Tag Archives: Celtic music

Folk: album review – Various artists ‘Between Islands’

The Between Islands Project began life in 2014 with the aim of bringing together contemporary songwriters from Shetland, Orkney and the Hebrides and celebrate the rich musical heritage of those islands. In the years that followed a number of diverse individual projects emerged out of this, from joint song-writing ventures through to exhibitions, lectures, films and, of course, live performances.

Come 2020 and Covid was to throw a spanner in the works. Performances had been scheduled at both the Shetland Folk Festival and the Heb Celt festival in Stornaway but, undeterred, project co-ordinator Alex MacDonald sought to translate the project from the stage to the studio.

He explains: “As the project was based on live events, initially we were at a loss as to how it could be saved. Thankfully we were able to redesign what was planned, and this double CD contains both live work previously captured and a series of entirely new tracks recorded in lockdown.”

The result is a breath-taking thirty-track, two-disc collection showcasing some top-notch song-writing, exquisite singing  and inventive contemporary arrangements of traditional fiddle tunes.

The thirteen musicians featured are: Maggie Adamson. Louise Bichan, Williw Campbell, Kris Drever, Julie Fowlis, Neil Johnstone, Jenny Napier Keldie, Kathleen MacInnes, Linda MacLeod, Jane Hepburn MacMillan, Arthur Nicholson and Satfishforty.  

The ‘lockdown disc’ was created from sessions that paired up artists across the existing projects while also allowing the opportunity for entirely new remote collaborations and compositions. Consequently, the disc begins by introducing the Western Isles, Shetland and Orkney musicians respectively over the opening three tracks before going on to explore a range of other pairings. The ‘live disc’ meanwhile was something that had long been planned and features performances from both Orkney Folk Festival and the An Lanntair arts centre in Stornaway. A detailed twelve-page booklet accompanies the two discs.

When live events do, once more, become possible this lovingly-curated CD will undoubtedly ensure the reputation of the Between Islands project will be stronger than ever and their return to the stage warmly anticipated.

Released: 11t December 2020

www.betweenislands.com

News: Scottish folk band Skipinnish celebrate twentieth anniversary

Scottish folk band Skipinnish celebrate their twentieth anniversary this year. The band’s origins may have been modest, gigging in pubs and bars and village halls but their rise in recent years has been phenomenal – with prestigious venues selling out, many millions of streams on Spotify and other platforms and their latest album Steer By The Stars reaching number 4 in the charts. And that was not some obscure specialist folk chart but the actual official UK mainstream charts .

Now the album has been nominated for Album of the Year at the Scottish Trad Music Awards. Fans of the band can vote for the album here: https://projects.handsupfortrad.scot/scotstradmusicawards/voting/

Visiting familiar themes for the band of ocean, island, landscape, love, hope, mortality, friendship and the pull of home the album was officially launched to a packed house at Edinburgh’s Usher Hall back in May this year and has gone on to attract many enthusiastic reviews.

The band’s twentieth anniversary is officially marked with a special performance at the Glasgow Royal Concert Hall on October 25th and that will be followed by a short tour of Scottish venues in December.

https://www.skipinnish.com/

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Folk: album review – Hamish Napier ‘The River’

My review was originally published by Bright Young Folk here

Hamish Napier is an in-demand folk musician who has collaborated with a number of key acts on the Scottish folk scene. The River, however, is the debut solo album from this Strathspey-born composer and multi-instrumentalist, and is very much inspired by a childhood spent growing up on the banks of the Spey. “The River brings to the surface vivid sonic images of occurrences, past and present, along the mile-long stretch of the Spey that flows past my childhood home,” Napier tells us in the extensive sleeve notes.

The album includes a stellar cast of renowned Scottish folk musicians, including Sarah Hayes (Admiral Fallow) on flute, James Lindsay (Breabach) on double bass, Martin O’Neil (Duncan Chisholm) on bodhran, as well as Callum MacCrimmon singing Canntaireach, the ancient chanting language of the bagpipes.

Perhaps symbolic of the constantly changing flow of any river, there is a breadth of sounds and moods explored on this album. Opening track Mayfly puts one in mind of some early 70s prog rock passages, a folky Tubular Bells if you will. It’s perhaps an unusual start but provides a captivating experimental feel which immediately encourages the listener to want to explore further.

The Whirlpool meanwhile is a lovely tune with flute and whistle. It has been written as a round – in celebration of the whirlpool that constantly spins and spins just a few hundred yards from the Old Spey Bridge.which captures the frenetic natural cycle of the river as an ever-changing dance. The mood changes considerably with The Dance, beginning with gentle, sombre piano.

Of course, no aquatic-inspired folk, be it river or sea, is complete without harrowing tales of tragedy and death, and the beautiful but mournful Drowning of the Silver Brothers is inspired by the fate of two local boys who mysteriously drowned in the 1930s. Clearly not forgotten locally, this piece serves as a haunting but fitting tribute to the boys and the mystery that surrounds them.

Another memorable track is Floating, which has a funky electronic feel to it demonstrating just how far Napier is prepared to cast his musical net in order to capture the range of moods and emotions he feels moved to express in this album. The two-part The Spey Cast closes the album. The first part is a thought-provoking gentle piece inspired by the death of an old fly fisherman while the second part is a fast and furious musical romp which reflects the mixture of chaos and hilarity that is the town’s annual raft race.

For those with a love of Scottish folk, particularly those with a keen interest in experimentation and innovation within the Celtic world and who love to hear the sound of boundaries being pushed, this is an album well worth exploring.

Released January 2016

http://www.hamishnapier.com/

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