All posts by Darren Johnson

About Darren Johnson

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Lack of plan no impediment to enjoying Saturday Unplugged – live review Hastings Fat Tuesday 22/2/20

This review was originally published by the Hastings Online Times here

Darren Johnson couldn’t get any friends to come with him to savour the delights of Saturday Unplugged, when a myriad of lesser known bands play short acoustic sets in numerous pubs across the Old Town and now St Leonards. But that didn’t daunt him, and of course he had a brilliant time, as logged below. Darren also took the photos.

“Ooh, we’d have loved to have come to Fat Tuesday again but we’re dog-sitting.”

“I really wanted to come but I’ve got to spend the weekend preparing something really important for work.”

“I was definitely going to come but I woke up feeling full of cold so I’m just going to spend the day mooching in bed.”

My various attempts at rounding friends up for Fat Tuesday’s Saturday Unplugged session proved utterly fruitless this year. But I’d agreed to do a write-up for HOT, plus I was really looking forward to it so, sod it, I’m not going to let a complete absence of drinking buddies put me off. What it does mean, however, is that I arrive in Hastings Old Town – where 40 artists play multiple sets across 20 different venues (plus, for the first time, an additional 15 artists across five venues in St Leonards) – without much of a plan for the afternoon.

Plans for previous years had involved doing a bit of background research on each of the acts and working out who to see, or everyone choosing one or two acts and formulating a rough plan from that, or simply holing up in one pub for the whole afternoon and enjoying whatever came along. This year, however, I arrive with no plan at all.

I make my way to the Royal Standard on the seafront, always a nice pub with a great selection of live music throughout the year, and arrive just as the band are about to take the stage for the first slot of the day. Lost Revellers combine gypsy jazz, Celtic folk, Eastern European traditional music and classical to deliver something quite delicious. It’s a wonderful start to the afternoon and they go down a storm as I’m sure they did for the rest of the day.

I decide to hang around for the next band: the Hastings-based Buddha Triangle. There’s an equally diverse range of musical influences on display once more, but this time it’s a blend of soul, funk, reggae and rap. In their 15-minute set they deliver to the audience a taste of each of those. It’s fun, quirky and highly entertaining, but creative and original, too.

Still in the Royal Standard I’ve already had several pints, we’ve not even been going an hour yet and I’m starving. I take some time out from the bands and pop across the road to Neptune Fish and Chips restaurant for a plate of plaice and chips and a cup of tea before deciding to head along Rock-a-Nore to the Dolphin for more music. I get there just as Creature Creature are finishing off their last song. Hmm, they sound quite good. I check where else they are playing so I can catch them later on. Next up in the Dolphin is Earl Grey. No strangers to Fat Tuesday, their acoustic Americana-flavoured vibe with some delicious electric guitar goes down a treat.

Ft Earl Grey

Earl Grey at the Dolphin

Another pint downed and it’s time to work out where Creature Creature are playing and catch up with them (as per my highly improvised plan). I make my way down George Street to the Anchor but before I get there I’m waylaid at Butler’s Gap. A crowd has gathered to watch a busker playing some beautiful slide guitar and the drummer out of Buddha Triangle has set up his kit on the pavement next to him to provide an impromptu rhythm section. The crowd lap it up and it carries on like this until the drummer’s band-mates drag him away in time for their next scheduled appearance. It’s never just about the scheduled appearances at Fat Tuesday though…

I make it to the Anchor just in time to hear Creature Creature. The Brighton-based five-piece initially started out as folk-punk outfit 40 Shilling On The Drum before moving into hard rock territory. For their Saturday Unplugged acoustic set though they return to their folk-punk roots. Highly enjoyable, I will definitely explore this band further in future.

Next I move on to the London Trader and catch most of Doghouse Outhouse. A precociously-talented young bunch of musicians from Kent, their laid-back soul-infused sound gets a huge round of applause. I’m slowing down a bit drink-wise now but decide to head on to the Stag to catch old friends Milton Hide. Amidst all the fun and drunken revelry of Fat Tuesday there’s sometimes a danger that the eccentrically raucous bands on the circuit are the ones that grab people’s attention but I’m pleased to see the gentle and thoughtful observational ditties of this lovely acoustic folk duo are well-received.

