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Lack of plan no impediment to enjoying Saturday Unplugged – live review Hastings Fat Tuesday 22/2/20

This review was originally published by the Hastings Online Times here

Darren Johnson couldn’t get any friends to come with him to savour the delights of Saturday Unplugged, when a myriad of lesser known bands play short acoustic sets in numerous pubs across the Old Town and now St Leonards. But that didn’t daunt him, and of course he had a brilliant time, as logged below. Darren also took the photos.

“Ooh, we’d have loved to have come to Fat Tuesday again but we’re dog-sitting.”

“I really wanted to come but I’ve got to spend the weekend preparing something really important for work.”

“I was definitely going to come but I woke up feeling full of cold so I’m just going to spend the day mooching in bed.”

My various attempts at rounding friends up for Fat Tuesday’s Saturday Unplugged session proved utterly fruitless this year. But I’d agreed to do a write-up for HOT, plus I was really looking forward to it so, sod it, I’m not going to let a complete absence of drinking buddies put me off. What it does mean, however, is that I arrive in Hastings Old Town – where 40 artists play multiple sets across 20 different venues (plus, for the first time, an additional 15 artists across five venues in St Leonards) – without much of a plan for the afternoon.

Plans for previous years had involved doing a bit of background research on each of the acts and working out who to see, or everyone choosing one or two acts and formulating a rough plan from that, or simply holing up in one pub for the whole afternoon and enjoying whatever came along. This year, however, I arrive with no plan at all.

I make my way to the Royal Standard on the seafront, always a nice pub with a great selection of live music throughout the year, and arrive just as the band are about to take the stage for the first slot of the day. Lost Revellers combine gypsy jazz, Celtic folk, Eastern European traditional music and classical to deliver something quite delicious. It’s a wonderful start to the afternoon and they go down a storm as I’m sure they did for the rest of the day.

I decide to hang around for the next band: the Hastings-based Buddha Triangle. There’s an equally diverse range of musical influences on display once more, but this time it’s a blend of soul, funk, reggae and rap. In their 15-minute set they deliver to the audience a taste of each of those. It’s fun, quirky and highly entertaining, but creative and original, too.

Still in the Royal Standard I’ve already had several pints, we’ve not even been going an hour yet and I’m starving. I take some time out from the bands and pop across the road to Neptune Fish and Chips restaurant for a plate of plaice and chips and a cup of tea before deciding to head along Rock-a-Nore to the Dolphin for more music. I get there just as Creature Creature are finishing off their last song. Hmm, they sound quite good. I check where else they are playing so I can catch them later on. Next up in the Dolphin is Earl Grey. No strangers to Fat Tuesday, their acoustic Americana-flavoured vibe with some delicious electric guitar goes down a treat.

Ft Earl Grey

Earl Grey at the Dolphin

Another pint downed and it’s time to work out where Creature Creature are playing and catch up with them (as per my highly improvised plan). I make my way down George Street to the Anchor but before I get there I’m waylaid at Butler’s Gap. A crowd has gathered to watch a busker playing some beautiful slide guitar and the drummer out of Buddha Triangle has set up his kit on the pavement next to him to provide an impromptu rhythm section. The crowd lap it up and it carries on like this until the drummer’s band-mates drag him away in time for their next scheduled appearance. It’s never just about the scheduled appearances at Fat Tuesday though…

I make it to the Anchor just in time to hear Creature Creature. The Brighton-based five-piece initially started out as folk-punk outfit 40 Shilling On The Drum before moving into hard rock territory. For their Saturday Unplugged acoustic set though they return to their folk-punk roots. Highly enjoyable, I will definitely explore this band further in future.

Next I move on to the London Trader and catch most of Doghouse Outhouse. A precociously-talented young bunch of musicians from Kent, their laid-back soul-infused sound gets a huge round of applause. I’m slowing down a bit drink-wise now but decide to head on to the Stag to catch old friends Milton Hide. Amidst all the fun and drunken revelry of Fat Tuesday there’s sometimes a danger that the eccentrically raucous bands on the circuit are the ones that grab people’s attention but I’m pleased to see the gentle and thoughtful observational ditties of this lovely acoustic folk duo are well-received.

