Tag Archives: album review

Folk-rock: album review – Merry Hell ‘Anthems To The Wind’

Merry Hell and their rousing brand of folk rock have been around since 2010 now, rising from the ashes of 90s folk punk band The Tansads. Rather than another album of electrified folk the Wigan-based band take a more pastoral approach this time, with the all-acoustic Anthems To The Wind offering reworkings of established favourites alongside some newer songs.

“… although the band has grown in many ways, we have wanted to continue performing in the more intimate venues where the full electric 8-piece would neither fit nor be suitable. The atmospheric hush of the folk clubs inspired a stripping back of many of our arrangements to get to the very heart of our music’s message,” the sleeve-notes tell us.

Much of the album is recorded live: at Bunbury Village Hall in Cheshire and the Lion Salt Works in Northwich, alongside the Music Projects in Wigan.

It opens with a reworking of Drunken Serenade from the band’s first album. Indeed, a memorable line from these lyrics gives this new album its title. It’s clear that songs like this and The War Between Ourselves lose none of their power through the acoustic treatment and, if anything, become yet more anthemic.

The album also proves an excellent showcase for some of the more poignantly reflective songwriting of the band’s Virginia Kettle, and her lovely vocals, on tracks like No Place Like Tomorrow.

Anthems To The Wind shows Merry Hell continuing to innovate and inspire. A fine album that lives up to its name.

Released: 26th November 2018

http://www.merryhell.co.uk/

anthems-cover

Related reviews:

Merry Hell – Bury Me Naked EP

Merry Hell – Come On England EP

 

Advertisements

Singer songwriter: album review – Marianne Faithfull ‘Negative Capability’

This review was originally published  by Get Ready To Rock here

With a recording career spanning over fifty years ‘Negative Capability’ is Marianne Faithfull’s twenty-first album. Battling arthritis, contemplating bereavement and dealing with loneliness, it’s a highly autobiographical and emotive offering from Faithfull. “It’s the most honest album I’ve ever made,” she says. “I’ve always tried not to reveal myself. There’s nothing like real hardship to give you some depth. I’ve had terrible accidents and I’m really damaged. It’s changed my life forever. I’m in a lot of pain and worked really hard to get strong so I can do my work. The great miracle is I was able to make this beautiful record. I really had no idea how it would turn out.”

Alongside a house band composed of Rob McVey, Warren Ellis and Rob Ellis and Ed Harcourt (who also collaborates with Faithfull on the writing on several of the tracks), Nick Cave also puts in a guest appearance on one track, the magnificent ‘The Gypsy Faerie Queen’ which Cave has co-written with Faithful.

Faithfull’s voice today is a world away from the soft, gentle, wistful lead vocal the world fell in love with when ‘As Tears Go By’ was released back in 1964. Her vocals, aged, deepened and absolutely full of life, love, loss, tragedy and reflectiveness, these songs are delivered with 100% sincerity and conviction. For those wanting to make comparisons, Faithfull even returns to her iconic 1964 Jagger & Richards interpretation, one of two covers on the album, alongside Bob Dylan’s ‘It’s All Over Now Baby Blue.’ Of the new material, the aforementioned collaboration with Cave, alongside the majestic ‘In My Own Particular Way’, the haunting ‘Witches’ Song’ and ‘They Come At Night’ (co-written with Mark Lanegan) are all absolute stand-outs.

With beautiful songs and stunning musicianship in ‘Negative Capability’ Marianne Faithfull has delivered a late-career classic.

Released: 2nd November 2018 on BMG

http://www.mariannefaithfull.org.uk/

61o+z9+AIiL._SX466_

Folk: album review – Daimh ‘The Rough Bounds’

This review was originally published by Bright Young folk here 

Launched twenty years to the day after Daimh’s first ever gig, The Rough Bounds sees the Gaelic super-group in celebratory mode. Unlike The Hebridean Sessions, the live album released to mark their fifteenth anniversary, this new album sees the band looking forward and exploring new material, both self-composed and traditional, rather than revisiting songs from earlier in their career.

