Success’ with Blondie’s Clem Burke

Tony Fox Sales, the legendary bass player from Iggy Pop’s Lust For Life album and David Bowie’s Tin Machine has released a brand-new version of ‘Success’ from Lust For Life. The single is released ahead of a tour to mark forty-five years since the release of the classic album. The all-star line-up on the single features Tony Fox Sales alongside Blondie drummer, Clem Burke; vocalist, broadcaster and Pet Shop Boys dancer, Katie Puckrik; Iggy Pop and David Bowie guitarist, Kevin Armstrong;  guitarist, Luis Correia, who’s toured internationally with Earl Slick; and classical pianist, composer, and touring member of Heaven 17, Florence Sabeva.

Tony Fox Sales: “The Lust For Life album as a piece of work itself meant so much to me. To work with David and Iggy in Berlin was the highlight of my career at that point. It was a very creative and inspiring project to work on. It’s been fun for me to revisit ‘Success’ and re-record it with Clem and the others. I’m forty-five years older. I put a different bass track on it and I’m very proud of our new version. It moves. It’s going to be a lot of fun to perform it live. I hope you come and see us. Everybody’s pumped to do this.”

Vocalist, Katie Puckrik, adds: “Out of all the great songs on Lust for Life, ‘Success’ has a tangy little hold on my heart, which is why I wanted it as the single for our project. The glammy swagger of the tune is so damn cocky, but it’s the wit of the lyrics that tickles my pickle. After a tally of the winner’s spoils (a car, a Chinese rug), the line “here comes my face” cracks me up every time I sing it. It’s braggadocio meets neediness, the perfect distillation of the fame game.”

“It was a blast to perform this wry, sly song along with Tony Fox Sales’ thundering, musical bass, Clem Burke’s rhythms-within-rhythms drumming, and Kevin Armstrong’s soaring/slashing guitar. So thanks to some of the coolest musicians in the world—here comes my face.”

The single is available from 16th December on all the main digital platforms.

The same line-up will be touring next year, with a full UK tour alongside dates in Ireland and Japan. On the tour, the band will perform the Lust For Life album in full, as well as revisiting songs from across the individual band members’ careers with legendary artists such as Blondie and David Bowie.

Looking forward to the tour, Tony adds: “I’m very excited to get back on the road. I haven’t been on the road since I last toured with David Bowie and Tin Machine in 1991, but I’ve been a professional musician since I was twelve years old and I’m looking forward to it. It’s going to be a lot of fun.”

The full 2023 tour dates are as follows:

Mon 20 Feb – Billboard Live, Osaka, Japan

Thur 23 Feb – Billboard Live, Tokyo, Japan

Tue 28 Feb – Exchange, Bristol, UK

Wed 1 March – The 100 Club, London, UK

Thur 2 March – The Cavern, Liverpool, UK

Fri 3 March – Social, Hull, UK

Sat 4 March – Trades Club, Hebden Bridge, UK

Sun 5 March – The Vodoo Rooms, Edinburgh, UK

Wed 8 March – Whelan’s, Dublin, Ireland

Thur 9 March – Arts Centre, Colchester, UK

Fri 10 March – The Piper, St Leonards, UK

Sat 11 March – The Lexington, London, UK

Sun 12 March – The Lexington, London, UK

All tickets available via: https://tonyfoxsalestour.com/

‘Birds’ – the new single from UK Americana singer-storyteller, Little Lore, released 2 December

“Storytelling is at the heart of Duffy’s songwriting but she finds a unique angle or topic on each track that brings a fresh perspective to a common and relatable issue.” – Maverick magazine on the debut Little Lore EP

‘Birds’ is the latest single from Little Lore, the alter-ego of London-based Americana singer-storyteller Tricia Duffy, released on 2 December 2022.

With the lush instrumentation from Oli Deakin beautifully complementing Little Lore’s heartfelt vocals, ‘Birds’ came out of a visit to the Hampshire countryside, close to where Tricia grew up. With the chorus of birdsong that rang out around her providing a calming backdrop as she wrestled with some challenging personal news, all the while gently strumming her guitar with just an ageing and rather deaf cat for company, the melody took shape and the creatures around her began to inspire the lyrics.

