Tag Archives: single review

This week’s featured artist: singer/songwriter/guitarist Joe Matera – new single features Slade’s Don Powell

Darren’s music blog gets a ton of email traffic about artists flagging up new releases. There are not hours in the day to follow every single one up. This one was about to slip through the net but singer-songwriter Joe Matera was a little more persistent and kindly sent me a follow-up email a week later. What’s more he was flagging up that none other than legendary drummer Don Powell of Slade is performing on his new single. That immediately sent it to the top of the my ‘things-worth-checking-out-pile’ – but first a little more about Joe…

Also a prolific and respected music journalist, Joe has played in a number of rock outfits in his native Australia. He was founding lead guitarist for classic rock band Double Vision and before that played in a popular local band On The Prowl. As a guitarist Joe has also collaborated with a number of artists and his original guitar instrumental compositions have appeared on various film soundtracks. In 2012 he performed with Steve Harley for a series of live acoustic performances for radio and TV on Harley’s first ever promo tour of Australia.

Official Promo, 2019 – Photo: Anders E. Skånberg

Joe has continued to tour and record as a solo artist, releasing several albums and EPs of original material as well as providing support for artists as diverse as Peter Kriss (ex-Kiss), Canned Heat and the Bay City Rollers. In early 2018, he joined Swedish based rock band Rough Rockers as permanent member on guitar.

His latest solo single ‘Inside Looking Out’ is released towards the end of this month. It’s a song that starts off deceptively mellow until the aforementioned Mr Powell’s unmistakeable drumming kicks in and we are served up an infectiously jaunty slice of contemporary pop-rock with a blistering guitar solo to boot.

Because of lockdown restrictions the track was recorded remotely across three countries, Don Powell (drums) in Denmark, Janne Borgh (bass) in Sweden and Joe (vocals, guitars and keyboards) in Australia.

Don Powell: “I was really honoured when Joe asked me to play drums on his track. I had SO much fun in the studio recording my drums for him…I can also speak for my engineer Torben Lehmann, we both really got off listening to Joe’s track as I was recording my drums. Can’t wait to do more together.”

Inside Looking Out’ is released via Mercury Fire Music on October 29th on all digital platforms

https://www.joematera.com/

Related posts:

Interview with Don Powell

Album review – Don Powell’s Occasional Flames ‘Just My Cup of Tea’

Veteran drummer Don Powell out of Slade

Interview with former Slade legend Jim Lea

Slade, strikes and the three-day week: the story of the greatest Christmas record ever made

Slade at Donnington 1981

Header photo credit: Sofia Rewert-Strasser

Folk-rock: single review – Merry Hell ‘When We Meet Again’

That early January post-seasonal lull can be a bit of a downer at the best of times. With a Covid second wave biting hard and restrictions on normal life set to continue for the foreseeable people could be forgiven for not feeling too optimistic. However, folk rockers Merry Hell always seem to have that knack of turning out a suitably uplifting anthem when the occasion requires it. And just as many of us are taking the decorations down, preparing for a return to work and wondering what these next few months are going to be like up pop Merry Hell with a brand new anthem.

‘When We Meet Again’ is the latest single from Merry Hell and the lead track on a newly released three-track EP.

“When We Meet Again is a song of hope for 2021 and beyond. Written by John and Bob during the second lockdown period of 2020, it is born of our strange and difficult times but looks forward to the pleasures of being with the people whose company we enjoy, whether it be spending time with friends and family, or simply getting back to gigs and festivals and sharing our music and joy with audiences.”

“In addition to the band, the song reflects its theme of togetherness by featuring the combined voices of our 300 strong Social Isolation Choir. All the members recorded their parts individually and submitted them remotely to the band. Our production maestro John Kettle, assembled everyone into a harmonious whole. The single also includes two tracks from our album Emergency Lullabies – both also featuring the choir.”

Both rousing and poignant ‘When We Meet Again’ is a celebration of optimism and hope and togetherness and recording it remotely has clearly not diminished the band’s ability to come together to deliver another of their memorable anthems. You can bet that when the opportunity does finally come to start performing it live it’s going to be one hell of a crowd sing-along.

The other two tracks on the EP are ‘We Are Different, We Are One’ and ‘Beyond The Call’ – both taken from the excellent Emergency Lullabies album released last November.

Released: 1st January 2021

http://www.merryhell.co.uk/when-we-meet-again.html

Related posts:

Album review – Merry Hell ‘Emergency Lullabies’

Album review – Virginia Kettle ‘No Place Like Tomorrow’

DVD review: Merry Hell ‘A Year In The Life’

Album review: Merry Hell ‘Anthems To The Wind’

EP review: Merry Hell ‘Bury Me Naked’

EP review: Merry Hell ‘Come On England!’

Blues rock: single review – Big River ‘Blackened Rain’

A consistent presence on the live music scene and and around the south-east these past couple of years, Kent-based blues rockers Big River release their latest single ‘Blackened Rain’. We keep being promised an album but, for now, we’ll have to be tantalised with another single. Following on from ‘Hometown Hustler’ and ‘Blues Blood Baby’ it contains that same blend of meaty guitar, soulful vocals and catchy hooks but this latest offering takes the band into heavier terrain and is an out and out blast of unadulterated hard rock. Think Bad Company with a good dollop of Led Zep blasting out from behind and you’re probably along the right lines.

