Category Archives: Rock music

Rock bands and music

Strawbs at Under The Bridge, London 29/10/17

This review was also published by Get Ready To Rock here

As a kid in the 70s I do recall frequent radio plays of the Strawbs novelty hit ‘Part Of The Union’ in what was that fractious decade for industrial relations. And as an adult and Sandy Denny fanatic, the latter’s brilliant pop-folk album with the Strawbs is frequently in my CD player. However, those two brief snapshots in time can hardly be said to represent the prog-leaning rock outfit that has been the mainstay of much of the band’s output these past forty-odd years. For the most part though it has, until tonight, lain largely off my radar.

Strawbs are still going strong, still gigging and touring. And tonight we are here at Chelsea’s Under The Bridge venue to witness the formal launch of the band’s first new album of all original material in eight years: The Ferryman’s Curse.

The two sets the band perform tonight are a mixture of songs from the new album and those from earlier in their career. As I am unfamiliar with any of the material tonight there appears to be no letting up in the quality of the songs in my view, the new material standing up well against what were clearly crowd favourites from past decades.

Dave Cousins’ vocal delivery is something of an acquired taste I find (and, to be honest I prefer it when long-time band-mate, Dave Lambert, takes the lead vocals for a handful of songs). That does not, however, mean that there is not some stunning musicianship in this band and some extremely well-crafted songs which definitely ensure tonight’s show is an enjoyable one. Lambert delivers some fine lead guitar throughout and the keyboards are equally stunning. Multi-instrumentalist, Dave Bainbridge, surrenders his keyboard to Cousins at one point and joins Lambert in some exquisite twin-lead soloing.

The band work extremely well together on stage, perhaps a sign of how long most of them have worked with on another. Although, there have been numerous personnel changes over the years it’s not simply a case of one original member with a load of random new boys, as is the reality with a number of vintage rock acts these days. Guitarist Dave Lambert, bass player Chas Cronk and drummer Tony Fernandez have been playing with Cousins on and off since the 1970s – and it shows. This is a band in the genuine sense of the word.

An enjoyable gig from a band I finally can now say I know a little bit more about, besides that novelty hit and their brief flirtation with Sandy Denny. Thank you Strawbs.

http://www.strawbsweb.co.uk/

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Gráinne Duffy at Nell’s Jazz & Blues, London 19/10/17

This review was originally published by Get Ready To Rock here

Irish singer-songwriter and guitarist, Gráinne Duffy, has been receiving plenty of plaudits since her debut album Out Of The Dark was released back in 2007. She has tended to be labelled a blues artist and, not having seen her before that is pretty much what I was expecting and looking forward to at this gig at Nell’s Jazz & Blues venue in west London.

On taking the stage, however, it soon becomes obvious that while Duffy and her band are incredible blues performers, that label really only describes a part what they deliver. From exquisite blues solos, to polished Eagles-ish country rock, to Stonesy rock workouts, to emotive singer songwriter acoustic renditions, to big fat Bad Company-esque stadium blues rock, to heartfelt soul and even funk, there’s an incredible versatility to Gráinne Duffy’s performance and repertoire.

Whether it’s her own material or her interpretations of some classic standards, Duffy has a soulful expressive voice that makes the songs her own, not to mention some captivating guitar skills and a fine band of supporting musicians. It’s little wonder she’s been wowing audiences from Glastonbury to numerous blues festivals, and although the place was not packed tonight there are enough of us there to give her a rousing reception and an enthusiastic demand for an encore.

Duffy has currently has a single out ‘Where I Belong’ and a new album is due shortly. A talented musician, singer and songwriter, Gráinne Duffy is well worth looking out for if you have not caught up with her already.

http://www.grainneduffy.com/

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Dweezil Zappa at De La Warr Pavilion, Bexhill 13/10/17

This review was originally published by The Stinger here

‘Dweezil Zappa plays whatever the f@%k he likes’

As soon as I saw those words on a seafront poster advertising the show at Bexhill’s De La Warr Pavilion this was on my list of gigs to see this month. There have been ongoing and fairly ferocious spats between the Zappa siblings about how they take forward their late father’s legacy. And with admirable chutzpah from Dweezil this is being billed as ‘The Cease & Desist Tour’ following the lawyer’s letter he received.