Little Lore: “I wrote ‘Birds’ at a friend’s home in Hampshire.  They live near the Hamble river, very close to where I grew up just outside Portsmouth. I had been devastated by a terrible event that had happened to someone close to me a few weeks before, which all sounds a bit cryptic, but without going into details I’ll just say I was craving some time away to be inside my head.  My friends have a gorgeous black Manx cat called Scooter. Poor Scooter is rather old and almost completely deaf, but seemed to enjoy the vibrations created by my guitar. He spent my entire stay close to me, purring a lot of the time at full volume. The birds in that area are also incredible, doves, blackbirds, thrushes, woodpeckers were enveloping me in warm calming song.”

“So that’s the scene – which you can hear described in the first verse. Along with that, I was trying to challenge myself to try different approaches to song-writing. My usual process is to start with lyrics, then build harmonics and melody comes last. This time I was playing guitar – building a palate which included some gorgeous suspended chords and I started singing what I could see and what I was feeling over the top. It was one of those rare moments that songwriters become quite addicted to, when you almost lose awareness of time and motion and you’re just in the song.  What seems like ten minutes later (but in reality is a lot longer) you have a song and it feels like it wrote itself.  So ‘Birds’ was created.”

Released in all the main digital formats on 2 December, available from https://littlelore.uk or https://littlelore.bandcamp.com 

About Little Lore:

Little Lore is a London based, Indie-Americana singer-storyteller whose songs are both charmingly accessible and yet beguilingly challenging. You’ll want to listen twice. When you combine British wit and wordplay with cherished Americana roots, musical magic starts to happen. Based in Chiswick, west London and originally hailing from Portsmouth, Tricia Duffy started her singing career in a live covers band performing popular rock classics. Over time, however, a strong desire emerged to begin writing and performing her own material and she formed an acoustic Americana duo with fellow musician, Al Bird. Duffy & Bird released a well-received album ‘5 Lines’ in 2017 and a follow-up EP ‘Spirit Level’ in 2019. While Al subsequently decided to take a back seat from recording and performing, Tricia was keen to take things a step further. Little Lore was born. Her debut solo EP, Little Lore, was released in 2021 to glowing reviews. A follow-up single, ‘Shallow’, was released in April 2022 to similar acclaim, followed by ‘Brown Liquor John’ in October 2022. In her songs, Little Lore brings together an affection for the heart and heritage of Americana music, with an intelligence and maturity of storytelling that can sweep you away into new and unexpected emotional worlds.

Production and instrumentation: Oli Deakin.

Drums: Morgan Karabel

Artwork by: Afiya Paice, a West London-based artist and designer.

Website: https://littlelore.uk

Satisfy / So You Say – Double A-sided debut from The Resolve

The Resolve are a five-piece rock band from Kent who channel the big choruses, catchy melodies and high energy delivery from bands like Oasis, Kasabian and The Who with those stadium-sized guitar riffs instantly reminiscent of the mighty Foo Fighters.

Formed in 2019 as the covers band, Paisley Park, they cut their teeth on the local music scene around London and Kent and soon gained a faithful following, rapidly progressing to regular slots at local festivals – including headlining the Danson Park Firework Spectacular for an audience of 35,000. Now, with a new name and a new determination to create high-quality original music, The Resolve released their debut double A-sided single. ‘Satisfy’ / ‘So You Say’ on 25th November.

The Resolve: “After a number of years working the circuit as a covers band, we cannot wait to release our own music. We are so excited to finally get the songs out there, and to see where this new path will take us. The first track of our debut double A-side is ‘Satisfy,’ which is a song that jumps straight in to capture that feel of a great classic rock tune. For the second track, ‘So You Say’, we wanted a song that grabbed your attention from the start and then took you on a journey, from its mellow acoustic feel early on into that huge great chorus!”

“The inspiration for our music has come from all over, and from knowing exactly what a crowd wants through all our past work as a go-to covers band. Our mission is to channel the high energy from bands like The Who and The Foo Fighters with the crowd-pleasing, catchy choruses that define all of those great songs from The Beatles, The Jam and Oasis.”