FT Milton Hide

Milton Hide at the Stag

We are now moving towards the end of the five-hour Saturday Unplugged session and I glance through the programme to work out where I want to be for the final slot of the day. A taste of Memphis rhythm & blues and early rock’n’roll in the shape of Sister Suzie and her band at the Jenny Lind seems like a perfect way to finish up. It is absolutely ram-packed. I just about squeeze in at the back but can’t hear a thing so, like several others, I go out on to the street to watch her set crowding around the open doorway next to the stage.

An afternoon of great music and terrible fashions – why do musicians’ ideas of quirky always involve one of just three outfits: Hawaiian shirts, ex-military uniforms or those waistcoat/trilby combos? Never mind. A huge variety of music, a great array of talent and copious amounts of tasty beer, Saturday Unplugged 2020 is another big success.

https://hastingsfattuesday.co.uk/

Related posts:

Fat Tuesday preview 2020

Fat Tuesday preview 2017

Review: Hastings Fat Tuesday 2017 – Unplugged Saturday 25/2/17

Dodgy at The Carlisle, Hastings (Fat Tuesday headliners 28/2/17)

Live review: Glen Matlock headlines Hastings Fat Tuesday 5/3/19

Milton Hide release fund-raising single to raise awareness of male suicide

 

 

Live review: Fairport Convention at De La Warr Pavilion, Bexhill 20/2/20

Another February, another Fairport winter tour. There has been a radical revamp of the set-list for this tour, however. This is not unwelcome. In recent years it was getting a tad repetitive. True, they had their 45th and then 50th anniversaries to celebrate and were rightly focused on delivering a set-list that reflected career highlights over the decades. For this tour the set is dominated by just two albums: the band’s latest Shuffle & Go and a revisit of the band’s 1970 album Full House. The latter is itself reaching its 50th anniversary this year (never let it be said that this band ever misses an opportunity to celebrate an anniversary…)

Before we get to any of this, however, the Americana-flavoured songs of acoustic guitar/harmony vocals duo Smith & Brewer go down extremely well. Fairport Convention have long used the support slot on their winter tours in a fairly strategic way to showcase emerging talent and bring artists to wider public attention. But for both musicality and entertainment value this act has been one of the finest to take this slot in recent years and they are suitably rewarded at the merch stand during the interval.

Fairport support 1

After sharing the stage with Smith & Brewer for their final song ‘Don’t Say You Don’t Love Me’ Fairport kick off their own set with much-loved show-opener ‘Walk A While’ but swiftly move on to tracks from the new album. I had not purchased the album prior to the gig so it’s a first taste of these songs. I particularly like the first of these tonight and the opening track on the album. One of my criticisms of recent Fairport albums is that some of the songs from Chris Leslie’s hand have been a little on the twee and whimsical side (‘Our Bus Rolls On’ anyone?). ‘Don’t Reveal My Name’ about the card magician Dai Vernon is dark, brooding and mysterious, on the other hand, and a great addition to the Fairport repertoire. We get a whopping ten of the album’s thirteen tracks tonight, including the wistful celebration of the nation’s pubs ‘A Thousand Bars’ and Chris Leslie’s ‘Moondust & Solitude’ marking the anniversary of the Apollo moon landing. Some impressive songs in there, I will say.

Fairport shuffle

After the interval there’s a few more songs from the new album, a blast of the wondrous ‘Farewell, Farewell’ from the Liege and Lief album and then it’s time to launch into that Full House celebration. Back when it was released in 1970, this was the first of the all-male Fairport line-ups where the band were working out their future direction following the departure of Sandy Denny (along with Ashley Hutchings). The five deliver nicely-worked treatments of ‘Sir Patrick Spens’, ‘Sloth’ and ‘Doctor of Physick’ – albeit with Chris Leslie’s mandolin taking the place of Richard Thompson’s guitar licks (although Dave Pegg tells the audience that Mr Thompson, along with former Fairport drummer Dave Mattacks, will be joining the band to play the Full House album live at the Cropredy festival in the summer.)

