As part of the charity fund-raising initiative the Isolation Sessions, Danny Stoakes and Romeo’s Daughter guitarist Craig Joiner have released a new video to promote the song ‘Blodeuwedd the Owl’. Based on an old Welsh folk tale, with lyrics by Damh The Bard, the song tells the tragic story of Blodeuwedd – a woman who plots, along with her lover, to kill her husband. The song is a collaboration with Romeo’s Daughter guitarist Craig Joiner and see’s Danny and Craig sharing vocals with Craig also playing lead guitar and mandolin on the track.
From heavy metal to country, rock and roll to folk The Isolation Sessions is a digital album project aimed at raising money for The National Emergencies Trust Covid Appeal. Assembled by Danny Stoakes, the album features imaginative reworkings of ten of Stoakes’ favourite songs in collaboration with a host of different artists. These include Craig Joiner, Voodoo Six’s Matt Pearce and Tygers of Pan Tang’s Craig Ellis. Other tracks released include covers of Pink Floyd’s ‘Wish You Were Here’, AC/DC’s ‘Whole Lotta Rosie’ and The Stones’ ‘You Can’t Always Get What You Want’.
The National Emergencies Trust collaborates with charities and other bodies to raise and distribute money and support victims during times of a domestic disaster.
Following the release of his debut album (reviewed here) back in April, the alt-folk musician James Auger aka A Choir of Ghosts releases a new single. ‘Skin & Bones’ is released on November 20th with an accompanying video.
“The song is about the realization that you can’t always ‘fix it’ for the people you love. Sometimes they have to solve it themselves, and you can’t do anything but watch and hope for the best. In order for things to grow to its full potential, you sometimes have to let go,” says Auger.
“It’s a hard realization but I think a lot of people can identify with the feeling of sudden emptiness, when you come to something in your way that you cannot share, but rather have to go about alone. Your only hope lays in that once the obstacle has been passed, you can rendezvous on the other side.”
A spring 2020 European tour was cancelled due to Covid-19, but Choir of Ghosts has now sprung back into life with this gentle, longing beautiful song and atmospheric video filmed deep in the Scandinavian forests.
Following a reissue of the band’s three 1980s albums a year ago, a fourteen-track Best Of Heavy Pettin compilation is set to be released on 27th November.
The compilation features tracks taken from the Scottish hard rockers’ three studio albums: Lettin Loose, Rock Ain’t Dead and The Big Bang, including the hit singles ‘Love Times Love’, ‘In and Out of Love’ and ‘Rock Me’.
The cover is a previously unseen photo by David Plastik taken at The Louder Sound festival in France in 1984. Ross Muir provides liner notes on the band’s history.
The group dissolved in 1988 with the final album, The Big Bang, being released the following year. Heavy Pettin reformed in 2017. The new version of the band, featuring original members Gordon Bonnar and Hamie, recently recorded a 4-track EP, the first batch of new material bearing the band’s name in over 30 years.
Original Heavy Pettin drummer, Gary Moat, meanwhile, now fronts his own band, Burnt Out Wreck, who have released two well-received albums: Swallow in 2017 and This Is Hell in 2019.
Delivering punchy yet polished hard rock Heavy Pettin were often regarded as a cut above many of their contemporaries in the New Wave Of British Heavy Metal. It is good to see their legacy given the treatment it deserves, with this new compilation now joining the reissues of their original three studio albums.
Best Of Heavy Pettin – Track List:
IN AND OUT OF LOVE
BORN TO BURN
LOVE TIMES LOVE
DEVIL IN HER EYES
10.DON’T CALL IT LOVE
THROW A PARTY
ROCK AIN’T DEAD
HELL IS BEAUTIFUL
Best of Heavy Pettin released 27th November 2020 by Burnt Out Wreckords/Cherry Red
Fans of guitar whizz Orianthi can look forward to a new album. Released on 6th November on the Frontiers label ‘O’ will be Orianthi’s first studio album in seven years and follows her recent signing to the Italian based rock/metal label.
“It is a very inspired album, with things kept pretty raw. I didn’t overthink it,” explains Orianthi. “Marti [Frederiksen, producer, mixer, co-songwriter] and I wanted to create a unique sound and vibe with every track and we experimented a lot with synths and different guitar tones. Lyrically, a lot of this record comes from life experience and other people’s stories. It’s going to be so fun to play these songs live!”