The Resolve are:

James Cox – Drums

Simon Hawkins – Lead Guitar

Matt Kemp – Rhythm Guitar

Chris Regan  – Bass

Tom Wiltshire – Vocals

Both tracks were recorded at The Joplin House studio by producer Dan Lucas who says of The Resolve: “After nearly twenty years in the production chair, it’s amazing how many bands I’ve encountered who can play but can’t really write a ‘song’. I had my faith restored this weekend. So many artists are out there with cobbled-together tunes, throwaway lyrics or tracks that are devoid of any substance. There’s a reason the ‘90s was such a successful decade for guitar music!”

Work is currently underway on The Resolve’s debut album, scheduled for release in 2023. The album promises everything from hard hitting rock tracks to melodic catchy belters.

‘Satisfy’ / ‘So You Say’  – released 25th November on all the main digital platforms.

Instagram: https://www.instagram.com/TheResolveMusic/

Facebook: https://www.facebook.com/TheResolveMusic

Twitter:  https://twitter.com/TheResolveMusic

This week’s featured artist: singer-songwriter Ed Blunt – Christmas single ‘The Dome of St Paul’s’

Ed Blunt is a singer-songwriter with a debut album out in February 2022. London-based Blunt, whose family home is in Graffham, Sussex, is a jazz and classically trained pianist, who earned his stripes on the London scene, and is in demand as a performer, arranger and choir leader (he is Musical Director and founder of the ensemble, Camden Voices).

As a foretaste of his coming album he has recently released a Christmas single, a heart-warming Christmas song inspired by the last big blizzard in the City of London.

‘The Dome of St Paul’s’ was written during lockdown and recounts a night in 2009 when the capital saw its biggest snowfall for several decades. The song is accompanied by a magical animated video created by London’s Chicken Fruit Studio and set on Christmas Eve.

At the time, Ed was a student at Guildhall School of Music and Drama living in its hall of residence close to The Barbican.

Blunt: “One freezing Sunday night it started to snow, at first just a few flakes, then soon enough a proper whiteout. As we walked the streets the city that was usually loud and frenetic stood perfectly still and quiet in the snow like a dreamland – it was one of those nights you will never forget.”

But it took 12 years before Ed’s memory of that snowstorm triggered a song. He started writing the melody and lyrics during a lockdown Zoom workshop with Chris Difford, of legendary band Squeeze, who describes the song as “brilliant”.

“The challenge Chris set was to write a song about London and, for some reason, the day the snow transformed the city into a winter wonderland came vividly to mind.”

Besides the city cathedral, it namechecks a number of other London landmarks – Finsbury Square, London Wall and Chancery Lane.

Recorded and mixed by David Simpson at the Crypt Studio, London it features James Nall on drums and percussion, Charlie Laffer on guitars and Tom Farmer on bass.

Ed Blunt’s debut album, Over the Moon is due out in February 2022, and serves up a rich mix of folk, rock, blues and gospel – original songs inspired by subjects as diverse as cinematic stories of men on the moon to the folklore of his home city — often cut through with a touch of humour.

The Dome of St Paul’s is out now on all digital platforms.

Listen on Spotify: https://li.sten.to/thedomeofstpauls

www.edblunt.co.uk

News: ‘Cultural Anthropology’ dystopian blues rock meets folk horror – new single from Tom Wilcox

Released: 12th November 2021 on Maniac Squat Records

Tom Wilcox releases a new dystopian blues rock song, Cultural Anthropology. The track references the 2019 Ari Aster folk horror film Midsommar. However, it is principally based on Tom’s experiences and knowledge of occult practices on the Essex-Suffolk borders, where he was brought up, in the late 70s and 80s.

Tom Wilcox: “Regression therapy has helped me to piece together fragments of memory and the recollections of family and friends into an almost coherent picture. The dark strangeness of what goes on in timeless, quiet, places is not widely known, and yet it is endemic.”

The chorus of Cultural Anthropology also references Richard Hamilton’s seminal collage from 1956. The B-sides making up this three track EP are covers of Leonard Cohen’s ‘Treaty’ and Brian Dewan’s ‘Where They Belong’.

