Tag Archives: Tour dates

Bowie and Iggy Pop icon, Tony Fox Sales, celebrates 45 years of Lust For Life with UK tour

Tony Fox Sales featuring Clem Burke from Blondie – UK tour March 2023

Marking forty-five years since the release of the all-time classic Lust For Life album, esteemed former Iggy Pop and Tin Machine bass-player, Tony Fox Sales, sets out on a rare UK tour next Spring, his first in the UK since 1991. With an all-star line-up, Sales is joined by legendary Blondie drummer, Clem Burke; vocalist, renowned broadcaster and Pet Shop Boys dancer, Katie Puckrik; Iggy Pop and David Bowie guitarist, Kevin Armstrong;  guitarist, Luis Correia, who’s toured internationally with Earl Slick; and classical pianist, composer, and touring member of Heaven 17, Florence Sabeva.

Tony Fox Sales will perform the Lust For Life album in full, as well as revisiting songs from across the individual band members’ careers with legendary artists such as Blondie and David Bowie. The eleven-date tour also includes a special one-off date in Dublin.

The full tour dates are as follows:

Wed 1 March – The 100 Club, London: Ticket link

Thur 2 March – The Cavern, Liverpool: Ticket link

Fri 3 March – Social, Hull: Ticket link

Sat 4 March – Trades Club, Hebden Bridge: Ticket link

Sun 5 March – The Vodoo Rooms, Edinburgh: Ticket link

Mon 6 March – Arts Centre, Norwich: Ticket link

Wed 8 March – Whelan’s, Dublin: Ticket link

Thur 9 March – Arts Centre, Colchester: Ticket link

Fri 10 March – The Piper, St Leonards: Ticket link

Sat 11 March – The Lexington, London: Ticket link

Sun 12 March – The Lexington, London: Ticket link

Announcing the tour, Tony Fox Sales comments: “I look forward, with great anticipation, to returning to England to tour this coming year. The Lust For Life album was the recording highlight of my fifty-eight year career in music for me. It was an amazing experience artistically, and personally. Memories not too soon forgotten. Though, as of now, I have not worked with the entire line-up of players for this tour, I have no doubt, that this will be an ass-kicking event! Lust For Life!”

Katie Puckrik: “I’m a show pony from way back: along with my broadcast career covering pop culture, I performed onstage with The Fall and Michael Clark Company, I toured the world dancing with Pet Shop Boys, and I sang in Sparks’ opera The Seduction of Ingmar Bergman, both on the original cast recording and in performance. I have worked with towering icons of music, but taking on the magnificent Iggy Pop’s vocal duties for this Lust for Life re-make/re-model is an electrifying opportunity like no other. Not only do I get to sing anthems like ‘Lust for Life’ and ‘The Passenger’ (as well as my personal fave from the album, ‘Success’), but I’m surrounded by some of Iggy, Bowie and Blondie’s key players, including Tony Sales, Clem Burke and Kevin Armstrong. So strap on your horse tails and join me in celebrating Lust for Life.”

The Tony Fox Sales band members are:

Tony Fox Sales – Bass and Backing Vocals: Growing up in Detroit, bass-player, Tony Fox Sales, and his drummer brother, Hunt, formed their first band in the mid-1960s. As a rhythm section Tony and Hunt would go on to work with David Bowie, Iggy Pop, Todd Rundgren, Bob Welch, Andy Fraser and many others. After recording a couple of albums with Todd in the early 1970s, the two brothers recorded the Kill City album with Iggy Pop in 1975 followed by Lust for Life in 1977. They both joined Iggy on his subsequent tour, recorded as TV Eye Live 1977 and released the following year. In 1982 Tony joined Chequered Past, which included singer/actor Michael Des Barres (later of Power Station); ex-Sex Pistols guitarist, Steve Jones; Blondie’s drummer, Clem Burke, as well as their bass player, Nigel Harrison. In 1988 Tony then joined forces with David Bowie, Reeves Gabrels and Hunt Sales in Tin Machine. Bowie later acknowledged that it was Tony and Hunt’s contribution to Lust for Life that led him to invite the brothers to join him.

