The independent label Folkstock has had an enviable record in bringing young up and coming artists like Kelly Oliver to wider attention. Here, however, Folkstock give us a 16-track career retrospective of singer-songwriter Mike Silver.
As the press blurb itself notes: “Despite a few brushes with national media, Mike has remained the preserve of the initiated.” Such brief brushes include a session for Bob Harris on Radio 1 in the 70’s and airplay on radio 2 for his 2003 song ‘Not a Matter of Pride’ but I must admit Silver had completely bypassed my radar. It’s to the credit of Helen Meissner’s Folkstock label, therefore, in aiming to redress that.
Learning to play guitar at a young age, successfully auditioning for a place in John ‘Johnny Remember Me’ Leyton’s backing band at 16 but turning it down for the security of the South Eastern Gas Board instead, Silver eventually found his artistic calling and re-invented himself as an acoustic singer-songwriter in 1969.
This compilation therefore marks Silver’s fifty years in this guise and is a fitting celebration of his undoubted talents as both a songwriter and performer. Some beautifully intricate guitar work, thought-provoking lyrics and a warm and engaging vocal delivery make Alchemy: Fifty Years In Song a pleasure to listen to.
Personally selected by Silver, the tracks span from 1984 through to 2012 (Were there licensing issues with accessing the earlier material or has Silver simply made a personal preference for songs from his later era?) Highlights include the addictively catchy ‘Walk Away’, the self-pitying sing-along drinking song ‘Oh Doctor’ and the poignant and beautifully played ‘Breaking the Silence’ reflecting on the plight of Europe’s Jewish population in the 1930s and 40s.
A fine singer-songwriter and something of an unsung hero these past few decades, Mike Silver and his Alchemy compilation are well worth checking out by anyone with an interest in the acoustic singer-songwriter genre.
Released by Folkstock Records 26th March 2019
Photo credit: artist publicity
This review was originally published by The Stinger here
Proof, if it were needed, of what a dynamic live venue the newly-refurbished Palace in Hastings is turning out to be comes in the form of this new CD from King Size Slim.
Toby Barelli, no stranger to the Hastings live scene, has been gigging for ten years now in his King Size Slim persona. His brand of raw, heartfelt, acoustic blues has picked up many fans along the way.
After spending a couple of years as part of pioneering 2-Tone ska heroes, The Selector, Barelli switched to a rootsy, ballsy, acoustic blues boogie sound. King Size Slim was born.
Spanning ten self-composed tracks ‘Live At The Palace’ captures Toby Barelli on fire with the Hastings crowd earlier this year. A talented guitarist and a naturally charismatic performer this CD positively drips with atmosphere and groove. Playing his trademark battered Tricone Resonator guitar, for this gig he’s also joined by a full band of Rufus Stone on upright bass, and James Gulliver and George Macdonald on percussion.
Songs like ‘Dark Soul’ and ‘Monkey, Where Are You?’ are given a real added potency with the funky bass and infectious percussion. The gig, and the album, ends with a rousing, singalong, rendition of Barelli’s ‘May We Find’ – surely an anthem for these troubled times?
A brand new studio album is promised for 2018 but, in the meantime, this live CD captures the excitement and energy of a King Size Slim gig. Anyone familiar with Toby Barelli’s work will surely want to buy this – particularly if you were at The Palace on that magical night.
One of the absolute joys about life in Hastings and St Leonard’s, and a key motivation for relocating here in the first place, is the proliferation of live music venues. There’s an extremely satisfying number of good-sized venues, like The White Rock Theatre, St Mary In The Castle, The Stables Theatre, The Kino Teatre and the nearby Bexhill De La Warr Pavilion. But it’s not just the larger theatre-style venues, live music in pubs and bars throughout the town appears to be as much part of pub life as pints of lager and bags of crisps. So my first actual gig as a bona fide, council-tax paying Hastings resident, as opposed to visiting music tourist, is to see Mick Bolton and Simon Shaw play an early Sunday evening set in the Gecko cafe bar around the corner from me on St Leonard’s seafront.
I’d seen keyboard player, Mick Bolton, who toured as part of Mott The Hoople in the early 70s, at a handful of Mott The Hoople-related events over the years but until tonight I’d never actually seen him perform live. He’s joined by Simon Shaw and Bolton’s pounding honky tonk style-piano and Shaw’s acoustic blues/Americana guitar make for a really nice combination. They give their own treatment to a number of well-known covers, including songs by Georgie Fame, The Beatles, The Band, Thunderclap Newman, Eric Clapton and Chuck Berry. A good few of Bolton’s self-penned originals are thrown in, too, performed in a similar style (mainly) with a couple of slower numbers thrown in towards the end.
So for a couple of hours around thirty-odd of us are entertained for free in this pleasant little seafront cafe bar by two talented musicians who are clearly enjoying playing for us. My first gig as a Hastings local, but certainly not my last, and several more are lined up already.