FT Milton Hide

Milton Hide at the Stag

We are now moving towards the end of the five-hour Saturday Unplugged session and I glance through the programme to work out where I want to be for the final slot of the day. A taste of Memphis rhythm & blues and early rock’n’roll in the shape of Sister Suzie and her band at the Jenny Lind seems like a perfect way to finish up. It is absolutely ram-packed. I just about squeeze in at the back but can’t hear a thing so, like several others, I go out on to the street to watch her set crowding around the open doorway next to the stage.

An afternoon of great music and terrible fashions – why do musicians’ ideas of quirky always involve one of just three outfits: Hawaiian shirts, ex-military uniforms or those waistcoat/trilby combos? Never mind. A huge variety of music, a great array of talent and copious amounts of tasty beer, Saturday Unplugged 2020 is another big success.

https://hastingsfattuesday.co.uk/

Related posts:

Fat Tuesday preview 2020

Fat Tuesday preview 2017

Review: Hastings Fat Tuesday 2017 – Unplugged Saturday 25/2/17

Dodgy at The Carlisle, Hastings (Fat Tuesday headliners 28/2/17)

Live review: Glen Matlock headlines Hastings Fat Tuesday 5/3/19

Milton Hide release fund-raising single to raise awareness of male suicide

 

 

Live review: Fairport Convention at De La Warr Pavilion, Bexhill 20/2/20

Another February, another Fairport winter tour. There has been a radical revamp of the set-list for this tour, however. This is not unwelcome. In recent years it was getting a tad repetitive. True, they had their 45th and then 50th anniversaries to celebrate and were rightly focused on delivering a set-list that reflected career highlights over the decades. For this tour the set is dominated by just two albums: the band’s latest Shuffle & Go and a revisit of the band’s 1970 album Full House. The latter is itself reaching its 50th anniversary this year (never let it be said that this band ever misses an opportunity to celebrate an anniversary…)

Before we get to any of this, however, the Americana-flavoured songs of acoustic guitar/harmony vocals duo Smith & Brewer go down extremely well. Fairport Convention have long used the support slot on their winter tours in a fairly strategic way to showcase emerging talent and bring artists to wider public attention. But for both musicality and entertainment value this act has been one of the finest to take this slot in recent years and they are suitably rewarded at the merch stand during the interval.

Fairport support 1

After sharing the stage with Smith & Brewer for their final song ‘Don’t Say You Don’t Love Me’ Fairport kick off their own set with much-loved show-opener ‘Walk A While’ but swiftly move on to tracks from the new album. I had not purchased the album prior to the gig so it’s a first taste of these songs. I particularly like the first of these tonight and the opening track on the album. One of my criticisms of recent Fairport albums is that some of the songs from Chris Leslie’s hand have been a little on the twee and whimsical side (‘Our Bus Rolls On’ anyone?). ‘Don’t Reveal My Name’ about the card magician Dai Vernon is dark, brooding and mysterious, on the other hand, and a great addition to the Fairport repertoire. We get a whopping ten of the album’s thirteen tracks tonight, including the wistful celebration of the nation’s pubs ‘A Thousand Bars’ and Chris Leslie’s ‘Moondust & Solitude’ marking the anniversary of the Apollo moon landing. Some impressive songs in there, I will say.

Fairport shuffle

After the interval there’s a few more songs from the new album, a blast of the wondrous ‘Farewell, Farewell’ from the Liege and Lief album and then it’s time to launch into that Full House celebration. Back when it was released in 1970, this was the first of the all-male Fairport line-ups where the band were working out their future direction following the departure of Sandy Denny (along with Ashley Hutchings). The five deliver nicely-worked treatments of ‘Sir Patrick Spens’, ‘Sloth’ and ‘Doctor of Physick’ – albeit with Chris Leslie’s mandolin taking the place of Richard Thompson’s guitar licks (although Dave Pegg tells the audience that Mr Thompson, along with former Fairport drummer Dave Mattacks, will be joining the band to play the Full House album live at the Cropredy festival in the summer.)