Clem Burke – Drums: Answering an ad in the New York newspaper, Village Voice, for a band seeking a ‘freak energy’ rock drummer, Clem Burke became the drummer of Blondie in the mid-1970s. The band recorded their first album in 1976 and emerged as the great pop icons of New York’s celebrated late 1970s new wave punk scene, achieving huge commercial success with the number one hit singles ‘Atomic’, ‘Heart of Glass’, ‘Sunday Girl’, ‘Call Me’, ‘Rapture’, and ‘The Tide is High’. When Blondie temporarily broke up in 1982, Burke joined Tony Fox Sales in Chequered Past and has also played with a plethora of music legends, including Bob Dylan, Pete Townshend, Iggy Pop, The Ramones, The Eurythmics and Joan Jett. In 2006, along with the other original members of Blondie, Clem was inducted into the prestigious Rock and Roll Hall of Fame, with Blondie already having sold over 42 million records.

Katie Puckrik – Vocals: The performer, broadcaster and writer made her TV breakthrough hosting The Word in the 1990s. As a vocalist she sang in Sparks’ opera The Seduction of Ingmar Bergman, and her presenting work includes a two-part BBC TV documentary on yacht rock, a four-part BBC radio series on power pop, and her ongoing role as a commentator on Channel 5’s popular Greatest Pop Songs/Videos franchise. Her modern history podcast We Didn’t Start the Fire, based on the Billy Joel hit, was named one of The Observer’s top ten podcasts of 2021. She still considers her favourite career achievement performing with Pet Shop Boys on ‘West End Girls’. “This sexy, sinister lullaby was my ‘I’ve made it!’ anthem when I scored my best job ever: dancing on Pet Shop Boys’ 1991 Performance world tour.”

Kevin Armstrong  – Guitar and Musical Director: Kevin began his musical life with his own band Local Heroes SW9. After two albums his career began thriving as a writer, producer, bandleader and guitarist. Most notably, Kevin met David Bowie in late 1984 and worked with him on various projects, including putting together his band and performing at the legendary Live Aid in 1985. Bowie introduced Kevin to Iggy Pop as guitarist on the 1986 album Blah Blah Blah and Kevin became Iggy’s bandleader in 86/87. He put together Iggy’s touring band again from 2014 until 2019. Kevin has worked with Morrissey, Grace Jones, Sinéad O’Connor, Prefab Sprout, Thomas Dolby, Transvision Vamp, Brian Eno, Paul McCartney, Sandie Shaw, Gil Evans, Alien Sex Fiend, Keziah Jones and many more.

Luis Correia – Guitar: Luis is a London-based guitarist, producer and songwriter. Originally from Portugal, where he started his career as a session player, Luis moved to the UK over a decade ago and has since performed alongside names like Earl Slick (David Bowie), Bernard Fowler (The Rolling Stones), Erdal Kizilcay (David Bowie), Martin Lister (Alphaville), amongst others. His musicality and soulful playing make Luis a sought after muso on the London scene, where he’s often seen with various bands. He’s currently working on his own music and preparing for a tour with Steve Norman of Spandau Ballet later this year.

Florence Sabeva – Keyboards: a London based pianist, film composer and singer-songwriter, Flo started her career as a session pianist and has played alongside artists like Tom Bailey, Earl Slick (David Bowie) and Bernard Fowler (The Rolling Stones) and currently tours with Heaven 17. Also a very active film composer, she wrote her first score for ‘Wax, We Are The X’ and was then commissioned to write the soundtrack for the Gravity Field Festival in Guildford and to score the German movie ‘Mireille and Angelique’. Flo released her first studio album ‘The London Sessions’ in 2017, featuring eclectic works with European songwriters and artists that reflect her various music influences.

Tom Wilcox – Curator and Producer: Tom was the front man of 90’s art punk band Maniac Squat finding notoriety with their 1995 ‘hit’ F**k Off (Single of the Week in Kerrang!). Tom has since produced albums for Gillian Glover and Lisa Ronson; the latter, co-produced with Paul Cuddeford, receiving a 4-star review in Mojo and widespread critical acclaim. As a music curator, Tom’s credits include Blondiefest, Princefest and Iggyfest at the ICA, as well as conceiving and introducing bands/tours such as Tony Visconti’s Holy Holy.

Website: https://tonyfoxsalestour.com/

Facebook: https://www.facebook.com/tonysalestour/

Twitter: https://twitter.com/tonysalestour

Related posts:

Kevin Armstrong at the Kino, St Leonards 2018

Mike Garson performs Aladdin Sane at Birmingham O2 Institute 2017

Holy Holy perform Ziggy Stardust at Shepherd’s Bush Empire 2017

Holy Holy perform The Man Who Sold The World & Ziggy Stardust at De La Warr Pavilion, Bexhill 2019

Interview with former UFO bass supremo Pete Way

This interview was published by Get Ready to Rock here

It wasn’t that long ago that the only news we’d be reading about Pete Way was in connection with his various ongoing health battles. But now, following a well-publicised autobiography in 2017, he’s back on the road performing. A UK tour begins later this month and a new album ‘Walking On The Edge’ is due out at the end of January. Always a charismatic stage presence in his UFO days (the archetypal motionless bass-player mode was never one for him) one of rock’s most colourful characters and, improbably, one of the great survivors of to-the-limits rock ‘n’ roll excess is now back as front-man of his own Pete Way Band.

