Category Archives: rock music

Rock bands and music

Uriah Heep’s 50th anniversary – interview with Mick Box

Uriah Heep celebrate their 50th anniversary this year. An anniversary tour, like pretty much everything else this year, has now been rescheduled for 2021 but Greater Manchester Rock Radio’s Tony Charles recently caught up with Heep’s Mick Box to reflect on the band’s past half century.

In a fascinating hour-long programme that GMRR have shared with me for this blog, Mick and Tony takes us through the band’s entire history starting with the very early days and the band’s formation. The classic David Byron-fronted years of the early to mid 70s are discussed in some detail, of course, but Box’s reflections on the years that came after that are definitely worth hearing.

Talking about the late 70’s and the band’s temporary implosion following the release of the Conquest album in 1980, Box reflects: “I’ll tell you what it was. I think the writing got a bit too poppy. We started off as a rock band and then you got songs like ‘Free Me’ and ‘Come Back To Me’ and although they were good songs we didn’t really associate them with Uriah Heep if you like and I think a lot of fans fell by the wayside because we lost that rocking edge.”

Uriah Heep bounced back in 1982 with a new line-up and the Abominog album. Box looks back on that now as: “Very much an album of the 80s in its production, in its writing and everything and we had great success with it.”

In more recent years the band has returned to a more classic sound with the last album Living The Dream receiving heaps of praise. Box: “With Living The Dream we had a great producer Jay Rushton and what he did was he kept the heritage of the band and all the trademarks that the band is known for – with the five-part harmony and the wah-wah guitar, the solos, the Hammond organ – and he kept all of those elements but he had a wonderful way of blending them to make them sound very modern.”

Thanks to Tony Charles and Greater Manchester Rock Radio – you can listen to the full hour-long interview on soundcloud here:

Related posts:

Uriah Heep, London 2014

Uriah Heep at Giants of Rock 2018

Uriah Heep, Bexhill 2019

Are you an aspiring Radio DJ? Introducing Greater Manchester Rock Radio

Are you an aspiring Radio DJ? Introducing Greater Manchester Rock Radio

I’m pleased to say Darren’s Music Blog is going to be linking up with Greater Manchester Rock Radio. They will be running some of my rock album reviews on their website and I’ll be running occasional band interviews from them here. You can listen in and find out more about the station here. With a wide range of specialist shows – from prog to punk, classic rock, metal and indie check their schedule and give them a listen.

Station Manager, Tony Charles, is also on the look-out for new presenters:

Are you an aspiring Radio DJ? Do you fancy broadcasting on a real web-based Rock Community Radio Station?

If so, then Greater Manchester Rock Radio (GMRR) would like to hear from you.

Founded in November 2018, GMRR is the only web-based community radio station based on rock music in the North West, and potentially in the whole of the UK.

They are on the hunt for volunteers who want to present their own weekly one to two-hour shows or help with interviews /research . For presenting all you need is a love of rock music, a great idea for a show, a PC mic and editing software.

Full training will be provided, and you can pre-record your show from home. Plus, there is the added perk of free entry to a few rock gigs and the chance to interview some amazing bands. (when they are back)

Station manager Tony Charles has been a DJ since the 1980s on local internet radio stations, as well as having experience on stations such as BBC Radio 1, 4 and 5 as a researcher.

He said: “We are getting more and more people tuning into GMRR and as a result we are looking for more presenters to help expand our offerings.

“Our youngest presenter is 20 and our oldest is 72. We’re happy to hear from anyone who’s interested.

“We are also looking for a community and/or a charity to take on a 1-hour slot each week to promote community issues.”

Applicants of any age or background are welcome.

For more information, or to apply, email GMRR station manager Tony at
studio@greatermanchesterrockradio.co.uk

‘It’s About Time’ – Jefferson Starship back with new single and new EP

‘It’s About Time’ is the latest single from US rock legends Jefferson Starship. Following the death of Paul Kantner in 2016 the band these days are: David Freiberg, Donny Baldwin, Cathy Richardson, Chris Smith and Jude Gold. The new single, however, is co-written by the band’s legendary ex-vocalist Grace Slick.

And while the single is definitely more of an upbeat slice of AOR in the spirit of ‘We Built This City’ rather than any Woodstock-era hippy freak-out, the lyrics are certainly not lacking in countercultural bite. “Can’t you feel the planet getting hotter? How can you sit back and watch your own slaughter?” sings Cathy Richardson. “Old white men have had their turn.”

A video has been released to promote the single:

The band have also announced the release of a new seven-track EP Mother of the Sun which will be released on 21st August. Not only does it include songs co-written by two original Jefferson Starship/Jefferson Airplane members – ‘It’s About Time’ co-written with Grace Slick and a further track co-written with Marty Balin, the EP also features the return of original Jefferson Starship member Pete Sears, who contributes bass on three tracks.

