Tag Archives: NWOBHM

Live review: Diamond Head and Saxon, De La Warr Pavilion, Bexhill 13/11/22

Back in the day Diamond Head seemed to be one of those bands I constantly read about but somehow passed me by, neither seeing the live nor owning one of their albums. I’ve made up for it in recent years and this is now the third time I’ve seen them. Hugely influential as early pioneers of the NWOBHM (New Wave Of British Heavy Metal) era and later lauded by bands on the US thrash scene, like Metallica, they never really quite got the recognition they deserved to make it into the big league. But after being absent for the latter part of the 1980s and much of the 1990s the band reformed in the early 2000s and have been solidly active ever since.

Lead guitarist, Brian Tatler, has been the one constant presence in every line-up of the band from the start but the latter-day Diamond Head are a really strong unit and seem to have carved out a niche for themselves as a go-to support act. I saw them at this same venue three years ago supporting Uriah Heep and it’s great to see them, once again, now supporting Saxon. While there may be something of an ‘always-the-bridesmaid-never-the-bride’ about that, it is nevertheless fantastic to see them perform on a big stage in decent-sized venues like De la Warr. The band’s combination of hard riffing and bona fide heavy metal classics assure them a hugely appreciative audience tonight. Definitely,  a support band you don’t want to miss.

While some veteran rock acts might be content to ease off on the writing and recording of new material and focus primarily on a greatest hits set for their live shows, Saxon continue to deliver some excellent albums and this tour is very much about promoting the latest, Carpe Diem, released earlier this year. Indeed, the name of this tour (‘Seize The Day’) comes from a line in the album’s title track. There’s no shortage of material from the new album on this tour and the first part of the set is heavily dominated by tracks from Carpe Diem. Having bought the album when it first came out back in February, I’ve had a good few months to familiarise myself with it. So as the band blast out tracks like the aforementioned ‘Carpe Diem (Seize the Day)’, ‘Age Of Steam’ and ‘Dambusters’, they sound more like welcome old friends than strangely unfamiliar new material. It helps, of course, that Saxon have always had that knack of turning out memorable songs with great riffs.

There’s room, of course, for plenty of the old classics, too.  ‘And The Bands Played On’, ‘Wheels Of Steel’, ‘747 (Strangers In The Night)’, ‘Denim And Leather’ and ‘Princess of the Night’ all get a welcome airing before the end of the evening. Unforgettable anthems of heavy metal all of them, they have ensured Saxon have remained up there as my personal favourite to come out of the NWOBHM scene.

Biff Byford is in fine voice and remains a compelling frontman, the band power through the songs with incredible energy as those trademark heavy riffs are unleashed and the songs, whether new or old, make for a hugely memorable gig. Thank you, Saxon!

https://www.saxon747.com/

Setlist:

Carpe Diem (Seize the Day)

Sacrifice

Age of Steam

I’ve Got to Rock (To Stay Alive)

Dambusters

The Thin Red Line

Living on the Limit

Dallas 1 PM

Heavy Metal Thunder

Metalhead

The Eagle Has Landed

Black Is the Night

And the Bands Played On

Wheels of Steel

The Pilgrimage

Strong Arm of the Law / Solid Ball of Rock

747 (Strangers in the Night)

Denim and Leather

Princess of the Night

Related reviews:

Diamond Head and Uriah Heep at De La Warr Pavilion, Bexhill 6/12/19

Saxon / Fastway / Girlschool at Shepherd’s Bush Empire 5/11/16

Saxon – album review: Battering Ram

‘Denim & Leather: The Rise And Fall Of The New Wave Of British Heavy Metal’ by Michael Hann

Book review: ‘Denim & Leather: The Rise And Fall Of The New Wave Of British Heavy Metal’ by Michael Hann

My early teen years neatly coincided with the ascendancy of the New Wave Of British Heavy Metal (NWOBHM). I missed the first Monsters of Rock at Donington in 1980 but was there for the second. I went out to get the first issue of Kerrang! (which I still have) and bought (or taped) albums by many of the bands featured in this book. Unlike many other genres or musical movements that I’ve grown to love over the years, this one perfectly aligned with the period when I was seriously getting hooked on music for the first time.