The set ends with the usual trio of Fairport show-closers ‘Who Knows Where The Time Goes’, ‘Matty Groves’ and ‘Meet On The Ledge’ and regardless of whether they have or haven’t played the De La Warr before (there was a bit of a dispute about this between Simon Nichol and Dave Pegg earlier in the evening) the band nevertheless have an appreciative audience tonight.

Set-list

First set:

Walk Awhile
Don’t Reveal My Name
Cider Rain
Good Time for a Fiddle and Bow / The Christmas Eve Reel
A Thousand Bars
Shuffle and Go
Moses Waits
Bankruptured
Moondust and Solitude

Second Set

Jolly Springtime
Steampunkery
The Year of Fifty Nine
Farewell, Farewell
Sir Patrick Spens
Sloth
Doctor of Physick
Who Knows Where the Time Goes?
Matty Groves
Meet on the Ledge

https://www.fairportconvention.com/

Related reviews:

Fairport Convention at Cropredy 2017

Album review – Fairport Convention ‘Come All Ye: The First Ten Years’

Fairport Convention – 50th anniversary gig at Union Chapel 2017

Fairport Convention at Cropredy 2014

Fairport Convention at Union Chapel 2014

Iain Matthews in Etchingham 2016

Album review – Fairport Convention ‘What We Did On Our Saturday’

Album review – Ashley Hutchings ‘From Psychedelia to Sonnets’

Album review – Ashley Hutchings ‘Twangin’ ‘n’ a-Traddin’ Revisited’

Album review – Sandy Denny ‘I’ve Always Kept a Unicorn: The Acoustic Sandy Denny’

Fotheringay at Under the Bridge, London 2015

Fotheringay at Great British Folk Festival 2015

Richard Thompson at Royal Festival Hall 2015

Richard Thompson at Folk By The Oak 2014

Album review – Richard Thompson ‘Acoustic Classics’

Judy Dyble at WM Jazz at The o2

Albion Christmas Band at Kings Place 16/12/14

 

Live review: Joe Gideon / Simonne & The Dark Stars / Suzie Stapleton at The Piper, St Leonards 15/2/20

This review was originally published by the Hastings Online Times here

In a town not exactly short of live music venues, the newly-refurbished, re-opened and renamed Piper on the down-at-heel segment of Norman Road (as opposed to the lovingly manicured gentrified end), has really begun to make its mark in the months since it opened, attracting some noteworthy artists and pulling in decent crowds.

Joe Gideon first came to public attention in the early noughties with his band Bikini Atoll, which was then followed up with a duo, Joe Gideon & The Shark, with his sister Viva, before he embarked on a solo career.

With a brand new album Armagideon, released on 31 January, Gideon has been working with drummer/percussionist Jim Sclavunos (Nick Cave & The Bad Seeds/Grinderman/Sonic Youth/The Cramps) and keyboardist/saxophonist/vocalist Gris-De-Lin (Duke Spirit/Gemma Ray/Leila Moss) who also join him for this current UK tour.

This evening he’s supported by Aussie-born, Brighton-based singer-songwriter Suzie Stapleton and Hastings-based three-piece Simonne & The Dark Stars, the moody but poetic guitar/vocals performance of the former contrasting nicely with the electrifying stage presence and addictively pop-infused melodies of the latter.

The crowd are nicely warmed up and the room suitably full by the time Gideon and his two bandmates take the stage. With a musical persona that emphasises mood more than melody and erudite lyricism over catchy hooks, it’s never going to be something that works for everyone – but, boy, has he got a gift for connecting with an audience.

This alt-rock take on the classic blues power trio (albeit with keyboards taking the place of bass) keeps the crowd mesmerised throughout. Gideon’s songs explore themes as diverse as time travel, primordial bliss and reptile people, accompanied by hypnotic rhythms and powerful, clanking chords. As the gig finishes there are suitable looks of satisfaction on the faces of everyone who ignored the storms and ventured out.

