Tag Archives: Rob Halford

‘Confess’ by Rob Halford – a gay heavy metal fan reviews the Metal God’s autobiography

I’ve read enough rock autobiographies over the years to know the score: boy from working class background, boy joins a band, struggles along for a few years, makes it big, fame, alcohol and/or drug addiction, groupies galore, several wives, numerous girlfriends, sobriety, reflection and, finally, publishing deal. Judas Priest lead singer Rob Halford’s ‘Confess’, however, is a rock confessional with a difference. The wives and girlfriends are notable by their absence and Halford tells his tale as an out and proud gay man.

As someone who became a Judas Priest fan not long after my dad brought home a newly-released copy of ‘British Steel’ back when I was a young teenager, and as someone who has known they were gay from around that same time I was particularly keen to read Halford’s memoir.

Halford’s down-to-earth-working class upbringing in Walsall is easy to identify with. Coincidentally, although the two have never met, he lived just a couple of streets away from Noddy Holder’s family home, another musical hero of mine. Indeed, many of the place names were already familiar to me from Holder’s own autobiography. (The pub that Halford mentions as the location of his local bus stop as a kid is the same pub where the classic Slade foursome held their first ever rehearsal – trivia fans).

As Halford starts to metamorphosis from council estate kid to heavy metal rock god I certainly felt a sense of exhilaration as his dreams are achieved – such as the era-defining success of that iconic British Steel album, for example.

For much of the book, though, I also felt a sense of immense sadness. This paragraph, where he reflects on the state of his life in 1980 – by which time he was in his late 20s – is a telling one:

“It was five years since I’d been seeing Jason. Apart from the odd snatched random fumble I had been alone ever since… not just alone but forced to supress my longings, my needs, myself.”

When I think back to my own life at that stage, I had already met my partner. We’d bought a flat and been living together for several years by then. I was born fifteen years after Halford and my modest brush with life in the public eye never obliged me to hide my own sexuality. However, it’s not difficult to really grasp the pain and evident loneliness that Halford was going through. He does eventually find personal as well as professional fulfilment albeit that there are dysfunctional relationships, tragedy addiction along the way.

There is also a fair bit of revelatory gossip and down to earth black country humour to keep the reader entertained. However, there are a many segments that are deeply, deeply moving, too: Halford’s obvious joy at the emotions he experiences performing sober for the first time, the palpable relief he feels when he first publicly comes out back in the late 90s and the excitement he feels reuniting with Priest in the early 00s.

‘Confess’ does not always make for easy reading. There is a real sadness to parts of it but Rob Halford’s warmth and humanity shine through. Absolutely one of the best rock biogs in ages.

Published: Headline Publishing 29th September 2020

Related posts:

Album review : Judas Priest – Redeemer of Souls

Live review: Judas Priest at Brixton Academy 2015

Live review: Les Binks’ Priesthood at Minehead 2020

Metal: album review – Judas Priest ‘Redeemer of Souls’

After being so impressed with Judas Priest on their recent UK tour, it wasn’t long afterwards that I found myself putting their most recent studio album, 2014’s Redeemer of Souls, on my Christmas present list.

When the album was being launched guitarist, Glenn Tipton assured that fans that they need not expect something wildly experimental. “Sometimes in the past we may have come under fire for being too adventurous musically…so we have listened,” he claimed. “From start to finish, ‘Redeemer of Souls’ is 18 songs of pure classic Priest metal.” Well, I have only got the bog-standard 13 track version rather than the deluxe version, but other than that I’m not going to argue.

The album opens in strong form with Dragonaut which pretty much contains everything you want from a classic metal album, crunching guitars, tuneful melodic solos, thunderous vocals and an accessible, well-written tune you can sing along to.  Other memorable, stand-out tracks on the album include the title track, Redeemer of Souls, as well as Down In Flames and Metalizer. But if truth be told there’s not a weak track on the album. This is the first album with new guitarist, Ritchie Faulkner, who replaced founder member KK Downing. But as was also evident on their recent tour he certainly “gets” the Judas Priest sound.

In spite of having a reputation of purveyors of fearsome uncompromising metal, however, Judas Priest have also been able to pull the odd nicely-judged hard-rock ballad out of the hat. Beginning Of The End, the last track on the album, does the job beautifully.

After so much confusion around the band’s future only a few years ago, Redeemer Of Souls is a real return to form for Judas Priest. The line-up refreshed. The band rejuvinated. And with a clear sense of musical direction apparent from the outset. This is an album that stands up well against the band’s classics of the late 70s and early 80s.

Released July 2014

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Previous review: Judas Priest at Brixton Academy 

Judas Priest at Brixton Academy 1/12/15

The evening kicked off with excellent support from Michael Schenker’s Temple of Rock. And Schenker clearly understood the golden rule of being an effective support act: unlike the headliners that everyone has paid to see, hit the crowd between the eyes with your best song first – don’t save it ’til the end! So we begin the night with a cracking version of Doctor Doctor. It couldn’t have been a better start to the evening in an absolutely jam-packed Brixton Academy.

I first discovered Judas Priest as a teenager back in the early 80s not long after British Steel came out and the band can still be heard regularly blasting out from my speakers. But as a gay heavy metal fan I can’t also fail to mention my personal admiration for lead singer Rob Halford. In a genre that always seemed so resolutely heterosexual, Halford’s decision to be open about being gay back in 1998 was a big moment both for him personally and for heavy metal generally. Seeing his total command of an adoring crowd tonight it’s hard to believe that Halford’s sexuality could ever even have been an issue. But there must be many a teenage rock fan across the globe who can personally thank Rob Halford for demonstrating so visibly that, yes, it’s ok to be both gay and like heavy metal. Cheers Rob.

Halford is not a frontman who goes for a lot of between-song chat and audience banter but, boy, does he know how to work a crowd: mass chanting, crowd sing-alongs, every stage movement eliciting a multitude of fists in the air and more costume changes than Elton John, Halford knows how to squeeze every last drop of adulation from an audience. His vocal range is as wide and as powerful as it always was. He growls the lowest of the low notes and howls the highest of the high notes just as he always did. It’s a performance of utter brilliance in every respect, as is that of the whole band. The unmistakeable twin lead guitars are as powerful as ever, with Glen Tipton being joined by new guitarist Richie Falkner (who replaced Priest veteran, KK Downing, in 2011).

And let’s not forget the songs of course. They deliver a great mix of songs representing different eras of the band’s history, the relevant album cover for each song flashing up on the giant screens on stage beforehand, fuelling anticipation of what might be coming next. We get some new songs from last year’s album, Redeemer of Souls, of course – the first with new guitarist, Falkner. But as we move through the hour-and-a-half set, more and more of the unforgettable classics of the 80s emerge: Breaking The Law, Hell Bent for Leather, You’ve Got Another Thing Comin’.

Soon we are nearing to a close, however, with the crowd going wild to a high-octane version of Painkiller and a brilliant sing-along Living After Midnight. Always metal. Always Loud. Never just noise. Judas Priest are still on form and are truly still the Metal Gods.

Setlist:
Battle Cry
Dragonaut
Metal Gods
Desert Plains
Victim of Changes
Halls of Valhalla
The Rage
Turbo Lover
Redeemer of Souls
Beyond the Realms of Death
Screaming for Vengeance
Breaking the Law
Hell Bent for Leather
The Hellion
Electric Eye
You’ve Got Another Thing Comin’
Painkiller
Living After Midnight

http://judaspriest.com/

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