Taking the form of a transcribed oral history, Denim & Leather features contributions from a plethora of figures, from artists to managers to promoters to writers to fans, who were around during the short life of this grassroots phenomenon which gave a much-needed shot in the arm to the world of hard rock at the tail end of the 1970s and the dawn of the 1980s.

Sometimes books of this nature, featuring an endless stream of quotes and half-remembered (and often contradictory) anecdotes but little in the way of context or analysis, can be a bit of an exhausting and not always particularly satisfying read. But Denim & Leather is cleverly done and author, Michael Hann, has skilfully organised it in a way that allows for clear narratives to emerge. The various chapters take us through key events chronologically but also give us an in-depth look at particular aspects of the scene. There’s chapters on the importance of things like The Friday Rock Show, Sounds and later Kerrang! mag as well as the first ever Monsters of Rock Festival but it also looks at some of the less rose-tinted aspects of the scene, like the all too frequent misogyny.

Wisely, the book doesn’t get too hung up on rigid definitions of what is and what isn’t NWOBHM and there is a chapter devoted to the influence the movement had on that trio of post-Purple bands, Rainbow, Whitesnake and Gillan, as well as lots of mentions of Judas Priest, whose members were all making music well before NWOBHM became a thing although they certainly benefited from it.

Given the importance the two bands had in influencing the later sub-genres of thrash metal and black metal respectively, there’s a whole chapter devoted to Diamond Head and another whole chapter devoted to Venom. I never really got the whole extreme metal thing, personally. But at the other end of the spectrum I never really bought into that overproduced very Americanised direction that Def Leppard soon headed in either. That also takes up a considerable chunk of the book and, in the end, is what pretty much did for NWOBHM.

For me, NWOBHM was at its very best when it melded the uncompromising heaviness of the first generation of heavy rock acts with the catchy choruses and three-minute tunes of the early 70s glam rock scene and the DIY ‘get-up-and-do-it’ spirit of the punk era. The bands that most closely adhered to that template were the ones I warmed to the most – and still do. My favourite quote in the book – from former Saxon bass man, Steve Dawson, thus perfectly sums up why I always had more love for Saxon than Iron Maiden:

“Without sounding elitist, I think the tunes we wrote were more catchy songs. Not just a riff with some fucking twat screaming. A lot of the so-called NWOBHM wrote riffs with singing, and not songs – melodic tunes that you could whistle. Iron Maiden were sort of in that bracket to me.“

Denim & Leather is a well-researched and highly readable look at a crucial but often overlooked period in rock and metal history, with many insightful, entertaining, thought-provoking and occasionally downright disturbing contributions from some of the key players in the NWOBHM scene at the time.

Published: February 2022 by Constable

April 16TH: Story of an 80s heavy metal band – new CD out ‘Epitaph’

Playing their first gig in April 1985, the band April 16TH were late to the party in terms of the UK’s New Wave Of British Heavy Metal scene. By then many of the bands that had started up in the late 70s and early 80s had either packed up, moved on or dramatically changed their style – bringing in keyboard flourishes and, with an eye on the more lucrative American market, a more commercial sheen. April 16TH resolutely didn’t go down this route, opting for a gutsy raw feel reminiscent of the likes of early Tygers of Pan Tang et al.

April 16TH at the Marquee

April 16TH were John Fisher (drums), Chris Harris (guitar), Lawrence Mills (lead guitar), Eric Puffett bass) and Dave Russell (vocals) – and unlike many bands of the era their line-up remained stabled throughout their entire tenure 1985-91.

“Musically APRIL 16TH always preferred a raw guitar base sound to that of the cleaner and ‘less real’ sound afforded by keyboards. The bands rough edge was further enhanced by the use of a single vocalist instead of the more traditional backing vocals set up,” states the band’s retrospective biog.

“Philosophically the band truly believed in the power of rock music as a form of expression. Their stage presentation was a totally unpretentious and honest, yet powerful and exciting experience. “APRIL 16TH” despised the use of stage clothing and over-hyped theatrical performances with larger-than-life egos. At gigs you could find and could talk to the band at the bar or the pub next door, not locked away in the dressing room.”