‘Impulsive’ a single and video from the forthcoming album was recently released.
The Australian vocalist/guitarist first came to public attention back in 2009 when ‘According to You’ became an international hit for the then 24-year old. She soon became a go-to player for a number of the best known rock celebs, including Alice Cooper, Carlos Santana and Steve Vai and was also slated to appear as part of Michael Jackson’s planned series of concert dates at the O2 until the singer’s shock death put an end to that.
“I am thrilled about this new chapter with Frontiers!” she adds. “Their passion and enthusiasm for music is such a great reminder of why I love creating music. I couldn’t be more excited to release my upcoming album with them.”
While I’ve no intention of buying it myself (given I’ve got more Slade albums, Slade singles, Slade reissues and Slade compilations than you can shake a stick at) I was well chuffed to see Slade’s new greatest hits compilation Cum On Feel The Hitz go straight in at No. 8 in the UK’s album chart last Friday.
This is the band’s highest ranking in the UK album charts since Slade In Flame was released back in 1974. Even during the days of the band’s early 80s comeback, a decade after glam, Slade albums were still struggling to make it to the Top 40, even when they had a second run of hit singles.
What has been nice, and clearly what has helped with sales, is all four original members working to publicise the release and celebrate the band’s shared legacy – even if they do not all see eye to eye these days.
While some bands of a certain vintage split into two rival camps, with Slade it’s all been a bit more complicated. Noddy doesn’t get on with Jim these days but rubs along just fine with Dave and Don. Jim doesn’t have time for Nod or Dave but is on good terms with Don, sending the latter heartfelt good wishes when he suffered a stroke earlier this year. Dave doesn’t get on with Jim and had a pretty acrimonious falling out with Don earlier this year, too, when he sacked him as drummer from his continuing version of Slade. But Dave does get on well with Nod, the two keeping in touch with one another by phone through lockdown. Don, meanwhile, gets on just fine with Jim and Nod in spite of that big falling out with Dave. Got all that?
Still, it’s nice that the four of them put on a united front to promote Cum On Feel The Hitz which collects most of Slade’s singles from 1970 to 1991. The double CD comprises 43 tracks, while the double vinyl features 24.
Noddy: “It’s been remastered. They sound bloody great and there’s a double vinyl out as well. The record company wanted to do it. They wanted to make it a definitive collection, which it pretty much is. In this time of lockdown, I think people need a bit of Slade. We always put a smile on people’s faces. This is the perfect time to cheer people up. Hopefully it’ll reach a new generation too.”
Dave: “The thinking behind it is that BMG signed us for this big deal and really when you’re looking at something like this you’re almost giving us a reappraisal of how many hits we really had.”
Jim:“I’m absolutely thrilled with the chart placing of ‘Cum On Feel The Hitz’ tonight. Many thanks to all the fans for buying the CDs, vinyl and downloading the album. Great to see it in the Top Ten. Rock on!”
Don: “This is fantastic news! I never thought that I’d see us back in the Top Ten again. I was told earlier that BMG thought the album would enter the charts around #7 or #8 – and if it’s been confirmed that the official position in the UK chart is number 8 then that’s great!”
Cheers guys – great to see you back in the charts!
Following a trio of live albums released this year since signing to the Frontiers label, US hard rockers Blue Öyster Cult are set to release their first new studio album in almost two decades,
The Symbol Remains is due out on 9th October. A new single from the album, ‘Tainted Blood’, written by Eric Bloom and Richie Castellano, is also now available.
The sessions for ‘The Symbol Remains’ began in earnest last year. “As the song demos emerged, we realised there was as much if not more variety in style and content on this record as any in our history,” states BÖC lead vocalist/guitarist Eric Bloom. “We embraced this and the thing tying all the disparate elements together is the band’s sound and performance.”
“The album title comes from a quote of an old Sandy Pearlman (BÖC producer and manager) lyric, which basically we are using to show that the band is back and still rocking after all these years. To me, it means we’re still here and doing what we do,” he adds.
“The goal was for the new music to stand up to the quality and vitality of our legacy recordings and I believe we have successfully achieved that,” says founding member Donald ‘Buck Dharma’ Roeser. “Other than that, the sound of our voices and style of our writing and playing can’t help but sound familiar to fans of our work.”