All three acts will have enhanced their reputations as a result of tonight’s gig as, indeed, will the Piper – a venue that appears to be confidently finding its niche and USP in a crowded field.

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https://joegideon.com/#intro

News: Slade legend Jim Lea releases video footage in bid to locate recently stolen guitar

Jim Lea, one of the four members of Slade throughout the original band’s entire twenty-five year career, has released a video in the hope that it will prompt members of the public in helping reunite him with his guitar. The multi-instrumentalist’s cherished Fender Stratocaster was stolen in central London on 31st January.

jim-strat-2_orig (1)

After an initial appeal for information two weeks ago proved fruitless, Lea’s website has issued the following statement, along with a video of him playing the guitar in question.

“Tuesday 18th February 2020 – Two weeks ago we advised that Jim’s prized Fender Stratocaster was stolen from Central London. We put out the word for fans to share the details of the theft on social media in a bid to try and get it recovered.

Unfortunately the guitar has still not been returned or found. We do not have the serial number to pass on to fans – and to date we have only shared photos of the guitar on social media in a hope that fans might see it and recognise it.

However today Jim has released this, previously unseen studio footage, for fans to see. It shows close ups of the famous guitar and we hope this will help fans recognise it.

​Once more we ask that fans look out for the Stratocaster in music shops, or on internet websites such as Gumtree and eBay. A reward is offered. Please email website on jimleawebsite@aol.com with any info if you find it’s whereabouts.

We have made the video downloadable. Please share on social media.”

As well as being downloadable direct from Jim’s website the video can also be viewed via YouTube here:

Photos and video courtesy of Jim Lea's website

http://www.jimleamusic.com/

Related posts:

EP review – Jim Lea ‘Lost In Space’

Interview with former Slade legend Jim Lea

Jim Lea at the Robin 2, Bilston 2017

Veteran drummer Don Powell out of Slade

Preview: Hastings Fat Tuesday weekend 21st-25th February 2020

This article was originally published by Hastings Online Times here

Fat Tuesday festivities break out on Friday

Now in its eleventh year, Hastings’ annual Mardi Gras celebration, Fat Tuesday, where scores of acts converge on dozens of venues to entertain thousands of punters for five days of music and general madness, launches on Friday 21 February this year. Darren Johnson surveys the rich offer of music and entertainment which lies in store.

Friday 21st

In what organisers claim is the most diverse line-up ever this year, Baxter Dury (indie singer-song-writer and son of the legendary Ian) will headline the opening night at the White Rock Theatre. He’ll be supported by Hastings’ own Kid Kapichi.

Earlier in the day the White Rock Hotel next door will host another Unconvention conference, a day of panel debates, discussion and workshops for those involved in some way in the grass-roots music industry – or looking to break into it. Keynote speaker is singer and broadcaster Tom Robinson.

While most of the Fat Tuesday weekend gigs are free, these two are ticketed events which you can book via the Fat Tuesday website.

Saturday 22nd

As usual the centrepiece of Saturday’s proceedings is the mega Saturday Unplugged session. Running from 1pm until 5pm 40 artists from a wide variety of genres will play 15-minute sets across a number of participating bars and restaurants in Hastings Old Town. Brand new for this year, St Leonards will also be part of the action with 10 acts spread across five venues.

Always a great opportunity to seek out new talent or enjoy old favourites, you can either stay in one place and catch the whole programme for that venue or you can move from bar to bar seeking out the acts that particularly catch your eye. For the really dedicated you can simply stalk your favourite artist all afternoon and watch them perform each of their sets.

In the evening there’s another ticketed event at White Rock Theatre, where the The Craig Charles Funk & Soul Club, featuring Red Dwarf and Corrie star-cum-radio DJ Craig Charles, is the headline act at Le Grande Mardi Gras Ball.