APRIL 16TH meet Lemmy

Gigging extensively around the south east the band’s early recordings began generating interest from regional radio stations and bookings started to come from further afield. An album Sleepwalking followed in January 1989 which led to further exposure for the band.  Radio One invited April 16TH to record a session for the Tommy Vance Rock Show and there was also a slot for London Weekend Television. Sadly, however, financial woes put paid to any future success, bankruptcy forced their departure from the music scene and April 16TH played their last ever gig at the Cartoon in Croydon on Saturday 13th July 1991.

The story doesn’t quite end thee however and thirty years later we now have a newly released CD chronicling all of the band’s studio recordings.

Why now? I asked guitarist, Chris Harris, who kindly sent me the CD.

Chris: “During our ‘career’ we produced two audio products. The first was a C60 cassette recorded at Cherry Studios in Croydon that we called the Cherry Jam tape. The second was a vinyl LP also recorded at Cherry Studios entitled Sleepwalking. The Cherry Jam tape was essentially a gig getting Demo tape but the Sleepwalking album was a ‘FOR SALE’ LP released by our record company – High Dragon Records of Paris. After the band went bankrupt it was always my intention to self-release a CD containing all the tracks that appeared on both the C60 and the LP. But this dream did not become a reality until July 2021.”

The Cherry Jam tape cover

 “I don’t like the word compilation,” adds Chris. “The title Epitaph was chosen to reflect the sombre memory of our demise and to present all the (recorded) material that the band had available. And so Epitaph was compiled by using the original 1986/87 master tapes. The CD is an exact duplication of the original sound of the band and was not enhanced or re-mixed in any way.”

The Sleepwalking vinyl album

Although not one of the big names of the era Epitaph is a hugely enjoyable compendium of April 16TH’s recorded output and should be of interest to anyone with a love for the NWOBHM scene and in particular those who enjoy those bands who went for the hard, rootsy, gutsy approach and weren’t like the proverbial kids in a sweetshop when they got inside a recording studio but stuck to the basics.

Visit April the band’s Facebook page at April 16TH

And join their Facebook group here

News: Best of Heavy Pettin released 27th November

Following a reissue of the band’s three 1980s albums a year ago, a fourteen-track Best Of Heavy Pettin compilation is set to be released on 27th November.

The compilation features tracks taken from the Scottish hard rockers’ three studio albums: Lettin Loose, Rock Ain’t Dead and The Big Bang, including the hit singles ‘Love Times Love’, ‘In and Out of Love’ and ‘Rock Me’.

The cover is a previously unseen photo by David Plastik taken at The Louder Sound festival in France in 1984. Ross Muir provides liner notes on the band’s history.

The group dissolved in 1988 with the final album, The Big Bang, being released the following year. Heavy Pettin reformed in 2017. The new version of the band, featuring original members Gordon Bonnar and Hamie, recently recorded a 4-track EP, the first batch of new material bearing the band’s name in over 30 years.

Original Heavy Pettin drummer, Gary Moat, meanwhile, now fronts his own band, Burnt Out Wreck, who have released two well-received albums: Swallow in 2017 and This Is Hell in 2019.

Delivering punchy yet polished hard rock Heavy Pettin were often regarded as a cut above many of their contemporaries in the New Wave Of British Heavy Metal. It is good to see their legacy given the treatment it deserves, with this new compilation now joining the reissues of their original three studio albums.

Best Of Heavy Pettin – Track List:

  1. IN AND OUT OF LOVE
  2. SOLE SURVIVOR
  3. BORN TO BURN
  4. NORTHWINDS
  5. LOVE TIMES LOVE
  6. LONELY PEOPLE
  7. DEVIL IN HER EYES
  8. TWO HEARTS
  9. CHINA BOY
  10. 10.DON’T CALL IT LOVE
  11. ROCK ME
  12. THROW A PARTY
  13. ROCK AIN’T DEAD
  14. HELL IS BEAUTIFUL

Best of Heavy Pettin released 27th November 2020 by Burnt Out Wreckords/Cherry Red

Order link: https://www.cherryred.co.uk/product/heavy-pettin-best-of/

Related posts:

