Category Archives: Rock music

Book review: ‘Noise Damage – My Life as a Rock ‘n’ Roll Underdog’ by James Kennedy

This review was originally published by Get Ready To Rock here

I’ve not just got a passing interest in rock autobiographies. I positively devour them. Pretty much anyone I admire who puts one out these days will tend to end up on my reading list sharpish. Usually, though, it’s people whose careers I follow, whose albums I buy and whose concerts I go to. James Kennedy is none of these. I was vaguely aware of his former band Kyshera but they were around at a time when I was insanely busy in my work life and any downtime would be spent listening to familiar favourites rather than seeking out new bands. To be honest I had to google Kyshera to give myself any idea of what they sounded like or, indeed, who the aforementioned Mr Kennedy actually is. His memoir turned out to be every bit as gripping as those of my heroes, however.

Born in 1980, Kennedy is a talented kid from a poor background in South Wales. “I am thankful for having cultured, lefty, weed-smoking atheists for parents, continually blasting out Pink Floyd, Zappa, Kate Bush and Stevie Ray Vaughan,” he shares with us, nicely dispelling those tedious one-dimensional caricatures of working class culture that are constantly being sold to us by Red Wall-chasing Tory politicians these days.

Kennedy then finds himself entering a world of professional music at a time when the traditional industry model as we knew it was rapidly imploding. He is not one to get nostalgic for the old ways, however. Fairly early on in the book he sets out his stall thus:

“We have the ability to create, record, produce, release and promote our art, all from our bedroom with no interference, censorship or bullshit from any third parties, and share it with the world for hardly any cost. How we make any money doing this is the new problem.”

The subsequent two-thirds of Noise Damage is then pretty much devoted to that very problem of not making any money. From heinous scams by criminal promoters to unfeasible hours holding down a multiplicity of jobs Kennedy paints a detailed picture of a life that, while bursting with creativity, friendship and critical acclaim on the one hand, gets worn down by years of grim conditions, constant back-stabbings and an absence of anything approaching stability on the other.

The book is an absolute must-read for anyone attempting a career in music (certainly anyone without wealthy parents or an independent income). However, there’s enough self-reflection, critical evaluation and good-natured humility to make this a genuinely powerful testimony on a highly personal level. Noise Damage is Kennedy’s first book. Let’s finally hope he makes some money out of it.

Published 18th October 2020 by Eye Books

http://eye-books.com/books/noise-damage

Fifty years of Lindisfarne – interview with founder member Rod Clements

Emerging from Tyneside at the start of the 1970s Lindisfarne quickly carved out a unique place for themselves as one of British rock’s most original bands. Their pioneering sound, combining acoustic instruments like mandolin and fiddle with their electric blues roots, proved the perfect medium to deliver the catchy, memorable songs provided by the band’s resident writers Alan Hull and Rod Clements.

Tragically, Alan Hull died in 1995 and the original band eventually called it a day in 2003. However, for several years now Lindisfarne have been back in business with a classic line-up of long-time members. Fronted by original founder-member Rod Clements and  Alan Hull’s son-in-law Dave Hull-Denholm, they are joined by Ian Thomson (who was with original band throughout the 1990s and early 2000s) on bass and Steve Daggett (who initially played with the band in the mid 1980s) on keyboards, along with fellow Geordie and former Roxy Music drummer, Paul Thompson.

Ahead of their fiftieth anniversary tour back in the spring I caught up with Rod Clements for this interview. Sadly, Covid came along and, like every other band, Lindisfarne’s 2020 tour had to be cancelled. Some new dates have now been scheduled for 2021 – check the band’s website here. Since this interview took place former band member Charlie Harcourt has also sadly passed away.

DJ: This tour marks the band’s fiftieth anniversary. What can fans expect?

RC: Fans can expect a celebration of the band with five good pals who’ve been working together now in this incarnation for six years. Everyone in the band, particularly, is at one with Lindisfarne. And we’ll be playing our handful of hits and lots of other stage and album favourites we’ve accrued over the years!

DJ: Ray Jackson reformed the band a few years ago and then he retired and you stepped in. What was it like coming back to Lindisfarne again and did you need much persuading?