Performing to a packed-out De La Warr, the performance is a vivid reminder of what a fantastic range of musical styles and influences Frank Zappa incorporated into his output, as well as what a fantastically accomplished writer and musician he was. From perfectly polished orchestral pop pastiches, to improvised jazz rock work-outs, to exquisite blues rock guitar solos the versatility of Dweezil and his band is truly impressive.

Of particular note, alongside Dweezil Zappa’s beautifully dexterous guitar playing and obvious love for his father’s music, are guitarist/lead vocalist Adam Minkoff, who has joined the Zappa band for this European tour, and female lead vocalist Cian Coey, who delivers some truly stunning vocals.

Set-wise, it being the fiftieth anniversary of the release of ‘Freak Out’, the debut from the Mothers of Invention, songs like ‘You’re Wondering Why I’m Here’ make an appearance, alongside later material like ‘Cruising For Burgers’ and ‘Studebaker Hoch’ as well as surprises like a wonderfully smooth rendition of the James Bond theme. There is no support tonight. Save for a short interval it’s just three exhilarating hours of Zappa. Climaxing with an inspired rendition of the Beatles’ ‘I Am The Walrus’, the audience are up on their feet for a rapturous standing ovation. Band and audience alike seem very pleased with their evening spent in Bexhill.

Succumbing to cancer in 1993, Frank Zappa was an early reminder of the mortality of that generation of musicians from rock’s late 60s/early 70s golden age. Such deaths are now reported with alarming regularity, of course. But whether it’s Zappa, Bowie or any number of rock ‘n’ roll’s true creatives, legitimate questions do arise about how we continue to celebrate their respective legacies. While few of us would opt to be stuck in an endless repeat cycle of non-stop tribute acts (or, God forbid, hologram shows) we do clearly want to find ways of continuing to enjoy such music in a live setting. In this respect, Dweezil has put together something that is creative, ambitious, affectionate and totally appropriate.

Dweezil Zappa does indeed play whatever the f@%k he likes. But he plays it so well. And he does his father proud.

Set-list:

Latex Solar Beef
It Can’t Happen Here
You’re Probably Wondering Why I’m Here
Bow Tie Daddy
Harry, You’re a Beast
The Orange County Lumber Truck
Motherly Love
Any Way the Wind Blows
Mom & Dad
Tell Me You Love Me
Cruising For Burgers
James Bond Theme
Studebaker Hoch
Rollo
Advance Romance
I’m the Slime

– Interval –

Zomby Woof
Would You Go All the Way?
Wind Up Workin’ in a Gas Station
Dirty Love
Daddy, Daddy, Daddy
What Kind of Girl Do You Think We Are?
Bwana Dik
Lumpy Gravy
Village Of The Sun
Echidna’s Arf (Of You)
Let’s Move to Cleveland
Inca Roads
Duke of Prunes
Doreen
Dinah-Moe Humm
I Am the Walrus

https://www.dweezilzappa.com/

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Photo credit: Simon Putman

W.A.S.P. at White Rock Theatre, Hastings 12/10/17

This review is also published on Get Ready To Rock here

Loud, brash, obnoxious, Blackie Lawless’s LA metal outfit W.A.S.P. burst on to the scene in the early 80s and were never far from controversy. Over time, however, the band evolved and their output started showing signs of growing maturity. To be honest it’s not going to be too difficult for your music to start getting more mature if your first record is called ‘Animal (Fuck Like A Beast)’ is it?

The W.AS.P. of the early 90s had moved on to recording a full-blown concept album. ‘The Crimson Idol’ tells the story of a boy Jonathan and explores themes of estrangement, drugs, fame, money and suicide. It has become something of a cult heavy metal album and, twenty-five years since it was originally released, Lawless and his band are touring it in full.

Apart from the ever-present Blackie Lawless, W.A.S.P. has undergone numerous line-up changes over the years and no-one else on stage tonight originally performed on ‘The Crimson Idol’ album. Nevertheless, the band are in fine form and there is some powerful playing from new drummer, Aquiles Priester, and from lead guitarist, Doug Blair. Lawless’s distinctive vocals are as strong and as recognisable as ever.

