Category Archives: Folk music

folk performers and music

Preview: Hastings Fat Tuesday 2017

Folk music, Hastings music scene, Music culture & history, Rock music, , , , ,

A newcomer to Hastings finds out what’s it’s all about.

This is my recent piece for local independent music website The Stinger. You can find the link here

For those new to Hastings the sheer range of festivals, parades and community events can be exhilarating, exciting but sometimes bewildering. Just what on earth is Fat Tuesday? Is it on a Tuesday and does it have anything to do with being fat?

As a relative newcomer to this small but fun-loving town on the south coast I’ve been on a mission to find out. While few people outside Hastings may be familiar with the term “Fat Tuesday” most will have heard of “Mardi Gras” and, literally, Fat Tuesday is the French to English translation of Mardis Gras. Traditionally held on Shrove Tuesday, such celebrations were a chance for people to let their hair down before the onset of Lent and, supposedly, a long period of sobriety. New Orleans and Venice have renowned Mardi Gras celebrations, Venice has Carnivale and, for the past eight years, Hastings has had Fat Tuesday. Running from Friday, 24th February through to Tuesday 28th, it’s a long weekend of fun, colourful parades and lots (and lots!) of live gigs.

You can find the full programme on the website: Hastings Fat Tuesday, but highlights include:

Fat Friday – Friday 24th: Things kick off on the Friday evening with a performance from 20yo singer-songwriter Marie White. Compared to the likes of Tracey Chapman and Macy Gray, she’ll be performing short sets over the course of the weekend but this is a chance to see a full show.

Unplugged Saturday – Saturday 25th: 40 acts play fifteen minute sets in a variety of venues, equating to an afternoon of 200 gigs across Hastings Old Town, from acoustic rock to Folk to Blues and much more besides.

Off Axis – Sunday 26th: Again, Hastings comes alive with a mega-run of gigs. 32 acts from across the country, play in 4 town centre venues, with a gig starting every 15 minutes between 1pm and 9pm. It’s a live showcase for some of the best emerging, unsigned acts in the UK and afterwards it’s followed by an after party with Hastings-based punk folkies Matilda’s Scoundrels at The Fountain on Queen’s Road.

Thee Sunday Sonics – Sunday 26th: On the more arty side there’s Thee Sunday Sonics, a one-day celebration of avant garde electronic music, video art and spoken word.

UnConvention – Monday 27th: UnConvention is a one-day music conference aimed at the grass roots of the industry and The Palace on the seafront plays host to the official launch of Hastings & Rother as a Music City. There will be a session on Music Cities and Music Tourism at 11am, followed by the formal launch at 1pm. It’s free but do register in advance here: UnConvention/Monday/

The Fat Tuesday Tour – Tuesday 28th: Fat Tuesday night itself runs from 8pm-11pm and as well as fancy dress and all kinds of frivolity there are 24 bands playing 20 minute sets across 12 venues, headlined by Britpop trio, Dodgy.

No serious music lover could deny what a fantastic and varied selection of music will be available over the course of the weekend. But for someone like me, who can get spoilt for choice at a summer festival when there are just two stages, how can you make the most of it and how can you take in as much as possible without getting completely overwhelmed?

I sought advice from seasoned Fat Tuesday regulars via social media. David advises: “The participating pubs do get very crowded and if you eventually find somewhere you like my advice is to stay where you are and let the bands come to you!”

See you there folks.
Let the good times roll.

http://www.hastingsfattuesday.co.uk/

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Folk: album review – Two’s Company ‘Go Together’

Album reviews, Folk music, , , ,

My review was originally published by Bright Young Folk here

Two’s Company are a duo from Sheffield and Go Together is their debut album. Alice Baillee and David Jenkinson have been playing together since meeting at university several years ago and have clocked up a number of festival appearances as well as support slots for the likes of Martin Simpson and Phil Beer.

Their sound is built around Jenkinson’s guitar and cello-mandolin and Baillee’s flute, with lead vocals alternating between the contrasting voices of the two. The album is apparently representative of their live set and contains a nice mix of traditional songs and original material, with a couple of tunes thrown in, too.

Songs like Bobby, telling the tale of a little boy whose musical promise when he is not engaged in child labour is cut shut when his fingers are crushed in a loom, showcase Baillee’s talents for writing lyrics that evoke the folk tradition and effortlessly take us back to a different age.

The Grove is another original, a gentle song inspired by a small piece of wilderness on the edge of a village that has since given way to a housing estate. Baillee’s voice handles such mournful themes well.

Of the traditional songs, they do a pleasingly reflective version of Will You Go, Lassie, Go? with the duo sharing lead vocal duties. All Among The Barley, this time with Jenkinson on vocals, is another nice interpretation of a traditional song.