This Is Hell – Album Review

Interview with Gary Moat

Heavy Pettin Reissues

Anvil / Burnt Out Wreck / VOiD at The Underworld, Camden 2018

Burnt Out Wreck at Classic Rock Weekender 2018

Burnt Out Wreck at Classic Rock All Dayer 2018

News: 40 years of Thunderstick celebrated with limited-edition live album – released 20/3/20

Something Wicked This Way Came – Live in France

Released 20/3/20 on Roulette Records

Order from: https://www.roulettemedia.uk/thunderstick-store

By way of marking forty years since the emergence of the infamous masked drummer ‘Thunderstick’, who became the iconic figure for the then burgeoning ‘New Wave Of British Heavy Metal’ movement, his eponymously-named band are ready to release their first ever official live album. The limited-edition CD will be released by Roulette Records on 20th March.

Thunderstick’s alter ego and creator Barry Graham Purkis announces: “I am so happy to announce that after 40 years of ‘Thunderstick’ a live album will be released this month to celebrate. Comprising both Thunderstick and Samson material with the odd ‘cover’ thrown in for good measure, there has never been any official recordings of the band in concert before so for us this is pretty damn special..!!”

Lead singer Raven Blackwing adds: “I am really excited about the upcoming release of our live album ‘Something Wicked This Way Came’ Thunderstick live in France. The whole gig was a blast from start to finish with so many new friends made, a beautiful way for me to cherish that memory of that performance. It’s my first album with the band and I’m really hoping that people listening to it will pick up on the enjoyment that I and the guys had on stage that night. Much love Raven xx”

Live in France - cover artwork

Recorded live in France in November 2019 the album features a full concert with the following track listing:
Riding With The Angels
Go Sleep With the Enemy (I Dare Ya)
Earth Mother
Buried Alive
Dark Night Black Light Monologue Teenage Suicide)
Dark Night Black Light
Vice Versa
Witches Trial
Blackwing …… The Curse
Dark Princess Thunder
Thunder Thunder
Time Warp

Best known for his time with Samson and an early Iron Maiden Barry Graham Purkis (AKA Thunderstick) has been the legendary icon for the NWOBHM (New Wave Of British Heavy Metal) scene since the late 70s. His eponymously named band, renowned for its female fronted power rock and theatricality, have a considerable heritage. The band played live and recorded for six years both in the UK and in the United States until playing their last gig in October 1986.

Then In 2016 former lead vocalist, Jodee Valentine, tragically died. In recognition of her memory Barry decided to record some songs that Jodee had performed live. This became the ‘Something Wicked This Way Comes’ album, the first new Thunderstick product in over thirty years. It was released in July 2017 to enthusiastic reviews worldwide. Following the success of the album Barry put a live band together who have brought the Thunderstick magic to a series of festival dates and live gigs. Now signed to Roulette Records an eagerly-anticipated follow-up studio album is currently being recorded and is scheduled for release in July 2020.

Baz Crowcroft, the band’s resident artist has, once again, delivered spectacular artwork for the album. He was responsible for the artwork on the last album as well as the recent single ‘Go Sleep With The Enemy’. He will, of course, also be creating artwork for the forthcoming new studio album in the summer.

The full Thunderstick band line-up is:

Vocals – Raven Blackwing
Drums – Barry Graham Purkis aka Thunderstick
Guitar – Vinny Konrad
Guitar – Lee Quenby
Bass – Rex Thunderbolt

Facebook: https://www.facebook.com/thunderstickofficial/
Roulette Records: https://www.roulettemedia.uk/

News: Thunderstick – masked drummer and his band return to Leo’s Red Lion for launch of new single

Single: Go Sleep With The Enemy/ I Close My Eyes released 7/2/20 on Roulette Records pre-order via https://www.roulettemedia.uk/product-page/thunderstick-go-sleep-with-the-enemy-i-close-my-eyes

First live gig: Leo’s Red Lion, Gravesend, Kent – Saturday 8/2/20 8pm
Tickets via https://www.ticketsource.co.uk/leosredlion/t-amaznk

Following a series of fantastically well-received live dates last year Thunderstick, with their mesmerising singer Raven Blackwing, are back with a new single and a return to live shows. Kent’s legendary rock venue ‘Leo’s Red Lion’ will be the first to support the release on Saturday 8th February.

