Based in Bournemouth on England’s south coast, Owen Moore is an Irish-born singer-songwriter. I reviewed his 2021 album Fireside Songs last year and Owen has kindly sent me his latest: Sixteen Easy Songs For Voice & Guitar.
A prolific songwriter with an extensive back catalogue, this latest album is actually a compilation with highlights drawn from Owen’s ten previous albums which span the period 2011-2021.
Doing exactly what it says on the tin, Sixteen Easy Songs For Voice & Guitar serves as a welcome introduction to anyone wanting to familiarise themselves with Owen Moore’s work. It’s just Owen, his voice, his songs and his guitar but it makes for a fine album.
Serving up folk-infused acoustic Americana, Moore’s wistful, easy-going delivery and thoughtful, introspective lyrics are allied with instantly catchy melodies that owe something towards pop sensibilities, too.
The full track listing for Sixteen Easy Songs For Voice & Guitar is as follows:
Round And Round
She’s Still Wearing Blue
Hang Around With You
The Blue Notes
Walking With That Girl Of Mine
Voices In My Head
All The Time In The World
Home In The Rain
I Don’t Play My Guitar On A Sunday
One Sweet Day
In A Song
Released: September 2021
The album, and others, are available via Owen Moore’s website in CD and digital formats.
Formed in 2013, Beinn Lee are a six-piece band from Uist in the Outer Hebrides. Two-and-a-half years in the making, the band’s second album, DEÒ, follows their debut, OSGARRA, released back in 2018.
While DEÒ contains a number of the band’s interpretations of traditional songs and tunes, it also showcases some brand-new original compositions, too, in both English and Gaelic. Musically, too, the album combines the traditional sounds of pipes, flute, fiddle and accordion with more contemporary influences. And the result is a stunningly vibrant synthesis of the traditional and the modern. Infectious modern beats jostle with the long-revered sounds of Gaelic folk to produce something that is fresh, vibrant and instantly moreish.
“The feeling of returning to music in 2021 highlighted the band’s roots with traditional tunes and bringing people together to dance,” say Beinn Lee. “That fundamental aspect of the band’s music is part of DEÒ and compliments lots of new material borne out of the band’s strong ambition to drive Gaelic music forward in new ways.”
The band are Micheal Steele, Pàdruig Morrison, Mairi Thérèse Gilfedder, James Stewart, Anna Black, and Seoras Lewis. They’ve been able to bring a strongly-held inheritance in Gaelic song and west coast pipe music with being open to more diverse contemporary influences, too, meaning they are now a much in-demand live act, from festivals to weddings.
Taking a break from catching up with new folk releases these past few weeks while I finished my latest book, this has been a stunning album to come back to. I absolutely love it!
Acoustic alt-folk duo The Daughters is a recent collaboration between two Scottish singer-songwriters Martha Middlemiss and Mary Moira McKay. Although the two had been singing together informally for a number of years, the quirks of lockdown and the arrival of socially-distanced walks into our day to day vocabulary led to things being taken a step further.
Songs began to materialise as the two shared their regular walks along Scotland’s Tyne River. An initial single ‘The Mountains’ was released in Spring 2021, which celebrated the beauty of Scotland’s landscape and the determination of those who sought solace, inspiration and escapism from conquering its peaks during the unsettling times as the pandemic took hold.
Soon enough songs began to materialise and Golden Shore is the result: twelve delightful original songs exploring themes around the great outdoors, love, faith and life dilemmas.
The duo’s charmingly quirky harmonised vocals are a real delight and Middlemiss and McKay have turned out to be the perfect fit for one another. Indeed, the pair’s voices are so alike that at times during the sessions even they found themselves struggling to tell one from the other.
The pair are backed by a talented collection of guest musicians each of whom deliver both charm and empathy to the collection of songs. These are Alice Allen (cello), Calum McIntyre (percussion), Chris Amer (acoustic and electric guitar), Duncan Lyall (acoustic and electric bass) and Martin Lee Thompson (euphonium).
An uplifting album and a new creative partnership borne out of the adversity of the pandemic Golden Shore has certainly helped put a spring in my step.
My special thanks go to all those who have visited (and hopefully enjoyed) Darren’s music blog during 2021. The blog has been the usual mad mix of hard rock, metal, folk, Americana, glam rock, britpop, and more – basically anything I enjoy listening to! Here, however, are the ten most popular blog posts from 2021.
