Tag Archives: Troy Redfern

Live Review – The Great British Rock & Blues Festival – Skegness 19-22 January 2018

This review was also published on the Get Ready To Rock website here

I’ve enjoyed various Butlins music weekends over the years but 2018 will be the first where I’ve done two on two such weekends on the trot. My Butlins blow-out started off with the Rock & Blues weekend in Skegness – with just a few days respite before I head off to Minehead for the Giants of Rock weekend in Minehead. With so many bands on a number of different stages, reviews of weekends like this are always going to be one person’s snapshot but I had a fantastic weekend and this is what I saw.


Friday night began at what was designated the “Rock Stage” (Butlins dividing up the acts on the two main stages as either Rock or Blues, as well as providing two smaller stages: a second blues stage sponsored by Blues Matters mag and an Introducing Stage). The first band, Northern Ireland’s Screaming Eagles, had a great stage presence, some great catchy songs and a handful of great covers, too. A nice, energetic start to the weekend.

Atomic Rooster on next were, for me, probably the biggest surprise of the weekend. They are one of those bands that I’d always been aware of but was never really that familiar with. Other than knowing they were formed by the late Vincent Crane (the guy who did the unmistakable keyboard pounding in Arthur Brown’s ‘Fire’) before this weekend I could have told you very little about Atomic Rooster. But they were absolutely, out-of-this world, stupendously, brilliantly, amazing. Vincent Crane and the rest of the earliest line-up are sadly no longer with us. But the revived band contains both Pete French on vocals and Steve Bolton on guitar who were both in the band in the early 70s and they have been given the blessing of Crane’s widow to reform under the Atomic Rooster banner. They have the songs, the set-list, the charisma and the sound. Really, this band should have been far, far bigger than they were back in the day. Similarly, the modern-day version should be far, far better known than they are today. Absolutely majestic classic rock that stands proudly against any of the rock giants, I will be seeing more of this band for certain.


The Frankie Miller’s Full House tribute that came afterwards failed to inspire the same degree of energy and enthusiasm I’m afraid and after moving to the other main stage just as the final band were finishing their last song, we headed to the Blues Matters Stage to enjoy the late bar and some late night blues.


At lunchtime we caught Southbound on the Rock Stage. Their set combined soulful blues rock with some choppy, Feelgood-esque R&B. The latter they did particularly well.

Saturday evening began for us with the legend that is Bernie Marsden. I’ve seen Marsden in various guises over the years: with a full band playing acoustic, solo playing acoustic, with a full band playing an electric blues set and, back in the day, with the best Whitesnake line-up ever. Whether electric or acoustic he’s a stunningly good guitarist and he gave us a solo acoustic set of mainly Whitesnake material. His is never a showy stage presence but few ever look as contented or as at home on stage as does Marsden playing his music and bantering with the crowds.


I left my companions to enjoy Roger Chapman Family & Friends while I headed off to the Blues Matters Stage to catch Troy Redfern. With a classic power trio format they deliver infectiously energetic hard rocking blues that just seems to get better and better every time I see them. I thought I might call it a night after that but then came Rainbreakers. They are a group of young guys from Shrewsbury playing a small stage Skegness in 2018 but to hear them they could have been playing some sun-kissed stadium in California in 1971. Channelling the spirit of the classic era of soulful early 70s blues rock they were one of the absolute highlights of the weekend and went down a storm. Great writers, great musicians and great vocals; this was an utterly spellbinding performance from start to finish.


Over the course of the Sunday lunchtime slot I did a fair bit of wandering around Stray were the stand-out act for me with a great set from Del Bromham and co.

For our final evening we opted to start with some raunchy, good-time boogie from perennial Rock & Blues weekend favourites, Roadhouse, before heading to the Rock Stage to catch Nazareth. With only bass-player, Pete Agnew, remaining from the band’s 70s/early 80s heyday, it’s more a tribute than anything – but I mean that in a positive sense. New vocalist, Carl Sentance, does a superb job handling Dan McCafferty’s vocals on classic songs like ‘My White Bicycle’ and ‘Expect No Mercy’ and the band rock hard paying tribute to those great songs.


From only one original member in Nazareth to zero in Dr Feelgood, we head over to the main Blues Stage to finish the weekend with Canvey Island’s finest. Unfortunately, there seems to have been some sound problems on that stage all night. The band start much later than advertised and from where we were on the right-hand side at the front the sound was utterly abysmal. All I could hear was the bass-line and the drums, the guitar and vocals being pretty much drowned out. They are great songs, though, and we all know them. Singing along to these was a good way to finish the weekend and I came away being far more familiar with the bass-line in Dr Feelgood’s illustrious back-catalogue than I’d ever been before. Probably the most fun I’d ever had at a performance with shockingly bad sound.


The verdict overall

When I first saw the line-up I was a little underwhelmed but I was unexpectedly impressed by some of the veteran acts and completely blown away by some of the newer ones. This will go down for me as the weekend when I finally acquainted with the brilliant Atomic Rooster and when I first discovered the amazing Rainbreakers. Thanks guys.

And thanks!

One final word should go to the marvellously helpful Butlins Guest Services staff. Like many previous weekends I had bought a big stack of CDs. But, stupidly, I’d left them in my room in my rush to leave on Monday morning. A quick phone call to Butlins and my CDs were immediately located and sent back to me. Phew!

Related Review:
Giants of Rock Weekend 2017


Review: Giants Of Rock Weekend 2017, Minehead

Giants Of Rock took place at Butlins Minehead again this January for the fourth year running. Apart from the first year (when I was already booked into another Butlins music weekend the week before) I’ve been each time. With three days of music, two main stages and a smaller ‘introducing’ stage there is always plenty to choose from but here are the performances that particularly captured my imagination this year.