Barry Graham Purkis aka Thunderstick: “The band will be touring our eccentric ‘Anomaly stage show’ throughout 2020. For those about to experience us live for the first time prepare yourself for the journey. We are the ‘Dark Cabaret Theatre Hooligans’ and we will steal your Rock’n’Roll hearts.”

CD Cover - Front

Raven Blackwing: “I’m very excited about the upcoming release. It’ll be my first Thunderstick recordings. I was given so much love and support throughout my first year with the band, we thought a ‘limited edition’ reworking of a couple of tracks from the ‘Something Wicked This Way Comes’ album would be a cool way to say thank you. My own particular milestone. It also sets the scene for the band’s very first live album ‘Something Wicked This Way Came…Thunderstick Live in France’. I hope that our fans enjoy both. Luv Raven xx”

The single features the tracks ‘Go Sleep With The Enemy’ and ‘I Close My Eyes’ which will be familiar to fans, reworked for the unique voice of Raven Blackwing. The single is available in both CD and digital formats.

Charismatic Raven Blackwing will lead her thunderous band mates Vinny Konrad (guitar), Lee Quenby (guitar), Rex Thunderbolt (bass) and the legendary Thunderstick/Barry Graham Purkis (drums) on a series of UK and European dates throughout the year. UK festivals ‘Breaking Bands’ on 25th May and ‘Cornwall Rocks’ on 20th November have now been confirmed, with many more to be announced. A new live album ‘Something Wicked This Way Came – Thunderstick live in France’ is set for release in March on Roulette, followed by a brand new studio album currently being recorded for release in July.

Raven Blackwing

Best known for his time with Samson and an early Iron Maiden Barry Graham Purkis (AKA Thunderstick) has been the legendary icon for the NWOBHM (New Wave Of British Heavy Metal) scene since the late 70s. His eponymously named band, renowned for its female fronted power rock and theatricality, have a considerable heritage. The band played live and recorded for six years both in the UK and in the United States throughout the 1980s until playing their last gig in October 1986. Then In 2016 former lead vocalist, Jodee Valentine, tragically died following a five-year battle with early onset Alzheimer’s. In recognition of Jodee’s memory Barry decided to record some songs that Jodee had performed live. This became the ‘Something Wicked This Way Comes’ album, the first new Thunderstick product in over thirty years. It was released in July 2017 to enthusiastic reviews worldwide.

Barry: ‘It was never my intention to put a performing band together but In light of the positive encouragement I received and much deliberation a new Thunderstick was formed. Staying true to its theatrical recognition we have been gathering momentum once more amongst the rock fraternity. The next chapter in this amazing story is ready for the writing.”

Facebook: https://www.facebook.com/thunderstickofficial/
Roulette Records: https://www.roulettemedia.uk/thunderstick

Live review: Four Sticks Classic Rock Weekender at the New Cross Inn, London 5-7 October 2018

This review was also published by Get Ready To Rock here

Following a successful all-dayer at the same venue back in March the Four Sticks classic rock event was back for a full weekend this time. With twenty-six bands over three days it showcased the breadth of talent on the NWOCR (New Wave Of Classic Rock) scene as well as featuring a couple of veteran stalwarts from the original New Wave Of British Heavy Metal scene as headliners, Diamond Head and Praying Mantis.

There were just too many quality bands to give a detailed run-down of each one but it’s worth noting that the overall quality was exceptionally high as was the range of styles and influences on display falling under the NWOCR banner.

On the Friday evening power trio Alteration got things off to a fine start and Neuronspolier combined charisma, good songs and great riffs to deliver an entertaining set. If many of the bands flying under the NWOCR look to the NWOBHM scene of the late 70s/early 80s for inspiration Saints Of Sin appear to have stepped straight out of the LA metal scene circa 1987. Big hooks, catchy choruses and bags of attitude they were one of Friday’s highlights for me. The band’s excellent album ‘Welcome To The Circus’ is well worth getting hold of. Reliable as ever and somehow bottling up that spirit of early AC/DC to unleash some raunchy good time rock ‘n’ roll Burnt Out Wreck, who headlined last time, got the crowd brilliantly warmed-up for the main headliners, even finishing with a cover of DC’s Highway To Hell. Diamond Head largely passed me by back in the day but their influence on heavy metal has been phenomenal, inspiring the likes of Metallica and the thrash scene. Finally, I get to see what all the fuss is about as Brian Tatler and co. deliver an awesome set with the crowd going to crazy to classics like ‘Shoot Out The Lights’ and ‘Am I Evil?’