Songs like ‘The Invisible Boy’ , ‘Chainsaw Charlie (Murders in the New Morgue) and ‘I Am One’ are superb tracks and stand up well on stage. Unlike when some acts choose to revisit an album in full and take the opportunity to reminisce on the history behind every track, there is little in the way of on-stage chat tonight, but Lawless is a charismatic stage presence nonetheless. Visuals from the accompanying film for the album play on three large screens at the back of the stage, adding to the atmosphere. It’s a great album and a great performance tonight.

However, throughout the show part of me was excitedly anticipating the encore and, hopefully, a run-through of some of the great songs from the earlier, dumber, stupider, trashier era of W.A.S.P. It wasn’t a long encore – three songs – as the band didn’t get on stage until 9pm, having only just arrived in the UK following the Scandinavian leg of their tour. But we did get gloriously over the top versions of ‘L.O.V.E Machine’ and ‘Wild Child’ which made a fitting end to the proceedings. Was I disappointed that we didn’t have a bit more of this? A little – but that has only made me more determined to catch Blackie and the boys again when they are next over…

Set-list:

The Titanic Overture
The Invisible Boy
Arena of Pleasure
Chainsaw Charlie (Murders in the New Morgue)
The Gypsy Meets the Boy
Doctor Rockter
I Am One
The Idol
Hold on to My Heart
The Great Misconceptions of Me
The Real Me
L.O.V.E. Machine
Wild Child

https://www.waspnation.com/waspnation.htm

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A tribute to my dad and an appreciation of a huge, life-long, deep musical education

Ok, so it’s not the usual theme for my blog but ten years after my dad passed away I want to pay tribute to him and the wonderful, passionate, life-long love of music he helped give me. This is the speech I gave at his funeral ten years ago:

“On behalf of the family I would like to thank everyone for coming today and paying their respects to Alan Johnson, my dad. Of course, I have no need to remind any of you what a lovely man my dad was – what a sense of fun he would bring to every occasion, what a great help he was to everyone and what a fantastic friend.

As his family we got all of that and much, much more. He was a wonderful father to myself and Lisa, a wonderful step-dad to Ann and a wonderful grandad to Rosa and Isabella. But most of all he was a wonderful husband to Jackie – two people who not only loved each but loved every minute of each other’s company.

Growing up, my early memories of my dad was when he was working in a bakery then a sweet factory. Now obviously it’s every kid’s dream to have a dad who baked cakes and made sweets for a living but unfortunately neither of these were well-paid jobs. I remember him and my mum spending night after night assembling stacks and stacks of toy watches and at Christmas time sticking wings on Christmas tree fairies to earn some extra money. But as a child I was totally oblivious to any financial hardship. There was always so much love and so much fun when my dad was around I only found out much later on how tight money was at that time.

One thing I have certainly inherited from my dad is his love of music. I remember being ill in bed when I was about six or seven. In those days kids’ bedrooms were not what they are today – there were no TVs, stereos or computer games. But my dad carried his record player up to my room with a big stack of records so I had something to do. I remember playing all the records until I found the one I liked best and then playing it over and over again. My dad heard what I was doing and came up and we listened to it together. And we enjoyed listening to music together ever since. The list of bands I have seen with my dad reads like a who’s who of British Rock: Slade, Status Quo, the Rolling Stones, AC/DC, Whitesnake, Uriah Heep and Dr Feelgood. And I am not even going to mention the annual family outings to see Gary Glitter every Christmas….

I remember the first time they went on a cruise. Jackie told me how they had been invited to have dinner at the captain’s table. Jackie asked the stewardess why, of all the people on the ship they were to be given this honour. The stewardess explained to Jackie that the Captain liked to surround himself with interesting and unusual people, and that her husband was the first person he’d ever seen playing air guitar in the ship’s ballroom.

Something else I have inherited from my dad is love of a good debate. My dad had an opinion on everything (and you would often get to hear all of them in a single evening!). He was always proud of my political career but I think he was also slightly envious that anyone could be paid for arguing with people as a full time job and not just have to make do with doing it in the evening as a hobby. But there was a much deeper side to it than this. Like his parents before him he really did care about the world about him. He cared about justice. He cared about making life fairer and that is something I have been able to take forward in my own work. And though he argued with everyone I don’t remember him ever falling out with anyone.