Both Tom Wilcox and guitarist on the track, Paul Cuddeford, are members of London-based art rock band, of Last Day Sect. Their critically acclaimed debut album, ‘The Gothic Novel’, was released in 2019. Joining Tom and Paul is keyboard-player Florence Sabeva.

Cultural Anthropology is released on 12th November on all the main digital platforms

About the artists:

Tom Wilcox was the front man of 90’s art punk band Maniac Squat finding notoriety with their 1995 ‘hit’ F**k Off (Single of the Week in Kerrang!) Tom has since produced albums for Gillian Glover and Lisa Ronson; the latter, co-produced with Paul Cuddeford, receiving a 4-star review in Mojo and widespread critical acclaim. As a songwriter Tom has provided material for many bands including Lover and Florence Sabeva.

Paul Cuddeford is a guitarist, multi-instrumentalist and composer with many years’ experience producing music for television and film. He is best known for his guitar playing for artists including Ian Hunter, Steve Harley, Lisa Ronson, Tom Jones, Bob Geldof, Cat Stevens and Paul Young. Paul co-wrote and co-produced Lisa Ronson’s debut album ‘Emperors of Medieval Japan’.

Florence Sabeva is a London based keyboard player, a singer-songwriter and pianist with classical background. She’s a versatile musician who has played alongside rock royalty including Heaven 17, Earl Slick – guitarist for David Bowie, Bernard Fowler – vocalist for the Rolling Stones, Steve Norman – member of Spandau Ballet, Kevin Armstrong – guitarist for Iggy Pop and classical crossover singer Laura Wright.

https://www.facebook.com/ManiacSquatRecords

Related post:

Maniac Squat: after 25 years Colchester’s favourite art punks return with experimental concept album

Original Vanilla Fudge line-up reconvene one final time to release ‘fudged up’ version of Motown classic

In the late ’60s Vanilla Fudge were known for their slow extended heavy rock arrangements of contemporary hit songs, including their take on the Supremes smash ‘You Keep Me Hangin’ On’.

Now all of the original line-up have come together to release a ‘fudged up’ version of another Supremes classic in tribute to departed bandmate, Tim Bogert, who died in January.

The original Vanilla Fudge line-up of Mark Stein, Carmine Appice, Vincent Martel and Tim Bogert, came together one final time for a psychedelically-tinged version of the ‘Stop In The Name Of Love’.

Vocalist and keyboard player Mark Stein put the idea to the others back in 2019 with the idea of recapturing some of the magic of their classic arrangement of ‘You Keep Me Hangin’ On’, which has enjoyed an extended life thanks to it’s appearance in the soundtracks of several Hollywood blockbusters.

Stein: “So back in mid 2019, I put together a blueprint for an arrangement for ‘Stop in the Name of Love’, while the Fudge was out there doing shows later that year. We went into the studio and recorded the track. We planned to complete it, there were delays, and then the pandemic put everything on hold.”

They planned to complete the recording with bass-player Tim Bogert on the track. However, the band ran into some unavoidable delays due to the pandemic but Bogert had been living with cancer for some time and didn’t know how much time he had.

Drummer, Carmine Appice took the matter into his own hands and when he went to Los Angeles’ NAMM show in January of 2020; he arranged for Tim to record at Jorgen Carlsson’s (the bass player for Gov’t Mule) studio in LA.

Vince Martel: “It was very cool that we were able to get Timmy on the track. I’m glad he was strong enough and gracious enough to record with us one last time – he gave me a great template to build on with my guitar. I created an East Indian raga intro in the spirit of our early albums and rocked out at the end. Hold on tight everybody,’ cause here comes The Fudge…”

Pre-Save/Pre-Order ‘Stop In The Name of Love’ HERE

Following Bogert’s passing the band also recorded tributes to their departed bandmate with producer Leslie Gold and a special tribute recording ‘To The Legacy Of Tim Bogert’ aslso scheduled for release.

Stop In The Name of Love’ released September 6th 2021

facebook.com/VanillaFudgeOfficialSite

This week’s featured artist: Big River – new single ‘Don’t Hold Out’ out now

Kent-based blues rock band Big River were formed back in 2016 with their debut album Redemption released in 2019. The band took a fair bit of inspiration from that early seventies golden era of blues rock and turned out a nice line in meaty rhythm, soulful vocals, catchy hooks and big fat riffs and lush guitar solos.

