News: ‘This Is Hell’ single and brand new video from Burnt Out Wreck

This is Hell’ the title track from Burnt Out Wreck’s second album released last October is now being released as a single with a brand new accompanying video.

Lead singer Gary Moat says: “Here’s our new video the title track from our second album This is Hell …. I wrote this before the pandemic and we all have our own Hell … enjoy the madness. Thanks to Graham Gebbe for the live footage from Winterstorm 2019. We had a great time, also thanks to Mark Leary for creating such a brilliant lyric video at such short notice!”

This Is Hell is the band’s second album, following their debut Swallow which was released in 2017.

“This is Hell, the title says it all,” adds Moat. “It’s a hard hitting, fast paced more focused album. It’s an angry set of songs that follows on in the same vein as Swallow.”

Gary Moat has a colourful history as the drummer and main songwriter for Heavy Pettin’.
For Burnt Out Wreck, he has swapped the drum kit for the microphone stand and Paul Gray now takes the drum stool. Often compared to AC/DC’s Bon Scott and Krokus’s Marc Storace, Moat’s vocal style developed in Mother’s Ruin, the band that rose from the ashes of Heavy Pettin’ in 1991.

You can read my full-length interview with Gary Moat here

Burnt Out Wreck are: Gary Moat – Lead Vocals, Alex Carmichael – Bass, Paul Gray – Drums, Adrian Dunn – Lead Guitar, backing vocals and Miles Goodman – Rhythm Guitar, backing vocals.

https://www.burntoutwreck.com/

Related posts:

This Is Hell – Album Review

Interview with Gary Moat

Heavy Pettin Reissues

Anvil / Burnt Out Wreck / VOiD at The Underworld, Camden 2018

Burnt Out Wreck at Classic Rock Weekender 2018

Burnt Out Wreck at Classic Rock All Dayer 2018

Folk-rock/west-coast: EP review – Fred’s House ‘Walls and Ceilings’

On these bright warm sunny days is there anything more perfect than those classic laid-back 70s west coast sounds? Sunny and upbeat with a hint of sadness and a touch of drama, you know the score. The Eagles knew it. Fleetwood Mac knew it in spades. So how lovely, therefore, on just one of those very days, to get the latest Fred’s House EP dropping through my letterbox.

Cambridge-based Fred’s House celebrate their tenth anniversary with this brand new four-track EP Walls and Ceilings.

Following a slight re-jig in the line-up the band is now entirely female-fronted, with newcomer Prue Ward on fiddle and vocals joining Vikki Gavin on vocals and keyboards, Gafyn Jameson on bass and backing vocals, Lachlan Golder on guitar and backing vocals and Paul Richards on drums.

Truly conjuring up the spirit of Rumours-era interpersonal intrigue (although hopefully not the cocaine bill) ‘Only The Sun’ is about former frontman (and Vikki Gavin’s ex-partner) Griff saying his farewells and moving on. The other tracks also cover familiar themes of relationship angst, unrequited lust and new beginnings.

Harmonies, hooks, gorgeous melodies and exquisite production Walls and Ceilings is a work of beauty from start to finish.

Released: 29th June 2020

http://fredshousemusic.co.uk/

Folk: album review – The Longest Johns ‘Cures What Ails Ya’

If no-one has done more than Port Isaac’s Fisherman’s Friends to repopularise sea shanties in recent years, then surely no-one has done more than Bristol’s Longest Johns to give them an alt-folk makeover, pull them into the twenty-first century and make them cool.

Cures What Ails Ya is the Longest Johns’ third album. Building on the impact of the first two, Written in Salt released in 2016 and Between Wind and Water released in 2018, the Longest Johns began attracting a dedicated online following that consisted of a quirky but thoroughly modern combination of folk enthusiasts and internet gamers. Collaborating with the creators of suitably-themed games like ‘Sea of Thieves’ the group’s online content has helped them garner over 70.000 YouTube subscribers and upwards of 7.3 million streams by the time this, their third album, is released.

But what of the music? I just love it! An upbeat album as teeming with feel-good vibes and irreverent takes as it is with maritime hardship and folk tradition, Cures What Ails Ya is just beautifully held together with the rich harmonising voices of the four members and, in places, some suitably lovely accompanying instrumentation. Song-wise, there’s a real mix – from standards like ‘Bonny Ship The Diamond’ and ‘Oak and Ash and Thorn’ to new original songs like the wryly tongue-in-cheek ‘Hoist Up The Thing’ and ‘The Last Bristolian Pirate’ which manages to name-check Tescos.

A brilliant album from the men who made shanties sexy – buy it!