Of the tunes Winterfall, a tune-set of two pieces composed by Michael Raven, allows for some lively interchanges between Baillee’s flute and Jenkinson’s strings and is one of the musical highlights on the album.

While their overall approach is not wildly different from many other male/female folk duos Go Together is a solid debut that has allowed Two’s Company to begin carving out an identity for themselves and to contribute some fine songs. This is a welcome start to a recording career.

Released: September 2016

http://www.twoscompanyfolk.co.uk/

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Maddy Prior & The Carnival Band at St Mary in the Castle, Hastings 16/12/16

Folk music, Hastings music scene, Live reviews, , , , , , , ,

My review was originally published on The Stinger independent music website here

Rounding off an outstanding year of Folk acts at St Mary in the Castle this year we had Maddy Prior and The Carnival Band. ‘Folk’ is a bit of a misnomer, however, in a set that embraced American gospel, Shakespeare. medieval tune sets, eighteenth century carols, jazz swing and a Latin-American cha-cha-cha – in Latin (!) – to name but a few.

Maddy Prior will be known to many as lead singer of folk-rockers, Steeleye Span.

But for a good number of years now she has joined forces with early music specialists, The Carnival Band, for what they term ‘Carols and Capers.’

While there is never any shortage of carol concerts and festive sing-alongs in Hastings, three things make an evening with Maddy Prior & The Carnival Band particularly special.

Firstly, there is the sheer range of songs and tunes covered. While there are some obvious Christmas favourites, like ‘While Shepherd’s Watched Their Flocks’ and ‘Ding Dong Merrily On High’ and ‘I Saw Three Ships’ many less well-known numbers and historical gems are unearthed, like ‘The Boar’s Head’ a 16th century English carol, as well as original material like ‘Bright Evening Star.’

Secondly, there is the huge range of weird and wonderful instruments in use. There are violins and guitars and drums and a lovely deep double bass, of course. But there’s also the sound of medieval bagpipes, shawms (a horn-like reed instrument popular in renaissance music) and many other authentic replicas from our musical past.

Finally, there is the amazing amount you learn about music, history and culture during the course of the evening. Each of the players has a very evident passion for the history and background to the music they play. Did you know, for example, that the reason why ‘While Shepherds Watched Their Flocks’ became so well-known was because the 17th century Anglican church would only permit a small number of biblically-approved passages to be sung during services, and this was the only Christmas number on the list?

All this and the unique, instantly recognisable and still-beautiful voice of the great Maddy Prior. Although it was de-consecrated as a place of worship several decades ago, St Mary in the Castle still makes for a wonderfully apt setting for a Christmas celebration like this, even for a hardened non-believer like myself.http://www.maddyprior.co.uk/http://www.carnivalband.com/

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Related reviews:

Maddy Prior, Hannah James & Giles Letwin
Steeleye Span live in London
Steeleye Span live at New Forest Folk Festival

Introducing: Josiah Mortimer – folk/acoustic singer-songwriter

Folk music, Live reviews, , , , , , ,

While I mainly write about established artists on here I do like to focus on some less well-known emerging talent from time to time. One such artist I catch up with is singer-songwriter Josiah Mortimer playing a support slot in The Monarch in Camden for Southampton-based rising star, Seán McGowan.

Mortimer is first on the bill tonight but pretty soon he has the audience on side with a good selection of songs which combine angry social commentary with sensitive and empathetic delivery and some nice acoustic guitar-playing.

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He’s a talented songwriter but throws in a couple of well-chosen covers, too. Clearly, this is a young man who has been on many, many demos and so the choice of ‘We Shall Overcome’ may not be a huge surprise but his gently defiant delivery gives it a freshness and a potency that makes it more than just another obvious staple from the protest anthem songbook.

Another cover is far more of a surprise. I’ve long been familiar with the lefty, pro-environmental credentials of ‘Jerusalem’ ever since our school history teacher, Mr Holden, told us the back-story to it some time in the early 80s. Mortimer, too, is also well aware of the song’s provenance and, keen to “rescue it from the Tories”, he’s transformed Blake’s words from stirring, patriotic hymn to thoughtful, reflective ballad.

The song that really gets the audience joining in loudly and enthusiastically tonight, though, is one of Mortimer’s own. Written just last month ‘Letter To America’ is a musical riposte to Donald Trump’s election victory. The sing-along chorus “build a wall, build a wall, around the White House” is a sentiment the audience don’t need much encouragement to sign up to.