On the album the two members from BÖC’s ‘classic era’, vocalist/lead guitarist Donald ‘Buck Dharma’ Roeser and vocalist/rhythm guitarist Eric Bloom – both of whom have been with the band from the late 60s, are joined by Danny Mirando on bass/backing vocals, Richie Castellano on guitar/keyboards and Jules Radino on drums.
“We have wanted to record the current line-up for some time and the result of us giving our all on this album speaks for itself,” says Roeser. “The Covid-19 lockdown slowed the completion of the record and we were prevented from travelling and collaborating in person, although luckily we had already done the basic tracking. We resorted to video conferencing and producing each other over the internet and are fortunate that the technology exists to do that, plus some live performance cancellations gave us a little more time to carefully consider the finishing touches. We sent the album out to be mixed by Tom Lord-Alge and we also worked together over the internet on that.”
A new album from blues-infused guitar legend Snowy White and his band The White Flames is due out on 9th October this year.
In advance of next month’s full album release, ‘I Wish I Could’ a delicious slice of virtuoso blues combined with White’s characteristically laid-back and personal lyrics is now available as a single.
Most famous for his 1983 worldwide hit ‘Bird of Paradise’ from his debut solo album, White has developed his own unique style of ‘English’ blues, a combination of clear, clean blues phrases and harder-edged contemporary rock riffs.
In the seventies he toured the east coast of America, getting as far south as New Orleans and discovering the life of a touring musician was one that suited him. By that time he had become friendly with former Fleetwood Mac guitar legend, Peter Green, and they spent a lot of time jamming together. In the Autumn of 1976 he was invited to tour America and Europe with Pink Floyd and the following year went on to guest on the solo album of Floyd’s keyboard player Rick Wright. In 1979 White accompanied Peter Green on his return to the studio after several years away and the album ‘In the Skies’ was the result. Further work with Pink Floyd ensued which was then followed by a three year stint in Thin Lizzy, leaving in 1982 to commence his solo career.
White’s first solo album was entitled White Flames and included the aforementioned ‘Bird of Paradise’ smash. In 1987 White put together a blues-orientated outfit, the Blues Agency, recording two albums. In the 90s White then toured and recorded with two Dutch-Indonesian musicians, Juan van Emmerloot (drums/percussion) and Walter Latupeirissa (bass and rhythm guitar). As The White Flames they recorded a string of albums, including No Faith Required, Restless, The Way It Is and Realistic, performing all over Europe.
A long stint then followed working with Roger Waters once more,which included Waters’ Dark Side Of The Moon and Wall’ tours. In between tours White founded the Snowy White Blues Project, recording the albums ‘In Our Time Of Living’ and ‘In Our Time…Live’.
White’s most recent solo album, The Situation came out in 2018. The new album Something On Me features Thomas White on drums, Rowan Bassett on bass and appearances by various other White Flames.
An album of soulful Americana Love Life is the latest album from US singer-songwriter Tawny Ellis.
With the title reflecting the theme that runs throughout the songs on the album, Ellis says:
“This record took about three years to finish. I can’t tell you why. It’s just the natural progression of it. The songs for the most part are very personal stories or perhaps stories I tell you about what I have observed in relationships. I built these songs mostly with three different people, Gio Loria – my husband, Jesse Seibenberg and Ted Russell-Kamp. I was lucky to have all of their extraordinary talent and input on board.”
Alongside her lush vocals and lyrical storytelling Ellis says she is known as ‘the girl with the weird instruments’ and her steel guitar an omnichord playing can be heard on the album, her talent for the latter developing when she borrowed an instrument that had originally belonged to Brian Eno, at the suggestion of her producer/musician friend Daniel Lanois.
“It’s a wonderful tool for writing and experimenting and I ended upwriting most of the record on it. It’s progressions opened up doorways for me, kind of like a key to the magic.”
Also featuring on the album are Jessie Siebenberg (guitar, steel guitar, drums, piano, keys), Ted Russell-Kamp (guitar, bass), Gio Loria (guitar), Kaitlin Wolfberg (violin, vocals), Scarlet Rivera (violin), Quinn (drums) and Brooke Lizotte (piano).