Sunday 23rd

The pace, but not necessarily the volume, quietens down a notch on the Sunday when two venues, The Carlisle and Printworks, play host to Under The Radar. Aimed at showcasing the best emerging young talent from across the country, it’s curated by BBC Introducing, the Academy of Contemporary Music, Incubate and the Joe Strummer Foundation. The organisers are touting Kudu Blue, Brighton-based indie rising stars, as one to watch out for this year.

For those on the look-out for something a bit more traditional, there’s always the eccentrically quirky Umbrella Parade which culminates in an afternoon of music and some flamboyantly extravagant brass at the White Rock Theatre.

Monday 24th

Now an established fixture on the Monday evening, the Lord Nelson plays host to acoustic blues/roots musician King Size Slim for a laid-back evening prior to the frenetic madness of The Fat Tuesday Tour the following day.

Tuesday 25th

This is the big one. Twelve venues will host The Fat Tuesday Tour where 24 bands will play 20-minute sets in three venues apiece. Again, there’s a ticketed aftershow at the Brass Monkey with live music from Buddah Triangle and a DJ set from Greentea Peng.

Announced so far

While the full weekend programme is yet to be announced, all of the following acts have been confirmed so far:

Baxter Dury, Craig Charles Funk and Soul Club, Plaid, DJ Food, Greentea Peng, Sam Wills, Kudu Blue, Kid Kapichi, Duke Garwood and the Rank Panache, Nova Twins DJ set, Dizraeli. Hayley Ross, Buddah Triangle, Loud Noises, Georgia Meek, The Great Malarkey, Funking Barstewards, Mzz Kimberley, Sister Suzie, Dr Savage, Aris, The Colleens, Blabbermouth, Otto, The Curst Sons, The Shady Pines, King Size Slim, Johanna Bramli, Georgia May, Trevor Watts with Grassy Noel & APE, Leila (DJ Set), Mr Thing, Creature Creature, The Village Metronome, Massicot, Tim Exile, Silent Natives, The United Stoats Of America, Victoria McDonnell Band, Milton Hide, Sugar Loaf Band, Frank From Blue Velvet, Anna Page, Kahlla, Dayana, Claire K Nicolson, Edward Sanson, Oli Barton & The Movement, Glashin, L, Now and Then, Someone Anyone, Abstract Source, Crunchy Bat, David Toop & Rie Nakajima, Gawd Status, Dave Malone.

Keep an eye on the Fat Tuesday website for more information as it’s published.

Header photo: Loud Noises - image supplied by Fat Tuesday PR team

Related posts:

Fat Tuesday preview 2017

Review: Hastings Fat Tuesday 2017 – Unplugged Saturday 25/2/17

Dodgy at The Carlisle, Hastings (Fat Tuesday headliners 28/2/17)

Live review: Glen Matlock headlines Hastings Fat Tuesday 5/3/19

News: a Blue Öyster Cult reissue plus a brand new fortieth anniversary live album

Back in April 2016, on the 40th anniversary of their Agents of Fortune album Blue Öyster Cult marked the occasion by performing the album in full for a televised concert at Red Studios in Hollywood.  Frontiers music is now releasing the recording in CD, vinyl, DVD and Blu-Ray formats.

On the recording BÖC’s original core duo of vocalist/lead guitarist Donald ‘Buck
Dharma’ Roeser and vocalist/rhythm guitarist Eric Bloom are joined by Richie
Castellano on guitar/keyboards plus the long-standing rhythm section of bassist
Kasim Sulton and drummer Jules Radino. Founding member Albert Bouchard also appeared as a special guest on selected tracks.

Originally released in 1976 Agents Of Fortune was BÖC’s fourth album, going on to
achieve platinum status in the States on the strength of songs such as ‘(Don’t Fear) The Reaper,’ the band’s biggest hit and a staple of classic rock station playlists. Here in the UK Agents of Fortune has featured in numerous publications’ lists of the greatest rock/metal albums of all time, including the likes of Kerrang! and Q magazine.

Frontiers are also reissuing BÖC’s thirteenth studio album Heaven Forbid. Released in March 1998, it was the group’s first full studio set containing original material since Imaginos a decade earlier. Science fiction author John Shirley contributed
heavily, writing lyrics for all except two of its new songs, while a live version of ‘In Thee’ (from 1979’s ‘Mirrors’) was also included.

