Category Archives: Folk music

folk performers and music

A quick tour around my CD collection

Folk music, Music culture & history, Rock music, , ,

I obviously talk a great deal about my love of music in Darren’s Music Blog but I thought it might be an idea to give readers a quick tour of my actual CD collection.

Although I was a keen purchaser of vinyl in my mid to late teens during the first part of the 1980s, frequent house moves in my late teens and early 20s meant that the format was becoming a bit cumbersome. By the time the 1990s came along I was glad to embrace the CD and gradually began building up a collection. From just a handful of CDs thirty years ago it’s now grown to what it is today. They are not all new. Many have come from charity shops and second-hand record shops and record fairs. I’ve had a couple of bulk acquisitions, including when my father, a passionate life-long rock fan, unexpectedly died back in 2007.

The filing system

For many years I just used to keep my CDs in alphabetical order. When I had merely a couple of hundred it was the easiest way of finding what I wanted. But as my collection grew I found I spent more and more time browsing to decide what I fancied putting on. I rearranged everything into a rough and ready series of genres. Given my varied musical tastes this is particularly handy as it means I can browse through the shelves according to my mood, depending on whether I’m in a folk mood or a heavy metal mood or whatever.

A walk through the sections

From left to right the subdivisions for each genre (and there’s no particular reason for them being in this order) are as follows:

Folk and acoustic – lots of Fairport Convention and Steeleye Span plus numerous others artists spanning the late 50s folk revival and skiffle boom to the present day. The more mellow acoustic end of the singer-songwriter/Americana genre is also included here. It’s mainly all about me being able to browse according to mood so I certainly don’t get hung up on what constitutes ‘folk’.

Heavy metal – pretty self-explanatory and includes everything from AC/DC to Black Sabbath to Motorhead, plus a growing collection of ‘New Wave Of Classic Rock’ releases. Again, I don’t get hung up on precise definitions: if it’s loud with plenty of guitar solos I know I’ll find it in here.

50s rock and roll and traditional blues – from Chuck Berry to Little Richard and from B.B. King to Muddy Waters they are all kept together here. A nicely growing part of my collection and some great charity shop finds.

General rock and miscellaneous – this is basically my ‘everything else’ section for stuff that hasn’t been put into a special category of its own. It includes the likes of the Beach Boys, Santana and Status Quo along with anything from a genre that hasn’t got its own section. I’ve not got a reggae collection but do have a handful of CDs by the great Bob Marley. They go in here, along with Sandy Shaw and Dusty Springfield.

Prog – from the Moody Blues and Pink Floyd to Barclay James Harvest and Yes, it’s all in here.

Punk and New Wave – back in the day I never really bought much in the way of punk or new wave artists but over time and through lots of great charity shop purchases I’ve built up a nice little collection including Blondie, the Clash, the Stranglers et al.

We now head down the hallway and into the spare room where I’ve recently set up another set of matching second-hand Ikea shelving units. They are far from full at the moment so some of them are just used for DVD’s, notepads, and bits of pieces of home-office life until my collection grows. The first two units are full though and contains the following:

Brit-pop and Indie – Blur, James, the Las, Supergrass et al are all in here. I bought a handful of these CDs when they originally came out. I was an enthusiastic Supergrass fan from the get-go – but many I’ve been able to buy for next to nothing from charity shops as all the 40-somethings dispense with their CD collections and switch to digital or vinyl or whatever else the cool people buy these days.

Glam rock – anyone who has had more than a glance at this blog will be aware of my passion for all things glam. It’s not really my era. I was only six when the Sweet’s ‘Blockbuster’ and Slade’s ‘Cum On Feel The Noize’ came out but by my early teens I was absolutely hooked, courtesy of Slade’s early 80s revival and many second-hand discoveries at Preston’s Action Records. As well as Slade and Sweet there’s the Glitter Band, Hello, Mud, T. Rex et al all filed here.

Frequently asked questions

Where do you get your shelves from? The first few I bought brand new from Ikea. All the subsequent ones have been picked up second-hand to match. It’s as easy to buy second-hand Ikea CD shelves for next to nothing these days as it is to buy CDs.