1. Deep Purple’s Smoke On The Water: so who actually was the “stupid with a flare gun”?
Fifty years after the events that inspired the recording of Deep Purple’s most famous song and the world’s most famous heavy rock riff, I take a look at the history behind ‘Smoke On The Water’. In December 1971 the band were planning to record their forthcoming album Machine Head at the Montreux Casino in Switzerland. As we know at the Frank Zappa concert on 4th December someone burnt the place to the ground. Who was ‘the stupid with a flare gun’? This post went viral after being shared by a certain Ian Gillan and easily became my most popular post of the year.
2. Tribute to John Rossall: Glitter Band founder passes away peacefully following cancer battle
This is my tribute to Glitter Band founder member sadly passed away on Saturday 2nd October following a cancer diagnosis earlier in the year. John Rossall played on all the early Glitter Band hits before leaving to pursue a solo career. A popular figure at festivals and gigs on the 70s live music circuit for many years, he stunned both fans and critics alike with a hugely well-received comeback album The Last Glam in Town released in Autumn 2020.
3. Interview with guitarist/singer/song-writer and Grand Funk Railroad founding legend Mark Farner
I was luck enough to interview a number of music legends this year. My most popular of 2021 was with Mark Farner one of the founders of Grand Funk Railroad. In this interview we look back at Mark’s career: forming Grand Funk, performing at the Atlanta Pop Festival in 1969 and London’s Hyde Park in 1971 as well as discussing the inspirations behind his songs, his collaborations with the likes of Ringo Starr and Alice Cooper not to mention his brand new DVD.
4. July Morning – a fifty-year-old British rock song and an annual celebration of summer in Bulgaria
Another post about another iconic fifty-year-old British hard rock song. July Morning is a 1971 song by Uriah Heep. Written by the band’s keyboard player, Ken Hensley, and vocalist David Byron with its distinctive organ sounds it has remained a significant highlight of the band’s live set. In most places the song is taken at face value for what it is – a classic slice of early 70s hard rock with lyrics celebrating the beauty of an early morning sunrise. In Bulgaria, however, the song has taken on a significance all of its own.
5. Dirkschneider & The Old Gang: former Accept vocalist re-unites old colleagues for new project
In the Autumn of 2020 former Accept lead vocalist, Udo Dirkschneider, began putting together a new project that brought together some familiar faces. Going by the moniker Dirkschneider & The Old Gang, the name is pretty self-explanatory. Along with Dirkschneider and his son, Sven, two former Accept members (bassist Peter Baltes and guitarist Stefan Kaufmann) have also been brought in, along with singer Manuela Bibert.
I obviously talk a great deal about my love of music but I thought it might be an idea to give readers a quick tour of my actual CD collection. Although I was a keen purchaser of vinyl in my mid to late teens during the first part of the 1980s, frequent house moves in my late teens and early 20s meant that the format was becoming a bit cumbersome. By the time the 1990s came along I was glad to embrace the CD and gradually began building up a collection. From just a handful of CDs thirty years ago it’s now grown to what it is today.
7. Book news: ‘The Sweet in the 1970s’ by Darren Johnson – published 30th July 2021
Followers of this blog will be aware that my love of 1970s glam icons The Sweet is pretty well documented. They’ve featured heavily on Darren’s Music Blog over the seven years of the blog’s existence. This was the post announcing the impending publication of my first book – ‘The Sweet in the 1970s’ which came out as part of the Decades series published by Sonicbond.
8. News: Back down to earth! Graham Bonnet to link up with old Rainbow bandmate Don Airey
Former Rainbow vocalist, Graham Bonnet, has announced that his forthcoming album will feature ex-bandmate Don Airey. The two who performed together on the classic Down To Earth album back in 1979 will appear on a new album Graham Bonnet solo album. Bonnet is currently recording with bandmates Beth-Ami Heavenstone (bass), Conrad Pesinato (guitar) and Mark Zonder (drums).
9. Peter Donegan: interview with Americana singer-songwriter and son of skiffle legend, Lonnie Donegan
Another of the interviews I enjoyed doing during 2021. In the week of the sixty-seventh anniversary of the recording of Lonnie Donegan’s ‘Rock Island Line’ I talked to Peter Donegan about his father’s legacy, about his viral TV duet with Tom Jones on The Voice and about his forthcoming album.
10. Let there be drums! interview with Slade legend Don Powell
One of my all-time musical heroes I catch up with founding member of Slade and drumming legend, Don Powell. Via Zoom in Don’s home in Denmark we talk about his single ‘Let There Be Drums’ raising money for crew, engineers and technicians hit by the pandemic, about the old Slade days, about working with Suzi Quatro and Andy Scott, about recovering from a stroke and much, much more besides.