Diamond Head 1.jpg

Saturday delivered lots of new faces on stage for me. Tomorrow Is Lost, a young band from Newcastle formed last year and fronted by female singer, Cass King, were one of the highlights. Great vocals and a real sense of showmanship I snapped up their two recent EPs after their set and they are now a definite addition to my ‘ones to watch’ list. Black Whiskey, another band who were on the bill last time – and the only band of the day who I had encountered several times before, also delivered an impressive set. With a new album due to be officially launched imminently it was good to see them expanding their repertoire with some great new tunes. Belfast’s Baleful Creed, with their brand of hard and heavy blues rock, were another of my favourites from Saturday. All chunky riffs and soulful vocals they instantly transported us away from a packed boozer in south London back to a time and a place where stadium giants ruled the rock world. Big Foot’s melodic-sounding metal then got us all nicely in the mood for Saturday’s headliners, Praying Mantis. With a slew of renowned rock vocalists passing through the band over the years, lead singer John Cuijpers has been gigging with the Troy brothers for several years now and the band has undergone a real creative renaissance with two quality albums picking up excellent reviews. Mantis deliver a supremely polished performance and some great songs, new and old. You just can’t quite believe the strength of the line-up of bands that the promoter has managed to pull together for Four Sticks this weekend.

Big Foot.jpg

Sunday was a packed day with eleven bands appearing. I didn’t get to see them all but, as with Saturday, although there were some unfamiliar faces taking the stage there were also some old friends, too. Hammerjack and New Device, who were both on the bill back in March, returned to deliver impressive sets once again. The absolute stand-out act though, who I will never tire of enthusing about, were the Oxford-based Hell’s Gazelles. As one of the bands on the Introducing Stage at Minehead’s Giants Of Rock weekend in January I’d seen them set the crowd alight, tear the place apart and deliver an absolutely stunning set of hard rocking heavy metal. And the band did exactly the same here. They instantly lifted the atmosphere in the place ten-fold with their on-stage energy. With an incredible vocal range the band’s hyperactive front-man, Cole Bryant, exudes star quality from every pore. And his band-mates, Nath Digman (guitar), Rik Ridemark (bass) and Luke Evans (drums) deliver a phenomenal wall of noise behind him. There really is something very special about this band and with a new EP out ‘Take Your Medicine’ it’s heartening to see the band picking up great reviews and recognition in the likes of Kerrang. This band deserve to be huge!

Hells Gazelles 2

I didn’t get to see everything but overall the weekend was a brilliant showcase for some newly emerging rock bands as well as a great chance to see some well-respected veterans of the scene – all for £40 for a weekend ticket. Superb!

Related reviews:

Four Stick Classic Rock All Day March 2018
A renaissance in classic heavy metal: six bands to watch out for

Live review: Toledo Steel at The Dev, Camden 12/5/18 (album launch gig for ‘No Quarter’)

The New Wave Of British Heavy Metal (NWOBHM) gave a shot in the arm to the hard rock/heavy metal scene in the late 70s/early80s. By the second half of the seventies many of the original pioneers from the late 60s/early 70s were on hiatus or running out of steam and a crop of new bands took the can-do spirit of punk and began taking hard rock out of the mega stadiums and into the altogether more accessible pubs and small venues. The scene didn’t last long and apart from a few bands who made it into the mega stadiums themselves, many fell by the wayside. In recent years, however, there has been a renewed interest in the NWOBHM. A number of the old bands have reformed and are out gigging again but, importantly, a whole new generation of younger bands, many of them taking direct musical inspiration from that scene, are once again filling up pubs and small venues, releasing albums and building up solid fan-bases.

One of those bands is Toledo Steel who are releasing their debut album ‘No Quarter’ and, in the guise of playing the official after-show party for the Frost & Fire heavy metal all-dayer at Camden’s Underworld, are at The Dev to formally launch it with a special gig.

