This review was originally published by Get Ready To Rock here
Although the name may conjure up images of a Gerry & The Pacemakers tribute act playing package tours to provincial theatres, The Ferrymen are actually a European metal outfit fronted by Ronnie Romero on vocals who, of course, was chosen by Ritchie Blackmore to perform that same task when he embarked upon his return to the rock world and the resurrection of the iconic Rainbow brand.
A New Evil is the follow-up to The Ferrymen’s self-titled debut which was released in June 2017. Polished, well-produced melodic metal of the type that has become almost synonymous with the Frontiers label, the album makes its presence felt in dramatic but not entirely unpredictable fashion. Orchestral-style flourishes and spooky-sounding choral introductions lead us into thunderous hard rock. Romero’s Dio-esque vocals are well-suited to the material, all of which is written by Swedish guitarist, Magnus Karlsson (Primal Fear, Magnus Karlsson’s Free Fall), who delivers all the guitar, bass and keyboards parts on the album. The third member of the trio is drummer Mike Terrana (Rage, Axel Rudi Pell) whose furious drumming (deservedly high in the mix throughout the album) provides a perfect counterpoint to the lush but intensely powerful instrumentation delivered by Karlsson.
While the album can seem a tad predictable at times it does exactly what it says on the tin and delivers classy-sounding melodic metal, appealingly memorable song-writing and flawless vocals. Fans of classic-era Dio et al will really warm to A New Evil right down to the cover art – and won’t be at all disappointed by what’s inside.
Released 11th October by Frontiers Music
Ritchie Blackmore’s Rainbow at Birmingham 2017