“Paul Kantner was our bandleader and the visionary who kept Jefferson Starship going through so many eras,” says Richardson. “He inspired so much about this record, from the messages in the lyrics to the title and album art to the collaborative process of creating music as a band with some of his original muses – Grace, Marty, and Pete. Mother of the Sun is dedicated to PK.”

Jefferson Starship today features singer/multi-instrumentalist David Freiberg (who, following a five-album stint with Quicksilver Messenger Service, was then part of the final line-up of Jefferson Airplane and the original Jefferson Starship), drummer Donny Baldwin (who joined Jefferson Starship in 1982 and also played and sang on many hits of the band’s Starship era), lead singer Cathy Richardson (whom Kantner recruited in 2008), Chris Smith (who has been in the band since the late 90s) on keyboards and Jude Gold (who joined in 2012) on lead guitar.

Having caught them several years ago I can happily confirm that live, the current line-up are well worth seeing, performing hits across all eras of the band including ‘White Rabbit’, ‘Somebody to Love’, ‘We Built This City’, and ‘Nothing’s Gonna Stop Us Now’.

Mother of the Sun is released via Golden Robot Records on 21st August 2020.

www.jeffersonstarship.com

Glam-punk: album review: Tiny Bit of Giant’s Blood ‘Gigantosaur’

This review was originally published by Get Ready To Rock here

Following ‘Dram A’ a five-track EP released back in 2018 Gigantosaur is the debut full-length album from US-based self-styled glam punks Tiny Bit Of Giant’s Blood. A curious but likeable album from this gloriously eccentric bunch, the likes of Queen, Bowie and Van Halen are hailed as influences. Such influences are clearly evident but there’s also plenty of Ramones-style attitude and a sprinkling of over the top Tubes-style outlandishness and some Mott-style craziness that gives the album that punk edge.

Tiny Bit Of Giant’s Blood are Tony Rogers – vocals/keyboards, John Scholvin – guitar/vocals, Jackie Schimmel – bass/vocals, and Larry Beers – drums/vocals.

‘Girl Over Here’ is one of the stand-out tracks and one of those where the glam influences are most obvious. Punchy and hook-laden, it put me in mind of Transformer-era Lou Reed with early Stooges-style attitude and Queen-esque backing vocals. One of the more out and out punk tracks is the wonderfully off-the-wall ‘Mick Jagger Carries My Boots’. The album also includes a raggedly anarchic cover of ‘If You Want Blood’ which manages to sound absolutely nothing like AC/DC yet manages to sound inspired. If you’re going to do a cover an all-time classic rock song there’s absolutely no point in making it sound like a copy of the original so they just take this brilliantly-written song, ignore what was recorded originally and apply their own unique formula. They pretty much pull it off.

Gigantosaur is definitely something a little different. Taking a sideways look at some great elements of rock history and coming up with something quirky, fun and just that bit crazy do check out Tiny Bit of Giant’s Blood.

Released: 22nd May 2020 by Jumbo Records

https://www.tinybitofgiantsblood.com/

A tribute to Judy Dyble 1949-2020

The singer and songwriter Judy Dyble, who sang lead vocals on Fairport Convention’s very first album, sadly died at the weekend. Although never as celebrated in British folk rock history as her replacement, Sandy Denny, Judy’s beautifully clear, distinctive vocals nevertheless remain an essential part of the early Fairport sound.

After her time with Fairport, Judy was involved in a handful of other projects in the late 60s and early 70s before quitting the music business altogether, spending time bringing up her family and working as a librarian. Her musical story doesn’t quite end there, however, as the early 2000s saw Judy begin writing, recording and performing once more. Albums like the gently captivating ‘Talking With Strangers’ from 2009 and the gorgeous ‘Flow and Change’ from 2013 were extremely well received but her career renaissance continued to grow and grow with her more recent albums picking up a slew of top-notch reviews and frequent appearances in the music press.

Judy’s 2016 autobiography ‘An Accidental Musician’ is a beautiful read. Obviously, I’ve read my fair share of sex and drugs and rock and roll confessionals over the years and, perhaps unsurprisingly, this takes a very different tack. Obviously, it’s a fascinating read in terms of music history but there is so much in there that really any of us can relate to: bereavement, the lack of confidence that can come from not doing something for a long time, the fear and then the buzz of taking on new challenges – it all served to give the book a very, very human angle. When I posted comments along these lines on social media at the time, in typically engaging fashion Judy came back straight away:

“I am so glad you appreciated it, I kind of worry that it isn’t what people expect it to be – a typical race through the 60’s with lots of name droppings… Thank you.”