RC: Well it came as a total surprise to me. I mean Ray, as you say, reformed the band. They actually went out under the name of Ray Jackson’s Lindisfarne which, to be honest, I didn’t think was a particularly good idea, in relation to the democratic spirit of the band. But, anyway, after that he decided to retire. The rest of them decided that they wanted to carry on and they asked me to rejoin – which was a complete surprise to me. It was a surprise when Jacka retired and then a further surprise when they asked me to rejoin. I wouldn’t say I jumped at it straight away. I was very, very pleased to have been asked but I had other things going on in my solo career which I wanted to clear and check out with other people before I made a decision. But everybody I spoke to said, “Yeah you should go for it”. And so I did. I accepted. And I’ve never regretted it once. It’s been great on several levels for me. I don’t know how much you know, Darren, about the current line-up. Have you ever seen us?

DJ: Oh yes, I saw you last time you were at St Mary in the Castle, Hastings two years ago. I really enjoyed it. Fantastic!

RC: Well there’s only been one change since then which is Charlie Harcourt has retired for health reasons so we are down to a five-piece. But I think, if anything, that makes us more of a dynamic, close-knit unit. No disrespect to Charlie, of course. Great bloke. Great musician. But I think we’re more tightly focused now.

DJ: And do you still keep in touch with other former members? Obviously two of the original five are no longer with us.

RC: We are in touch to an extent. We don’t see that much of each other. My focus is on the current band. But obviously sometimes messages go astray and things like that. So we’re in touch when we’re relaying them to the people they’re intended for. And there are historic business connections – old and miniscule royalty payments [laughs].

DJ: You need to make sure you don’t fight over the miniscule royalty payments!

RC: Indeed. It’s all very amicable over things like that.

DJ: You were in Jack the Lad at one point when three of you splintered off from Lindisfarne. Will you also be playing any Jack The Lad songs during this tour?

RC: Well we have done. I’m not sure if we’ve any planned for this time out. For instance ‘Why Can’t I Be Satisfied’ we’ve done with this line-up. That was Jack The Lad’s first single. And yeah – we may well do one or two of my other contributions.

DJ: There’s a website that lists all the bands that played on Hastings Pier in the 1960s and 1970s and so I checked and apparently Lindisfarne played there in January 1975 – but you wouldn’t have been in the band at that point I don’t believe? However, Jack The Lad did play the pier in March 1975. Any memories?

RC: I don’t think I would have been there! I think I’d left Jack The Lad by then and been replaced by Ian Fairbairn and Phil Murray.

DJ: So have you any memories of playing Hastings during the 70s heyday?

RC: Well I remember playing Hastings with a later line-up – although still including Alan (Hull). Because Alan was big friends with Kenny Craddock who lived in Hastings and Colin Gibson (both former Alan Hull/Lindisfarne collaborators). So we’ve had good connections with Hastings for a long time. Kenny, of course, is sadly no longer with us. But yeah it’s a nice town to visit. I think we feel a certain amount in common with it. It’s got a kind of a left-field feel about it. It’s a bit alternative.

DJ: And going right back fifty years ago here. You were in a band called Brethren who teamed up with the late Alan Hull and changed your name to Lindisfarne. Now I love that island. I’ve visited several times but who came up with Lindisfarne as the name for the band?

RC: Well, we were already signed to Charisma Records as Brethren and we were recording our first album when Charisma told us there’s an American band called Brethren and they’re going to be huge and we’re going to have to come up with a new name. And we spent ages trying to think of a name – finding one that suited everybody. And then our producer, John Anthony who produced Nicely Out of Tune (the band’s 1970 debut album), was visiting the north-east and we were rehearsing and he was going through songs with us. And somebody mentioned that they’d been up to Lindisfarne at the weekend – just for a trip out. And John said, “What was that? What did you say?” And so we repeated the name Lindisfarne to him and he said, “That’s it!” When he knew what it meant he said that’s the perfect name for you. And we went eh? Really? Because, you know it sounded to us a bit like calling it Wallsend or something like that. And he said, “No, no – it’s a great name.” And I have to say, the more we thought about it, the longer we mused on it, the more appropriate it seemed. You know, being an island and a tidal island – it’s kind of semi-detached from the mainstream. It stands on its own a bit, as we have done, and it’s very much of itself. And it’s a name that’s served us very well over the years.

DJ: He was totally right wasn’t he?

RC: He was yes.

DJ: And are there any final thoughts you’d like to leave us with?

RC: Just to say we are very proud to be out and about celebrating the original spirit of Lindisfarne, musically and politically. And our stance is we’ve retained the first principles and we’re having a great time doing it.