How do you file your CDs within each genre? Alphabetically by artist surname or band name and in original release date order for each artist with any compilations at the end. However, I do also make use of a bit of pragmatic grouping if an artist who is mainly involved with a band also releases a solo album. Mick Jagger’s She’s The Boss is under ‘R’ for the Rolling Stones, for example, not ‘J’ for Jagger.

Why do you like CDs so much? Read this

Further reading:

The changing demographics behind charity shop CDs

In praise of the CD: Seven reasons why CDs are my favourite music format ever

Folk: album review – Christina Alden & Alex Patterson ‘Hunter’

Album reviews, Folk music, , , ,

Folk singer-songwriters and multi-instrumentalists, Christina Alden and Alex Patterson are a duo from Norwich who have been performing together about seven years now. Hunter is their debut album as a duo.

Once they got over the initial shock of an enforced hiatus from live performance, like many other artists the duo have been able to use their enforced downtime creatively, and this album Hunter is the result.

“Before the pandemic hit we had a full year of concerts booked throughout the UK and Europe. And like many other artists we saw those all fall away in a matter of weeks. This came as a big shock and was initially very hard to come to turns with; losing our work and our sense of identity. We wanted to channel our energy into something positive and so decided to record our debut duo album. We used our new found time and space to be creative; to write compose and develop music.”

“This album was made during the lockdowns of 2020/21 at home in The Folk Cellar on King Street, Norwich. Our house is in the middle of the city centre but the normally busy streets were quiet and so we were able to record everything at home. We have really enjoyed creating this album together; working on composition, returning to old instruments that had not been played for a while and revisiting fragments of song ideas written in old notebooks.”

Hunter is an impressive debut. With nine original songs and one arrangement of a traditional song (‘My Flower, My Companion and Me’) the duo demonstrate an instinctive ear for melody that’s both memorable and heart-warming, providing the perfect setting for Alden’s beautifully clear yet equally heart-warming vocals.

When I first began to play the opening song and title track ‘Hunter’ I did initially have a nagging feeling that it would be from that canon of traditional songs that are oh so beautifully written and sung but dwell on man’s strange obsession for chasing small furry animals for fun – but no! ‘Hunter’ is actually a lovely story of two normally solitary animals – the grey wolf and the brown bear – forming a magical and unlikely friendship. Many of the songs on this album celebrate the couple’s love of the natural world and their concern for its future – using that age old-gift of folk story-telling to convey a narrative that’s both charming and thought-provoking in equal measure.

Joining Alden (guitar, vocals, banjo) and Patterson (fiddle, vocals, viola, cello, tenor guitar and shruti box) is Calum McKennie on double bass. Patterson himself produces and Alden provides all the artwork.

Beautifully packaged with a hand-printed sleeve and illustrated booklet where the duo share information about the background and inspiration for the songs, Hunter really is a delightful album and well worth a punt.

Released: 7th May 2021

https://christinaaldenandalexpatterson.com/

News: ‘Underworld’ new video and single from folk-rock band Green Diesel – released 14th May 2021

Folk music, Music news, , , , , ,

‘Underworld’ is the new single from Kent-based folk-rock band Green Diesel. It’s released on 14th May ahead of a long-awaited new album scheduled for release this summer.

Written by new drummer, Paul Dadswell, ‘Underworld’ builds on the band’s signature trad folk sound. Showcasing the band’s vocal harmonies, the new single gives a flavour of what fans can expect from Green Diesel’s forthcoming album: all changing time signatures and lots of twelve-string guitars – inspired by spending far too long listening to early 1970s Genesis records, the band confess!

The song itself is inspired by Philip Glass’s celebrated soundtrack to the 1982 experimental film Koyaanisqatsi.

Reflecting on ‘Underworld’ the song’s writer Paul Dadswell comments: “When you have to choose between fantasy and reality, being born, or growing up, or moving past addiction. The moment of choice between living in the past and embracing the future.  Endlessly suspended between the familiar and the unknown.”

Hailing from Faversham in Kent, Green Diesel first emerged back in 2009, taking their inspiration from the depths of English folk lore and legend, and the classic folk-rock sound of their predecessors: Fairport Convention and The Albion Band. Blending violin, mandolin, dulcimer and accordion with electric guitars and drums, Green Diesel’s sound is born from a love of traditional English music and a desire to bring it to a modern audience.