Other than being part of the communal sing-along for ‘Meet On The Ledge’ Judy was not called upon to play a major part in her former band’s forty-fifth anniversary celebrations which I know was a source of some frustration to her. I emailed Fairport’s Simon Nicol at the time expressing my disappointment that she had not been asked to play a bigger contribution. He did get back saying the band hoped to do more with Judy in the future. They certainly made up for it at the band’s fiftieth anniversary celebration at Cropredy in 2017 where, as well as a solo slot for Judy that weekend, all of the original line-up (sans deceased drummer Martin Lamble) reconvened. Magically we were transported back to 1967 with all of the surviving members from the first Fairport album reconvening on stage for a stunning recreation of the first track on the first album ‘Time Will Show The Wiser’, followed by ‘I Don’t Know Where I Stand’ and ‘Reno, Nevada’. It completely captured the magic of that first album and was really special seeing Judy, Ashley Hutchings, Simon Nicol, Richard Thompson and Iain Matthews sharing a stage together.

An essential part of the early Fairport sound, an unexpected and most wonderful artistic renaissance in later life and one of the loveliest, most sincere, most humble and least showbizzy people you could ever wish to meet, Judy Dyble will be greatly, greatly missed.

Me with Judy at the signing tent at Cropredy in 2017

Rock/Americana: album review – Lee Gallagher & The Halleluja ‘L.A. Yesterday’

Taking inspiration from that the likes of The Byrds, The Flying Burrito Brothers and Buffalo Springfield, Lee Gallagher lays out his own take on that cosmic California sound with his latest album L.A. Yesterday. It’s all majestic-sounding piano, nifty guitar licks and laid-back California vibes. With Gallagher’s emotive, highly expressive vocals (he’s been compared to everyone from Steve Marriott, to Tom Petty to Neil Young) and his not inconsiderable songwriting skills it makes for an instantly appealing mix.

The music I play is always centred on rock and roll,” Gallagher reflects. “It’s very much rooted in what was a period of awakening – the late 60s/early 70s. So many obscure artists. So many mega artists. Just a lot of great art.”

Gallagher began his singing career in the bars of Southern Ohio but making the move from the mid-west to the sunshine state he soaked up those west coast influences and eventually put together a band, The Hallelujah. An EP and a full-length album followed and, with a slight shift in personnel, L.A. Yesterday is the outfit’s third release.

Recorded at Palomino Sound, a vintage 70s Los Angeles studio, Lee Gallagher (vocals, guitar, banjo, harmonica) is joined by long-time collaborators Kirby Hammel (keyboards) and Jimmy Dewald (bass) along with new additions Jason Soda (lead guitar, slide guitar, acoustic guitar, 12 string guitar, mandolin and Hammond organ) and Will Scott (drums).

Combining elements of psychedelia, Americana and good old rock and roll L.A. Yesterday is a luscious slice of vintage California. As Gallagher says: “Play it very loud rolling down the highway or simply melting into your favourite chair.”

Released: 24th July 2020

https://www.leegallaghermusic.com/

News: ‘This Is Hell’ single and brand new video from Burnt Out Wreck

This is Hell’ the title track from Burnt Out Wreck’s second album released last October is now being released as a single with a brand new accompanying video.

Lead singer Gary Moat says: “Here’s our new video the title track from our second album This is Hell …. I wrote this before the pandemic and we all have our own Hell … enjoy the madness. Thanks to Graham Gebbe for the live footage from Winterstorm 2019. We had a great time, also thanks to Mark Leary for creating such a brilliant lyric video at such short notice!”

This Is Hell is the band’s second album, following their debut Swallow which was released in 2017.

“This is Hell, the title says it all,” adds Moat. “It’s a hard hitting, fast paced more focused album. It’s an angry set of songs that follows on in the same vein as Swallow.”

Gary Moat has a colourful history as the drummer and main songwriter for Heavy Pettin’.
For Burnt Out Wreck, he has swapped the drum kit for the microphone stand and Paul Gray now takes the drum stool. Often compared to AC/DC’s Bon Scott and Krokus’s Marc Storace, Moat’s vocal style developed in Mother’s Ruin, the band that rose from the ashes of Heavy Pettin’ in 1991.

You can read my full-length interview with Gary Moat here

Burnt Out Wreck are: Gary Moat – Lead Vocals, Alex Carmichael – Bass, Paul Gray – Drums, Adrian Dunn – Lead Guitar, backing vocals and Miles Goodman – Rhythm Guitar, backing vocals.

https://www.burntoutwreck.com/

Related posts:

This Is Hell – Album Review

Interview with Gary Moat

Heavy Pettin Reissues

Anvil / Burnt Out Wreck / VOiD at The Underworld, Camden 2018

Burnt Out Wreck at Classic Rock Weekender 2018

Burnt Out Wreck at Classic Rock All Dayer 2018

Folk-rock/west-coast: EP review – Fred’s House ‘Walls and Ceilings’

On these bright warm sunny days is there anything more perfect than those classic laid-back 70s west coast sounds? Sunny and upbeat with a hint of sadness and a touch of drama, you know the score. The Eagles knew it. Fleetwood Mac knew it in spades. So how lovely, therefore, on just one of those very days, to get the latest Fred’s House EP dropping through my letterbox.