Vocalist, Adam Bartholomew had decided to take some time out from the band and late 2018 saw the announcement of a new lead singer. However, Bartholomew is back once more, providing both vocals and lyrics here, and the new single has already been picking up considerable airplay.

It seems like these guys have had some ups and downs to contend with of late but ‘Blackened Rain’ is a great slice of hard rock and I look forward to that forthcoming album.

Big River are Adam Bartholomew (vocals), Damo Fawsett (guitar), Ant Wellman (bass) and Joe Martin (drums).

Released: 28th January as download on the Groovy Uncle label

https://www.facebook.com/bigriverblues/

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Related reviews:

Big River – Hometown Hustler

Big River – Blues Blood Baby

Folk-rock: EP review – Merry Hell ‘Bury Me Naked’

If I was to try and sum up the band Merry Hell I’d ask people to imagine if Fairport Convention had come from Wigan. That is not in any way intended as an insult. Being from Lancashire and being a long-time fan of Fairport Convention it is definitely 100% meant as a compliment.

Merry Hell’s lyrical themes tend to be somewhat edgier, politically, compared to Fairport but not in an over-earnest ranty way. Bitter-sweet reflectiveness and wry good humour tend to be the band’s hallmarks. And so it is with ‘Bury Me Naked’ – the band’s new single. Written and sung by the band’s female lead, Virginia Kettle, it’s a great mid-tempo sing-along with an ecological theme and a friendly rebuke about filling our lives with too much junk and clutter. Originally appearing on the band’s second album this track is a re-recording featuring some fiddle wizardry from incoming band member, Neil McCartney.

The second track ‘Sailing Too Close To The Wind’ is a slower-paced ballad that’s lifted from Merry Hell’s most recent album Bloodlines. Going back to my initial analogy, this track would not have been at all out of place alongside some of the memorable songs that the likes of Ralph McTell gifted to Fairport Convention after they got back in business as a touring and recording unit. Two additional songs ‘Drunken Serenade feat. The Banshee Reel’ and ‘No Place Like Tomorrow’ also showcase the band’s song-writing and musical abilities.

Musically, lyrically and, indeed, politically there is a much-needed place for a band Merry Hell in today’s Britain and it’s good to see them going from strength to strength.

Released: February 26th 2018

http://www.merryhell.co.uk/

bury-me-naked-cover

Related reviews:

Merry Hell ‘Come On England’

Blues rock: single review – Big River ‘Blues Blood Baby’

Ahead of an album release this summer, Big River unveil a second single. Meaty rhythm, soulful vocals, catchy hooks and big fat guitar ‘Blues Blood Baby’ is another slice of swampy, bluesy, classic rock boogie from the Kent-based band.

The brainchild of guitarist and session man, Damo Fawsett (who was previously part of another Kent-based hard rock band, Slam Cartel) Big River have been making their mark on the live music scene for a couple of years now. With a vision to celebrate the blues, they bring those classic blues rock sounds of past decades to new and original material and demonstrate some deft song-writing abilities in the process.

The track was recorded on analogue equipment at Ranscombe Studios in Kent, giving it that raw and vintage vibe reminiscent of great albums of the era. I’m looking forward to Big River’s debut album coming out but, for now, ‘Blues Blood Baby’ is a nice taste of what’s in store.

Big River are: Adam Bartholomew (vocals), Damo Fawsett (guitar), Ant Wellman (bass), Joe Martin (drums) Paul Martin (rhythm guitar).

Released: 2nd March 2018

https://www.facebook.com/bigriverblues/

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Related Reviews
Big River – Hometown Hustler
Dave ‘Bucket’ Colwell at Leo’s Red Lion 2016
Slam Cartel at New Cross Inn 2015

Blues rock: single review – Big River ‘Hometown Hustler’

A big, fat, bluesy southern-rock sound, Big River know how to pull off an authentic classic rock vibe. Hometown Hustler is the band’s single release ahead of their forthcoming debut album. A meaty riff, gritty vocals, catchy chorus and delicious harmonica, Hometown Hustler also showcases some fine songwriting abilities as well as, hopefully, providing a real taste of what the album has in store when it’s released later this year. The band maintain Hometown Hustler has already become a firm live favourite after being introduced into the set earlier this year and I can see why.

Having enjoyed the Gravesend-based band last year when they shared a bill with ex-Bad Company guitarist, Dave ‘Bucket’ Colwell, it was clear then that they drew on some impeccable musical influences and could turn out some classic-sounding guitar-based blues rock. This new release has cemented their reputation in my mind. A band well worth checking out.

Big River are Adam Bartholomew (vocals), Damo Fawsett (guitar), Ant Wellman (bass), and Luke Calvert (drums).