“Half of the tunes on the record are written by the band and the other half are traditional, the only exception being that of a set of melodies composed by piping legend, PM Donald MacLeod from the Isle of Lewis. We wanted to pay tribute to one our favourite composers, but the set also serves as a stepping stone between the old tunes and our own contemporary pieces,” explains the band’s Angus MacKenzie.

No knowledge of the Gaelic language is required to appreciate the beauty of the exquisite sounds rolling off the lips of singer, Ellen MacDonald, but the lyrics, we are informed, cover those familiar themes of drinking, feuding and loves lost at sea. There can be few more powerful arguments in favour the band’s outspoken passion for preserving and defending Gaelic language and culture than hearing these lyrics delivered so beautifully on songs like Trusaidh mi na Coilleagan and Tha Fadachd orm Fhìn.

Of the tune sets 12th of June and the Donald Macleod Reels showcase some wonderful pipe-playing, while the uplifting Happy Fish contains some gorgeous interplay between accordion, whistle and fiddle.

Strong melodies, exhilarating pipes, enchanting fiddles, hauntingly atmospheric accordion and breathtakingly beautiful vocals The Rough Bounds is pretty much everything you could ask for from an album of Gaelic folk.

Released: May 2018

https://www.daimh.net/

THE-ROUGH-BOUNDS-COVER-IMAGE-450x450

 

Folk/singer songwriter: album review – Steve Tilston ‘Distant Days’

This review was originally published in the Autumn 2018 issue of fRoots magazine

Just as Richard Thompson went down the acoustic retrospective route a few years ago with the very well-received Acoustic Classics, Steve Tilston follows with this excellent nineteen-track album which reworks songs from across his almost five-decade career. À la Thompson, it’s just Tilston, his guitar, his voice and his songs. There’s a beautifully laid-back vibe to the whole affair which really gets you focusing on the songs and appreciating just what a finely talented song-writer Tilston is.

Highlights include the autobiographical On The Road When I Was Young, which originally appeared on his 2008 album Ziggurat; I Really Wanted You, from his first album in 1971 An Acoustic Confusion; and his most covered song The Slip Jigs And Reels, originally released in 1992. There is also some deft guitar work on the previously unreleased instrumental Shinjuku, dedicated to Bert Jansch.

It’s efficiently packaged rather than lavishly so, with all nineteen tracks squeezed on to a single disc. However, detailed liner notes from Tilston himself give a track by track run-down on the inspiration behind each song as well as details on where they first appeared.

Much admired as an artist, much covered as a song-writer Distant Days is a timely celebration of the gentle force of nature that is Steve Tilston. With some lovely guitar, poignant lyrics and gorgeous melodies Distant Days is turning out to be one of my favourite releases of the summer. Highly recommended.

Released by Riverboat Records July 2018

http://www.stevetilston.com/

61FIHoeZiZL._SL1200_

Singer/songwriter: album review – JR Harbidge ‘First Ray of Light’

This review was originally published by Get Ready To Rock here

Involved in the Midlands music scene since his teens, in bands such as the grunge-influenced Third Bullet as well as production work for a variety of outfits, a change of direction, together with a change of location, has led to a new, more introspective approach for JR Harbidge. Out goes the harder-edged rock artist to be replaced by a soulful, Americana-tinged singer songwriter. The album itself has flavours of Bob Dylan, Crosby, Still & Nash and Neil Young.

There’s a distinctive feel to Harbidge’s vocals, some nice acoustic guitar work and some fine supporting musicians who capture that laid-back Americana vibe just perfectly. The thing about the whole singer songwriter routine, though, is that you really have to have the songs to pull it off. And I’m pleased to say Harbidge has more than delivered in that department. There’s a maturity about the song-writing that belies the fact this is a new direction for the artist.

Covering themes from the personal to the political, from relationships (‘The Side Of You That Cares’) to war and peace (‘I Won’t Support Your Wars’) the songs are engaging and the lyrics elicit empathy. Harbidge has an ear for a good tune as well: “I always try and bring out melody in everything because I live to sing along to songs. If I can’t sing along to a song I’m not interested in it.”

With a voice you can easily warm to, songs you can easily relate to and melodies you can hum along to this is a worthy solo debut for JR Harbidge. Well worth exploring further.