Cambridge-based Fred’s House celebrate their tenth anniversary with this brand new four-track EP Walls and Ceilings.

Following a slight re-jig in the line-up the band is now entirely female-fronted, with newcomer Prue Ward on fiddle and vocals joining Vikki Gavin on vocals and keyboards, Gafyn Jameson on bass and backing vocals, Lachlan Golder on guitar and backing vocals and Paul Richards on drums.

Truly conjuring up the spirit of Rumours-era interpersonal intrigue (although hopefully not the cocaine bill) ‘Only The Sun’ is about former frontman (and Vikki Gavin’s ex-partner) Griff saying his farewells and moving on. The other tracks also cover familiar themes of relationship angst, unrequited lust and new beginnings.

Harmonies, hooks, gorgeous melodies and exquisite production Walls and Ceilings is a work of beauty from start to finish.

Released: 29th June 2020

http://fredshousemusic.co.uk/

Death of a glam icon – Steve Priest: 1948-2020

Steve Priest, bass-player with the Sweet and an icon of 70s glam rock has sadly passed away following an illness that hospitalised him in recent months.

In a emotional post on his band’s Facebook page, former band-mate Andy Scott paid tribute to the best bassist he ever worked with:

“Then there was one!

I am in pieces right now. Steve Priest has passed away. His wife Maureen and I have kept in contact and though his health was failing I never envisaged this moment. Never. My thoughts are with his family x.

He was the best bass player I ever played with. The noise we made as a band was so powerful. From that moment in the summer of 1970 when set off on our Musical Odyssey the world opened up and the rollercoaster ride started! He eventually followed his heart and moved to the USA. First New York then LA.

Rest in Peace brother. All my love.

Andy”

Steve Priest’s latter-day colleagues in Steve’s own US-based version of the Sweet broke the news on their Facebook page on behalf of Steve’s family:

“Dear Friends and Fans,

We have very sad news – Please see the below statement from Steve Priest’s family.”

Love,
Richie, Stevie, Mitch & Paulie…

“It is with a heavy heart that we announce at 8:25am PT today, Steve Priest, founding member of The Sweet, passed away. He is survived by his wife, Maureen, three daughters, Lisa, Danielle & Maggie and 3 grandchildren, Jordan, Jade & Hazel.”

Steve Priest’s death follows the deaths of vocalist Brian Connolly in 1997 and drummer Mick Tucker in 2002, leaving Andy Scott the sole surviving member of the band’s classic 70s lineup. When I interviewed Andy at the end of last year he talked about attempts to reunite the two for the band’s fiftieth anniversary but it was not to be. However, he did stress that the two kept in touch on a personal level and asked after one another’s health.

A phenomenal bass-player whose harmony vocals were an essential part of the band’s classic sound Steve Priest we salute you – a true glam rock icon.

Related posts:

Interview with Andy Scott

News: All change at The Sweet

Review: Sweet 50th anniversary concert – Berlin

The Sweet versus Bowie: the riff in Blockbuster and Jean Genie – origins and influences

Before glam: the debut 60s singles of Bowie, Bolan, Slade, Mud and Sweet

News: Honestly, Anywhere channel noughties emo vibes with four-minute pop punk roller-coaster

Honestly, Anywhere a four-piece emo pop punk band based in Suffolk release their debut single ‘Dead Friends’ on 1st June. Infectious and angst-ridden in equal amounts the band describe it as a four-minute roller-coaster of 00’s inspired pop punk deals that with themes of mental health and suicide.

Vocalist, Elliott, fills us in on the band and the single: “Honestly, Anywhere are a 4 piece pop punk band from the south of England. Channelling the vibes of 00’s emo culture, HA bring a sound similar to Blink-182 circa self titled with angsty lyrics, fast paced drums, dirty bass lines & punk fuelled guitars. The band are a reincarnation of 2007 pop punk band It’s Not Me, It’s You which disbanded in 2009 due to members pursuing other projects. After over 10 years of going back and forth and a new bassist, we decided to get back together, release some old music to a high standard and see what happens.”

Dead Friends band

Honestly, Anywhere are:

Jamie – Drums
Austin – Bass
Mark – Guitars
Elliott – Vocals

Dead Friends is released 1st June 2020

Dead Friends Artwork

https://www.facebook.com/HonestlyAnywhere/