40th ANNIVERSARY AGENTS OF FORTUNE 2016 live album and HEAVEN FORBID
both released 6th March 2020 by Frontiers Music

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http://www.blueoystercult.com/

News: Thunderstick – masked drummer and his band return to Leo’s Red Lion for launch of new single

Single: Go Sleep With The Enemy/ I Close My Eyes released 7/2/20 on Roulette Records pre-order via https://www.roulettemedia.uk/product-page/thunderstick-go-sleep-with-the-enemy-i-close-my-eyes

First live gig: Leo’s Red Lion, Gravesend, Kent – Saturday 8/2/20 8pm
Tickets via https://www.ticketsource.co.uk/leosredlion/t-amaznk

Following a series of fantastically well-received live dates last year Thunderstick, with their mesmerising singer Raven Blackwing, are back with a new single and a return to live shows. Kent’s legendary rock venue ‘Leo’s Red Lion’ will be the first to support the release on Saturday 8th February.

Barry Graham Purkis aka Thunderstick: “The band will be touring our eccentric ‘Anomaly stage show’ throughout 2020. For those about to experience us live for the first time prepare yourself for the journey. We are the ‘Dark Cabaret Theatre Hooligans’ and we will steal your Rock’n’Roll hearts.”

CD Cover - Front

Raven Blackwing: “I’m very excited about the upcoming release. It’ll be my first Thunderstick recordings. I was given so much love and support throughout my first year with the band, we thought a ‘limited edition’ reworking of a couple of tracks from the ‘Something Wicked This Way Comes’ album would be a cool way to say thank you. My own particular milestone. It also sets the scene for the band’s very first live album ‘Something Wicked This Way Came…Thunderstick Live in France’. I hope that our fans enjoy both. Luv Raven xx”

The single features the tracks ‘Go Sleep With The Enemy’ and ‘I Close My Eyes’ which will be familiar to fans, reworked for the unique voice of Raven Blackwing. The single is available in both CD and digital formats.

Charismatic Raven Blackwing will lead her thunderous band mates Vinny Konrad (guitar), Lee Quenby (guitar), Rex Thunderbolt (bass) and the legendary Thunderstick/Barry Graham Purkis (drums) on a series of UK and European dates throughout the year. UK festivals ‘Breaking Bands’ on 25th May and ‘Cornwall Rocks’ on 20th November have now been confirmed, with many more to be announced. A new live album ‘Something Wicked This Way Came – Thunderstick live in France’ is set for release in March on Roulette, followed by a brand new studio album currently being recorded for release in July.

Raven Blackwing

Best known for his time with Samson and an early Iron Maiden Barry Graham Purkis (AKA Thunderstick) has been the legendary icon for the NWOBHM (New Wave Of British Heavy Metal) scene since the late 70s. His eponymously named band, renowned for its female fronted power rock and theatricality, have a considerable heritage. The band played live and recorded for six years both in the UK and in the United States throughout the 1980s until playing their last gig in October 1986. Then In 2016 former lead vocalist, Jodee Valentine, tragically died following a five-year battle with early onset Alzheimer’s. In recognition of Jodee’s memory Barry decided to record some songs that Jodee had performed live. This became the ‘Something Wicked This Way Comes’ album, the first new Thunderstick product in over thirty years. It was released in July 2017 to enthusiastic reviews worldwide.

Barry: ‘It was never my intention to put a performing band together but In light of the positive encouragement I received and much deliberation a new Thunderstick was formed. Staying true to its theatrical recognition we have been gathering momentum once more amongst the rock fraternity. The next chapter in this amazing story is ready for the writing.”

Facebook: https://www.facebook.com/thunderstickofficial/
Roulette Records: https://www.roulettemedia.uk/thunderstick

News: Veteran drummer Don Powell out of Slade

In a statement on his website, veteran Slade drummer Don Powell reveals he has been informed by Dave Hill his services are no longer required. Although the original Slade broke up in the early 90s with the departure of Jim Lea and Noddy Holder, Dave Hill and Don have continued to tour under the Slade banner.

