Released in January 2015 I’ve come late to this but I’ve been following Gaz Coombes’ career pretty much since Supergrass burst on the Britpop scene with Alright in the mid 90s. Matador is Coombes’ third album outside Supergrass. The first, a covers album with Danny Goffey, released just before Supergrass called it a day, had the sound and feel of Supergrass in all but name. His next (and first solo album) Here Comes The Bombs, was a starker and more experimental affair, with Kratrock electronica influences clearly present. Matador continues in that vein to some degree but has a more mainstream feel to it. More accessible certainly but altogether a stronger album with stronger tunes.
It’s mature, quality songwriting. It is unmistakably Gaz Coombes, though, and listerners will recognise many of Coombes’ classic trademarks: reflective, sensitively delivered Bolanesque vocals leading up to frenzied, more manic delivery on the hook lines. Opening track Buffalo is a case in point and wouldn’t sound unfamiliar to anyone acquainted with some of the later era, more reflective Supergrass material. Detroit is another beatiful track in the same vein. The Girl Who Fell To earth with some gentle acoustic guitar, lush instrumentation and lovely vocals is another track I instantly warmed to.
This album is proof that the post-Supegrass Gaz Coombes is making a valid contribution to the UK music scene and it’s little wonder it’s been nominated for this year’s Mercury prize. Will I play Matador as much as play I Should Co-Co, In It For The Money or Life On Other Planets? Probably not. Will I play it lots? Absolutely.
Released: January 2015