Tag Archives: Green Diesel

Green Diesel at The Albion, Hastings 8/4/17

My review was originally published by the Hastings Online Times here 

With their lively, infectious brand of folk rock, Faversham-based band Green Diesel seem tailor-made for the Hastings old town music scene. Surprisingly, following a gig at the Jenny Lind several years ago, it’s only their second appearance in the town. As soon as they take the stage, however, the Albion crowd take to them like old friends, bopping, hollering and generally having a whale of a time.

There have been many variants of the melding between folk music and rock music over the years, including the indie-infused stylings of The Levellers and the raucous folk-punk of Hastings’ own Matilda’s Scoundrels. Green Diesel, however, take their musical cues from that classic era of folk rock, back in the late 60s and early 70s when bands like Fairport Convention, Steeleye Span and the incredible String Band began making their mark. Everything you would want to hear from those halcyon days of folk rock is there in Green Diesel: lovely lead vocals from Ellen Care, beautifully melodic fiddle and accordion, loud pumping bass, hard rocking guitar and drumming that instantly gets you up and moving to the beat.

They are no mere tribute though. Having just released their third album ‘The Hangman’s Fee’ in February, for several years now they have now been applying their signature trademark sound to inventive reworkings of traditional songs and tunes as well as their own material.

Guitarist, Greg Ireland, is proving to be a very talented and capable songwriter – with songs like The Elephant Tree and To Kill The King going down extremely well, in addition to traditional favourites like Mad Tom Of Bedlam and Matty Groves. Ireland also takes lead vocals on a few numbers like the band’s feisty interpretation of The White Hare. Again, that nice contrasting mix of male and female lead vocals instantly puts you in mind of that classic era of folk rock.

Green Diesel are a hugely entertaining live band whose three albums to date have shown real musical maturity. Let’s hope they don’t leave it too long before they make another visit to Hastings. If the Albion crowd is anything to go by they have a ready-made fan-base here.

http://greendieselfolk.com/

Ellen Lying Down

Previous reviews:

Green Diesel album review – Wayfarers All
Green Diesel at Lewisham 2016

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Green Diesel at Fox & Firkin, Lewisham 11/12/16

I first became aware of Faversham-based folk rock band Green Diesel and two years ago when I reviewed a CD of theirs Wayfarers All for the Bright Young Folk website. I was immediately impressed [“Green Diesel do folk rock and they do it superbly well”] and I’ve been meaning to try and catch them live ever since. When I saw that they were performing in Lewisham the night before I was due to visit London, I decided there and then to come a bit earlier and make them part of my itinerary.

I have a theory about English folk rock, a genre that’s been around now for coming up to 50 years. While there is nearly always a certain timelessness about the ‘folk’ element of folk rock, my observation has been that the ‘rock’ element usually tends to take the form of whatever rock influences were in vogue at the time the band was formed. Fairport Convention and Steeleye Span unmistakably come from an era of Traffic and Deep Purple and Status Quo, whereas Oysterband channel the vibe of early 80s alternative rock while The Levellers absolutely capture the spirit of early 90s Indie rock. This is exactly as it should be in many ways. Bands don’t form in a vacuum. For those of us who have that deep love and insatiable appetite for the folk rock sounds of the early 70s, however, it is a delightful surprise when we find a new(ish), young, contemporary folk rock act whose every note played pays eloquent tribute to that golden era of English folk rock (roughly starting with the release of Fairport Convention’s Liege & Lief album in 1969 and ending with Steeleye Span’s ‘All Around My Hat’ becoming a top 5 chart smash in 1975).

A bunch of six really talented musicians, Green Diesel, are now on to their third album. As in all of the best early 70s folk rock acts (of course!) they have a superb female lead vocalist in Ellen Clare but great additional vocals from Greg Ireland (who also acts as the band’s main songwriter) and the other male members of the bands. All the other ingredients are present and correct: beautifully melodic fiddle, mandolin and dulcimer, loud pumping bass, hard rocking guitar riffs and proper full-on rock star drumming. Material-wise, they perform a handful of notable traditional staples tonight (like the brilliant Mad Tom of Bedlam) but there is also a great deal of original material, showcasing the wealth of creative talent that exists in this band.

More Fairport than Fairport and more Steeleye than Steeleye this band are an absolute must-see for anyone with a love of early 70s folk rock. They went down brilliantly in Lewisham tonight and I’d love to see them going down a storm at some of the major festivals. This band are excellent and deserve to be much bigger.

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Photo credit: band publicity

Related review: Green Diesel – Wayfarers All CD Review

Folk rock: album review – Green Diesel ‘Wayfarers All’

My review was originally published by Bright Young Folk here

Formed in Faversham in Kent seven years ago, Green Diesel trace their musical influences back to the golden era of late 60s/early 70s British folk rock, to bands like Fairport Convention and the Albion Band. Indeed, it could be argued that this album sounds more like the direct offspring of the iconic albums from that period than perhaps the output of the Fairport of today does.

Green Diesel do folk rock and they do it superbly well. A rocking rhythm section and some lovely electric guitar licks blended with a good range of traditional instruments and some beautiful vocals – all of the essential ingredients for a great folk rock album are there, not to mention a great selection of songs and tunes.

Wayfarers All, the band’s second album following their 2012 debut Now Is the Time, contains a mixture of original and traditional material. Unless one was familiar with the traditional songs it would not be immediately obvious which songs fell into which category, a mark of both the quality of band member Greg Ireland’s song-writing talents, together with the ability of the band to put their own consistent musical stamp on the songs and tunes they perform.

To Kill the King opens the album, one of five tracks written by Ireland, and it demonstrates the vocal, instrumental and song-writing talents of the band nicely. Lead vocalist and violinist, Ellen Clare, has a clear but engaging folk voice that’s perfect for this type of material. Of the traditional material, the band do beautiful versions of Mad Tom of Bedlam and May Song.

Another thing that is always pleasing to to hear on any folk rock album is a mix of female and male vocals. And Wayfarers All doesn’t disappoint in this regard either. Lead guitarist Matt Dear takes the lead vocal on his own composition, A Fisherman, Once; while the band’s arrangement of Oak, Ash and Thorn, with its beautiful choral singing from the whole band punctuated by pumping electric bass, puts one in mind of early 70s Steeleye Span.

All in all Wayfarers All is a hugely enjoyable album. An up and coming band who deserve to be much bigger, let’s hear it for Green Diesel and this enchanting slice of classic English folk rock.

Released July 2014

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