Tag Archives: americana

Folk: album review – Honey and The Bear ‘Journey Through The Roke’

Honey and The Bear are folk duo and singer-songwriters Lucy and Jon Hart. The Suffolk-based couple originally met at a song-writing event, began writing and performing together and spent several years touring the folk circuit before releasing their debut album Made in Aker, back in 2019.

Journey Though the Roke is the follow-up, ‘Roke being an old East Anglian word for the evening mist that rises from the region’s marshes and water meadows. As with so many other musicians these past twelve months, many of the songs on the album were conceived during lockdown. We are presented with eleven original songs as well as the duo’s adaptation of a traditional Irish ballad.

Of the former, the beauty of their Suffolk coastal landscape and richness of its history is at the core of many of the songs, from the jaunty ‘Freddie Cooper’ celebrating the heroics of the Aldeburgh lifeboat crew to the utterly haunting ‘The Hungry Sea’ that tells the story of Violet Jessop who incredibly survived the Olympic, Titanic and Britannic maritime disasters, before eventually dying in Great Ashfield, aged 83.

Of the latter, the one non-original song on the album is a tender version of ‘My Lagan Love’. It’s a song that has been performed by numerous artists from The Chieftains to Kate Bush but fans of Sandy Denny and Fairport Convention will also immediately recognise the tune given it was repurposed for Denny’s cover of Richard Farina’s ‘The Quiet Joys of Brotherhood. ‘My Lagan Love’ makes for a lovely addition to the album, laying down some deep folk roots amongst the new compositions.

The duo meld together a range of folk, Americana and pop influences to produce a sound that’s both original and creative and very easy on the ear. Lucy Hart has a clear, distinctive voice that’s perfectly suited to such a fusion of musical influences and husband Jon’s harmony vocals are also equally suited. Unusually for a duo, both play guitar, bazouki and double-bass and there’s quite a bit of toing and froing between the two of them across the dozen tracks as they swap instruments and show us what talented multi-instrumentalists each of them are.

As well as the duo themselves, Evan Carson, Archie Churchill-Moss, Graham Coe and Toby Shaer from Sam Kelly and The Lost Boys provide additional musical backing that’s every bit as captivating as their playing with The Lost Boys.

A beautiful and highly listenable album and a wonderful celebration of the East Anglian landscape and history from an extremely talented duo, Journey Through The Roke is highly recommended.

Released 23rd April 2021

Visit Honey and The Bear website here

Folk / Americana: album review – Wren ‘Pink Stone: Songs from Moose Lodge’

Writer, artist and singer-songwriter, Laura Adrienne Brady, performs music under the name Wren. Pink Stone: Tales From Moose Lodge is Wren’s third album, inspired by a stay at a remote cabin in the woods at Methow Valley, Washington State, where she was invited to house-sit while recovering from a mysterious but debilitating illness.

The resulting album is a sumptuous ten-track journey through Americana-infused, Celtic-inspired folk. Wren’s pure, emotive voice, intimate lyrics and melancholic, rootsy playing – ably assisted by a talented bunch of guest musicians and additional layers of harmony vocals.

Wren says of her latest album:

“The years I was writing these songs were some of the loneliest years of my life, but they were also imbued with a palpable magic, and I’ve spent the period since obsessed with how to transport the listener to the warm cocoon of a cabin where I felt free to move at my own pace for the first time. Though I was often alone, I wasn’t unattached. My relationships merged with this greater experience of place and led to a collection of songs about the paradoxes of love and intimacy, where the land and the river often become other characters in the story.”

Pink Stone: Songs from Moose Lodge follows in the tradition of her two previous albums which were largely also inspired by a specific geographical place: her lifetime love of the Salish Sea, Canada, her year in Galicia, Spain and, now with her third album her journey to Washington’s Methow Valley.

The album was produced at Airtime Studios in Bloomington, Indiana by David Weber and features Jason Wilber (guitar), Krista Detor (piano, organ, accordion and harmony vocals and Gary Stroutsos (American Indian cedar flute).