Douze Noëls is the latest album from harpist Gwen Màiri – twelve traditional Basque tunes for the Christmas season arranged and performed on lever harp by Gwen Màiri. The collection was published in 1897 as Douze Noëls populaires Basques en dialecte Souletin (Twelve popular Basque carols in the Zuberoan dialect). It formed part of the Archive de la tradition Basque, the result of musicologist Charles Bordes’s many years of documenting traditional songs and tunes in the Basque Country, Euskal Herria.
Gwen Màiri was brought up in a Welsh-speaking household in north-east Fife. Both her parents were keen folk singers – her father in Scots and her mother in Welsh – and Gwen grew up singing the songs of both traditions. Her Stirling-born father had learnt Welsh but Scots was often used with his side of the family (and in the playground, of course), while long holidays grandparents in Lampeter, Ceredigion kept a very strong sense of belonging on the Welsh side.
Gwen Màiri is a graduate of the Royal Scottish Academy of Music and Drama (now Royal Conservatoire of Scotland), BA(Hons) PGDipMus, where she studied pedal harp with Karen Vaughan (co-principal harp, LSO) and clàrsach (traditional Scottish lever harp) with Karen Marshalsay. Her career has been very varied, including work with professional orchestras (Royal Scottish National Orchestra, Scottish Chamber Orchestra, Shanghai Symphony Orchestra, Bangkok Symphony Orchestra and the orchestra and education department of Scottish Opera), chamber music, teaching, publishing music for the lever harp and her main passion; researching, arranging and performing the music of Wales and Scotland in a traditionally informed contemporary style.
Gwen brings her traditional and classical influences together in her arrangement of these beautiful and unique Christmas tunes from Zuberoa. This album was recorded at home in Glasgow and is supported by the National Lottery through Creative Scotland. The stunning artwork and animation is by Léa Sautin.
Douze Noëls is now streaming on all the usual platforms and the CD is available to buy from Birnam
Ed Blunt is a singer-songwriter with a debut album out in February 2022. London-based Blunt, whose family home is in Graffham, Sussex, is a jazz and classically trained pianist, who earned his stripes on the London scene, and is in demand as a performer, arranger and choir leader (he is Musical Director and founder of the ensemble, Camden Voices).
As a foretaste of his coming album he has recently released a Christmas single, a heart-warming Christmas song inspired by the last big blizzard in the City of London.
‘The Dome of St Paul’s’ was written during lockdown and recounts a night in 2009 when the capital saw its biggest snowfall for several decades. The song is accompanied by a magical animated video created by London’s Chicken Fruit Studio and set on Christmas Eve.
At the time, Ed was a student at Guildhall School of Music and Drama living in its hall of residence close to The Barbican.
Blunt:“One freezing Sunday night it started to snow, at first just a few flakes, then soon enough a proper whiteout. As we walked the streets the city that was usually loud and frenetic stood perfectly still and quiet in the snow like a dreamland – it was one of those nights you will never forget.”
But it took 12 years before Ed’s memory of that snowstorm triggered a song. He started writing the melody and lyrics during a lockdown Zoom workshop with Chris Difford, of legendary band Squeeze, who describes the song as “brilliant”.
“The challenge Chris set was to write a song about London and, for some reason, the day the snow transformed the city into a winter wonderland came vividly to mind.”
Besides the city cathedral, it namechecks a number of other London landmarks – Finsbury Square, London Wall and Chancery Lane.
Recorded and mixed by David Simpson at the Crypt Studio, London it features James Nall on drums and percussion, Charlie Laffer on guitars and Tom Farmer on bass.
Ed Blunt’s debut album, Over the Moon is due out in February 2022, and serves up a rich mix of folk, rock, blues and gospel – original songs inspired by subjects as diverse as cinematic stories of men on the moon to the folklore of his home city — often cut through with a touch of humour.
The Dome of St Paul’s is out now on all digital platforms.
Drawing parallels between the age-old patterns of migration in the animal kingdom and the experiences of modern humans in today’s increasingly fraught world, acclaimed classically-trained flautist Eliza Marshall has brought together a collection of top-flight musicians to create the Freedom To Roam project. Under the banner The Rhythms of Migration the album comprises fourteen specially-commissioned instrumental pieces symbolising, celebrating and capturing migratory journeys.