Mortimer tells me he’s been writing songs since he was 13 and that they “started getting pretty good” by the time he began performing in public at 16. He has recorded three EPs and successfully crowdfunded his first professional release Luddite Ballads in 2015.

Beginning his musical career in Cornwall originally, he’s now based in London. Working full-time for a major national pressure group, heaps of political activism on top and a part-time journalism course to fit in as well, you may wonder how he finds the time to write, record and gig. But somehow he does and his Soundcloud page reveals an impressive selection of songs. If you want to hear some biting political commentary from an intelligent and eloquent singer-songwriter then Josiah Mortimer is well worth checking out.

Josiah Mortimer was playing the Monarch in Camden on 13/12/16

Listen to more of his songs on Soundcloud here

And you can visit his Facebook page here

Folk: single review – Ange Hardy ‘The Quantock Carol’

Album reviews, Folk music, , , ,

My review was originally published by Bright Young Folk here

The Ange Hardy Christmas single is becoming a much-anticipated annual tradition in the contemporary folk work. In 2014 we had The Little Holly Tree, followed by When Christmas Day is Near in 2015. Now, for 2016, we have The Quantock Carol.

Hardy presents us with two tracks this Christmas: The Quantock Carol and Mary’s Robin. Both are self written, self-produced, unaccompanied vocal performances, yet Hardy has a knack for writing Christmas songs that sound like long-forgotten but recently unearthed Victorian carols.

The Quantock Carol was written for a world in which “peace seems more important and less certain than ever,” Hardy reveals in the sleeve-notes. It was inspired by the landscapes of the Quantock hills where she resides, with the hope that such serenity may be something the whole world comes to experience. It’s a short song, just one minute 22 seconds, but it resonates with peace and goodwill to all and is sung in the rich, warm, clear voice that we have come to expect.

The second track, Mary’s Robin, is based on a Gaelic nativity legend, about how the robin came to get its red breast. Again, it’s beautifully sung and wouldn’t sound at all out of place at any festive concert, alongside more traditional carols.

With such a beautiful collection of seasonal songs being built up over the past few years, we surely look forward to an Ange Hardy Christmas album before too long.

Released November 2016

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http://www.angehardy.com/

Previous review:

The Little Holly Tree EP

 

 

Green Diesel at Fox & Firkin, Lewisham 11/12/16

Folk music, Live reviews, Rock music, , , , ,

I first became aware of Faversham-based folk rock band Green Diesel and two years ago when I reviewed a CD of theirs Wayfarers All for the Bright Young Folk website. I was immediately impressed [“Green Diesel do folk rock and they do it superbly well”] and I’ve been meaning to try and catch them live ever since. When I saw that they were performing in Lewisham the night before I was due to visit London, I decided there and then to come a bit earlier and make them part of my itinerary.

I have a theory about English folk rock, a genre that’s been around now for coming up to 50 years. While there is nearly always a certain timelessness about the ‘folk’ element of folk rock, my observation has been that the ‘rock’ element usually tends to take the form of whatever rock influences were in vogue at the time the band was formed. Fairport Convention and Steeleye Span unmistakably come from an era of Traffic and Deep Purple and Status Quo, whereas Oysterband channel the vibe of early 80s alternative rock while The Levellers absolutely capture the spirit of early 90s Indie rock. This is exactly as it should be in many ways. Bands don’t form in a vacuum. For those of us who have that deep love and insatiable appetite for the folk rock sounds of the early 70s, however, it is a delightful surprise when we find a new(ish), young, contemporary folk rock act whose every note played pays eloquent tribute to that golden era of English folk rock (roughly starting with the release of Fairport Convention’s Liege & Lief album in 1969 and ending with Steeleye Span’s ‘All Around My Hat’ becoming a top 5 chart smash in 1975).

A bunch of six really talented musicians, Green Diesel, are now on to their third album. As in all of the best early 70s folk rock acts (of course!) they have a superb female lead vocalist in Ellen Clare but great additional vocals from Greg Ireland (who also acts as the band’s main songwriter) and the other male members of the bands. All the other ingredients are present and correct: beautifully melodic fiddle, mandolin and dulcimer, loud pumping bass, hard rocking guitar riffs and proper full-on rock star drumming. Material-wise, they perform a handful of notable traditional staples tonight (like the brilliant Mad Tom of Bedlam) but there is also a great deal of original material, showcasing the wealth of creative talent that exists in this band.