Released: August 2017

https://www.facebook.com/bigriverblues/

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Folk: single review – Ange Hardy ‘The Quantock Carol’

My review was originally published by Bright Young Folk here

The Ange Hardy Christmas single is becoming a much-anticipated annual tradition in the contemporary folk work. In 2014 we had The Little Holly Tree, followed by When Christmas Day is Near in 2015. Now, for 2016, we have The Quantock Carol.

Hardy presents us with two tracks this Christmas: The Quantock Carol and Mary’s Robin. Both are self written, self-produced, unaccompanied vocal performances, yet Hardy has a knack for writing Christmas songs that sound like long-forgotten but recently unearthed Victorian carols.

The Quantock Carol was written for a world in which “peace seems more important and less certain than ever,” Hardy reveals in the sleeve-notes. It was inspired by the landscapes of the Quantock hills where she resides, with the hope that such serenity may be something the whole world comes to experience. It’s a short song, just one minute 22 seconds, but it resonates with peace and goodwill to all and is sung in the rich, warm, clear voice that we have come to expect.

The second track, Mary’s Robin, is based on a Gaelic nativity legend, about how the robin came to get its red breast. Again, it’s beautifully sung and wouldn’t sound at all out of place at any festive concert, alongside more traditional carols.

With such a beautiful collection of seasonal songs being built up over the past few years, we surely look forward to an Ange Hardy Christmas album before too long.

Released November 2016

the-quantock-carol-single-ange-hardy

http://www.angehardy.com/

Previous review:

The Little Holly Tree EP

 

 

Single review: Slade – Merry Xmas Everybody

Brash, colourful, over the top, glittery – 1970s glam rock and Christmas seemed made for each other. Yet glam had been in ascendancy for some two years before anyone contemplated putting the two together. And more than anyone else, we can thank Slade for that. From the familiar pounding on the harmonium in the opening bars to the final “It’s Christmaaaas!” Slade’s Merry Xmas Everybody remains one of the most well-known and most popular Christmas records of all time. The Performing Rights Society calculate that it is the world’s most listened to song, heard by an estimated 42% of the global population.

Recorded in New York in the summer of 1973, Noddy Holder told Uncut magazine recently that he wanted the lyrics to convey a mood of optimism. The song certainly does that. But at the time of recording it, the band would have little clue as to how grim things were going to get in Britain that particular winter. Conservative Prime Minister Ted Heath’s increasingly fractious battle with the miners took a dramatic turn. Mineworkers, like all public employees at the time were suffering the effects of below-inflation pay increases at a time of hyper inflation, and were pursuing industrial action for higher pay. Regular domestic power cuts became a fact of life.

Merry Xmas Everybody was released on 7th December 1973. On 12th December Heath announced that in order to conserve coal stocks, as from midnight on 31st December the Government would be enforcing a three-day week. Companies were to be permitted to consume electricity only on three consecutive days per week, additional working hours were to be banned and TV companies were required to cease broadcasting at 10.30pm each night. This was the Christmas in which Slade’s Merry Christmas was first unleashed on to the public.

It’s a groundbreaking Christmas song in a number of ways. Unlike the treacly nostalgia of previous Christmas classics, Holder and Lea managed to capture the essence of a working class family Christmas:

Are you waiting for the family to arrive
Are you sure you’ve got the room to spare inside
Does your granny always tell you
That the old songs are the best
Then she’s up and rock ‘n’ rolling with the rest

That was combined with a genuine spirit of bright, breezy optimism:

So here it is Merry Christmas, everybody’s having fun
Look to the future now, it’s only just begun

There is a freshness about the way that hookline is delivered that still sounds fresh even today. “In terms of comfort we shall have a harder Christmas than we have known since the war,” Heath declared ominously. But while it might be argued that anything Slade recorded at that particular time in pop history was destined for the Number 1 slot anyway, there was something marvellously subversive about Slade’s Christmas single being the best selling record at the time. People singing along to a chorus that celebrates having fun and looking to the future during the middle of a heated political stand-off, a major breakdown in industrial relations, a draconian response from government and a very bleak-looking New Year indeed.

The three-day week came into force on New Years Day 1974. The Christmas song that was the antidote to it remained at Number 1 until well into the middle of January. In fact, it was February before it dropped out of the charts. As the chorus makes clear, the song is very much a song for the New Year – looking ahead to the future – and not simply one about Christmas.

The Government’s battle with the miners continued to intensify and, refusing to back down, Heath called an election in February 1974. “Who governs Britain?” demanded Heath. “Not you!” the voters told him. He lost the election and embarked on what became known as the longest sulk in British political history. The National Union of Mineworkers secured their pay rise, returned to work and lived to fight another day. But they would be brutally smashed by the Thatcher Government a decade later and Britain’s pit communities decimated. Whatever the battles of the past, the challenge of climate change, of course, means that the only sensible coal policy today is to leave the rest of it in the ground.

Yet Slade’s Merry Xmas Everybody lives on, outliving the three-day week, Ted Heath, the miners and (in its original formation) even the band itself. That celebration of working class life in the festive season and the bright sunny optimism for a better future ahead still makes it the greatest Christmas song ever recorded.

It’s Christmaaaaaas!!!

http://www.slade.uk.com/

MXE

Previous live review: Slade at Minehead