Released by Absolute via Universal/Sony on 5th October 2018

https://jrharbidge.com/

resize

Folk: album review – Young Waters ‘Young Waters’

This review was originally published in the Autumn 2018 issue of fRoots magazine

Not a duo, no Young and, indeed, no Waters, Young Waters are actually a young five-piece folk band led by songwriter, vocalist and guitarist, Theo Passingham. The band won Bath Folk Festival’s ‘New Shoots’ competition in 2016 and this led to a recording session at Peter Gabriel’s renowned Real World studios. Indeed, six tracks of the eight tracks on the album were recorded in a single day at that session.

Frequently described as ‘neo-folk’ comparisons have been made with everyone from Fleet Foxes to Fairport Convention. Composers, Philip Glass, John Taverner and Estonia’s Arvo Pärt are cited as inspirations, too.

Although the album includes a traditional song as well as another cover, the remaining tracks are all written by Passingham. We are told, however, there is a heavily collaborative approach in terms of seeking out just the right arrangements and harmonies for each song which has certainly paid off. There is a delicate frailty about Passingham’s voice which suits the lyrical content perfectly. Song titles like Dust, Bleary Eyed and Weary Soul give you somewhat of an idea about what to expect, yet the beautiful melodies and beguiling acoustic guitar add contrast and texture to the mix, as do the the deliciously warm choral-inspired harmonies. It is the latter where the Fleet Foxes comparisons are most evident.

Already making an impact on the festival circuit, Young Waters have delivered an impressive debut here.

Released: September 2018

https://www.young-waters.com/

DoQcuqZXoAAVQWq

Folk: album review – Bert Jansch ‘Just A Simple Soul’

This review was originally published by Get Ready To Rock here 

The exquisitely talented Bert Jansch, the former Pentangle guitarist who died in 2011, has been inspiring musicians for decades – from Jimmy Page and Paul Simon to Johnny Marr and Graham Coxon. Indeed, it was another admirer, Suede’s Bernard Butler working with Jansch’s estate, who compiled this double double disc set. The ‘best of’ collection spans Jansch’s entire solo career.

Writing in the sleeve-notes, Butler makes a telling point: “Bert lived and breathed the sound of the guitar and its endless possibilities for communication, storytelling, conversation, emotional dialogue.”

This certainly comes out in the compilation. However talented and dexterous a guitarist Jansch was, his gift was always deployed in the pursuit of the songs and the stories and the emotional connection with his audience, never merely technique for the sake of technique.

Given Jansch’s considerable back catalogue of twenty-three studio albums, beginning with his first self-titled album in 1965 through to his final solo album The Black Swan from 2006, there is a huge amount of material to choose from – and this is just his solo career – the compilation doesn’t touch his Pentangle output or other collaborations. Butler has chosen well, however. Well-known classics like ‘Angie’ and ‘Needle Of Death’ rub alongside lesser known tracks like ‘Sweet Rose’ from the 1985 album From The Outside. Presented chronologically across thirty-nine tracks, each of the eras are well represented and it’s a thoughtful and thorough retrospective which beautifully showcases Jansch’s mastery of the acoustic guitar, his song-writing skills and his innovative interpretations of traditional material.

Just A Simple Soul works both for those looking for an introduction to Jansch’s back catalogue and for committed fans looking for a lovingly-compiled career overview. As Bernard Butler puts it: “We have a life’s work here, and what a life Bert Jansch has given us.”

Released 26th October 2018 on BMG

https://bertjansch.com/

71qmuPA6GtL._SY355_ (1)

Folk: album review – Eddi Reader ‘Cavalier’

This review was originally published by Bright Young Folk here

Marking 40 years as a live performer, the former Fairground Attraction singer and celebrated solo artist, Eddi Reader, releases a brand new studio album. Featuring an impressive sixteen songs Cavalier comprises traditional material, her own compositions (along with some from her co-producer, John Douglas) in addition to a couple of covers.

There are some lovely arrangements of traditional songs on the album but, sound-wise, it doesn’t narrowly confine itself to what we have come to regard as folk. From Maiden’s Lament with its laid-back, jazzy clarinet; to the title track, Cavalier, with its slightly funky, slightly indie-ish feel; to Starlight, with its 1950s doo-wop-style harmonies, there’s a wonderful array of sounds and musical influences across the ages here. Of course, the album is not without its more mainstream folk moments either, with tracks like Meg O’ The Glen, based on extracts from the poems of the 18th century Paisley-born poet, Robert Tannahill, which contains some deliciously infectious fiddle.

