Tag Archives: rock n roll

The death of Elvis is relayed to a caravan in Morecambe. August 1977

A caravan site in Morecambe, Lancashire. My older stepsister returns with the morning paper and attempts to relay the day’s main news to my mum.

“Elvis dead.”

“Elvis’s dad? What about Elvis’s dad?”

“No. Elvis is dead.”

“Elvis’s dad’s dead?”

No. Elvis is dead.”

At this point my mum bursts into tears. It had always been her ambition to see him, she tells us. And now she would never get the chance.13615008_10154293790751449_4858489364011888766_n

Looking back, the death of Elvis was a bit like a prototype Diana moment for 1970s Britain. And for this 11 year-old it certainly didn’t seem very cool. And throughout my teenage years thoughts of Elvis tended to revolve around cheeseburgers and white jumpsuits and awful films and general excess.

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But slowly that began to change. As my voyage of discovery with rock music careered back through the 70s and then the 60s and then the 50s it was impossible to ignore the presence of Elvis and it was impossible the brilliance of songs like Jailhouse Rock and Hound Dog and That’s All Right Mama.

Gradually, Elvis started becoming cool for me. Indeed, when I began switching from vinyl to CDs in the early 90s one of the first discs that I bought was Elvis’s greatest hits. And not long afterwards that was joined by a compilation of Elvis’s early Sun recordings where you can sense the palpable excitement as Elvis and his fellow musicians bring together white country influences and black rhythm and blues influences to create something truly special.

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Indeed, everything about the tiny Sun Records studio in Memphis held a growing fascination for me. My mum, of course, never got to see Elvis. But she did still harbour a lifelong ambition to visit his Graceland home. And I was just as keen to set foot in Sun studio. So last year we arranged a trip to Memphis together and both got to fulfil our ambitions and pay our respective homages.

Thank you Elvis. January 8th 1935 – August 16th 1977.

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Review: Sun Studio tour, Memphis

In the history of rock ‘n’ roll there can’t be many more important places on the planet than this modestly-sized building on the outskirts of Memphis. 706 Union Avenue, Memphis, Tennessee is the home of Sun Studio, where Sam Phillips established his Memphis Recording Service back in 1950 with the aim of giving a recording outlet to black blues musicians like Howlin’ Wolf and BB King; where Ike Turner and others recorded what is now commonly held up to be the first rock ‘n’ roll record: ‘Rocket 88’ in 1951; where a young Elvis Presley walked in to cut a one-off disc, supposedly for his mother; where Elvis, Carl Perkins, Jerry Lee Lewis and Johnny Cash all recorded their early singles; and the place which indisputably can proudly claim to be the birthplace of rock ‘n’ roll.

Sam Phillips moved the Sun operation to a larger nearby facility in 1959, which somehow never quite managed to repeat the pioneering and magical success of the original, and by the 1970s 706 Union Avenue was being used as a hairdressers. In 1987, though, the building, along with the next- door diner, was reopened as a studio and tourist attraction and is now listed as a historic national landmark.

Sun studio run daily tours and a free shuttle bus service can ferry you between downtown Memphis, Elvis Presley’s Graceland and Sun Studio. The old diner is now a gift shop-cum-cafe and the tour first takes you upstairs to a compact but magical display of period artefacts; including studio equipment, instruments and other historic memorabilia. A tour guide talks you through the history and plays snatches of music, including that very first Elvis recording: ‘My Happiness’.

And then it’s down to the actual studio, first passing the reception area, once staffed by Sam Phillips’ assistant, Marion Keisker: a pivotal figure in the history of rock ‘n’ roll, and the one who first spotted Elvis’s talent. But like too many women in the music business, one who’s name often doesn’t not get the recognition it deserves.

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The studio, itself, has been recreated using authentic equipment and instruments from the era and, in spite of it’s post-Sun uses as a hairdressing salon and everything else, the original studio soundproofing that Phillips and Keisker applied by hand is still there to this day.

sudio tour

The tour guide ends the tour by bringing out an original studio microphone from the control room, one that Elvis and Jerry Lee and Johnny had all sung into at the start of their careers. He tells us it was donated by Sam Phillips on condition that it wasn’t just locked away in a glass case but that visitors could pose and have their photographs taken with it. You can’t get a better photo-opportunity than that and it’s a great end to a magical tour of a historic site.

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Related review: Jerry Lee Lewis at London Palladium

Jerry Lee Lewis at The London Palladium 6/9/15

When his first British tour, and seemingly his entire career, ended in scandal and chaos over revelations about his 13- year-old bride back in 1958, few would have predicted that not only would Jerry Lee Lewis be one of the last 50s American rock n roll stars alive and still performing, but that he’d be marking his 80th birthday with a sell-out performance at the London Palladium. But, against the odds, it is Jerry Lee Lewis that can claim to be last man standing.

Following a cheesy introduction from former radio DJ, Mike Read, and a warm standing ovation from the Palladium audience, Lewis slowly makes his way to the centre-stage grand piano looking every one of his 80 years. But as soon as he starts to play that piano his fingers are as nimble and his playing as electrifying as when he made his US TV debut almost sixty years ago, a clip of which we are shown in a short film before Lewis comes on.

He’s not going to jump up and down and play the piano with his feet tonight, but he still plays as if his life depends it on it. As well as rock n rollers like Chuck Berry’s Sweet Little Sixteen and, of course, Whole Lotta Skakin’ Goin’ on and Great Balls of Fire, we get some of the beautifully expressive slower numbers from his country phase, like She Even Woke Me Up To Say Goodbye and Over the Rainbow.

One of the temptations for big name performers of advancing years is to fill the stage with so many extra musicians and backing vocalists that the stage can end up looking as crowded as the auditorium. Lewis avoids this with the same simple the lead guitar/rhythm guitar/bass/drums set-up backing him that he’s had for most of his career. And it’s testimony to his presence as a vocalist/ pianist and of the superb musicianship of his backing band that this is precisely all that’s needed.

It’s a triumph of a performance. And while it was never going to be possible to see most of his contemporaries, I can at least say I got to see Jerry Lee Lewis live in London. One of the last of the original rock’n’roll greats.

Setlist:
Drinkin’ Wine Spo-Dee-O-Dee
Down the Line
She Even Woke Me Up to Say Goodbye
Before the Night Is Over
No Headstone on My Grave
See See Rider
Sweet Little Sixteen
You Win Again
Why You Been Gone So Long
Whole Lotta Shakin’ Goin’ On
Over the Rainbow
Mexicali Rose
Great Balls of Fire

http://jerryleelewis.com/

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