The set ends with the usual trio of Fairport show-closers ‘Who Knows Where The Time Goes’, ‘Matty Groves’ and ‘Meet On The Ledge’ and regardless of whether they have or haven’t played the De La Warr before (there was a bit of a dispute about this between Simon Nichol and Dave Pegg earlier in the evening) the band nevertheless have an appreciative audience tonight.

Set-list

First set:

Walk Awhile
Don’t Reveal My Name
Cider Rain
Good Time for a Fiddle and Bow / The Christmas Eve Reel
A Thousand Bars
Shuffle and Go
Moses Waits
Bankruptured
Moondust and Solitude

Second Set

Jolly Springtime
Steampunkery
The Year of Fifty Nine
Farewell, Farewell
Sir Patrick Spens
Sloth
Doctor of Physick
Who Knows Where the Time Goes?
Matty Groves
Meet on the Ledge

https://www.fairportconvention.com/

Related reviews:

Fairport Convention at Cropredy 2017

Album review – Fairport Convention ‘Come All Ye: The First Ten Years’

Fairport Convention – 50th anniversary gig at Union Chapel 2017

Fairport Convention at Cropredy 2014

Fairport Convention at Union Chapel 2014

Iain Matthews in Etchingham 2016

Album review – Fairport Convention ‘What We Did On Our Saturday’

Album review – Ashley Hutchings ‘From Psychedelia to Sonnets’

Album review – Ashley Hutchings ‘Twangin’ ‘n’ a-Traddin’ Revisited’

Album review – Sandy Denny ‘I’ve Always Kept a Unicorn: The Acoustic Sandy Denny’

Fotheringay at Under the Bridge, London 2015

Fotheringay at Great British Folk Festival 2015

Richard Thompson at Royal Festival Hall 2015

Richard Thompson at Folk By The Oak 2014

Album review – Richard Thompson ‘Acoustic Classics’

Judy Dyble at WM Jazz at The o2

Albion Christmas Band at Kings Place 16/12/14

 

Live review: Joe Gideon / Simonne & The Dark Stars / Suzie Stapleton at The Piper, St Leonards 15/2/20

This review was originally published by the Hastings Online Times here

In a town not exactly short of live music venues, the newly-refurbished, re-opened and renamed Piper on the down-at-heel segment of Norman Road (as opposed to the lovingly manicured gentrified end), has really begun to make its mark in the months since it opened, attracting some noteworthy artists and pulling in decent crowds.

Joe Gideon first came to public attention in the early noughties with his band Bikini Atoll, which was then followed up with a duo, Joe Gideon & The Shark, with his sister Viva, before he embarked on a solo career.

With a brand new album Armagideon, released on 31 January, Gideon has been working with drummer/percussionist Jim Sclavunos (Nick Cave & The Bad Seeds/Grinderman/Sonic Youth/The Cramps) and keyboardist/saxophonist/vocalist Gris-De-Lin (Duke Spirit/Gemma Ray/Leila Moss) who also join him for this current UK tour.

This evening he’s supported by Aussie-born, Brighton-based singer-songwriter Suzie Stapleton and Hastings-based three-piece Simonne & The Dark Stars, the moody but poetic guitar/vocals performance of the former contrasting nicely with the electrifying stage presence and addictively pop-infused melodies of the latter.

The crowd are nicely warmed up and the room suitably full by the time Gideon and his two bandmates take the stage. With a musical persona that emphasises mood more than melody and erudite lyricism over catchy hooks, it’s never going to be something that works for everyone – but, boy, has he got a gift for connecting with an audience.

This alt-rock take on the classic blues power trio (albeit with keyboards taking the place of bass) keeps the crowd mesmerised throughout. Gideon’s songs explore themes as diverse as time travel, primordial bliss and reptile people, accompanied by hypnotic rhythms and powerful, clanking chords. As the gig finishes there are suitable looks of satisfaction on the faces of everyone who ignored the storms and ventured out.

All three acts will have enhanced their reputations as a result of tonight’s gig as, indeed, will the Piper – a venue that appears to be confidently finding its niche and USP in a crowded field.