Available on digital formats, CD and vinyl Cures What Ails Ya’ is released on 10th June 2020 with a special online live launch party

http://www.thelongestjohns.com

Related reviews:

Album review – The Longest Johns ‘Written In Salt’

Fisherman’s Friends – Live In Hastings

News: ‘Sister Atlas’ new single Merry Hell salutes those taking climate action

Following their recently-released single ‘Leave It In The GroundMerry Hell have released the second single of their climate-themed trilogy. Titled ‘Sister Atlas’ it pays tribute to Greta Thunberg and the commitment of many young people like her taking up the call in demanding action on climate change.

Merry Hell explain:

In the second song in our #HourglassTrilogy, written by Virginia Kettle, our lead female singer, Sister Atlas celebrates the strength and commitment of our young people in calling for a halt to the current climate destruction and to search for ways in which the damage can be reversed. This can either be focused on the example and inspiration of one young girl, or the wider actions of an increasing number of our children who wish for more than to have their future sacrificed to ignorance and greed. A salute to Greta Thunberg and more power to those who have taken up the challenge. Please feel free to spread the music and the love!

The release of the single and accompanying video comes just a few days after the band were delighted to be announced as winners of the Folking Award for Best Live Act, joining winners in other categories such as Oysterband, Eliza Carthy, Ralph McTell and Kathryn Roberts & Sean Lakeman.

The single is available to download and stream from all the usual digital platforms.

Released: 8th June 2020

http://www.merryhell.co.uk

Related posts:

Leave It In The Ground’ – Merry Hell release climate call to action

DVD review: Merry Hell ‘A Year In The Life’

Album review: Merry Hell ‘Anthems To The Wind’

EP review: Merry Hell ‘Bury Me Naked’

EP review: Merry Hell ‘Come On England!’

Death of a glam icon – Steve Priest: 1948-2020

Steve Priest, bass-player with the Sweet and an icon of 70s glam rock has sadly passed away following an illness that hospitalised him in recent months.

In a emotional post on his band’s Facebook page, former band-mate Andy Scott paid tribute to the best bassist he ever worked with:

“Then there was one!

I am in pieces right now. Steve Priest has passed away. His wife Maureen and I have kept in contact and though his health was failing I never envisaged this moment. Never. My thoughts are with his family x.

He was the best bass player I ever played with. The noise we made as a band was so powerful. From that moment in the summer of 1970 when set off on our Musical Odyssey the world opened up and the rollercoaster ride started! He eventually followed his heart and moved to the USA. First New York then LA.

Rest in Peace brother. All my love.

Andy”

Steve Priest’s latter-day colleagues in Steve’s own US-based version of the Sweet broke the news on their Facebook page on behalf of Steve’s family:

“Dear Friends and Fans,

We have very sad news – Please see the below statement from Steve Priest’s family.”

Love,
Richie, Stevie, Mitch & Paulie…

“It is with a heavy heart that we announce at 8:25am PT today, Steve Priest, founding member of The Sweet, passed away. He is survived by his wife, Maureen, three daughters, Lisa, Danielle & Maggie and 3 grandchildren, Jordan, Jade & Hazel.”

Steve Priest’s death follows the deaths of vocalist Brian Connolly in 1997 and drummer Mick Tucker in 2002, leaving Andy Scott the sole surviving member of the band’s classic 70s lineup. When I interviewed Andy at the end of last year he talked about attempts to reunite the two for the band’s fiftieth anniversary but it was not to be. However, he did stress that the two kept in touch on a personal level and asked after one another’s health.

A phenomenal bass-player whose harmony vocals were an essential part of the band’s classic sound Steve Priest we salute you – a true glam rock icon.

Related posts:

Interview with Andy Scott

News: All change at The Sweet

Review: Sweet 50th anniversary concert – Berlin

The Sweet versus Bowie: the riff in Blockbuster and Jean Genie – origins and influences

Before glam: the debut 60s singles of Bowie, Bolan, Slade, Mud and Sweet

News: Honestly, Anywhere channel noughties emo vibes with four-minute pop punk roller-coaster

Honestly, Anywhere a four-piece emo pop punk band based in Suffolk release their debut single ‘Dead Friends’ on 1st June. Infectious and angst-ridden in equal amounts the band describe it as a four-minute roller-coaster of 00’s inspired pop punk deals that with themes of mental health and suicide.