Don Powell’s statement is as follows:

“Monday 3rd February 2020 – It is with great sadness and regret that Don needs to inform his fans that he now is no longer a member of Dave Hill’s Slade.

Dave has sent Don a cold email to inform him that his services are no longer required, after working together and being friends since 1963.

However, the great news is that Don is now fully fit to play drums again! He is coming back with his band who will be called Don Powell’s Slade He is forming it with ex-Slade 2 bass guitar member Craig Fenney. We will post more news about the recruited members in due course. Don so looks forward to going on the road and seeing all the fans again.

More news! Don is currently recording a solo album. He is in North West England at the moment – recording tracks with Paul Cookson and Les Glover. All these tracks will be issued in Don’s debut solo album!

Additionally, as previously mentioned on this site, Don has finished and completed a new album with Don Powell’s Occasional Flames which will be released this year.

Don hopes that all his loyal fans will support his new ventures which he is very excited about.”

http://www.donpowellofficial.com/

*** Update 4th February 2020 – Statement from Dave Hill ***

Following Don’s statement Dave Hill has since responded with his own, released via his band’s Facebook page.

Light on detail, it seeks to refute Don’s account of his departure but does not offer any alternative sequence of events.

“I am sad to announce that Don and I will no longer be working together our parting of the ways has not come out of the blue and his announcement is not accurate. I wish Don every success in his future efforts. I will, of course, carry on and look forward to many future performances and meeting fans. Dave Hill”

 

Header photo taken from Don Powell's website
Below: me with Don and Dave in happier days

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Live review: Giants of Rock, Minehead 24-27 January 2020

Now into its seventh year the Giants of Rock weekend at Butlins’ Minehead resort has attracted a little bit of scepticism among regulars over the last year or two – namely how many of the acts appearing on the bill these days can really be considered genuine, bona fide rock giants. There’s some truth in this. Contrasting this year’s line-up with that of the first such weekend in 2014 there’s probably far fewer acts that your average not-completely-obsessed ordinary-joe rock fan would be able to instantly recognise by name. However, Butlins in January has become something of a diary fixture in recent years, there were certainly a number of bands that I was still keen to see, the camaraderie among Giants Of Rock regulars (from unofficial bingo to group photos to late night chalet parties) is second to none and my long-time Butlins’ chalet buddy was definitely up for going again.

And so, I found myself on my way to Minehead once again for another year.

My personal highlights of the weekend I can pretty much neatly divide into three main categories:

  • the classic era of classic rock – The Crazy World of Arthur Brown, Hawkwind et al
  • the New Wave of British Heavy Metal – Rock Goddess, Praying Mantis et al
  • and the New Wave of Classic Rock – Scarlet Rebels, Hollowstar et al

On the Friday night I finally got to see Arthur Brown perform ‘Fire’ in all its loopily eccentric over-the-top glory – even if Butlins’ health and safety requirements meant we got a sparkly glittery head-dress rather than actual flames. And on the Saturday night we got a magnificent mix of soulful blues and early Whitesnake classics from Bernie Marsden and a rumbling, rhythmic and suitably spaced-out set from Hawkwind. All three bona fide 100% rock giants in my book – no question.

20200125_203221

Something that’s been a bit of a feature of Giants of Rock over the years has been getting a former drummer along from a big-name band performing some form of tribute to his old band. Last year was the turn of Brian Downey (Thin Lizzy) and Chris Slade (AC/DC, Manfred Mann’s Earth Band and pretty much everyone else). Much as I love these guys these tribute-act-with-added-special-ingredient are perhaps stretching the concept of ‘giants’ a tad. This year was the turn of former Judas Priest drummer Les Binks. Unlike Downey’s tenure in Lizzy, Binks was only in the band for a couple of years 1977-79 and only played on two studio albums and the Unleashed In The East celebrated live album. And, quite properly, he doesn’t play any material the band released after he left – which cuts out a fair few Priest classics and many of my own particular favourites (like everything on British Steel, for example). But, boy, do this band know how to make the most of the hand they’ve been given. In Matt Young, Binks has found a front-man with an absolutely awesome voice who does the early Priest legacy proud. Les Binks’ Priesthood massively exceeded my expectations and were a real highlight. Giants? – well maybe not but certainly very fucking good.