Since then there’s been a bit of a shift in personnel with Damo Fawsett (guitar), Ant Wellman (bass) and Joe Martin (drums) now being joined by new boy Adam Barron who takes over from former vocalist Adam Bartholomew. This is almost certainly the best career move a band like Big River could possibly have made.

Barron came to prominence as a contestant on The Voice and then secured the lead vocalist position fronting Mick Ralphs’ solo band. Sadly, that venture came to an end with Ralphs’ debilitating stroke but Barron teaming up with Big River is a stroke of genius. One of the finest blues rock singers around these days, Barron is the perfect fit for Big River and takes the band to new heights.

The new single ‘Don’t Hold Out’ sets an exceptional standard and was released on all platforms for digital download on 20th August. Written by Barron is an old school classic rock song with a summer vibe and a catchy hook with singer’s soulful, emotive, bluesy vocals taking centre-stage. 

Barron says: “I love my family, I love my friends and I love life, even with all the complications and shit that comes with it. I really believe we have to grab any and every bit of joy we can every day, because we don’t know what’s going to happen tomorrow, (last couple of years have certainly shown us that!) and that’s what this song is about.”

Big River are currently working on a second album and preparing for tour dates in Summer / Autumn 2021. 

https://www.facebook.com/bigriverblues

Related posts:

Album review – Big River – Redemption

Mick Ralphs Blues Band at Giants of Rock 2016

Dave “Bucket” Colwell at Leo’s Red Lion, Gravesend 2016

‘Nightfall in the Labyrinth’ progressive duo Across The Sea return with new single

‘ferociously intense yet strikingly melodic’

Released: 6th August 2021

‘Nightfall in the Labyrinth’ is the new single from Sussex-based progressive duo Across The Sea. Released on 6th August it’s the lead single ahead of the duo’s much-anticipated second album, a nine-track concept piece entitled The Wayfarer Triptych which is scheduled for release on 1st October.

Deep amongst the maze-like ruins of a fallen city, a girl is pursued through the night as she flees in a desperate bid for survival. And far in the distance, a great wall of mist rises from the darkness, standing between her and the hope of salvation. What lies beyond? Will she reach the other side? Or will she remain imprisoned in this labyrinth forever?

The fastest track the duo have ever committed to tape, ‘Nightfall in the Labyrinth’ showcases Across The Sea at their most ferociously intense yet strikingly melodic, twisting and turning through a barrage of frenetic guitar riffs, towering vocal hooks and complex rhythmic shifts, as the track spirals towards its soaring and dynamic finale.

Hailing from Worthing on the West Sussex coast in the south of England, Across The Sea sound unlike any act you’ve heard before. Evocative, otherworldly, and utterly captivating, they defy categorisation, inhabiting a place where the boundlessness of the imagination transcends genre limitations and conventions. A breathtaking synthesis of the haunting, siren-like vocals of classically trained soprano Hannah Katy Lewis and the dynamic, unorthodox and experimental guitar style of Pete Ferguson, their mesmerisingly unique sound is wildly eclectic, fiercely inventive and singularly distinctive.

Their critically-acclaimed first album Infinite Worlds was released in December 2018, featuring on HMV Brighton’s recommended list and being lauded by a diverse range of outlets as a startlingly original debut. The June 2019 stand-alone single Behind the Looking Glass gained further recognition for the duo, picking up considerable airplay in the UK and internationally.

Playing over 150 shows since their inception, the pair have earned a reputation as one of the most tirelessly active and genuinely innovative acts on the live circuit, whose immersive and theatrical performances have enchanted audiences at venues throughout the south and – as part of a successful 2019 summer tour – festivals such as Victorious, Wickham and Rhythmtree.