Vocalist, Elliott, fills us in on the band and the single: “Honestly, Anywhere are a 4 piece pop punk band from the south of England. Channelling the vibes of 00’s emo culture, HA bring a sound similar to Blink-182 circa self titled with angsty lyrics, fast paced drums, dirty bass lines & punk fuelled guitars. The band are a reincarnation of 2007 pop punk band It’s Not Me, It’s You which disbanded in 2009 due to members pursuing other projects. After over 10 years of going back and forth and a new bassist, we decided to get back together, release some old music to a high standard and see what happens.”

Dead Friends band

Honestly, Anywhere are:

Jamie – Drums
Austin – Bass
Mark – Guitars
Elliott – Vocals

Dead Friends is released 1st June 2020

Dead Friends Artwork

https://www.facebook.com/HonestlyAnywhere/

Book review: ‘All Around My Hat – The Steeleye Span Story’ by John Van Der Kiste

In spite of the title and the very period-looking cover from the band’s mid -70s heyday ‘All Around My Hat’ is a very thoroughly researched, if somewhat concise, history of folk rock legends Steeleye Span that covers the band’s entire history from its formation at the tail-end of the 60s to the present day. Timed to coincide with Steeleye Span’s fiftieth anniversary it charts the story of the band through its many line-up fluctuations, extensive touring and recording history and the numerous challenges and opportunities that were thrown at its members along the way .

Although key stages of the band’s history were already pretty familiar to me (the band’s formative years and heyday period are covered extensively in Rob Young’s excellent ‘Electric Eden’, for example) there are other eras that I knew far less about. I definitely learnt a good deal about the band, particularly around the years when Gay Woods (who appeared with her husband Terry on the very first album) returned in the mid 90s and the subsequent intra-band tensions that arose and ultimately led to Maddy Prior’s departure, albeit a temporary one. There were even a couple of gigs where neither Woods nor Prior were with the band and remaining members Peter Knight and Tim Harries had to cast around for a temporary lead singer and temporary drummer to fulfil existing tour commitments.

And the title? Named after the band’s bestselling single John Van Der Kiste’s book very much demonstrates that rather than Top 20 hits and going on Top of The Pops being a weird fluke, getting folk music out of tiny folk clubs and on to big stages was always very much a driving vision for founder member Tim Hart. Even in the early days of his career, as one half of a duo with Maddy Prior, he felt the folk scene needed a shot of glamour, publicity and marketing.

Some of the key players past and present (Maddy Prior, Peter Knight, Martin Carthy et al) are interviewed for the book but other insights are taken from pre-existing interviews previously published elsewhere (including, for that matter an interview I did with Julian Littman for the Get Ready To Rock website).

Intelligent, well-researched and well-written, even though a good deal of the material comes from secondary sources Van Der Kiste does a fine job in pulling the various threads together and producing this timely history of a ground-breaking and much-loved band.

Published by Fonthill Media 5th December 2019

https://www.fonthill.media/products/all-around-my-hat-the-steeleye-span-story

ss cver 2

Related posts:

Interview with Maddy Prior

Interview with Julian Littman

Review: Steeleye Span at Hastings 2019

Review: Steeleye Span at Ashford 2019

Review: Steeleye Span at Hastings 2017

Review: Steeleye Span, London 2015

Review: Steeleye Span at New Forest Folk Festival 2014

 

News: ‘Leave It In The Ground’ Merry Hell release climate call to action

With an ecological theme ‘Leave It In The Ground’ is the brand new single from folk rockers Merry Hell, the first in a trilogy of digital singles to be released at three-weekly intervals.

“Leave It In The Ground was written by our fiddle player, Neil McCartney. Coming from a family with mining connections and growing up in an area with a long but declining mining tradition, he is well aware of both the human and environmental impacts of extracting fossil fuels. His song looks at the use of cleaner and safer energy as both a way forward and a means of honouring the sacrifices of the past.

Neil does have form as a songwriter, being responsible for ‘Home Again’ a top 3 hit for his old band – The Big Geraniums – in their native Ireland.

As is true of our previous releases, we are neither strident nor condemnatory. We do not preach,we seek to ask questions of ourselves and encourage others to do the same.

The new songs are strong and the messages are united. Let us look at our own behaviours and how we can make positive changes for the benefit of all, whilst we hold up the mirror of truth to those who place profits and gain above the common good.
We have decided to release the songs as The Hourglass Trilogy, reflecting the widely held belief that the time for action is now, hopefully before it is too late.

The series will also serve as a taster for our next album Emergency Lullabies, currently approaching completion.

There will also be a video accompanying each of the singles. The tracks and videos will be released individually, 3 weeks apart, as downloads or to stream because we felt that pressing a CD of only 3 songs would be counter to the ideas represented by this project.