You can check the band’s tour dates for 2021 by visiting their website here

Photo credits: Richard Broady

Related reviews:

Lindisfarne at Great British Folk Festival

Lindisfarne at Hastings 2018

News: Best of Heavy Pettin released 27th November

Following a reissue of the band’s three 1980s albums a year ago, a fourteen-track Best Of Heavy Pettin compilation is set to be released on 27th November.

The compilation features tracks taken from the Scottish hard rockers’ three studio albums: Lettin Loose, Rock Ain’t Dead and The Big Bang, including the hit singles ‘Love Times Love’, ‘In and Out of Love’ and ‘Rock Me’.

The cover is a previously unseen photo by David Plastik taken at The Louder Sound festival in France in 1984. Ross Muir provides liner notes on the band’s history.

The group dissolved in 1988 with the final album, The Big Bang, being released the following year. Heavy Pettin reformed in 2017. The new version of the band, featuring original members Gordon Bonnar and Hamie, recently recorded a 4-track EP, the first batch of new material bearing the band’s name in over 30 years.

Original Heavy Pettin drummer, Gary Moat, meanwhile, now fronts his own band, Burnt Out Wreck, who have released two well-received albums: Swallow in 2017 and This Is Hell in 2019.

Delivering punchy yet polished hard rock Heavy Pettin were often regarded as a cut above many of their contemporaries in the New Wave Of British Heavy Metal. It is good to see their legacy given the treatment it deserves, with this new compilation now joining the reissues of their original three studio albums.

Best Of Heavy Pettin – Track List:

  1. IN AND OUT OF LOVE
  2. SOLE SURVIVOR
  3. BORN TO BURN
  4. NORTHWINDS
  5. LOVE TIMES LOVE
  6. LONELY PEOPLE
  7. DEVIL IN HER EYES
  8. TWO HEARTS
  9. CHINA BOY
  10. 10.DON’T CALL IT LOVE
  11. ROCK ME
  12. THROW A PARTY
  13. ROCK AIN’T DEAD
  14. HELL IS BEAUTIFUL

Best of Heavy Pettin released 27th November 2020 by Burnt Out Wreckords/Cherry Red

Order link: https://www.cherryred.co.uk/product/heavy-pettin-best-of/

Related posts:

This Is Hell – Album Review

Interview with Gary Moat

Heavy Pettin Reissues

Anvil / Burnt Out Wreck / VOiD at The Underworld, Camden 2018

Burnt Out Wreck at Classic Rock Weekender 2018

Burnt Out Wreck at Classic Rock All Dayer 2018

‘O’ the new album from Orianthi released 6th November

Fans of guitar whizz Orianthi can look forward to a new album. Released on 6th November on the Frontiers label ‘O’ will be Orianthi’s first studio album in seven years and follows her recent signing to the Italian based rock/metal label.

“It is a very inspired album, with things kept pretty raw. I didn’t overthink it,” explains Orianthi. “Marti [Frederiksen, producer, mixer, co-songwriter] and I wanted to create a unique sound and vibe with every track and we experimented a lot with synths and different guitar tones. Lyrically, a lot of this record comes from life experience and other people’s stories. It’s going to be so fun to play these songs live!”

‘Impulsive’ a single and video from the forthcoming album was recently released.

The Australian vocalist/guitarist first came to public attention back in 2009 when ‘According to You’ became an international hit for the then 24-year old. She soon became a go-to player for a number of the best known rock celebs, including Alice Cooper, Carlos Santana and Steve Vai and was also slated to appear as part of Michael Jackson’s planned series of concert dates at the O2 until the singer’s shock death put an end to that.

“I am thrilled about this new chapter with Frontiers!” she adds. “Their passion and enthusiasm for music is such a great reminder of why I love creating music. I couldn’t be more excited to release my upcoming album with them.”

Line-up:
Orianthi Panagaris (Guitars, Vocals, Programming)
Evan Frederiksen (Drums, Bass)
Marti Frederiksen (Percussion, Programming, Bass on Track 3)

‘O’ is released on 6th November 2020 by Frontiers

https://iamorianthi.com/

News: Bands with beer -Burnt Out Wreck latest to launch their own bespoke brew

UK hard rock outfit Burnt Out Wreck, fronted by former Heavy Pettin’ drummer Gary Moat, are the latest band to announce their own line in alcoholic beverages. The band have teamed up with Staffordshire-based brewers Lymestone Brewery to produce a 7% ABV Indian Pale Ale called ‘Burnt Out Wreck’.