What can fans expect from the tour?

Wild rock – with a couple of ballads. For the shows there’s stuff from the album, stuff from The Plot – the album with Michael Schenker, there’s the Amphetamine album, I do a little bit from Waysted and I do the obvious songs, the ones that everyone remembers, from UFO. You know people buy a ticket and they want them. I was talking to Phil (Mogg) recently and he said the same: ‘you have to do them’.

Out of all the classics that you had a hand in for UFO which are the ones you are most proud of?

Oh that’s difficult to say really. We do ‘Shoot Shoot’. We do ‘Too Hot to Handle’, ‘Doctor Doctor’…

And so you’ve been getting a good response from audiences so far then?

Oh incredibly so, yes. I mean we go out of our way to do that. There’s no indulgent excess but people come along for a guitar show. I mean there’s a lot of lead guitar. Playing in UFO or Waysted there was also a lot of guitar. The thing is there’s nothing too egotistical. We just play the songs.

Do you play bass throughout the show or is it just certain songs?

Here and there. I could be 100% vocals or I could be 100% bass and get another singer in. But, you know, I wrote all the words when I wrote these songs. Apart from, obviously, the UFO songs where it was with Phil. You would have to give Phil a very precise melody and he would write the words as he saw it to fit – but I would give Phil the melody.

On the tour you have Burnt Out Wreck supporting you – another band with musician- turned-frontman in the form of former Heavy Pettin drummer, Gary Moat.

Yeah Gary is very talented. I mean, yes, I see the AC/DC influence but they write all their own songs. They compliment what we do. All my songs are about my experiences in life which is a bit like something from a Quentin Tarantino film. They balance that out with what they do.

You’re clearly still in touch with Phil. Could you imagine sharing a stage with UFO now?

Nah. My main focus now is on vocals. Everybody says to me you’ve got character in your voice and, you know, it seems to work so I’ve got to get on with it. My heroes are not the vocalists who sound like opera singers. They are people like Bon Scott and Bob Dylan.

Your autobiography ‘A Fast Ride Out of Here’ in many ways is that familiar tale of middle-class suburban kid becoming wild rock star. But the wildness started fairly early on didn’t it? You say in the book you first smoked heroin at 13, for example.

When I first met Phil I was, like, 15. The people we hung out with were the people who were older. It’s like David Bowie said – we did things that other people thought incongruous. But I felt comfortable in that role and in going into things with that attitude to life. But, of course, the icing on the cake was actually getting to America. Suddenly, we’d got money, you know. But we were professional in that we always gave a good show. Because if you’re in a shambles it’s always easy to mess up. But we were totally focused on the show and it was only afterwards when we’d get fucked up. It really was a journey. I could blow half a million in a year but, you know, we always gave a good show.

In your book Joe Elliott of Def Leppard is quoted as saying: “If you threw Keith Richards and Ronnie Wood in a bucket and mixed them up you’d end up with Pete.” Is that a fairly accurate description of you?

Oh, Joe and I go back a very long way. Myself and Ross Halfin are always having a bit of a laugh at Joe and, you know, he would say anything about people to go (adopts mock Yorkshire accent) ‘I’ll fucking get him back for that’.

After all the health battles you went through: addiction, cancer, heart attacks – there must have been times when you thought you wouldn’t be performing on stage again. What does it feel like to be out on the road again?

Great. It was three or four minor heart attacks but the prostrate cancer was the main thing. And you don’t know you’re ill until you find out from a professional. For me if I was feeling a bit under the weather I’d just have another drink or do another line or something but it gets to that point where you have to get checked out. It took me a long time to grow up. I still haven’t really grown up. And so it was a health battle of my own making. And now, ironically, I have to take medication because of all the drugs I used to take. But I’ve written some good songs and I’m looking forward to getting the album out there and getting out there with the show.

The Pete Way Band’s #ExpectTheUnexpected UK tour begins on October 23rd. Full tour dates here: http://www.peteway.co.uk/tour-dates/4594565419

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Related posts:

Review: UFO at Shepherds Bush Empire 2018

Review: Michael Schenker at Shepherds Bush Empire 2017