Eschewing both main stages for the first start of the Friday evening programme, we opted instead for The Troy Redfern Band on the introducing stage. I’d seen Troy and co a couple of times before so it was less of an introduction and more of welcome re-acquaintance with the band’s high-octane brand of blues rock. It’s good to see the band go down well.

Photo credit: Elise Benjamin


After Troy we moved to one of the main stages for a gloriously bonkers set by Dutch flute-playing, Hammond-pounding, yodelling prog-rockers, Focus, which gave all of us in the crowd the chance to let ourselves go wild to a suitably deranged version of Hocus Pocus.

Focus #5.JPG
Photo credit: Elise Benjamin


Former Gillan guitar legend, Bernie Tormé, is on next and delivers a blistering set as always. Consistently original, the self-styled glam punk shredmeister has been enjoying a real career renaissance of late with two very well-received solo albums and a third on the way. With drummer, Ian Harris, and bass-player, Chris Heilmann, these three make a classic power trio which is the perfect showcase for Torme’s  guitar wizardry. Not only are the Minehead crowd treated to a great selection of some of the more recent material we also get some Gillan-era classics, too, like No Easy Way and New Orleans and a stonking Smoke On The Water as an encore (the first but not the last time we would be hearing that particular song over the weekend). It was a fantastic end to the first night.

Photo credit: Lisa Valder



Live Dead 69 are a reincarnation of The Grateful Dead with original keyboard player, Tom Constanten, currently touring the UK performing the band’s classic Live/Dead album in full. The Grateful Dead are not a band I’m hugely familiar with, although I’ve long been aware of the epic jams which the band are renowned for. A brilliant bunch of musicians, I was finding the initial part of their set perhaps a little too jazzy for my tastes. But then more of a blues rock vibe kicked in and I found myself more and more drawn in. Certainly, I’m pleased to have tasted a little of what this legendary band were all about.

Living Dead 69 #20.JPG
Photo credit: Elise Benjamin


To kick things off on the Saturday night, Bernie Marsden was an obvious choice for me. I’ve seen him solo several times before (plus, of course, I saw him with the classic Whitesnake line-up back in the day) but this is a completely solo set – just Bernie and an acoustic guitar. He completely holds the audience for the full hour: some solo blues material, some Peter Green material and, of course, some Whitesnake material, the latter turning into a beautifully intimate communal sing-along to the likes of Ain’t Gonna Cry No More and Here I Go Again. Superb.

Photo credit: Elise Benjamin


With a quick change of venue we were ready for Ian Paice with Purpendicular. OK, Giants of Rock is not supposed to be about tribute bands but here you’ve got the legendary Deep Purple drummer himself, together with a cracking bunch of musicians. They absolutely nail the Mark 2-era Deep Purple sound, from the chugging bass lines, to the majestic Hammond organ, to the blinding guitar solos, to the Gillan-esque screams.

Photo credit: Elise Benjamin


To round off Saturday we had a non-stop run-through of Saxon classics by Oliver Dawson Saxon. Original Saxon members, Graham Oliver and Steve Dawson, have been touring their alternative version of the Barnsley NWOBHM heroes for twenty years now and, impressed as I am with Biff Byford’s continuing version of the original Saxon, Oliver and Dawson do also offer something brilliantly entertaining. Lead singer, Bri Shaughnessy is a powerful vocalist and a charismatic front-man in his own right and he has absolutely made what might have been a difficult role his own. And as you can never really have too many crowd sing-alongs to classics like Denim And Leather, 747 (Strangers In The Night) and Wheels Of Steel, the fact that there is not just one but two bands out on the road doing this is a bonus in my view.

Photo credit: Elise Benjamin



In spite of a love 60s R&B bands, I’d never actually managed to see The Pretty Things live until now or even listened to one of their albums in full. But front-man Phil May and guitarist Dick Taylor still cut it live after more than half a century together. The two original members are joined by second guitarist/harmonica player, Frank Holland, who has been playing with them since the late eighties, together with a fantastically energetic young rhythm section in Jack Greenwood and George Woosey. Obviously, a band that’s been around since 1963 is going to have a hefty back catalogue to choose from and, while I enjoyed the whole set, I found they had more to offer when they concentrated on their mid 60s R&B period rather than their later stoner rock phase. Fortunately, the former makes up a significant part of the set and anyone who is currently enjoying the Rolling Stones new back-to-basics Blue & Lonesome album and wants an authentic slice of 60s rhythm and blues should certainly try and get to see The Pretty Things live.

Photo credit: Elise Benjamin


Still in the mood for more music after The Pretty Things, we headed off to the introducing stage and arrived just in time to see an awesome performance from the band KilliT. Great vocals. Great musicianship. Great guitar solos. Great stage presence. And, importantly, great songs, too. Instantly memorable numbers like Calm Before The Storm and Shut It Down from their debut album meant that this classic-sounding heavy metal band could wow the audience with some classic-sounding heavy metal songs. The best new hard rock band I’ve heard in ages, I was genuinely delighted for them when they were officially voted top act on the introducing stage that day. That means they will be back at Giants Of Rock to perform on the main stage next year. KilliT are a new band that have clearly arrived fully formed and deserve to go far.

killit-mineheadPhoto credit: Sally Newhouse


That pretty much wraps up a brilliant weekend of music for me. There were more bands on the Sunday evening and for head-liners that night punters had a choice between Steve Hackett doing Genesis or Ian Anderson doing Jethro Tull. I looked in on both but it was all getting a bit proggy for me and I just didn’t seem to have my prog head on. Reflecting on what a great range of performances I’d witnessed over the weekend, I was happy to call it a night.

A great bunch of bands. A great crowd. A great weekend. Here’s to Giants Of Rock 2018.