Conceived as both a humanitarian and an environmental project it explores themes such as climate change, environmental destruction, rewilding, conflict and displacement.
Eliza Marshall:“This album approaches the interconnected challenges of climate change, environmental destruction and human displacement within the context of our needs for freedom, empathy and hopefulness. It’s the starting point to an all-encompassing project that aims to change our understanding of nature, wildness and our pivotal role in the future of life on this planet.”
Melding folk and classical influences to produce a collection of stunning and evocative soundscapes the project can boast a stellar cast of players:
Virginia McKenna, icon of wildlife conservation, and the project she founded the Born Free Foundation emerged as champions of the project and as well as the album it also includes a documentary film and a special launch concert at Cecil Sharp House on 18th December.
Gentle, stirring, dramatic, haunting and utterly immersive Freedom To Roam: The Rhythms of Migration is a wonderfully evocative collection of music that will take all but the most stone-hearted of us on a quite magical journey.
The #FolkForChristmas hashtag came about last year as a means of supporting artists whose income had been hit by the impact of the pandemic, with people being encouraged to support independent artists and, in particular, order directly from them this Christmas rather than head off to Amazon. In putting this list of recommendations together I’ve again used the not exactly scientific method of ranking them in order according to the number of hits each of these reviews received on my website.
No. 1: Ninebarrow – A Pocket Full of Acorns
With a mix of original song-writing, covers, traditional numbers and musical adaptations of classic poetry, the duo apply their trademark harmonies to produce eleven tracks of exquisite contemporary folk. Highlights include the haunting but utterly beautiful ‘Cold, Haily, Windy Night’ a song about migration inspired by the scenes of destitution at the Calais refugee camp.
No. 2: Steve Tyler -The Enduring and the Ephemeral
Steve Tyler is a renowned hurdy gurdy player and from early music to traditional folk to industrial electronica he is at home playing within a variety of genres. The Enduring and the Ephemeral, however, is Tyler’s first album comprised fully of his own original material. The unique, utterly mesmerising sound of the hurdy gurdy takes centre-stage in this album of rich, layered, experimental prog-folk subtitled ‘Hurdy gurdy based multitrack music for the end of time’.
No. 3: John Edwin & the Banjodasha Hillbillies – Divine Life of Punarvasu
Swedish singer-songwriter-instrumentalist, Peter Danielsson, had spent time on the road performing in a variety of different outfits. Around a decade ago he felt it was time to go solo and that a change in musical direction was in order. He bought himself a banjo, taught himself to play clawhammer (the distinctive banjo playing style common to a lot of old-time American music) and reinvented himself as bluegrass performer, John Edwin.
The themes range from mythical creatures to long lost love to banishment to battle laments. An especially poignant moment is at the end of the first song ‘Wily Margaret’ where a few verses from an original field recording of the song, now in the custody of National Trust for Scotland, are spliced into MacMillan’s own version. A beautifully-made album that will find a suitable home with anyone who has a love for Gaelic songs and traditions.
I’ve much enjoyed seeing this husband-and-wife acoustic duo, Jim and Josie Tipler, out on the live scene here in East Sussex on a number of occasions. Their thought-provoking, observational and often humorous self-written songs were always a treat to witness and it was a delight, therefore, to get my hands on their debut album.
The album is not a leap into the dark musically but from his early days as ‘the poster boy of English folk’ through to now, Seth Lakeman’s albums have demonstrated a quality and consistency in delivering fine folk songs, superb musicianship and those instantly-recognisable vocals. Fans will not be disappointed.
No. 7: Sons of the Never Wrong – Undertaker’s Songbook
Formed in Chicago almost thirty years ago Sons of the Never Wrong are an alt-folk trio with a signature sound of soaring harmonies and lush acoustic arrangements built around of thoughtful, witty song-writing. Their ninth studio album, Undertaker’s Songbook is something of a celebratory release as the band approach their 30th anniversary.
Put together by singer-songwriter David Boardman back in 2016 there’s harmony vocals, exquisite pedal steel, infectious fiddle, great melodies and heartfelt lyrics. The song-writing is a joint endeavour between Boardman, who cooked up the tunes and the band’s drummer, BBC presenter and all-round music maestro, Mark Radcliffe, who came up with the lyrics. Radcliffe proves himself to be a talented lyricist. His observational storytelling perfectly captures the overall mood that the album evokes.