More Fairport than Fairport and more Steeleye than Steeleye this band are an absolute must-see for anyone with a love of early 70s folk rock. They went down brilliantly in Lewisham tonight and I’d love to see them going down a storm at some of the major festivals. This band are excellent and deserve to be much bigger.

https://www.facebook.com/greendieselfolk/?fref=ts

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Photo credit: band publicity

Related review: Green Diesel – Wayfarers All CD Review

Folk: EP review – The Changing Room ‘The Magic of Christmas’

Album reviews, Folk music, , , , , , ,

My review was originally published by Bright Young Folk here

It’s been quite a year for The Changing Room, the Cornish-based folk duo of Tanya Brittain and Sam Kelly. Kelly picked up the Horizon prize at the BBC Folk Awards, the duo’s second album Picking Up the Pieces was released in the summer and there was also a collaboration project with The Lost Gardens of Heligan. So what better way to round of the year than with a Christmas EP.

Though neither originate from Cornwall (Brittain is originally from Sheffield and Kelly from Norfolk) they have undoubtedly helped give a greater profile to the Cornish language in folk music. Once formally classified “extinct” by UNESCO, Cornish has undergone a remarkable cultural renaissance in recent decades, thanks in no small part to the musical contributions of outfits like The Changing Room.

From June Tabor and Oysterband’s cover of Love Will Tear Us Apart to Richard Thompson’s spirited cover of Britney Spears, there have been some great folk makeovers of rock and pop classics in recent years. This EP continues that tradition with a cover of The Pretenders 1980s seasonal hit 2000 Miles, in Cornish, of course.

Even if one never learns or understands a word of Cornish it’s a beautifully expressive language and Kelly’s vocals, as fresh and contemporary-sounding as we have come to expect, handle the song equally beautifully.

The second track is Brittain’s own. Her ethereal Enya-like vocals give depth and beauty to this moodily atmospheric piano and vocals track, this time in English, all about the magic, brightness and calm of Christmas eve.

For the final track, the duo present their take on Silent Night. Anyone thinking they have quite enough versions of this song amongst their Christmas folk CDs already, can be reassured that this is something quite special. Again sung in Cornish, Kelly’s vocals are set against a mandolin backing that is as warm and melodic as a set of Christmas chimes, without a trace of overdone Christmas cheesiness or seasonal cliche.

For those looking for something striking, fresh and a just little different for their seasonal folk playlist this year The Magic of Christmas EP from this talented duo is well worth a punt.

Released November 2016

http://www.thechangingroommusic.com/

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Related review:

Sam Kelly Trio at Green Note 2015

Folk rock: album review – Green Diesel ‘Wayfarers All’

Album reviews, Folk music, Rock music, , , ,

My review was originally published by Bright Young Folk here

Formed in Faversham in Kent seven years ago, Green Diesel trace their musical influences back to the golden era of late 60s/early 70s British folk rock, to bands like Fairport Convention and the Albion Band. Indeed, it could be argued that this album sounds more like the direct offspring of the iconic albums from that period than perhaps the output of the Fairport of today does.

Green Diesel do folk rock and they do it superbly well. A rocking rhythm section and some lovely electric guitar licks blended with a good range of traditional instruments and some beautiful vocals – all of the essential ingredients for a great folk rock album are there, not to mention a great selection of songs and tunes.

Wayfarers All, the band’s second album following their 2012 debut Now Is the Time, contains a mixture of original and traditional material. Unless one was familiar with the traditional songs it would not be immediately obvious which songs fell into which category, a mark of both the quality of band member Greg Ireland’s song-writing talents, together with the ability of the band to put their own consistent musical stamp on the songs and tunes they perform.

To Kill the King opens the album, one of five tracks written by Ireland, and it demonstrates the vocal, instrumental and song-writing talents of the band nicely. Lead vocalist and violinist, Ellen Clare, has a clear but engaging folk voice that’s perfect for this type of material. Of the traditional material, the band do beautiful versions of Mad Tom of Bedlam and May Song.

Another thing that is always pleasing to to hear on any folk rock album is a mix of female and male vocals. And Wayfarers All doesn’t disappoint in this regard either. Lead guitarist Matt Dear takes the lead vocal on his own composition, A Fisherman, Once; while the band’s arrangement of Oak, Ash and Thorn, with its beautiful choral singing from the whole band punctuated by pumping electric bass, puts one in mind of early 70s Steeleye Span.

All in all Wayfarers All is a hugely enjoyable album. An up and coming band who deserve to be much bigger, let’s hear it for Green Diesel and this enchanting slice of classic English folk rock.

Released July 2014

https://www.facebook.com/greendieselfolk/?ref=br_rs&qsefr=1

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Cara Dillon at St Mary in the Castle, Hastings 26/11/16

Folk music, Hastings music scene, Live reviews, , , , , ,

With the likes of Gigspanner, Eliza Carthy and (very soon) Maddy Prior, St Mary in the Castle has hosted some top-class folk acts throughout 2016. Tonight it’s the turn of Cara Dillon, whom Mojo Magazine once described as having “what may well be the world’s most beautiful female voice.”