To accompany the album, Wren has also published a 98-page Companion Book of essay vignettes, journal entries, illustrations, photos, and lyrics born from her time in the Methow.

Check out the album and embark on this emotive journey with her.

Released: 20th February 2021

wren-music.com

This weeks featured artist: singer-songwriter duo O’Neil & Jones – new single ‘Broken Shoes’

Manchester-based duo O’Neill & Jones have just released their second single. ‘Broken Shoes’ released on April 2nd follows debut single ‘No Excuse’ which secured airplay in both the UK and US when it was released back in February. The duo are Mat O’Neill and Sophie Jones.

Relatively new to the singer-songwriter scene they had previously been building up a rapport with audiences as an acoustic covers duo. Their own songs soak up folk, Americana and rock influences with a strong emphasis on sweeping harmonies and strong melodies.

Announcing the release of ‘Broken Shoes’ they say:

“This one is a gently upbeat, folky song about coming to the end of a long journey, The trails we take while we’re able, and the relationships that remain once we settle down. We had such a great time writing and recording her last month and couldn’t be happier to be releasing our second single!”

The years spent performing covers proved to be a useful primer in song arrangement, catchy hooks, they tell us, and not least lessons in how to grab the attention of the listener.

And if you’re impressed with their productions skills in putting together the video for ‘Broken Shoes’ they’ve also given us a sneak glimpse behind the scenes showing us how it all came about.

With an ear for catchy melodies, lovely harmonies and beautifully-crafted lyrics I suspect we’ll be hearing quite a bit more from O’Neill and Jones.

Broken Shoes’ released 2nd April 2021

https://www.oneillandjones.com/

This week’s featured artist: Beth Lee – new album out ‘Waiting On You Tonight’

Making a name for herself fronting roots rock ‘n’ roll band Beth Lee & The Breakups, Texas-based singer-songwriter Beth Lee dips deep into a much broader range of musical influences for her latest album. These span her nineties love of Hope Sandoval, to the pop-friendly melodies of sixties girl groups, to the southern soul of Stax Records to contemporary Americana artists like Nicole Atkins. 

Waiting On You Tonight puts Lee’s soulful, heartfelt vocals and her evident song-writing abilities centre-stage. She effortlessly distils generations of musical influences, from country to blues to soul to 60s pop to rock n roll, to deliver this gorgeous set of original songs that captures so much of what’s great about American music in its most golden age.

Released: 12th February 2021

https://www.bethlee.net/

Americana: album review – John Edwin & the Banjodasha Hillbillies ‘Divine Life of Punarvasu’

Swedish singer-songwriter-instrumentalist, Peter Danielsson, had spent time on the road performing in a variety of different outfits. Around a decade ago he felt it was time to go solo and that a change in musical direction was in order. He bought himself a banjo, taught himself to play clawhammer (the distinctive banjo playing style common to a lot of old-time American music) and reinvented himself as bluegrass performer, John Edwin.

As well as old-time standards he also began introducing more of his own material into his live act and, over time, he’d picked up a group of collaborators and reinvented himself once more, now as frontman of John Edwin & the Banjodasha Hillbillies playing a new country/folk sound based on fretless banjo and electric guitar.

Divine Life of Punarvasu is the outfit’s debut album, showcasing eleven original songs written by John Edwin (Peter Danielsson). Irresistibly catchy melodies, pleasing vocals and that distinctive trademark blend of fretless banjo and electric guitar serve to make this and instantly likeable album and one worthy of repeat playing.

Lyrically, the album explores decidedly the non-redneck themes of Vedic astrology and yoga philosophy but are delivered with a sincerity and down-at-home ease that effortlessly rolls with the music whatever your spiritual (or non-spiritual) leanings.

A highly enjoyable debut.