Ronan Gallagher has the sort of rich, seasoned, easy-going vocal delivery that makes it sound like’s he’s been performing around the pubs and bars of Ireland for decades. Married to some irresistibly catchy melodies, some thoughtful every-man style lyrics and a great cast of supporting musicians who deliver a fine blend of Celtic-infused Americana, it’s a sure-fire winner. Incredibly, however, Gallagher did not begin singing or learning to play the guitar until just over five years ago.
No. 10: Honey and The Bear – Journey Through The Roke
Honey and The Bear are folk duo and singer-songwriters Lucy and Jon Hart. The Suffolk-based couple originally met at a song-writing event, began writing and performing together and spent several years touring the folk circuit before releasing their debut album Made in Aker, back in 2019. Journey Though the Roke is the follow-up, ‘Roke being an old East Anglian word for the evening mist that rises from the region’s marshes and water meadows.
Six-track EP ‘Little Lore’ released 3rd December 2021
“It is clear every word and every note is well thought out. The pedal steel swoons beneath Duffy’s vocals” – Maverick magazine
Little Lore is the new alter-ego, creative endeavour and debut solo EP from Indie-Americana singer-storyteller, Tricia Duffy. Tricia rapidly caught the attention of the Americana world as one half of the duo Duffy & Bird. The duo’s debut album and follow-up EP attracted a slew of glowing reviews, with Maverick magazine heaping praise on Tricia’s vocal ability as “simply breathtaking.”
Now she sets out on a compelling new journey as Little Lore, with an EP of six newly-written, beautifully-crafted songs. Storytelling is always at the heart of Little Lore’s song-writing and her songs are both charmingly accessible and yet beguilingly challenging.
Little Lore:“It actually felt like a natural progression to start working on solo project, I am immensely proud of everything we achieved with Duffy & Bird but my confidence as a writer has definitely grown and I felt ready to take more creative control over this record.”
When you combine British wit and wordplay with cherished Americana roots, musical magic starts to happen. In her songs Little Lore brings together an affection for the heart and heritage of Americana music, with an intelligence and maturity of storytelling that can sweep you away into new and unexpected emotional worlds. While several of the songs are built around those familiar Americana themes of love, heartache and relationships, two of the songs on this new EP grapple with the complexity of climate change and our responsibilities as humans to one another and to the planet.
Little Lore’s captivating vocals and beguiling storytelling is complemented by stunning production and beautiful instrumentation from producer and multi-instrumentalist, Oli Deakin.
Little Lore:“In some ways, 18 months of isolation and lock downs has opened up huge opportunity for me as a writer, I’ve known Oli for over a decade and realising we didn’t need to be in the same country to collaborate was genuinely inspiring. He is an incredibly gifted producer and musician and he knows my taste and sensibilities in music really well, so we were very creatively aligned right from the start which made the whole process a complete joy. He is also extremely patient and has an uncanny knack of translating my ideas into reality.”
Based in Chiswick, west London and originally hailing from Portsmouth, Tricia Duffy started her singing career in a live covers band performing popular rock classics. Over time, however, a strong desire emerged to begin writing and performing her own material and she formed an acoustic Americana duo with fellow musician Al Bird. Her trip to Nashville for a writing workshop in 2017, with songwriter Verlon Thompson and others, meant she came back with new inspiration and a clutch of new songs. Duffy & Bird released a well-received album ‘5 Lines’ in 2017 and a follow-up EP ‘Spirit Level’ in 2019. While Al subsequently decided to take a back seat from recording and performing, Tricia was keen to take things a step further with a new solo direction. Little Lore was born.
Little Lore EP – track by track:
Thief: When I originally set out to write the songs for this record, I had the notion of writing an entire album on the topic of climate change – it turns out that was pretty difficult to do! This song came about, as I tried to think about what the character of the industrial revolution would be if they were personified. In this instance as the unwitting thief. I took inspiration from the likes of Sheryl Crow who is an absolute master of mixing songs with a point with a great melody. It has a folky upbeat vibe to it. Musically I was inspired by the likes of First Aid Kit who I adore. It is a little shining star of a song in my opinion – it has turned out so much better than I could ever have imagined.
Skin in the Game: I actually got the idea for this song when I was running along the river in 2019 and I saw someone reading a book with the title Skin in the Game. I think it is actually a book about cricket judging by the front cover! Clearly this is not a song about cricket … it’s an observational song about relationships and touches on the profound differences between men and women and what they want from relationships. There is also some quite significant inspiration from Bowie in the lyrics … prizes to anyone who spots the references. The production on this song is quite layered and dynamic and feels very accessible while holding on to the indie alternative americana vibe. It is good to get this one out there having sat on it for a couple of years.