Something I have not inherited from my dad, sadly, was his DIY skills. No challenge was ever too big for him. Whether it was rebuilding the battered bodywork of his Ford Anglia with hardboard and bits of wood – respraying it and painting on some home made “go-faster” stripes and it was as good as new. Or a few years ago when there were damp problems in his badly-built kitchen extension – he simply removed the bottom few layers of bricks, jacked up the entire kitchen on car jacks and then replaced the bricks. But it was not just do it yourself for himself – it was do it for everyone else as well. I know there must be so many people here today who remember him doing things for them – fitting new washing machines, helping with wiring. He just loved helping people.

It was a life cut tragically short. But it was not a life of regrets. He absolutely lived life to the full and he brought so much fun to every occasion and so much pleasure to those around him. I am proud of him. Goodbye dad – my friend.”

Darren Johnson 30 October 2007

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Rock/metal: album review – Wicked Stone ‘Ain’t No Rest’

This review was originally published by Get Ready To Rock here

Formed in 2015, Wicked Stone are a British five-piece hard rock metal band, citing influences such as Guns n Roses, Alter Bridge and Black Stone Cherry ‘Ain’t No Rest’ is band’s debut album from Wicked Stone.

The title track is a strong opener. A powerful chugging riff with some nicely melodic lead guitar and a catchy chorus, their music definitely embraces a timeless classic rock feel while the vocals give it a more contemporary edge. ‘Hit It ‘n’ Quit’ It is another stand out track. Big and bombastic with a machine gun-like rhythm section and a Guns N Roses-esque stadium rock chorus, I can imagine this going down well live. ‘Rattleshake’ is another great track with some superb soloing which definitely helps convince you this band has got something going for it.

And in bolstering their classic rock pedigree still further the band can point to their drummer, Olly Smith, who played alongside current Judas Priest guitarist, Ritchie Faulkner, and the daughter of Iron Maiden bass player, Steve Harris, in the Lauren Harris Band. The other members of the band are Joe Hawx (vocals), James Forrister and Ryan Stageman (guitars) and James Amos (bass).

While I am not quite sure all of the songs are memorable enough to immediately pass the singing-in-the-shower test (always the sign of a genuinely classic hard rock record for me) there is, nevertheless, some real promise shown on this album and ‘Ain’t No Rest’ it is a worthy debut.

http://wickedstone.co.uk/

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Blues rock: single review – Big River ‘Hometown Hustler’

A big, fat, bluesy southern-rock sound, Big River know how to pull off an authentic classic rock vibe. Hometown Hustler is the band’s single release ahead of their forthcoming debut album. A meaty riff, gritty vocals, catchy chorus and delicious harmonica, Hometown Hustler also showcases some fine songwriting abilities as well as, hopefully, providing a real taste of what the album has in store when it’s released later this year. The band maintain Hometown Hustler has already become a firm live favourite after being introduced into the set earlier this year and I can see why.

Having enjoyed the Gravesend-based band last year when they shared a bill with ex-Bad Company guitarist, Dave ‘Bucket’ Colwell, it was clear then that they drew on some impeccable musical influences and could turn out some classic-sounding guitar-based blues rock. This new release has cemented their reputation in my mind. A band well worth checking out.

Big River are Adam Bartholomew (vocals), Damo Fawsett (guitar), Ant Wellman (bass), and Luke Calvert (drums).

Released: August 2017

https://www.facebook.com/bigriverblues/

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Metal: album review – Klogr ‘Keystone’

This review was originally published by Get Ready To Rock here 

Keystone is the new album from Italian-American alternative metal outfit, Klogr. Some may find the juxtaposition of very melodic, rather proggy instrumentation with grungy, alt-rock vocals something of an acquired taste but there are certainly some strong tunes here.

As with their previous album ‘Black Snow’ environmental themes loom large. Explaining the thinking behind the title, band-leader and vocalist/guitarist Rusty Rustichelli reveals, “Man proclaimed himself the “Keystone” of our system but he is just a guest, a not-essential animal. Without a lot of underestimated living beings, like bees, the cycle of nature would suffer serious damages. The earth without human beings could exist, human beings without the earth, no.”