We are not eco-warriors, we are not perfect, most of us have cars and we are all still learning how to be more thoughtful about our behaviour. However, whilst we recognise both our own actions and shortcomings, we applaud and salute those individuals and groups who, by their actions and words, inspire us to individual and collective action. Their bravery in the face of political and indeed physical threat on an industrial scale is an example to us all. We all know who they are, let us support them the best we can.

Finally, we applaud our own children, who are, in many cases, far more aware, active and engaged than we are and should have been.

Enjoy the music. Listen to the words, make up your own minds and let us all take the actions we believe to be right.”

Released: 18th May 2020

http://www.merryhell.co.uk

merry hell gif

Related posts:

DVD review: Merry Hell ‘A Year In The Life’

Album review: Merry Hell ‘Anthems To The Wind’

EP review: Merry Hell ‘Bury Me Naked’

EP review: Merry Hell ‘Come On England!’

Folk/world: album review – Reely Jiggered ‘Tricky Terrain’

Kate Bush with a Bhangra band and a Celtic fiddle player – if you asked me to give my first impressions of Tricky Terrain, the new album from Reely Jiggered, that’s pretty much what sprang to mind when I put it into the CD player .

Actually, as first impressions go that’s not too far out. With the soaring vocals and frenetic fiddle-playing of Royal Conservatoire of Scotland trained Alison McNeill and the band’s output inspired by both Scottish folk and World beats, they have managed to create a unique and irresistible fusion of folk, funk, rock, pop and jazz

Now releasing their third album they have headlined a number of festivals, both in Scotland and internationally, and are past winners of the Soundwave music competition. Joining Alison McNeill on vocals and fiddle are Fiona McNeill (guitar, bodhran, backing vocals) and Scott McLean (drums), with guest musicians Stuart Taylor (keys) and Gregor McPhie (bass).

ReelyJiggered_PR2

The rocking rhythms, furious fiddling and exquisite vocals aligned with those diverse beats make for an absolutely cracking album. The songs are great, too – whether it’s Alison McNeil’s own compositions exploring politics, mental health and international issues as well as the Scottish landscape and past history – or whether it’s the band’s modern take on ‘Auld Lang Syne’ which closes the album.

Fresh, vibrant and unique I’m immediately won over to ‘Reely Jiggered’ and Tricky Terrain is a superb album.

Released 1st May 2020

https://www.reelyjiggered.co.uk/

ReelyJiggered_PR1

 

Pop/orchestral/singer-songwriter: album review: Mike Batt ‘The Penultimate Collection’

Forever destined to be most closely associated with the Wombles and ‘Bright Eyes’, the Watership Down theme sung by Art Garfunkle, Mike Batt has an illustrious CV as a performer, arranger and composer and this 36-track, 2-disc album is an expansive career retrospective.

Not only does it include selections from his original solo material, it also includes Batt’s own recordings of hits he wrote for other artists. Along with his version of the aforementioned ‘Bright Eyes’ there’s also his own versions of ‘A Winters Tale’ (a 1983 hit for David Essex) and (I Feel Like Buddy Holly’ (a 1984 hit for Alvin Stardust) –  an ideal fit for Batt’s unmistakable vocal just as much as those who originally had hits with them.

‘Summertime City’, a hit for Batt under his own name and the theme to the BBC’s Seaside Special TV series in the seventies, also gets an airing – with Batt musing: “For many years, despite its success I looked back on it with embarrassment but now I am proud of it as a good, strong pop record. I insisted that Sony ‘delete it forever’ and the rights to the song reverted to me. So this is the first time (apart from the MB Music Cube) that it has been released since 1975.”

Batt’s Wombles days are not neglected either. ‘The Wombling Song’ an a couple of others are included but not, sadly, ‘Remember You’re A Womble’ – certainly one of my favourite hits of 1974 as an 8 year-old and surely the most splendid glam rock/folk rock mash-up of all time.

The rockier more upbeat side of Batt’s career, however, is represented by tracks like ‘Imbecile’ which features Family’s Roger Chapman on vocals as well as a beautifully unmissable solo from Rory Gallagher. Chapman also contributes vocals on another track, as does the Zombies’ Colin Blunstone whose trademark vocal graces ‘Tiger In The Night’.

An instinctive ear for a pop melody, a prolific orchestral composer and an instantly recognisable voice in his own right, Mike Batt has made a major contribution to British music over the past four decades and The Penultimate Collection is a worthy retrospective. Just why oh why was ‘Remember You’re a Womble’ missed off?

Released digitally on 8th May 2020 and in physical album format on 6th June 2020

mike batt lp

https://www.mikebatt.com/