‘Nightfall in the Labyrinth’ will be available from Across The Sea’s online store in a variety of digital formats www.acrosstheseauk.com

Across The Sea – what they say:

“Early Joni Mitchell meets Hawkwind in this Space-Rock-fuelled, Folk fusion journey. Set the controls for a far-flung flight of fantasy to a distant galaxy where Space Rock, Folk and Opera are one. Brimming with complex musical ideas and literary concepts, Across the Sea will challenge you to consider where one genre ends, and another begins.”Alistair Goodwin, Music Producer & Events Organiser, Wickham Festival

“A unique musical act that is virtually impossible to pigeonhole genre-wise, combining amazing vocals with breath-taking guitar work.”Ivan Roberts, Riff Taff Music Networking

“Something to get drawn into and swept away with.”Metal Meyhem Radio

“We love Across the Sea – uncompromising, dark, ethereal beauty. One of the most interesting acoustic artists around. Can’t wait to hear what they’ll do next.” John Fowler of prog duo Dandelion Charm

“Across the Sea are a rare find. The extreme juxtaposition of Hannah’s exquisitely pure vocal and Pete’s deep and intricate guitar playing is extraordinary and compelling.” Clare Fowler, Dandelion Charm

“Combined they’re a 2 piece that sound like a 10 piece.”​Headlights and White Lines

“Hannah Katy Lewis’ vocal is startlingly good, ranging from Kate Bush theatricals to Middle-Eastern chanting…”​Listen With Monger

Nightfall in the Labyrinth – credits:

Vocals – Hannah Katy Lewis

Guitar – Pete Ferguson

Written, recorded & performed by Across The Sea

Recorded at Humber Studios & The Mothership, August – October 2020

Mixed by Pete Ferguson

Mastered by Augmented Sounds

Soundscapes/Effects – Pete Ferguson

Artwork – Angelina Andreas

Layout – Hannah Katy Lewis

Logo Design – Cynthia Renn

www.acrosstheseauk.com

Folk: ‘Johnny’s Gone to Hilo’ – new single from Roly Witherow released 2nd July 2021

‘Johnny’s Gone to Hilo’ is a second single from composer and folk artist Roly Witherow ahead of a forthcoming EP set for release later this year. Roly’s rendition is a characteristically inventive yet mournful interpretation of the traditional sea shanty. The single also features guest backing vocals from celebrated East Anglian folk singer, Nick Hart.

Check out ‘Johnny’s Gone to Hilo’ on Spotify here

A prolific composer in the world of film, TV, and theatre, Roly’s credits have included Channel 4’s On The Edge, 2015 BIFA nominated film Gregor and David Hare’s The Permanent Way. His debut folk album ‘Ballads and Yarns’ attracted a slew of highly favourable reviews in the UK media and beyond.  

As a folk musician and singer, Roly’s influences include Pete Seeger, Ewan MacColl, Peggy Seeger, A.L. Lloyd, Richard Thompson, Nic Jones, Pete Bellamy, John Martyn, Shirley Collins, Dick Gaughan, Lisa O’Neill and Will Pound.

Of the new single Roly says:

“Johnny’s Gone to Hilo is a sea shanty originating from the sailors of the nitrate trade off the Pacific coast of South America in the 19th century.  Hilo likely refers to the Peruvian port of Ilo, and whilst the tone of the shanty varies a great deal in all its different versions and iterations – from drinking song to lament, I thought the melody of the song lent itself best to a sorrowful arrangement with guitar, harmonium and two voices. The backing vocals are provided by acclaimed local folk singer Nick Hart of the Nest Collective, who, raised in a family of morris dancers, is renowned for his evocative voice that is rooted in the folk tradition.”

“The recording of the harmonium with all its noisy stops, billows and pipes was a particular challenge for producer Joe Garcia, but, with some ingenious microphone placement, he managed to capture the instrument’s unique and idiosyncratic sound with tremendous accuracy and warmth.”

Speaking on his five-track EP, set to be released in Winter 2021, Roly added:

“The forthcoming album is a very new direction for me. If my first album, ‘Ballads and Yarns’ had an experimental bent, stemming from my experience as a film composer and combining traditional songs with electric instrumentation, spoken word and elements of world music, this new album has a “back to basics” approach, focussing on the song itself in its most minimal form. The vast majority of the songs are for just acoustic guitar and voice, and the recordings have a very live feel to them, realised in large part by the expert production of Joe Garcia of Joe’s Garage, in Bristol.”