One of the stand-out tracks is ‘Dark Tides’, dedicated to the marine conservation campaigners, Sea Shepherd, with whom the band have had a long association. Melodic and thoughtful, yet forceful and, at times, downright brutal, it warns in dramatic fashion of the threat posed by the destruction of the ocean ecosystem.

The album has been mixed by triple Grammy winner, David Bottrill, who has an impressive CV, working with the likes of Peter Gabriel, Muse, Smashing Pumpkins, Tool, Dream Theater, Stone Sour and Rush.

Personally, the vocals don’t really work for me but that is not to deny there is some great musicianship on this album along with some compelling song-writing, some powerful lyrics and some quality production. Fans of the band will certainly not be disappointed with ‘Keystone’. ***

Released October 2017

https://www.klogr.net/home/

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Folk-rock: EP review: Merry Hell ‘Come On England!’

This review was originally published by Bright Young Folk here

“An alternative national anthem” is what Wigan-based folk-rockers, Merry Hell, bill the title track of their new EP, Come On England! It is not difficult to see where they are coming from: in a country that’s been riven by inequality and division, they aim to present a hopeful vision for the future.

There is passion, defiance, warmth and optimism in the lyrics: “On the streets I have seen those with greed and hate in their eyes; and those with their hearts and their hands open wide.”

The socio-political theme continues in We Need Each Other Now which, like the title track, also appears on the band’s current Bloodlines album. Again, this is an anthemic sing-along with heartfelt lyrics that one can imagine resonating really well with audiences on the live folk scene.

Lean On Me, Love is more personal and more reflective, a gentle acoustic track, yet with Andrew Kettle’s powerful, distinctive vocals still delivered with that same air of sincerity and determination.

The final track is a live version of The War Between Ourselves, a bouncy Levellers-esque slice of indie-folk that has been a mainstay of the band’s live performances since Merry Hell first formed in 2010.

An alternative national anthem? That might be a tad ambitious but this EP certainly contains some rousing anthems for troubled times and it is highly likely that Come On England! will be a firm live favourite in the band’s set list for years to come.

Released: August 2017

http://www.merryhell.co.uk/

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Folk/rock/renaissance: album review – Blackmore’s Night ‘To The Moon and Back’

20 years and beyond – 2 CD compilation

This review was originally published by Get Ready To Rock here

In spite of being a long-time admirer of Ritchie Blackmore and in spite, also, of a real love of acoustic folk-rock, Blackmore’s post-Rainbow outfit is something that has largely passed me by. Incredibly, it has now been twenty years since Blackmore and his wife, Candice Night, started up the Renaissance outfit Blackmore’s Night. This 26-track double CD gathers tracks from across their various albums, together with some bonus material.

Blackmore and his band of merry minstrels have come in for quite a bit of stick from rock fans over the years, ever since he swapped his Fender for a mandolin. In truth, however, there is a huge amount of variety on this album: from lush, Enya-esque tracks with beautifully atmospheric vocals from Candice Night; to jolly, folksy sing-alongs; to renaissance-inspired instrumental tracks; to straightforward soft rock covers.

For me, some of the material works far better than others. I found songs like ‘Home Again’ a bit twee and cloying, satisfying neither my folk appetite nor my rock appetite. There are, however, plenty of highly listenable tracks in the collection, too. The ones that worked best for me included songs like ‘Somewhere Over The Sea’ which really showcase Night’s vocals in a lush musical setting, as well as some of the instrumental tracks which really showcase Blackmore’s musicianship. Tracks like ‘Minstrel Hall’ build on the baroque-inspired themes that he began to explore in his early Rainbow days. It’s not all acoustic, either. On tracks like ‘Fires at Midnight’ there are some stunning electric guitar solos that put one in mind of early Rainbow. Rainbow fans will also appreciate a nicely done cover of ‘I Surrender’.

Overall, there is much to like in this collection. Blackmore is an incredible musician, regardless of whether he’s playing a Fender, an acoustic guitar or a hurdy-gurdy; while Candice Night is a fine singer with a beautiful voice. I only wish they would exercise a bit more quality control on some of the more obvious material.

Released: August 2017

http://www.blackmoresnight.com/

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Related review:
Ritchie Blackmore’s Rainbow live at Birmingham 2017