Tag Archives: Bity Booker

Folk: album review – Bity Booker ‘There’s No Song About a Stone’

I first came across the delightful Bity Booker supporting Green Diesel in Brighton last summer. Describing her as “a London-based alt-folk singer-songwriter with beautiful songs, a sweet voice and some hilariously deadpan introductions” her performance certainly left an impression on me. Now she has an album out, which she refers to as her “first non-debut album”.

Bity Booker at the Folklore Rooms, Brighton – Photo credit: Darren Johnson

Bity Booker: “I call it a ‘non-debut album’ because I have long been making music in different forms, from death metal to alternative folk, so it feels strange calling it a ‘debut album’. It is the product of years of songwriting and performing solo as Bity Booker. I do take my time making things in a way that makes me happy, out of the commercial sphere and outside of norms and rules. I like to think of my creations as something organically formed and shaped by time, dreams, thoughts, rain and wind. These tape recordings feel very much alive, in the background you can hear sounds of birds, people, the sounds of London, all of which were in the room with me while recording.”

Photo credit: Stef Martin

Featuring Booker’s magical voice, her classical guitar and nine of her unique and never less than utterly charming compositions, There’s No Song About a Stone was recorded at home on a four-track tape recorder over a three-year period in South London and Thanet.

The natural world is a recurring theme in Booker’s songs or, more accurately, the natural world as a metaphor for human emotions: love, hope, sadness and a sense of belonging. The latter is very much the sentiment behind ‘Parrots in London’, Booker’s delightful paean to the growing population of feral parakeets who have made London their home. The song never fails to raise a smile when performed live, with its knowing nod to one of the capital’s most enduring urban myths (‘Some say they escaped from Jimi Hendrix’s cage’).

It’s certainly not all light and whimsical though and darker themes are explored in songs like ‘The Ballad of Lost Town’ and ‘A Tear’. Whatever the subject matter, Booker’s beguiling honesty as a performer and natural gift as a storyteller shine through.

Released: 5th June 2026 https://www.bitybooker.com/

Related post:

Bity Booker and Green Diesel in Brighton – June 2025

Live review: Green Diesel at the Folklore Rooms, Brighton 6/6/25

Although their first album seemed to pass me by at the time I instantly became a fan of the Faversham-based folk rock band, Green Diesel, when I was asked to review their second album, Wayfarers All, back in 2014. They are currently promoting their fifth album, Onward The Sun, which came out in April and which was recently described by Shindig! magazine as “folk rock at its finest.” I couldn’t agree more which is why I headed over to Brighton to catch the band live.

Performing at the charmingly elegant Folklore Rooms above the Quadrant pub, the band were supported first by Bity Booker, a London-based alt-folk singer-songwriter with beautiful songs, a sweet voice and some hilariously deadpan introductions. And by Brighton’s own The Witchcraft & Vagrancy Act, who delve into the macabre side of folk to come up with their own fabulous folk horror interpretations of traditional songs – think Cecil Sharp had he spent his time hanging around with Bauhaus and Alice Cooper.

Bity Booker

For Green Diesel, the evening provides a welcome opportunity to showcase material from the new album alongside some older favourites. There’s well-received renditions of ‘Onward the Sun!’ the album’s title track, and ‘Ring The Hill’ another superb song from the album. Ellen Care’s vocals are utterly perfect for material of this type, combining just the right amount of sweetness and menace as she lets these folklore-inspired stories unfold, backed by some psych-folk guitar-wizardry, a powerful rhythm section and her own stunning fiddle playing.  

Green Diesel have never been averse to a bit of folk horror themselves, of course, and tonight’s set includes the band’s cover of ‘Maypole’ from The Wicker Man soundtrack, sung by lead guitarist, Matt Dear, and given a suitably-ominous sounding Green Diesel makeover. The band even throw in a couple of Morris tunes which comprise the instrumental segment of the new album, again given the Green Diesel treatment: heavied up and performed in minor key. Superb stuff!

Green Diesel

Green Diesel just seem to get better and better with each year that passes. And with two impressive support acts it made the trip to Brighton and the never-knowingly-reliable late train back to Hastings well worthwhile.

https://greendieselfolk.com

Related posts:

Interview with Greg Ireland of folk rock band, Green Diesel

Celebrated folk rock band Green Diesel back with long-awaited fifth album: Onward The Sun!

After Comes The Dark: new album from Green Diesel promises folk in glorious technicolor

Green Diesel at The Albion, Hastings 2017

Green Diesel album review – Wayfarers All

Green Diesel at Lewisham 2016