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https://joegideon.com/#intro

News: Slade legend Jim Lea releases video footage in bid to locate recently stolen guitar

Jim Lea, one of the four members of Slade throughout the original band’s entire twenty-five year career, has released a video in the hope that it will prompt members of the public in helping reunite him with his guitar. The multi-instrumentalist’s cherished Fender Stratocaster was stolen in central London on 31st January.

jim-strat-2_orig (1)

After an initial appeal for information two weeks ago proved fruitless, Lea’s website has issued the following statement, along with a video of him playing the guitar in question.

“Tuesday 18th February 2020 – Two weeks ago we advised that Jim’s prized Fender Stratocaster was stolen from Central London. We put out the word for fans to share the details of the theft on social media in a bid to try and get it recovered.

Unfortunately the guitar has still not been returned or found. We do not have the serial number to pass on to fans – and to date we have only shared photos of the guitar on social media in a hope that fans might see it and recognise it.

However today Jim has released this, previously unseen studio footage, for fans to see. It shows close ups of the famous guitar and we hope this will help fans recognise it.

​Once more we ask that fans look out for the Stratocaster in music shops, or on internet websites such as Gumtree and eBay. A reward is offered. Please email website on jimleawebsite@aol.com with any info if you find it’s whereabouts.

We have made the video downloadable. Please share on social media.”

As well as being downloadable direct from Jim’s website the video can also be viewed via YouTube here:

Photos and video courtesy of Jim Lea's website

http://www.jimleamusic.com/

Related posts:

EP review – Jim Lea ‘Lost In Space’

Interview with former Slade legend Jim Lea

Jim Lea at the Robin 2, Bilston 2017

Veteran drummer Don Powell out of Slade

Preview: Hastings Fat Tuesday weekend 21st-25th February 2020

This article was originally published by Hastings Online Times here

Fat Tuesday festivities break out on Friday

Now in its eleventh year, Hastings’ annual Mardi Gras celebration, Fat Tuesday, where scores of acts converge on dozens of venues to entertain thousands of punters for five days of music and general madness, launches on Friday 21 February this year. Darren Johnson surveys the rich offer of music and entertainment which lies in store.

Friday 21st

In what organisers claim is the most diverse line-up ever this year, Baxter Dury (indie singer-song-writer and son of the legendary Ian) will headline the opening night at the White Rock Theatre. He’ll be supported by Hastings’ own Kid Kapichi.

Earlier in the day the White Rock Hotel next door will host another Unconvention conference, a day of panel debates, discussion and workshops for those involved in some way in the grass-roots music industry – or looking to break into it. Keynote speaker is singer and broadcaster Tom Robinson.

While most of the Fat Tuesday weekend gigs are free, these two are ticketed events which you can book via the Fat Tuesday website.

Saturday 22nd

As usual the centrepiece of Saturday’s proceedings is the mega Saturday Unplugged session. Running from 1pm until 5pm 40 artists from a wide variety of genres will play 15-minute sets across a number of participating bars and restaurants in Hastings Old Town. Brand new for this year, St Leonards will also be part of the action with 10 acts spread across five venues.

Always a great opportunity to seek out new talent or enjoy old favourites, you can either stay in one place and catch the whole programme for that venue or you can move from bar to bar seeking out the acts that particularly catch your eye. For the really dedicated you can simply stalk your favourite artist all afternoon and watch them perform each of their sets.

In the evening there’s another ticketed event at White Rock Theatre, where the The Craig Charles Funk & Soul Club, featuring Red Dwarf and Corrie star-cum-radio DJ Craig Charles, is the headline act at Le Grande Mardi Gras Ball.

Sunday 23rd

The pace, but not necessarily the volume, quietens down a notch on the Sunday when two venues, The Carlisle and Printworks, play host to Under The Radar. Aimed at showcasing the best emerging young talent from across the country, it’s curated by BBC Introducing, the Academy of Contemporary Music, Incubate and the Joe Strummer Foundation. The organisers are touting Kudu Blue, Brighton-based indie rising stars, as one to watch out for this year.

For those on the look-out for something a bit more traditional, there’s always the eccentrically quirky Umbrella Parade which culminates in an afternoon of music and some flamboyantly extravagant brass at the White Rock Theatre.