Green Diesel’s three albums to date: Now Is The Time (2012), Wayfarers All (2014) and The Hangman’s Fee (2016) have all won praise from critics and fans alike for the quality of song-writing and musicianship and the band have been a popular draw at festivals, from Broadstairs Folk Week to Beverley Folk Festival.

Green Diesel are:

Ellen Care – lead vocals, violin

Paul Dadswell – drums

Matt Dear – lead guitar, vocals

Ben Holliday – bass

Greg Ireland – guitar, bouzouki, dulcimer, mandolin, keyboards, percussion, vocals

What they say:

“Green Diesel has skyrocketed into my top few bands” – FATEA

“Folk-rock in the grand manner” – R2 Magazine

“A band with roots deep in the native soil, playing their own electric interpretations of ancient English music” – Shindig!

“An established band simply getting better” – FolkWords

Underworld: released 14th May 2021

Website: http://greendieselfolk.com/

Facebook: https://www.facebook.com/greendieselfolk

Twitter: https://twitter.com/greendieselfolk

Related posts:

Green Diesel at The Albion, Hastings 2017

Green Diesel album review – Wayfarers All

Green Diesel at Lewisham 2016

This week’s featured artist: Matt Steady – new album ‘New Buryin’ Ground’ released 27th April

Album reviews, Folk music, Music news, , , , , , , , , ,

Matt Steady is a singer-songwriter from Leicester. His music is most closely identified with blues and folk but he pulls in a wide range of influences. Even within the confines of those two genres, however, he traverses a refreshingly broad spectrum: on the blues front going from the blistering electric variety to the mournful acoustic type and on the folk side there’s everything from contemporary singer-songwriter to Celtic soundscapes to traditional balladry. Classically-trained, Matt Steady is a highly talented and naturally expressive player, whether that’s guitar or violin, and he’s an evocative lyricist, too.

Steady has a brand new album out New Buryin’ Ground on 27th April. Prior to that though, he released a compilation album featuring highlights from his previous six albums which he launched with a very generous and fairly unique offer. If you fancy the album, you can order it online and he’ll send out the CD to you direct to your door absolutely free of charge.

The Echoes Remain is a very fine compendium of Matt Steady’s work – eleven tracks in all – and something I’m very pleased to now have in my CD collection.

What on earth possessed him to make it completely free of charge, though, I asked him:

MS: “I’m all about the win/win. This compilation album is a win for listeners and a win for me too! Firstly, as an independent artist, the main challenge I have is getting people to listen to my music. Our attention spans on social media are so short that posting up songs, no matter how good they are, is not a strategy that works particularly well. People are unlikely to stop scrolling to listen to a whole song from someone they’ve never heard of for sure! However the people who enjoy my eclectic style of music often still have CDs player, and often love listening to music in their cars or while working. It costs me very little to have CDs made these days, and with the postage paid for I’m not generally out of pocket on them. And actually any shortfall is made up by some generous folks who either leave a tip or buy an extra CD with it. So the win for the listener is obvious – a free CD delivered to their door; a menu of tracks from my other albums to introduce them to my music. And the win for me is that more people are listening to my music, more people are messaging me and having conversations with me, more people are discovering my other albums and enjoying those too. It’s a win/win for everyone!”

“And for those evolved people who don’t have CDs … it’s available as a free download as well. I don’t want to stop anyone from listening from lack of a piece of equipment. And for streamers, this compilation isn’t up on Spotify etc., but all my albums that the tracks come from are, so that’s a way of listening too.”

You can order your free CD here

Photo credit: Frank Roper Photography

I also asked Matt to tell us a little more about the new album that’s due to be released next week:

MS: “My new album is called New Buryin’ Ground, and this time rather than releasing it under my own name, it’s being released under the band name “The Grace Machine”. Alongside my vocals and guitar work, I am frankly astounded to have playing with me two very sought-after musicians – Terl Bryant on percussion and Matt Weeks on bass. I’ve been listening to their work since I was a teen (ahem that’s quite a long time ago now), and I’m still in shock that they wanted to form this band! The music itself is rocky gospel blues. Many of the tracks are interpreting old spirituals and slave songs, bringing them up to date for a modern audience. We owe so much of our musical lives and heritage to black music, crafted under such dire circumstances, and this album is a homage to those often unknown musicians. The album is full of joy and angst in equal measure, and I can only hope that we’ve done the songs justice.”