Orbit: I was actually a little bit unsure about this song, I was trying to write a more typical love song which I struggle with as I feel I can tend towards cliches in the lyrics. I put this one in the mix when first starting to work with my producer Oli and it was him that said he thought it had great potential. It has a very typical Americana / country feel to it. Originally written in 4/4 time, Oli thought it sat better in 3. I have deliberately not shied away from writing songs in 3/4 or 6/8 on this record. Half the songs are in 3 and half in 4. The American vibe swings so nicely with the waltzy feel and the sentimental subject marries well with that feel.
Sleep Again: This song is really about what happens to people when they become truly informed about the horror of the climate emergency and how it will impact all of us. We saw it so clearly during the climate assembly in the UK earlier this year, when a hundred or so individuals from all walks of life were educated on the issues, and how they transformed their views and their behaviours accordingly. Once the genie is out of the bottle it can’t be put in and I liked the play on climate anxiety too – can you sleep again once you understand the impacts on so many innocent people from the rising temperatures? The production treatment we were aiming for is a lullaby feel I love the idea of taking pretty melodies with beautiful musical treatment on the bleakest of topics. I think this song has the most indie / alternative feel to it while holding on to the Americana roots.
Hyacinth: This is a song about choices, that we all make every day so that we can conform to social expectations. I guess there is a little bit of Hyacinth in all of us, and I am secretly enjoying my own boldness of the references to a certain 80s sitcom! It has a pretty strong rock- americana feel and it is really the chords and the groove that have made this song. I hope this is a song that anyone who likes a jog will put on their running list, it really zips along and can get the foot tapping.
Stars: I have wanted to write a song that touched on spirituality in some form for a while but couldn’t find a premise that suited my own truth. It seems that astrology is having a bit of a cult resurgence at the moment with apps like The Pattern coming onto the scene. And I got thinking about times in my life when I have read my stars and the stars of the people I care about even though I don’t actually believe in them – there is a desperation there. The idea that even though you don’t believe in the horoscopes yourself you are so desperate to learn anything about the person you are missing that you devour the mystic’s analysis of what they might be going through. Looking for clues. It is a really simple song that is very pretty melodically. It is one that I am particularly proud of, and it has gone down live really, really well. I absolutely love what Oli has done to bring my ideas to life – really soaring treatment.
The vocals for the EP were recorded at Fiction Studio, London, with vocal engineering by Nathan Cooper. All the instrumentation was recorded in Brooklyn, New York.
The album is produced by Oli Deakin. Oli is a musician and producer from Penrith, Cumbria now based in Brooklyn, NY. He records under the name Lowpines and has produced records for CMAT, Swimming Bell, Elanor Moss and Benjamin Francis Leftwich, with whom he also performs live. Oli can be heard playing the following EP: acoustic guitar, 12-string guitar, high strung guitar, electric guitar, bass, piano, prophet synthesizer, Wurlitzer, strings synth, percussion, glockenspiel.
The artwork for the release was created by Afiya Paice a West London-based artist and designer. She undertakes illustration work to commission and in 2022 she will embark on a degree in Fashion Design at the world-leading fashion school, Institute Français de la Mode in Paris.
Ever since the folk revival began packing hordes of rather studious-looking, tweed-clad young men and women into the back rooms of pubs in the late 1950s, the folk genre has never exactly been ashamed of the more geeky side of its persona. And while the whole concept of a folk singer-songwriter duo turning out songs about mathematics and science is utterly bonkers – it works. But as Kate Bush proved when she released a song called Pi (π) in celebration of the mathematical formula that was drummed into us all at school, if you are a good songwriter and a talented musician you can pretty much write a song about anything.
That is certainly the case with Megan Henwood and Finlay Napier. The Story Song Scientists don’t just regurgitate mathematical formulas at us, however, but rather take us on quite a wonderful journey with their obvious aptitude for great storytelling. From climate catastrophe to medical breakthroughs to the latest in artificial intelligence to a celebration of the life of clouds, via a detour around the necessary ingredients in the Anarchist Cookbook, Quantum Lyrics offers up beautifully-crafted, innovative and thought-provoking songs with lush musical accompaniment and beautifully distinctive vocals – interspersed with some suitably quirky special effects.
The EP follows on from the duo’s well-received 2018 self-titled debut and sees the pair donning their white lab coats once again. With a cover that pays homage to an old BBC2 Open University broadcast Quantum Lyrics certainly succeeds in its efforts to inform, educate and entertain.