On the NWOBHM front, Rock Goddess on the Saturday and Praying Mantis on the Sunday both delivered superb sets. Once again, Butlins’ ever-reliable last minute stand-ins Oliver/Dawson Saxon got a call at the eleventh hour. Given I wanted to enjoy the whole of Arthur Brown’s set it meant I only got to see the last half from Messrs Oliver and Dawson but they are always brilliantly entertaining and I was there for the irrepressible Brian Shaugnessy leading the crowd sing-along to ‘Wheels of Steel’ which is always one of the highlights of any weekend where they play. Unfortunately, I missed Diamond Head this time but given I’d seen them just a few weeks ago supporting Uriah Heep I plumped for Hawkwind on the other stage. Sadly, ex-Mamas Boys’ boy, Pat McManus, was another one I missed but by all accounts his late-night slot was one of the high-points of the weekend.

OD Saxon 2020

Even if the number of actual rock giants have been less conspicuous on the bill in recent years, one of the things that Butlins has achieved is giving a real boost to newer bands and the nascent ‘New Wave Of Classic Rock’ movement. Not only by giving slots for several bands each day on the Introducing Stage but by allowing punters to select three of them to come back on perform on the main stage the subsequent year. Sons of Liberty, and their eccentrically grizzled but thoroughly entertaining take on southern rock, were able to bag a main stage slot on the Friday night whereas the other two winners Hollowstar and Scarlet Rebels (formerly Void) had to content themselves with the 12-1pm ‘hangover slot’ on the Saturday and Sunday respectively. Both of them more pulled than it off as main stage acts, immediately generating rapport with the crowds, a suitably electric atmosphere and equally electrifying performances.

So, the giants quota may have gone down a bit – but in what was my sixth year here I was still seeing classic acts for the very first time, enjoying some familiar old favourites once again not to mention discovering some exciting new bands. Moreover, splitting the bill 50/50 with my chalet buddy, Elise, I ended up paying out what amounted to £44 per day all-in for my accommodation, meals and entertainment. As my late father used to say (a long-time devotee of their Rock & Blues weekends in Skegness) – it’s cheaper being at Butlins than staying at home…

Related reviews:

Giants of Rock 2019

Giants of Rock 2018

Giants of Rock 2017

Rock & Blues weekend, Skegness 2018

Rock and pop memorabilia at the V&A’s Theatre & Performance exhibition

With a free afternoon in London before heading off to Minehead for the Butlins rock weekend I thought I’d take a look at the V&A’s Theatre and Performance exhibition. This permanent exhibition is about stage performance in its widest sense, but amidst the magnificently ornate costumes from nineteenth century productions of Shakespeare, a sparkling line-up of pantomime dame outfits and Dame Edna’s famous Sydney Opera House-shaped hat, there are a number of exhibits that are of particular interest to rock and pop enthusiasts.

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Madness memorabilia

From a small display devoted to Madness memorabilia, to stage outfits worn by the likes of Elton John and Jimmy Page, to a ukulele played by George Formby, there’s some interesting artefacts, even if the selection seems somewhat random.

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L-r: Jimmy Page's peacock suit, Elton John's bicycle outfit and George Formby's ukulele

However, the exhibition really needs to be seen in it’s wider context to properly appreciate it and the way that twentieth century rock and pop acts fitted into a tradition of stage performance stretching back centuries.

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Recreation of Kylie Minogue's backstage dressing room

If you are taking a trip to London’s museum quarter in South Kensington anyway it’s definitely worth taking a look at – and like all other permanent exhibitions in the capital’s main museums it’s completely free.

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L-r: Coldplay's Chris Martin's stagewear and Adam Ant's Dandy Highwayman outfit