New Buryin’ Ground available from Matt Steady’s website here

Released 27th April 2021

Folk: album review – Honey and The Bear ‘Journey Through The Roke’

Album reviews, Folk music, , , , , , ,

Honey and The Bear are folk duo and singer-songwriters Lucy and Jon Hart. The Suffolk-based couple originally met at a song-writing event, began writing and performing together and spent several years touring the folk circuit before releasing their debut album Made in Aker, back in 2019.

Journey Though the Roke is the follow-up, ‘Roke being an old East Anglian word for the evening mist that rises from the region’s marshes and water meadows. As with so many other musicians these past twelve months, many of the songs on the album were conceived during lockdown. We are presented with eleven original songs as well as the duo’s adaptation of a traditional Irish ballad.

Of the former, the beauty of their Suffolk coastal landscape and richness of its history is at the core of many of the songs, from the jaunty ‘Freddie Cooper’ celebrating the heroics of the Aldeburgh lifeboat crew to the utterly haunting ‘The Hungry Sea’ that tells the story of Violet Jessop who incredibly survived the Olympic, Titanic and Britannic maritime disasters, before eventually dying in Great Ashfield, aged 83.

Of the latter, the one non-original song on the album is a tender version of ‘My Lagan Love’. It’s a song that has been performed by numerous artists from The Chieftains to Kate Bush but fans of Sandy Denny and Fairport Convention will also immediately recognise the tune given it was repurposed for Denny’s cover of Richard Farina’s ‘The Quiet Joys of Brotherhood. ‘My Lagan Love’ makes for a lovely addition to the album, laying down some deep folk roots amongst the new compositions.

The duo meld together a range of folk, Americana and pop influences to produce a sound that’s both original and creative and very easy on the ear. Lucy Hart has a clear, distinctive voice that’s perfectly suited to such a fusion of musical influences and husband Jon’s harmony vocals are also equally suited. Unusually for a duo, both play guitar, bazouki and double-bass and there’s quite a bit of toing and froing between the two of them across the dozen tracks as they swap instruments and show us what talented multi-instrumentalists each of them are.

As well as the duo themselves, Evan Carson, Archie Churchill-Moss, Graham Coe and Toby Shaer from Sam Kelly and The Lost Boys provide additional musical backing that’s every bit as captivating as their playing with The Lost Boys.

A beautiful and highly listenable album and a wonderful celebration of the East Anglian landscape and history from an extremely talented duo, Journey Through The Roke is highly recommended.

Released 23rd April 2021

Visit Honey and The Bear website here

Folk / Americana: album review – Wren ‘Pink Stone: Songs from Moose Lodge’

Album reviews, Folk music, , , , , , ,

Writer, artist and singer-songwriter, Laura Adrienne Brady, performs music under the name Wren. Pink Stone: Tales From Moose Lodge is Wren’s third album, inspired by a stay at a remote cabin in the woods at Methow Valley, Washington State, where she was invited to house-sit while recovering from a mysterious but debilitating illness.

The resulting album is a sumptuous ten-track journey through Americana-infused, Celtic-inspired folk. Wren’s pure, emotive voice, intimate lyrics and melancholic, rootsy playing – ably assisted by a talented bunch of guest musicians and additional layers of harmony vocals.

Wren says of her latest album:

“The years I was writing these songs were some of the loneliest years of my life, but they were also imbued with a palpable magic, and I’ve spent the period since obsessed with how to transport the listener to the warm cocoon of a cabin where I felt free to move at my own pace for the first time. Though I was often alone, I wasn’t unattached. My relationships merged with this greater experience of place and led to a collection of songs about the paradoxes of love and intimacy, where the land and the river often become other characters in the story.”

Pink Stone: Songs from Moose Lodge follows in the tradition of her two previous albums which were largely also inspired by a specific geographical place: her lifetime love of the Salish Sea, Canada, her year in Galicia, Spain and, now with her third album her journey to Washington’s Methow Valley.