Monday 24th

Now an established fixture on the Monday evening, the Lord Nelson plays host to acoustic blues/roots musician King Size Slim for a laid-back evening prior to the frenetic madness of The Fat Tuesday Tour the following day.

Tuesday 25th

This is the big one. Twelve venues will host The Fat Tuesday Tour where 24 bands will play 20-minute sets in three venues apiece. Again, there’s a ticketed aftershow at the Brass Monkey with live music from Buddah Triangle and a DJ set from Greentea Peng.

Announced so far

While the full weekend programme is yet to be announced, all of the following acts have been confirmed so far:

Baxter Dury, Craig Charles Funk and Soul Club, Plaid, DJ Food, Greentea Peng, Sam Wills, Kudu Blue, Kid Kapichi, Duke Garwood and the Rank Panache, Nova Twins DJ set, Dizraeli. Hayley Ross, Buddah Triangle, Loud Noises, Georgia Meek, The Great Malarkey, Funking Barstewards, Mzz Kimberley, Sister Suzie, Dr Savage, Aris, The Colleens, Blabbermouth, Otto, The Curst Sons, The Shady Pines, King Size Slim, Johanna Bramli, Georgia May, Trevor Watts with Grassy Noel & APE, Leila (DJ Set), Mr Thing, Creature Creature, The Village Metronome, Massicot, Tim Exile, Silent Natives, The United Stoats Of America, Victoria McDonnell Band, Milton Hide, Sugar Loaf Band, Frank From Blue Velvet, Anna Page, Kahlla, Dayana, Claire K Nicolson, Edward Sanson, Oli Barton & The Movement, Glashin, L, Now and Then, Someone Anyone, Abstract Source, Crunchy Bat, David Toop & Rie Nakajima, Gawd Status, Dave Malone.

Keep an eye on the Fat Tuesday website for more information as it’s published.

Header photo: Loud Noises - image supplied by Fat Tuesday PR team

Related posts:

Fat Tuesday preview 2017

Review: Hastings Fat Tuesday 2017 – Unplugged Saturday 25/2/17

Dodgy at The Carlisle, Hastings (Fat Tuesday headliners 28/2/17)

Live review: Glen Matlock headlines Hastings Fat Tuesday 5/3/19

News: Kankou Kouyate’s ‘Kuma’ album – when the Mali singer-songwriter met the Scottish folk-rock guitarist…

Back in 2017, Kankou Kouyate a singer and songwriter from Mali from a renowned musical family, met Scottish musician Mark Mulholland. A collaboration ensued which led to a batch of original songs fusing both African and western influences. The ten-track album Kuma (meaning “words” in Bambara – Mali’s most common language)  is the result of that collaboration.  Parisian musician Olaf Hund adds electronic beats and on a couple of tracks Vincent Bucher provides some beautifully evocative harmonica. Combined with the rock, blues and folk influences of Mulholland’s guitar work and Kankou’s enchanting voice they have created something altogether special.

Mali. Bamako. 06/2017. Kankou et Mark Mulholland.

In Mali, Kouyate has worked with musicians such as Toumani Diabate, Bassekou Kouyate and Cheick Tidiane Seck. She’s collaborated in Africa Express and also contributed to the soundtrack for a 2015 documentary about musicians displaced by Mali’s civil war while internationally she has worked with the likes of Damon Albarn, Brian Eno and Nick Zinner.

Released: Cannery Row Records 6th December 2019

KANKOU_0916_RZ.indd

https://www.facebook.com/Kankou-kouyate-Malian-music-300084397563791/

Folk: album review – Atlantic Union ‘Indulgence’

Not the bank but rather a folk trio from Newfoundland, Indulgence is the fourth album from this long-running Canadian enterprise. Formed in 1997 Atlantic Union has seen various line-up changes along the way but Sally Goddard, originally from England, has been at the heart of the trio since its inception and she brings with her one of those classic English pure folk voices that immediately make you sit up and listen.

