Wood Wire & Words are a three-piece from the south of England formed around 15 years ago. The trio are David Rozzell – songwriter, guitarist and lead vocalist; Clare Rozzell – harmony/lead vocals, double bass and melodeon; and Pat Francis – Dobro, mandolin and guitar. Now on their third album, the band’s sound has been described as a blend of folk, bluegrass and acoustic Americana.
While their previous album (2015’s It’s a Barbecue Day) was a nice slice of home-grown Bluegrass/Americana, with this latest album ‘The Boy With The Smile’ I detect a much broader range of influences coming to the fore. Indeed, they kind of remind me of a Bluegrass-tinged interpretation of the modern-day incarnation of Fairport Convention. David Rozzell’s deep, rich vocal delivery is not unlike Fairport’s Simon Nicol’s, by the way.
Eleven of the twelve songs are Rozzell’s own compositions. He clearly has a fine ear for melody as well as being a forthright lyricist – with themes covering war, love, depression, politics and poverty amongst others. It’s not all sharply-observed social commentary, however. A couple nod to more pastoral themes in the folk tradition. ‘Toast The Harvest’ was written for Ely Cathedral’s harvest service, while ‘The Oak King Rises’ was originally written for a local pagan yule ceremony. The one non-original song is a beautifully mellow cover of Richard Thompson’s ‘1952 Vincent Black Lightening’.
Much as I enjoyed their previous album The Boy With The Smile feels like a significant step forward in the band’s creative journey. Anyone with an interest in folk or Americana will find much to like in this album.