The album was produced at Airtime Studios in Bloomington, Indiana by David Weber and features Jason Wilber (guitar), Krista Detor (piano, organ, accordion and harmony vocals and Gary Stroutsos (American Indian cedar flute).

To accompany the album, Wren has also published a 98-page Companion Book of essay vignettes, journal entries, illustrations, photos, and lyrics born from her time in the Methow.

Check out the album and embark on this emotive journey with her.

Released: 20th February 2021

wren-music.com

This weeks featured artist: singer-songwriter duo O’Neil & Jones – new single ‘Broken Shoes’

Folk music, Music news, , , , , , , ,

Manchester-based duo O’Neill & Jones have just released their second single. ‘Broken Shoes’ released on April 2nd follows debut single ‘No Excuse’ which secured airplay in both the UK and US when it was released back in February. The duo are Mat O’Neill and Sophie Jones.

Relatively new to the singer-songwriter scene they had previously been building up a rapport with audiences as an acoustic covers duo. Their own songs soak up folk, Americana and rock influences with a strong emphasis on sweeping harmonies and strong melodies.

Announcing the release of ‘Broken Shoes’ they say:

“This one is a gently upbeat, folky song about coming to the end of a long journey, The trails we take while we’re able, and the relationships that remain once we settle down. We had such a great time writing and recording her last month and couldn’t be happier to be releasing our second single!”

The years spent performing covers proved to be a useful primer in song arrangement, catchy hooks, they tell us, and not least lessons in how to grab the attention of the listener.

And if you’re impressed with their productions skills in putting together the video for ‘Broken Shoes’ they’ve also given us a sneak glimpse behind the scenes showing us how it all came about.

With an ear for catchy melodies, lovely harmonies and beautifully-crafted lyrics I suspect we’ll be hearing quite a bit more from O’Neill and Jones.

‘Broken Shoes’ released 2nd April 2021

https://www.oneillandjones.com/

This week’s featured artist: Hastings-based folk duo The Limbs of Romney

Album reviews, Folk music, Hastings music scene, , , , ,

The Limbs of Romney are a duo formed during lockdown by East Sussex musicians Andrew Myers and Chris Watkins. Although they are Hastings-based both have connections to Lancaster, where Myers is originally from. So, as a Hastings-based blogger also originally from Lancashire, this was bound to pique my interest.

The pair have just released a digital-only four-track EP Home to Shore.

Explaining how the duo came about, Andrew Myer explains:

“Chris and I met during one of the gaps between lockdowns. He literally knocked on my door one day and asked if I wanted to make music with him. Someone had told him I was a musician. We live in Hastings but we both have connections with Lancaster, where I’m originally from. So – we had a chat and started playing together. We immediately established a great rapport and working relationship. We write everything together, although Chris writes all the lyrics and so far has been responsible for the final mixes, laying up from the basic piano and guitar. We managed to play together regularly for a few weeks, then it was the second? third? lockdown and we had to resort to communicating by email and sending stuff backwards and forwards.”

The EP is very much inspired by tales of the sea. They weren’t trying to cash in on sea shanty craze, they are keen to assure me, as neither of them claim to be up to date enough with modern day culture to cash in on any new-fangled craze. The duo’s music is narrative folk very much driven by piano and guitar but they aren’t afraid to throw in some experimental touches, too, giving the EP a slightly ethereal, other-worldly quality. The maritime themes clearly provide a rich basis for the duo’s storytelling and down here in Hastings, of course, there’s no shortage of source material to provide inspiration.

“Our first effort ‘Home to Shore’ is a celebration of the sea – it’s three songs, with a ‘storm interlude’ which depicts a shipwreck. Chris likes to research a topic and base lyrics on that, so these songs are the fruit of many an hour spent at the Shipwreck museum in Hastings.”

All four tracks are available on YouTube here, as well as being available on Spotify.

And what next for The Limbs of Romney?

“Our current project is writing music for the ‘Town Explores A Book’ festival in St Leonards – all based on the life of Edward Lear. We should be getting some local exposure through the festival.”

Home to Shore is available on Spotify here

https://www.facebook.com/The-Limbs-of-Romney-100311922040915

Folk: album review – Various artists ‘Between Islands’

Album reviews, Folk music, , , , , ,

The Between Islands Project began life in 2014 with the aim of bringing together contemporary songwriters from Shetland, Orkney and the Hebrides and celebrate the rich musical heritage of those islands. In the years that followed a number of diverse individual projects emerged out of this, from joint song-writing ventures through to exhibitions, lectures, films and, of course, live performances.