Although it’s still November, in the world of gig programmes and band touring schedules that means it’s almost Christmas. And there’s two musical genres that really know how to do Christmas. The first is glam rock, of course, which was just made for tinsel and all things glittery; but when it comes to putting on a good festive gig folk, too, can give Slade, Roy Wood and co a good run for their money.

Derry-born Dillon and her band deliver a special seasonal set that they have just begun touring. The first half is the more spiritual half which is mainly traditional carols like ‘O Come, O Come ‘Emmanuel’ as well as ‘Mother Mary’ which is a brand new Christmas song Dillon and her musical partner (band-member and husband, Sam Lakeman) wrote themselves. Mary in the Castle is the perfect atmospheric setting for Dillon’s stunning vocals, backed with gentle, haunting piano and beautiful fiddle, acoustic guitar and accordion. The songs in the set are to be found on Dillon’s brand new album Upon a Winter’s Night.

A break, some brisk CD sales, a costume change and Dillon is back for the second half which takes on a more celebratory festive tone; with songs like ‘Standing By My Christmas Tree’, another Dillon/Lakeman original, and a lovely cover of The Pretenders’ 80s Christmas hit ‘2000 Miles’. Normally, when an artist announces they are going to perform an obscure version of a well-known song and a completely different tune starts up to the one your brain is all geared up for, my heart always sinks a little. But the less well known “Cornish version” of ‘The Holly and The Ivy’ really is superior to the better known “Somerset version”. It’s a great end to the set but the polite and attentive Mary in the Castle audience become very, very animated at this point and we get Dillon back on stage for an encore.

She also canvasses opinion on whether people would come again next year, explaining that the specially designed festive stage props set them back quite a bit and she’d love the chance to get a bit more use out of them. She gets an enthusiastically positive response so, who knows, this might become a regular feature. It would certainly be good to see Cara Dillon and co back at the Castle before too long.

http://www.caradillon.co.uk

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Previous review:
Cara Dillon at Cropredy 2014

Book review: ‘Hastings Old Town Music Scene’ by Sean O’Shea

Book reviews, Folk music, Hastings music scene, Music culture & history, Rock music, , , , , , ,

Having been resident in Hastings only some six months or so my perceptions of the town’s lively, thriving music scene are still those of the enthusiastic newcomer. I can’t pretend to know the scene inside out and back to front like many of the people Sean O’Shea interviews in this 140-page book, but that helped make it a fascinating read for me.

For a smallish town of 90,000 Hastings has an unparalleled live music scene, particularly in the old town which this book focuses on: dozens of pubs and bars putting on live music, a healthy mix of larger venues, too, and numerous events and festivals. And for a long long time the town has exerted an almost gravity-like pull as a place for musicians of all types to set up home here and play here. But my perception is that unless you are familiar with the town, either as a resident or frequent visitor, all of this is pretty much under the radar. I think this is probably because, although it’s long had a very healthy live music scene and is teeming with musicians, it’s not given birth to a really big name band that comes to define the place musically and put it on the musical map. Andover forever has The Troggs, Guildford – the Stranglers, Wolverhampton – Slade. Yet Hastings just seems to have dozens and dozens and dozens of very talented musicians, but not necessarily ones who are household names. This book, therefore, is not filled with interviews of mega-successful rock icons reflecting on their long-past musical roots, but rather is a series of interviews with musicians who live and perform in the town today. A few of those interviewed were born here and reflect on a Hastings childhood and teenager-dom. But most have been drawn here at some point by the pull of the town’s music and arts scene, many it appears via south-east London – a journey I, too, have made.

It’s packed with stories and reflections and covers interviews with musicians from a wide range of genres: folk, jazz, rock, blues, classical and more. Some like Lorna Heptinstall of the internationally acclaimed Skinny Lister or Liam Genockey of the iconic folk rockers Steeleye Span, both of whom ended up in Hastings, have profile and reputations that stretch far beyond Hastings. But others, like the four women who make up the a capella harmony vocal group, Rattlebag, renowned for their folk sing-arounds in the Stag Inn, are little known outside Sussex. But their passion for and insight into the Hastings music scene makes for a genuinely enjoyable read.

Whether you’re a music-loving resident familiar with scene or a curious visitor who wants to find out more, ‘Hastings Old Town Music Scene’ is well worth a read. At the back there’s a list of old town music venues as well as a calendar of the key musical events, festivals and fairs that Hastings has built up a considerable reputation for.

Published 2016 by Hastings Press

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