Joining Goddard (vocals, guitar, bass, bodhran and concertina) are Dan Rubin (violin, viola, mandolin, octave mandolin, bouzouki, dulcimer, guitar and bass) and Jane Ogilvie (Celtic harp, piano and accordion). More than two years in the making Indulgence comprises nine original tracks and five covers, the latter ranging from the traditional ‘Star of the County Down’ to Bob Dylan’s ‘The Hour That The Ship Comes In’. The rich, Celtic-inspired instrumentation and lovely blend of instruments used across the album provides a fine setting for Goddard’s (and on some tracks Rubin’s) vocals.

The trio guide as through the album as follows:

“The opening track is a gentle reminder that we are not alone. The songs that follow reflect on unrequited love, loss of a loved one and memory loss. We emerge from this with a song for a beloved granddaughter, then move through pieces that share an oceanic setting: songs about transcending racism, surviving war and sailing out of St. John’s harbour on a fully rigged ship. After a piece written by Lord Byron and a nostalgic visit to Mallorca we come to a tribute to the loggers of New Brunswick who supplied masts for the British navy and a rather strange song about kayaking in the Queen Charlotte Islands. The collection concludes with a sonata inspired by Scottish themes and a Caribbean sing-along about the joys of living more simply.”

A pleasing album with some enjoyable songwriting, beautiful vocals and fine melodies, Indulgence will hopefully serve to help Atlantic Union become better known among folk listeners here in the UK. It would be well deserved.

Released: November 2019

http://atlanticunion.ca/

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News: a Blue Öyster Cult reissue plus a brand new fortieth anniversary live album

Back in April 2016, on the 40th anniversary of their Agents of Fortune album Blue Öyster Cult marked the occasion by performing the album in full for a televised concert at Red Studios in Hollywood.  Frontiers music is now releasing the recording in CD, vinyl, DVD and Blu-Ray formats.

On the recording BÖC’s original core duo of vocalist/lead guitarist Donald ‘Buck
Dharma’ Roeser and vocalist/rhythm guitarist Eric Bloom are joined by Richie
Castellano on guitar/keyboards plus the long-standing rhythm section of bassist
Kasim Sulton and drummer Jules Radino. Founding member Albert Bouchard also appeared as a special guest on selected tracks.

Originally released in 1976 Agents Of Fortune was BÖC’s fourth album, going on to
achieve platinum status in the States on the strength of songs such as ‘(Don’t Fear) The Reaper,’ the band’s biggest hit and a staple of classic rock station playlists. Here in the UK Agents of Fortune has featured in numerous publications’ lists of the greatest rock/metal albums of all time, including the likes of Kerrang! and Q magazine.

Frontiers are also reissuing BÖC’s thirteenth studio album Heaven Forbid. Released in March 1998, it was the group’s first full studio set containing original material since Imaginos a decade earlier. Science fiction author John Shirley contributed
heavily, writing lyrics for all except two of its new songs, while a live version of ‘In Thee’ (from 1979’s ‘Mirrors’) was also included.

40th ANNIVERSARY AGENTS OF FORTUNE 2016 live album and HEAVEN FORBID
both released 6th March 2020 by Frontiers Music

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http://www.blueoystercult.com/

Folk: album review – Seth Lakeman ‘A Pilgrim’s Tale’

This review was originally published by Get Ready To Rock here

The latest album from folk singer Seth Lakeman marks the 400th anniversary of the Mayflower setting sail from Plymouth for north America. While A Pilgrim’s Tale showcases his distinctive vocal style and delivery precisely as his fans have come to love and expect, this is more than simply another Seth Lakeman album though. Comprising twelve songs that seek to tell the story of the Mayflower, the album is narrated by Dr Who actor, Paul McGann, and features a stellar cast of some of the leading lights in the contemporary folk world: Cara Dillon, Benji Kirkpatrick, Ben Nicholls et al.

“I didn’t have to go far for inspiration,” contends the Devon-based folk singer. “The Mayflower’s steps on Plymouth’s cobbled streets are twenty minutes away from me.”

Lyrically, Lakeman paints some vivid pictures for the listener and the songs come from a variety of perspectives. It doesn’t attempt to gloss over the brutality of this early adventure in colonialism. It deals with death, brutality and tragedy experienced by both sides but also examines the religious motivations of the pilgrims and their initial sense of optimism as they set sail as well as their trials and tribulations en route. As well as seeking to explore the perspectives of the pilgrims, however, Lakeman also attempts to look at things from the point of view of the indigenous Wampanoag tribespeople. Indeed, Lakeman visited Massachusetts to gain insights from the Wampanoag descendants who still live in the area.