Come 2020 and Covid was to throw a spanner in the works. Performances had been scheduled at both the Shetland Folk Festival and the Heb Celt festival in Stornaway but, undeterred, project co-ordinator Alex MacDonald sought to translate the project from the stage to the studio.

He explains: “As the project was based on live events, initially we were at a loss as to how it could be saved. Thankfully we were able to redesign what was planned, and this double CD contains both live work previously captured and a series of entirely new tracks recorded in lockdown.”

The result is a breath-taking thirty-track, two-disc collection showcasing some top-notch song-writing, exquisite singing  and inventive contemporary arrangements of traditional fiddle tunes.

The thirteen musicians featured are: Maggie Adamson. Louise Bichan, Williw Campbell, Kris Drever, Julie Fowlis, Neil Johnstone, Jenny Napier Keldie, Kathleen MacInnes, Linda MacLeod, Jane Hepburn MacMillan, Arthur Nicholson and Satfishforty.  

The ‘lockdown disc’ was created from sessions that paired up artists across the existing projects while also allowing the opportunity for entirely new remote collaborations and compositions. Consequently, the disc begins by introducing the Western Isles, Shetland and Orkney musicians respectively over the opening three tracks before going on to explore a range of other pairings. The ‘live disc’ meanwhile was something that had long been planned and features performances from both Orkney Folk Festival and the An Lanntair arts centre in Stornaway. A detailed twelve-page booklet accompanies the two discs.

When live events do, once more, become possible this lovingly-curated CD will undoubtedly ensure the reputation of the Between Islands project will be stronger than ever and their return to the stage warmly anticipated.

Released: 11t December 2020

www.betweenislands.com

Folk: album review – Ninebarrow ‘A Pocket Full of Acorns’

Album reviews, Folk music, , ,

Named after Nine Barrow Down in Dorset’s Purbeck hills, the English folk duo composed of Jon Whitley and Jay LaBouchardiere this month release their long-awaited fourth album A Pocket Full of Acorns.

Whatever unexpected challenges 2020 threw up for the music world it certainly provided many musicians with plenty of additional time for writing and recording. Ninebarrow were no exception, using the time to create the follow-up to 2018’s The Water And The Wild.

“It feels all the sweeter to be able to release this collection into the wild given all the detours we had to make in 2020,” says Whitley. “Our music will always be inspired by the incredible landscape and history of our native Dorset as well as our sense of home and belonging. But these days we can’t helped but be oved by the many changes happening to our planet and society – we hope this fourth studio album reflects that.”

With a mix of original song-writing, covers, traditional numbers and musical adaptations of classic poetry, the duo apply their trademark harmonies to produce eleven tracks of exquisite contemporary folk. Highlights include the haunting but utterly beautiful ‘Cold, Haily, Windy Night’ a song about migration inspired by the scenes of destitution at the Calais refugee camp.

The tempo is raised for an upbeat rendering of ‘John Barleycorn’ – just as you think you have enough versions of this in your collection they come along and do something different and suitably imaginative with that old homage to beer-making. The mood changes again for the rousing ‘Cry Unity’ inspired by William Barnes’ poem ‘The Dorset Rifleman’s Song’, its original fiery battlecry now re-purposed as a call for world peace and global understanding.

As well as the two vocalists’ sensitive, emotive harmonies Whitley’s equally sensitive piano playing is a prominent part of the overall sound. The duo are joined by band members Lee Mackenzie on cello, John Parker on double bass and Evan Carson on percussion, alongside Whitley, himself, on ukulele, guitar, mandola and reed organ.

Featuring the same original album artwork from Sarah Whitley, there is also a companion songbook available to go with the album, featuring lyrics, additional photography and inspirations behind the song choices.

A Pocket Full Of Acorns already promises to be one of the outstanding folk albums of 2021. Well worth the two-year wait.

Released: 5th March 2021

Online album launch: Saturday 13th March, 7pm at https://www.ninebarrow.co.uk/live

https://www.ninebarrow.co.uk/