John Edwin & the Banjodasha Hillbillies are:

John Edwin alias Peter Danielsson: five string banjo, fretless banjo, vocals & acoustic guitar
Kenneth Bakkelund – electric guitars
Pedro Blom – Ukuele bass
Jörgen Andersson – snare drums

Released: 15th November 2020

http://www.johnedwin.com/pages/se/hem/john-edwin-the-banjodasha-hillbillies.php

Singer-songwriter: album review – Beth Lee ‘Waiting On You Tonight’

Waiting On You Tonight is the latest album from Texas-based singer-songwriter Beth Lee and the follow-up to her 2016 album Keep Your Mouth Shut released in the name of her roots rock ‘n’ roll band Beth Lee & The Breakups. This time it’s a solo album recorded not in Texas but in California.

Having toured with the support of Texas blues guitarist Chris Duarte over recent years, for her latest album Lee consciously set out to explore other avenues of her song-writing abilities. While the Americana influences that characterised previous releases are still very much alive and present, here she gives voice to a much wider set of musical influences. These range from her nineties love of the ethereal vocals of Hope Sandoval, to the pop-friendly melodies of sixties girl groups, to the southern soul of Stax Records to contemporary Americana artists like Nicole Atkins. 

Lee’s soulful, heartfelt vocals and evident song-writing abilities are equally well-served by a top-class team of musicians in Julie Wolf, Vincent Rodriguez, James DePrato – the latter two being drummer and guitarist respectively for Chuck Prophet. Rodriguez also produced the album.

With Waiting On You Tonight, Beth Lee effortlessly distils generations of musical influences, from country to blues to soul to 60s pop to rock n roll, to deliver this gorgeous set of original songs that captures so much of what’s great about American music in its most golden age.

Released: 12th February 2021

https://www.bethlee.net/

Folk/acoustic: album review – The Lost Notes ‘Lowlifes and High Times’

From Moseley in Birmingham, The Lost Notes are a five-piece acoustic outfit who fuse folk, jazz and bluegrass influences to create their own unique but accessible sound with their gorgeous three-part harmonies taking centre-stage.

Lowlifes and High Times is the follow-up album to the band’s well-received debut. Comprising eleven tracks plus a couple of bonus reworkings, the songs “celebrate the ups and downs of journeymen, despots, sleazeballs, fools, the planet and the consciously idle,” the band tell us.

The band are: Ben Mills: vocals, guitar, piano, harmonica; Oli Jobes: lead guitar, vocals; Lucy Mills: vocals; Silas Wood: double bass; and Max Tomlinson: drums. The key songwriters are Mills, a jazz fan, and Jobes, a folkie. Those creative differences clearly blend together well. There’s enough jazz on the album to really make it swing and instantly get your foot tapping but enough folk to ensure the songs are based around storytelling and catchy melodies. What it means is that things never get in the slightest bit self-indulgent but they never get worthy and dull either.

Notching up appearances at the likes of Moseley Folk Festival, Bromsgrove Folk Festival and Beardy Folk Festival, I can see exactly whey their irresistible blend of folk, jazz and Americana and those beautiful harmonies would go down a storm at festivals. Definitely ones to watch.

Released: 5th December 2020

https://www.thelostnotes.co.uk/

News: ‘Love Life’ the new album from Tawny Ellis released 24th July

An album of soulful Americana Love Life is the latest album from US singer-songwriter Tawny Ellis.

With the title reflecting the theme that runs throughout the songs on the album, Ellis says:

“This record took about three years to finish. I can’t tell you why. It’s just the natural progression of it. The songs for the most part are very personal stories or perhaps stories I tell you about what I have observed in relationships. I built these songs mostly with three different people, Gio Loria – my husband, Jesse Seibenberg and Ted Russell-Kamp. I was lucky to have all of their extraordinary talent and input on board.”

Alongside her lush vocals and lyrical storytelling Ellis says she is known as ‘the girl with the weird instruments’ and her steel guitar an omnichord playing can be heard on the album, her talent for the latter developing when she borrowed an instrument that had originally belonged to Brian Eno, at the suggestion of her producer/musician friend Daniel Lanois.

“It’s a wonderful tool for writing and experimenting and I ended up writing most of the record on it. It’s progressions opened up doorways for me, kind of like a key to the magic.”