“Music and beer go hand in hand and so we are super excited to announce the collaboration between Lymestone Brewery and Burnt Out Wreck. Twelve perfect beers to go with the perfect album This is Hell,” say the band.

“When Claire reached out to us to collaborate with the band to produce a beer, we were more than happy to get involved,” adds brewery boss Ian Bradford. “We love the band and the album so it’s a real treat for us to be able to do this together.”

“The beer is not for the fainthearted!” they warn. “Three powerful US hops dominate this monster of an American Pale Ale. From its crisp Maris Otter base to its massive hoppy finish this is a beer that will have you on the edge of your seat.”

To order your case of ‘Burnt Out Wreck’ you can head over to www.lymestonebrewery.net

And if you’ve not bought your copy of This Is Hell yet you can read the review here and then head straight over to their website www.burntoutwreck.com to pick up your copy.

Stop Press:

You can now also buy Burnt Out Wreck cider – a 6% sweet cider made from Herefordshire apples and pears available here

Related posts:

This Is Hell – Album Review

Interview with Gary Moat

Heavy Pettin Reissues

Anvil / Burnt Out Wreck / VOiD at The Underworld, Camden 2018

Burnt Out Wreck at Classic Rock Weekender 2018

Burnt Out Wreck at Classic Rock All Dayer 2018

Review: ‘EP #3’ the latest release from Polish prog rockers Karrakan

Karrakan are a progressive rock outfit who come from a small town called Ostrołęka in the North-East of Poland. The band recorded their first EP in 2016, more a basic hard rock approach that incorporate blues scales and heavy metal riffs. However, the addition of a saxophone into the mix even back then signalled a likely future direction into more proggy territory.

Their second release EP #2, released in 2019 continued down such a path with more complex compositions and more evident prog approach.

Karrakan are now onto their third release, the imaginatively-titled EP #3 – no-one can accuse these guys of lacking consistency when it comes to nomenclature!

“EP #3 contains ‘only’ 3 songs,” say the band, “but they are loaded with variety of musical assets. Thick distorted guitars, odd rhythmic divisions, vocal harmonies, acoustic interludes and… saxophone, which works surprisingly well with all the heavy sound.”

Incorporating blues, jazz, classical and metal influences the band are developing something of a unique approach: tastefully-executed guitar solos and that infamous saxophone interplay with some much harder-edged riffing and there’s also sprinklings of more gentle, folky acoustic guitar here and there, too.

The first track ‘The Shape of Infinity’ incorporates growled pseudo death metal vocals which I’m not convinced entirely work, while the final track ‘Allocation of Beauty’ has a far more conventional melodic rock-style vocal which is considerably better suited to the nature of the material in my view. The middle track ‘Panto Dance’ meanwhile is entirely instrumental and the most obviously proggy composition on the three-track EP.

Karrakan are:

Piotr Sierzputowski – guitar/vocals

Jan Sierzputowski – saxophone

Domink Górski – drums

Kamil Badeja – bass

As well as promoting this current EP the band are also busy writing material for their debut full-length album. It will be interesting to watch how Karrakan develop and I wish the guys luck.

https://www.facebook.com/Karrakan.ostroleka/

Slade at No. 8 in the UK albums chart – their highest position since 1974!

While I’ve no intention of buying it myself (given I’ve got more Slade albums, Slade singles, Slade reissues and Slade compilations than you can shake a stick at) I was well chuffed to see Slade’s new greatest hits compilation Cum On Feel The Hitz go straight in at No. 8 in the UK’s album chart last Friday.

This is the band’s highest ranking in the UK album charts since Slade In Flame was released back in 1974. Even during the days of the band’s early 80s comeback, a decade after glam, Slade albums were still struggling to make it to the Top 40, even when they had a second run of hit singles.

What has been nice, and clearly what has helped with sales, is all four original members working to publicise the release and celebrate the band’s shared legacy – even if they do not all see eye to eye these days.

While some bands of a certain vintage split into two rival camps, with Slade it’s all been a bit more complicated. Noddy doesn’t get on with Jim these days but rubs along just fine with Dave and Don. Jim doesn’t have time for Nod or Dave but is on good terms with Don, sending the latter heartfelt good wishes when he suffered a stroke earlier this year. Dave doesn’t get on with Jim and had a pretty acrimonious falling out with Don earlier this year, too, when he sacked him as drummer from his continuing version of Slade. But Dave does get on well with Nod, the two keeping in touch with one another by phone through lockdown. Don, meanwhile, gets on just fine with Jim and Nod in spite of that big falling out with Dave. Got all that?