Released: 24th July 2020 by Music Building Records
Released on Monday 29th June, ‘Emergency Lullaby’ is the third part of the Hourglass Trilogy series of climate-themed singles released by folk rockers Merry Hell.
It will also provide the title for the next full Merry Hell album which will be called ‘Emergency Lullabies’ and is currently nearing completion.
Written by mandolin/bouzouki player Bob Kettle, he says of the song:
“The song ‘Emergency Lullaby’ developed from a melody I’d written on the piano. I was quite pleased with the tune – it had a soft, sleepy quality that reminded me of a lullaby – but, for a long time, I couldn’t come up with any appropriate words to go with it… In the meantime, I was to thinking about climate change and the devastating impact it will have on our lives and environment if it continues unchecked. I’d read about rising global sea-levels, fires in the arctic circle and deforestation in the Amazon. I was also dismayed by the nonchalant denials of the part played by human activity in this looming crisis – for example, Trump and Bolsonaro’s casual rejection of scientific consensus and willingness to sacrifice our planet’s wellbeing and the futures of generations to come for short-term political and financial gain.
“On the other hand, I’m painfully aware of just how little I’m doing, personally, to alleviate these dangers. I ride in cars and draw energy from a grid fed by fossil-fuels. I’ve been negligent with recycling and, because I’m lucky enough to live a first world lifestyle, I’m generally oblivious to the impacts my actions have in other parts of the world. I’m part of a great sleepwalk into destruction – so, in short, I’m no one to judge anybody else’s behaviour. I wanted to emphasise that, if the climate crisis has a human cause it also has a human solution. We can save our planet if we act immediately. Time is short; the longer the delay, the sooner the devastation. We need to hold on to hope because, if we lose it, we’re lost. I’m encouraged by the awareness and organisation shown by young people. If the older generation follow the young and support them in collective action, we have every chance of securing a cleaner, fairer world that can be sustained into the future.
“So, I coupled the soft, sleepy melody with lyrics about the climate crisis – to express the contradictory aspects of the problem: we need urgent action but we’re mired in apathy. That’s how I came up with the title ‘Emergency Lullaby’. I’d love to sing it in a spirit of understanding, hope and togetherness.”
Emergency Lullaby (Wasting Time)
The water is rising, The Arctic’s ablaze, The Amazon’s burning But I spend my days Feeding flood and fire in so many ways Sitting here wasting my time.
There are clowns in high places Trading on lies, A cult of denial to cover our eyes But if we give up hope then we give up our lives Willingly wasting our time.
We will die of doubt Time is running out…
The hourglass counts down An avoidable fate: The next generation pays for our mistakes. Act now, act together and it’s not too late Or we’re wasting the world and our time.
So, get down to Earth, Let the young lead the old, All hands to the ark! Unfurl the rainbow! Our life’s in our hands, We’ll reap what we sow
The single is available to download and stream from all the usual digital platforms.
‘This is Hell’ the title track from Burnt Out Wreck’s second album released last October is now being released as a single with a brand new accompanying video.
Lead singer Gary Moat says: “Here’s our new video the title track from our second album This is Hell …. I wrote this before the pandemic and we all have our own Hell … enjoy the madness. Thanks to Graham Gebbe for the live footage from Winterstorm 2019. We had a great time, also thanks to Mark Leary for creating such a brilliant lyric video at such short notice!”
This Is Hell is the band’s second album, following their debut Swallow which was released in 2017.
“This is Hell, the title says it all,” adds Moat. “It’s a hard hitting, fast paced more focused album. It’s an angry set of songs that follows on in the same vein as Swallow.”
Gary Moat has a colourful history as the drummer and main songwriter for Heavy Pettin’. For Burnt Out Wreck, he has swapped the drum kit for the microphone stand and Paul Gray now takes the drum stool. Often compared to AC/DC’s Bon Scott and Krokus’s Marc Storace, Moat’s vocal style developed in Mother’s Ruin, the band that rose from the ashes of Heavy Pettin’ in 1991.
You can read my full-length interview with Gary Moat here
Burnt Out Wreck are: Gary Moat – Lead Vocals, Alex Carmichael – Bass, Paul Gray – Drums, Adrian Dunn – Lead Guitar, backing vocals and Miles Goodman – Rhythm Guitar, backing vocals.