Also featuring on the album are Jessie Siebenberg (guitar, steel guitar, drums, piano, keys), Ted Russell-Kamp (guitar, bass), Gio Loria (guitar), Kaitlin Wolfberg (violin, vocals), Scarlet Rivera (violin), Quinn (drums) and Brooke Lizotte (piano).

Released: 24th July 2020 by Music Building Records

https://tawnyellis.com/home

Americana/singer-songwriter: album review – John Jenkins ‘Growing Old (Songs From My Front Porch)’

John Jenkins is a well-known figure on the Liverpool music scene, once part of cult eighties band ‘The Persuaders’ but in recent years it’s been solo performances as a singer-songwriter or fronting his own band John Jenkins & the James Street Band. Two well-received independently-released albums ‘Window Shopping in Nashville’ and ‘Looking For That American Dream’ are now followed up with this latest release: ‘Growing Old (Songs From My Front Porch)’.

Inspired to write a selection of songs that could be performed solo, Jenkins reveals in the sleeve-notes that the working title for the album was initially ‘Songs for the Open Mic’. Thankfully, someone else suggested the slightly more Nashville, slightly less Norris Green title of ‘Songs From The Front Porch’. I don’t really care whether he’s got a porch or not to be honest – even if it’s only a metaphorical one it suits the feel of the album.

“I really wanted to record a selection of intimate songs that could resonate with the listener,” he says. “Stories of life, family, friends, good times, sad times, loss and happiness..”

All self-composed (bar one co-written with LA-based Kendra Boardman that emerged out of a songwriting retreat) the songs on the album explore those familiar themes of love, ageing, loss and loneliness. Jenkins’ lyrics have a nice turn of phrase to them and he can clearly turn out some really, strong memorable melodies, too.

Highlights include opening track (and the song that gives the album its name) ‘Growing Old’. Its contemplative mood and laid-back Americana feel sets the tone for the rest of the album rather nicely. Other highlights include the melancholic ‘Heartlands’ and the aforementioned co-write ‘This Mountain Between Us’ – performed here as a gorgeous duet with old friend Siobhan Maher-Kennedy taking us into classic country territory.

While the music might have a strong Americana feel to it Jenkins eschews a faux-American delivery and sings resolutely in his own voice. While I wouldn’t say he’s necessarily got the most distinctive of voices there’s a warm, engaging honesty about it that just works so perfectly for material like this.

Since Growing Old popped through my letterbox the other week I’ve been growing more and more fond of it. A fine album.

Released: 15th May 2020

https://johnjenkinsmusic.com/

Americana/folk: album review – Johnny Steinberg ‘Shadowland’

There have been some excellent new Americana releases dropping through my letterbox and into my CD player these past few months. Shadowland by Johnny Steinberg is no exception. With a name like that, songs that tell tales of heartbreak, cheap whiskey and Jesus, not to mention some deliciously effortless musicianship that just seems to ooze Nashville, I was somewhat surprised to learn that Mr Steinberg hails not from Nashville but from Norfolk (at least these days – although he’s from Yorkshire originally). What surprised me even more, however, was learning that Shadowland is, in fact, Steinberg’s debut album.

Outstanding songs, exquisitely well-played and beautifully sung this album radiates such class that I’m still getting my head around the fact it’s a debut album.

Steinberg takes up the story:

“If you had said to me eight years ago when I left my job, started songwriting and learned finger-style guitar that only five years later I would be recording in the US and UK to produce an album of my own songs I’d have said you were bonkers.”

Steinberg’s heart-warming story of his journey to Nashville and how he came to record an album with the likes of Boo Hewerdine (The Bible/ State of the Union) and Kira Small (Willie Nelson/ Garth Brooks/ Martina McBride) and other brilliant musicians is recounted in the extensive booklet that accompanies the beautifully packaged CD.

Steinberg has been gigging, either solo or with his band Johnny Steinberg and the Blue Fish, for some time now, garnering support slots with the likes of Graham Gouldman, Dave Swarbrick, Kathryn Williams and Reg Meuross. He is thoroughly deserving of the wider attention this album will surely bring him. Shadowland is pure class from start to finish.

Released: 4th July 2020

https://www.facebook.com/JohnnySteinbergMusic/