Without a doubt, for me, the greatest band of the Britpop era, I was at the Brixton Academy on the Supergrass farewell tour in 2010 and ten years later I find myself in a state of some excitement for their first of two nights at Alexandra Palace on this long-awaited reunion tour. Given there was no particular acrimony when the band originally broke up, and certainly no Gallagher-style public feuding, in the intervening years I’d long suspected (and certainly hoped) that a reunion would happen at some point.
Formed of members of Gorillaz and The Feeling along with producer and Libertines collaborator, Ed Harcourt, support act Loup Garoux are a supergroup of sorts and their alt-rock take on stoner rock is well-received but I suspect most of tonight’s crowd are still making their way up the hill to Ally Pally while they play their half-hour opening set.
The cavernous Great Hall, however, rapidly fills up for The Coral. An inspired choice by Supergrass, they proceed to deliver a masterclass in making the most of a half-hour support slot with devastating efficiency. Giving the crowd a tour de force of some of their best-loved songs (‘Jacqueline’, ‘In The Morning’ et al) by the time they finish with a glorious, crowd-pleasing ‘Dreaming Of You’ they leave the stage to the sort of thunderous applause that most headline acts would hanker after.
After The Coral’s storming set we don’t have to wait too long for Supergrass, however – and what else would you possibly want to open with on a much publicised and presumably lucrative reunion tour when you’ve written a song called ‘In It For The Money’?
“Gaz has done his neck in and we were advised to cancel these gigs,” drummer Danny Goffey tells the crowd. “But instead we found one of those London rock ‘n’ roll doctors who’s pumped him full of drugs.”
The rock ‘n’ roll doctor clearly knows what they are doing. Gaz Coombes and his band-mates go on to deliver a blistering, joyous and uproarious celebration of the Supergrass legacy.
When I last saw Supergrass, on their 2010 farewell tour, the set-list was carefully constructed with a representative selection from each of their six albums – all presented in reverse chronological order. Tonight, however, the set-list is heavily dominated by songs from their first album, the hyperactive teen insanity of I Should Coco is celebrated in all its glory with a whopping ten songs from this 1995 debut. It makes sense. While it’s ten years since Supergrass originally came to and end, it’s actually twenty-five years since I Should Coco first hit the shelves. And, phew, they includes ‘Alright’, too, the crowd going suitably crazy as keyboardist Rob Coombes bangs out the familiar intro of that unforgettable slice of mid 90s pop perfection. I was getting close to 30 by the time this came out and, looking around, I’m about a decade older than most people in the room. So this was not exactly a teen anthem for me but, hey, I’m not too musically snobbish to say it will always be one of my favourites.
Crowd-pleasers from the band’s other albums aren’t neglected though and as well as a good smattering of songs from their second album (‘In It For The Money’, ‘Going Out’, ‘Late in the Day’, ‘Richard III’, ‘Sun Hits the Sky’) there’s still plenty of room for later hits like the introspective ‘Moving’ and the glamtastic ‘Grace’ and, of course, the unmissable ‘Pumping On Your Stereo’ which is the grand finale of the encore.
What do you do a reunion for? In it for the money? Or in it for the adoration? Supergrass probably got a very healthy wodge of the former tonight but they most certainly got a huge room full of the latter as well.
In It for the Money
I’d Like to Know
Seen the Light
Sitting Up Straight
Late in the Day
Rebel in You
She’s So Loose
Sun Hits the Sky
Caught by the Fuzz
Pumping on Your Stereo