Still, it’s nice that the four of them put on a united front to promote Cum On Feel The Hitz which collects most of Slade’s singles from 1970 to 1991. The double CD comprises 43 tracks, while the double vinyl features 24.

Noddy: “It’s been remastered. They sound bloody great and there’s a double vinyl out as well. The record company wanted to do it. They wanted to make it a definitive collection, which it pretty much is. In this time of lockdown, I think people need a bit of Slade. We always put a smile on people’s faces. This is the perfect time to cheer people up. Hopefully it’ll reach a new generation too.”

Dave: “The thinking behind it is that BMG signed us for this big deal and really when you’re looking at something like this you’re almost giving us a reappraisal of how many hits we really had.”

Jim: “I’m absolutely thrilled with the chart placing of ‘Cum On Feel The Hitz’ tonight. Many thanks to all the fans for buying the CDs, vinyl and downloading the album. Great to see it in the Top Ten. Rock on!”

Don: “This is fantastic news! I never thought that I’d see us back in the Top Ten again. I was told earlier that BMG thought the album would enter the charts around #7 or #8 – and if it’s been confirmed that the official position in the UK chart is number 8 then that’s great!”

Cheers guys – great to see you back in the charts!

Related posts:

Veteran drummer Don Powell out of Slade

Slade legend Jim Lea releases video footage in bid to locate recently stolen guitar

EP review – Jim Lea ‘Lost In Space’

Interview with former Slade legend Jim Lea

Jim Lea at the Robin 2, Bilston 2017

Before glam: the debut 60s singles of Bowie, Bolan, Slade, Mud and Sweet

Slade, strikes and the three-day week: the story of the greatest Christmas record ever made

Slade at Donnington 1981

Slade at White Rock Theatre, Hastings 2015

Giants of Rock, Minehead 26-29 January 2018

Slade at Brighton 2019

Photo montage of band members courtesy of Slade Facebook group

‘Confess’ by Rob Halford – a gay heavy metal fan reviews the Metal God’s autobiography

I’ve read enough rock autobiographies over the years to know the score: boy from working class background, boy joins a band, struggles along for a few years, makes it big, fame, alcohol and/or drug addiction, groupies galore, several wives, numerous girlfriends, sobriety, reflection and, finally, publishing deal. Judas Priest lead singer Rob Halford’s ‘Confess’, however, is a rock confessional with a difference. The wives and girlfriends are notable by their absence and Halford tells his tale as an out and proud gay man.

As someone who became a Judas Priest fan not long after my dad brought home a newly-released copy of ‘British Steel’ back when I was a young teenager, and as someone who has known they were gay from around that same time I was particularly keen to read Halford’s memoir.

Halford’s down-to-earth-working class upbringing in Walsall is easy to identify with. Coincidentally, although the two have never met, he lived just a couple of streets away from Noddy Holder’s family home, another musical hero of mine. Indeed, many of the place names were already familiar to me from Holder’s own autobiography. (The pub that Halford mentions as the location of his local bus stop as a kid is the same pub where the classic Slade foursome held their first ever rehearsal – trivia fans).

As Halford starts to metamorphosis from council estate kid to heavy metal rock god I certainly felt a sense of exhilaration as his dreams are achieved – such as the era-defining success of that iconic British Steel album, for example.

For much of the book, though, I also felt a sense of immense sadness. This paragraph, where he reflects on the state of his life in 1980 – by which time he was in his late 20s – is a telling one:

“It was five years since I’d been seeing Jason. Apart from the odd snatched random fumble I had been alone ever since… not just alone but forced to supress my longings, my needs, myself.”

When I think back to my own life at that stage, I had already met my partner. We’d bought a flat and been living together for several years by then. I was born fifteen years after Halford and my modest brush with life in the public eye never obliged me to hide my own sexuality. However, it’s not difficult to really grasp the pain and evident loneliness that Halford was going through. He does eventually find personal as well as professional fulfilment albeit that there are dysfunctional relationships, tragedy addiction along the way.

There is also a fair bit of revelatory gossip and down to earth black country humour to keep the reader entertained. However, there are a many segments that are deeply, deeply moving, too: Halford’s obvious joy at the emotions he experiences performing sober for the first time, the palpable relief he feels when he first publicly comes out back in the late 90s and the excitement he feels reuniting with Priest in the early 00s.