Formed in 2011 in Southampton and with two well-received EPs under their belt the five-piece combine melodic vocals, a twin guitar attack, furiously heavy delivery and a ear for a catchy well-written song. Indeed, those very qualities that made NWOBHM bands like Saxon and Iron Maiden such a breath of fresh air back in the late 70s.

With two EPs and a brand new album the band have a really decent stash of powerful material to draw from, their set-list tonight combining earlier material like the utterly unforgettable ‘City Lights’ with material from the new album like the excellent title track ‘No Quarter’ and a song that celebrates the curse of tinnitus ‘Heavy Metal Headache.’

Looking around the crowd packed into this smallish boozer tonight it’s noticeable that there are a fair few of us in our late 40s/early 50s, clearly drawn to this renaissance of classic-sounding metal. But what is more significant is that we are far outnumbered by much younger guys and girls around the same age as the band. This is looking far less like a mid-life crisis driven nostalgia-fest and far more like a genuine movement – and that is a very hopeful sign for the future of rock.

Fast and furious, loud and heavy as hell but never less than tuneful and melodic Toledo Steel are everything you want from a truly great heavy metal band and ‘No Quarter’ is a brilliant debut album.

Released: May 18th 2018

http://www.toledosteel.co.uk/

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Related review:

Mearfest at the Carlisle, Hastings 2017

Review: Mearfest at the Carlisle, Hastings 9/12/17

Saturday saw Hastings’ legendary rock pub, The Carlisle, host Mearfest. Inspired by personal tragedy Claire and Brian Mear have been running their rock and metal charity events for several years now, with funds going to The Willows stillbirth charity and other local causes.

Comprising a dozen bands and one solo acoustic set, all performing original material – no tribute acts or covers bands – what struck me throughout the day was the sheer quality of the acts taking the stage.

Particular standouts for me were Southampton five-piece, Toledo Steel; ‘Now Wave Of British Heavy Metal’ act, Kaine; and NWOBHM veterans Satan’s Empire, reformed after three decades.

Powerfully majestic but hard and heavy Toledo Steel put me in mind of classic-era Dio and Rich Rutter’s vocals and Tom Potter’s and Josh Haysom’s guitars are the perfect combination for this brand of hard-hitting melodic rock metal. Toledo Steel are definitely on my list to see and hear more of and I am certainly enjoying their excellent six-track EP ‘Zero Hour’.

http://www.toledosteel.co.uk/

Kaine is a four-piece formed in 2009 and musically inspired by the late 70s/early 80s New Wave Of British Heavy Metal boom. Powerful well-written songs and powerful delivery, you can hear the influences from their musical heroes like Iron Maiden in their performance. I took a copy of their excellent album ‘The Waystone’ away which confirms why they are getting so many plaudits on the contemporary metal scene.

https://kaine-metal.com/

Satan’s Empire had a breakthrough of sorts in 1981 when their excellent single ‘Soldiers Of War’ appeared on a Neat Records compilation. Sadly, they disappeared from view but now, with the original line-up still intact, they have reformed. Their performance oozed class, stage presence and memorable songs and it’s great to see them get a second bite of the cherry. They deserve it.

https://www.facebook.com/SatansEmpireOfficial/

I’ve just pulled three acts out here that particularly inspired but in truth the quality didn’t let up throughout the day. It’s clear that organisers Brian and Claire Mear love what they are doing and, importantly, know what they are doing.

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http://www.mearfest.org/

New Thunderstick album – news, reviews and interviews round-up

Crowflies Communications: Darren Johnson Music PR

Some great reviews coming in for ‘Something Wicked This Way Comes’ the first new Thunderstick album in over 30 years. Here is a selection of what has been said so far:

Knac.com Pure Rock:“And what an album it is. As the first album with new THUNDERSTICK material in thirty years, its ten tracks literally burst with ideas.”
Read full review here

Sea of Tranquility:“Considering it’s been over thirty years since we’ve heard new material from this outfit, the band are locked and loaded here on Something Wicked This Way Comes, their blend of melodic metal, hard rock, and a touch of punk gives songs such as Dark Night Black Light.”
Read full review here

Eternal Terror:“Hats off to Thunderstick (the drummer) and his cohorts for managing to craft a wonderfully organic and raw record that perfectly captures the mood of the old days and yet sounds sharp…

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