A highly controversial chapter in both British and American history, Lakeman handles it with both sensitivity and creativity and the result is a fascinating and highly listenable album.

Released by BMG 7/2/20

seth-lakeman-a-pilgrims-tale

https://www.sethlakeman.co.uk/

Previous reviews:

Seth Lakeman at De La Warr Pavilion, Bexhill 2019

Seth Lakeman at Folk by the Oak 2014

 

News: Thunderstick – masked drummer and his band return to Leo’s Red Lion for launch of new single

Single: Go Sleep With The Enemy/ I Close My Eyes released 7/2/20 on Roulette Records pre-order via https://www.roulettemedia.uk/product-page/thunderstick-go-sleep-with-the-enemy-i-close-my-eyes

First live gig: Leo’s Red Lion, Gravesend, Kent – Saturday 8/2/20 8pm
Tickets via https://www.ticketsource.co.uk/leosredlion/t-amaznk

Following a series of fantastically well-received live dates last year Thunderstick, with their mesmerising singer Raven Blackwing, are back with a new single and a return to live shows. Kent’s legendary rock venue ‘Leo’s Red Lion’ will be the first to support the release on Saturday 8th February.

Barry Graham Purkis aka Thunderstick: “The band will be touring our eccentric ‘Anomaly stage show’ throughout 2020. For those about to experience us live for the first time prepare yourself for the journey. We are the ‘Dark Cabaret Theatre Hooligans’ and we will steal your Rock’n’Roll hearts.”

CD Cover - Front

Raven Blackwing: “I’m very excited about the upcoming release. It’ll be my first Thunderstick recordings. I was given so much love and support throughout my first year with the band, we thought a ‘limited edition’ reworking of a couple of tracks from the ‘Something Wicked This Way Comes’ album would be a cool way to say thank you. My own particular milestone. It also sets the scene for the band’s very first live album ‘Something Wicked This Way Came…Thunderstick Live in France’. I hope that our fans enjoy both. Luv Raven xx”

The single features the tracks ‘Go Sleep With The Enemy’ and ‘I Close My Eyes’ which will be familiar to fans, reworked for the unique voice of Raven Blackwing. The single is available in both CD and digital formats.

Charismatic Raven Blackwing will lead her thunderous band mates Vinny Konrad (guitar), Lee Quenby (guitar), Rex Thunderbolt (bass) and the legendary Thunderstick/Barry Graham Purkis (drums) on a series of UK and European dates throughout the year. UK festivals ‘Breaking Bands’ on 25th May and ‘Cornwall Rocks’ on 20th November have now been confirmed, with many more to be announced. A new live album ‘Something Wicked This Way Came – Thunderstick live in France’ is set for release in March on Roulette, followed by a brand new studio album currently being recorded for release in July.

Raven Blackwing

Best known for his time with Samson and an early Iron Maiden Barry Graham Purkis (AKA Thunderstick) has been the legendary icon for the NWOBHM (New Wave Of British Heavy Metal) scene since the late 70s. His eponymously named band, renowned for its female fronted power rock and theatricality, have a considerable heritage. The band played live and recorded for six years both in the UK and in the United States throughout the 1980s until playing their last gig in October 1986. Then In 2016 former lead vocalist, Jodee Valentine, tragically died following a five-year battle with early onset Alzheimer’s. In recognition of Jodee’s memory Barry decided to record some songs that Jodee had performed live. This became the ‘Something Wicked This Way Comes’ album, the first new Thunderstick product in over thirty years. It was released in July 2017 to enthusiastic reviews worldwide.

Barry: ‘It was never my intention to put a performing band together but In light of the positive encouragement I received and much deliberation a new Thunderstick was formed. Staying true to its theatrical recognition we have been gathering momentum once more amongst the rock fraternity. The next chapter in this amazing story is ready for the writing.”

Facebook: https://www.facebook.com/thunderstickofficial/
Roulette Records: https://www.roulettemedia.uk/thunderstick