‘Confess’ does not always make for easy reading. There is a real sadness to parts of it but Rob Halford’s warmth and humanity shine through. Absolutely one of the best rock biogs in ages.

Published: Headline Publishing 29th September 2020

Related posts:

Album review : Judas Priest – Redeemer of Souls

Live review: Judas Priest at Brixton Academy 2015

Live review: Les Binks’ Priesthood at Minehead 2020

News: ‘The Symbol Remains’ first new studio album from Blue Öyster Cult in almost two decades

Following a trio of live albums released this year since signing to the Frontiers label, US hard rockers Blue Öyster Cult are set to release their first new studio album in almost two decades,

The Symbol Remains is due out on 9th October. A new single from the album, ‘Tainted Blood’, written by Eric Bloom and Richie Castellano, is also now available.

The sessions for ‘The Symbol Remains’ began in earnest last year. “As the song demos emerged, we realised there was as much if not more variety in style and content on this record as any in our history,” states BÖC lead vocalist/guitarist Eric Bloom. “We embraced this and the thing tying all the disparate elements together is the band’s sound and performance.”

“The album title comes from a quote of an old Sandy Pearlman (BÖC producer and manager) lyric, which basically we are using to show that the band is back and still rocking after all these years. To me, it means we’re still here and doing what we do,” he adds.

“The goal was for the new music to stand up to the quality and vitality of our legacy recordings and I believe we have successfully achieved that,” says founding member Donald ‘Buck Dharma’ Roeser. “Other than that, the sound of our voices and style of our writing and playing can’t help but sound familiar to fans of our work.”

On the album the two members from BÖC’s ‘classic era’, vocalist/lead guitarist Donald ‘Buck
Dharma’ Roeser and vocalist/rhythm guitarist Eric Bloom – both of whom have been with the band from the late 60s, are joined by Danny Mirando on bass/backing vocals, Richie Castellano on guitar/keyboards and Jules Radino on drums.

“We have wanted to record the current line-up for some time and the result of us giving our all on this album speaks for itself,” says Roeser. “The Covid-19 lockdown slowed the completion of the record and we were prevented from travelling and collaborating in person, although luckily we had already done the basic tracking. We resorted to video conferencing and producing each other over the internet and are fortunate that the technology exists to do that, plus some live performance cancellations gave us a little more time to carefully consider the finishing touches. We sent the album out to be mixed by Tom Lord-Alge and we also worked together over the internet on that.”

Released by Frontiers 9th October 2020

Related posts:

Blue Öyster Cult reissue plus a brand new fortieth anniversary live album

Book review: ‘Chasing Shadows – The Search for Rod Evans: Deep Purple’s original singer’ by Adrian Jarvis

Part biography, part rock ‘n’ roll travelogue and part love-letter in celebration of a teenage musical obsession, I enjoyed Adrian Jarvis’s ‘Chasing Shadows’. Subtitled ‘The Search for Rod Evans’ – the elusive lead singer from the very first line-up of Deep Purple back in the late 1960s – you could be forgiven for thinking it all starts sounding a bit obsessive and stalkerish.

But the book is not really like that at all. For a start, Jarvis is not particularly obsessed with the mysterious Mr Evans, who dropped out of the music businesses in the early 70s, reappeared in 1980 fronting a bogus Deep Purple, was sued by his erstwhile bandmates and promptly disappeared again. The author is certainly a huge fan of Deep Purple in all of their various guises (or “Marks”) over the years but he is open about what he sees as the limitations of Evans’ vocal style and lyric-writing abilities in comparison to his successors and Jarvis’s curiosity about the singer’s whereabouts is more about a symbolic missing piece in the jigsaw of the band he loves rather than an unfathomable obsession with Evans per se.

The “search” takes us down a number of unexpected and meandering routes, some of them with only the most tenuous connections to Evans himself. But it remains an entertaining read nevertheless. Moreover, as someone of a similar age to the author (ie one who was way too young to get into heavy rock/metal during its first wave in the late 60/early 70s but who was to discover an affection for those older bands via the New Wave of British Heavy Metal [NWOBHM] boom a decade later) there is much in this tale that I can relate to.

Published by Wymer Publishing 2017

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Deep Purple’s Smoke On The Water: so who actually was the “stupid with a flare gun”?

Glenn Hughes, Bexhill 2019

Glenn Hughes, London 2015

Deep Purple, London 2015

Ritchie Blackmore’s Rainbow, Birmingham 2017

Whitesnake – The Purple Album