“This new album also has quite a playful, innocent and childlike quality to it, influenced in part by the children’s songs of Pete Seeger, Ewan MacColl and A.L. Lloyd, but also by my experience of recently becoming a father. One of the songs on the album ‘Ernie’s Song’ is dedicated to my son. The album is a combination of traditional songs from the British Isles and further afield, and originals, such as this first single ‘The Bird and the Frog’. There are also some collaborations on the album, including with renowned local folk singer Nick Hart. The album in general touches on themes of rural vs urban life, family and growing up, love and love lost, nature and animals, industrialisation & mechanisation, death and religion.”

What they say:

“Witherow’s resonant voice sits beautifully against a spacious guitar arrangement” – The Times

“mixes up art-rock, atmospherics and folk on his personal project” – The Guardian

“a modern yet classic celebration of the art of folk music” – Folk Radio UK

https://www.rolywitherowmusic.com/

Related post:

‘The Bird and The Frog’ a new folk fable from Roly Witherow

Metal: first single from KK’s Priest out this week and debut album set for release in August

After performing a one-off gig together in November 2019 it was announced last year that three former member of Judas Priest, guitarist KK Downing, vocalist Tim ‘Ripper’ Owens and drummer Les Binks, would be working together more permanently as part of KK’s Priest.

Downing, of course, had severed his long-standing ties with Judas Priest back in 2011, citing a breakdown in band relations. Owens’ own eight-year tenure in the band, came to a conclusion in 2003 when lead singer, Rob Halford, returned. Binks, meanwhile, left Judas Priest in 1979 after recording three classic albums (Stained Glass, Killing Machine and Unleased In The East) following a row over money with the band’s management.

Binks, who had already been touring with his own outfit Les Binks’ Priesthood – performing songs from his time in the band, has unfortunately had to put activities on hold due to a wrist injury. Downing and Owens, however, are now raring to go with a new single ‘Hellfire Thunderbolt’ released this week, an album Sermons Of The Sinner set for release on 20th August this year, with live dates to be announced as coronavirus restrictions are lifted.

Downing: “We are delighted to finally be able to release our first track to the world. It gives a real flavour of the sound and showcases the amazing players I’ve got in this band. We can’t wait for the fans to hear the record.”

Joining Downing on guitar and Owens on vocals, are Tony Newton (Voodoo Six) on bass, A.J. Mills (Hostile) on guitar and Sean Elg (DeathRiders/Cage) on drums. It is hoped Binks will make special guest live appearances when the band tours. 

Downing notes that Sermons Of The Sinner is an album that celebrates his classic metal roots and encourages us to cherish those iconic pioneers whom we still have with us. He jokes that KK’s Priest is “like a new old band. Or an old new band.”

“The whole concept is the fact that I continue proudly to be who I am and what I am and do what I do,” declares Downing. “It’s been nearly 10 years. I’m back making music.”

Downing continues: “The ultimate message is we’ve moved away from this music that we loved for so long and we’re so dedicated to, and now we’re in a situation where lots of people are actually passing away. We’ve lost a lot of great people – Dio, Lemmy, I could go on – and that’s gonna be accelerated over the coming years. Basically, enjoy everything that’s left of this brand of metal including from me. It’s not going to last forever.”

The new single certainly captures a lot of the energy, attitude and sound of classic Judas Priest and there’s more than enough room in the classic rock and metal scene for bands to thrive. This has got to be good news for Priest fans. I’ll certainly be keeping a close eye on this band as well as Judas Priest itself. Let’s make the most of them while we’ve still got them.

KK’s Priest is set to tour worldwide as soon as current restrictions are lifted. Details of touring to be announced.

Sermons Of The Sinner released 20th August 2021

Connect with KK’S Priest via:

Website – www.kkspriest.com

Facebook – www.facebook.com/KKsPriest

Twitter – https://twitter.com/KKsPriest

Instagram – www.instagram.com/kkspriest

Related posts:

Album review : Judas Priest – Redeemer of Souls

Live review: Judas Priest at Brixton Academy 2015

Live review: Les Binks’ Priesthood at Minehead 2020

Book review: ‘Confess’ by Rob Halford