Reader’s gentle but superbly expressive vocals and her distinctive Scottish lilt are the common thread throughout the album, but it’s also all held together with a talented cast of supporting musicians, some twenty-five in total, through strings and brass and whistle and flute, not to mention five excellent additional backing vocalists.

Cavalier contains some beautiful interpretations of traditional songs and some folk-influenced singer song-writing yet at the same time it is so much more than a folk album. File under ’F’ for fascinating.

Released 28th September 2018 on Reveal Records

http://eddireader.co.uk/

Eddi-Reader-Cavalier-Cover-500

 

Blues/rock/soul: album review – Rainbreakers ‘Face To Face’

At the start of the year, towards the end of a long day of drinking and music at Skegness’s Rock and Blues festival, I was about to call it a day and give the last band on the late-night stage a miss when we were suddenly confronted by Rainbreakers. Soulful, bluesy, emotive and powerful, I was immediately captivated. All thoughts of an early(ish) night were rapidly abandoned and Rainbreakers turned out to be one of my favourite acts of the entire festival.

Fast forward a few months and Rainbreakers’ debut album Face To Face is equally captivating. Ten tracks of soulful, classy blues rock it captures the spirit of an earlier classic era while at the same time being fresh, contemporary-sounding and full of energy. Big riffs, deliciously bluesy licks, great melodies and vocals dripping with emotion and soul this a fantastic debut album. Lyrically, the band tackle some powerful themes, too. The opening track Heavy Soul is no trite cock rock number but rather tells the story of vocalist Ben Edwards’ personal battles with his mental health. On tracks like Lost With You, the band amply demonstrate they can handle the slower material with elegance and sensitivity.

DSC07907

Rainbreakers are Ben Edwards (vocals, guitar), Charlie Richards (lead guitar), Pete Adam (bass), Sam Edwards (drums). Already making a significant impact on the live scene and the festival circuit (and I can personally vouch for that!) both the writing and the musicianship on this album deserves to make Rainbreakers a much bigger name in the UK music scene. A stunningly good debut.

Released: 31 August 2018

http://www.therainbreakers.com/

Rainbreakers-album-cover-for-Face-to-Face

Rock/garage/punk: album review – Metro Velour ‘Hey You’

This review was originally published by Get Ready To Rock here

Based in the small picturesque village of Montauroux in the Côte d’Azur region of the south of France, Metro Velour are an old school garage punk band. The four-piece is composed of Sebastian Smith (rhythm guitar and vocals), Louis Chevallier (lead guitar), J B Caramellino (drums) and Nico Pasqual (bass). While the latter three are all French, the front-man, Sebastian Smith, is actually an old English rocker whose been around the music scene a long, long time – ever since he formed his first band in 1959, aged 17!

Now in his mid 70s, Smith still clearly has rock n roll in his blood. “Most of the music today is a complete pile of crap,” muses Smith in the documentary on the band’s YouTube site. “The stuff today just pisses me off so much and I thought hell. Let’s get rock ‘n’ roll back where it should be.”

While plenty of us following Get Ready To Rock will counter that music today is not all X Factor and manufactured pop and that there are decent new rock bands about if you look that bit harder, nevertheless you cannot fault Smith’s (and the rest of the band’s) enthusiasm in pursuing their mission.

‘Hey You’ is the band’s debut album. Sound-wise, there’s definitely a flavour of US garage/punk acts like The Stooges, The New York Dolls and The Ramones but there’s also the spirit of British punk in there, too, particularly on account of Smith’s vocals and tongue-in-cheek lyrics (‘I’m in love with those dirty girls…’).

The songs are catchy and well-written and the band are tight and together. You may struggle to believe that this was recorded in 2018, not 1978. But if you fancy a bit of old-school punk blasting out of your speakers this album is well worth checking out.

https://www.facebook.com/www.metrovelour.fr/

b97eb983d4b76dfb73dda0f7b3c6a85ddecd9f29