Category Archives: Folk music

folk performers and music

News: ‘Leave It In The Ground’ Merry Hell release climate call to action

With an ecological theme ‘Leave It In The Ground’ is the brand new single from folk rockers Merry Hell, the first in a trilogy of digital singles to be released at three-weekly intervals.

“Leave It In The Ground was written by our fiddle player, Neil McCartney. Coming from a family with mining connections and growing up in an area with a long but declining mining tradition, he is well aware of both the human and environmental impacts of extracting fossil fuels. His song looks at the use of cleaner and safer energy as both a way forward and a means of honouring the sacrifices of the past.

Neil does have form as a songwriter, being responsible for ‘Home Again’ a top 3 hit for his old band – The Big Geraniums – in their native Ireland.

As is true of our previous releases, we are neither strident nor condemnatory. We do not preach,we seek to ask questions of ourselves and encourage others to do the same.

The new songs are strong and the messages are united. Let us look at our own behaviours and how we can make positive changes for the benefit of all, whilst we hold up the mirror of truth to those who place profits and gain above the common good.
We have decided to release the songs as The Hourglass Trilogy, reflecting the widely held belief that the time for action is now, hopefully before it is too late.

The series will also serve as a taster for our next album Emergency Lullabies, currently approaching completion.

There will also be a video accompanying each of the singles. The tracks and videos will be released individually, 3 weeks apart, as downloads or to stream because we felt that pressing a CD of only 3 songs would be counter to the ideas represented by this project.

We are not eco-warriors, we are not perfect, most of us have cars and we are all still learning how to be more thoughtful about our behaviour. However, whilst we recognise both our own actions and shortcomings, we applaud and salute those individuals and groups who, by their actions and words, inspire us to individual and collective action. Their bravery in the face of political and indeed physical threat on an industrial scale is an example to us all. We all know who they are, let us support them the best we can.

Finally, we applaud our own children, who are, in many cases, far more aware, active and engaged than we are and should have been.

Enjoy the music. Listen to the words, make up your own minds and let us all take the actions we believe to be right.”

Released: 18th May 2020

http://www.merryhell.co.uk

merry hell gif

Related posts:

DVD review: Merry Hell ‘A Year In The Life’

Album review: Merry Hell ‘Anthems To The Wind’

EP review: Merry Hell ‘Bury Me Naked’

EP review: Merry Hell ‘Come On England!’

Folk/world: album review – Reely Jiggered ‘Tricky Terrain’

Kate Bush with a Bhangra band and a Celtic fiddle player – if you asked me to give my first impressions of Tricky Terrain, the new album from Reely Jiggered, that’s pretty much what sprang to mind when I put it into the CD player .

Actually, as first impressions go that’s not too far out. With the soaring vocals and frenetic fiddle-playing of Royal Conservatoire of Scotland trained Alison McNeill and the band’s output inspired by both Scottish folk and World beats, they have managed to create a unique and irresistible fusion of folk, funk, rock, pop and jazz

Now releasing their third album they have headlined a number of festivals, both in Scotland and internationally, and are past winners of the Soundwave music competition. Joining Alison McNeill on vocals and fiddle are Fiona McNeill (guitar, bodhran, backing vocals) and Scott McLean (drums), with guest musicians Stuart Taylor (keys) and Gregor McPhie (bass).

ReelyJiggered_PR2

The rocking rhythms, furious fiddling and exquisite vocals aligned with those diverse beats make for an absolutely cracking album. The songs are great, too – whether it’s Alison McNeil’s own compositions exploring politics, mental health and international issues as well as the Scottish landscape and past history – or whether it’s the band’s modern take on ‘Auld Lang Syne’ which closes the album.

Fresh, vibrant and unique I’m immediately won over to ‘Reely Jiggered’ and Tricky Terrain is a superb album.

Released 1st May 2020

https://www.reelyjiggered.co.uk/

ReelyJiggered_PR1

 

Book review: ‘Seasons of Change – Busking England’ by Tom Kitching

When the EU referendum result didn’t go quite the way I wanted it my reaction was to consume excess amounts of alcohol and spend the next few weeks swearing at every news bulletin that came on. Fiddle player, Tom Kitching, however took a different and altogether more constructive approach. Realising that he didn’t know England half as well as thought he did, Kitching resolves to travel around the country, busking wherever he goes and writing a blog of his experiences. The blog eventually became this book. An accompanying album of tunes (reviewed here) was also recently released.

My initial assumption about a travelogue written by a folk musician is that it would be very much led by the music. We’d get a short history to a particular folk song or tune, some background info about how it was linked to a particular area and then a few modern-day observations of the place today to bring us up to date. But the book is not like that at all. Although busking is the focus of the trips, and the means by which he pays for his meals and accommodation each day, the book is ostensibly about people.

Some of the places he visits I know extremely well: Hastings where I live now, Deptford where I spent twenty-odd years and Hull where I spent some time in the 80s and where my partner’s parents still live – and I found his observations to be thoughtful and convincing. Other places he visits I am far less familiar with like Easington Colliery, West Bromwich and Bradford, the latter providing one of the most touching scenes in the book as a black family, some Asian kids and some white kids all start dancing in the street to Kitching’s fiddle-playing, the adults all chatting and shaking hands with one another. “If I’d been able to guarantee this sort of result to the arts council before I’d set off on my project I’d be arriving here in a solid gold Rolls Royce,” he notes.

He visits well-off villages and impoverished towns and is often insightful in his observations on failed regeneration schemes and deepening political neglect, yet at the same time pragmatically optimistic about how things could be different. There is some meanness from some of the people he comes across along the way, particularly in attitudes to those who are homeless and (along with buskers) are also trying to eke out an income on the streets. Overall, however, there’s a huge amount of warmth and some lovely conversations that are recounted.

Even if you have zero interest in folk music or fiddle-playing ‘Seasons of Change – Busking England’ is a fascinating and compelling read.

Published by Scratching Shed Publishing Ltd – 2020

Seasons -Of-Change-book

Related posts:

Tom Kitching – Seasons of Change – album review

Pilgrims’ Way – Stand and Deliver 

Gavin Davenport & Tom Kitching at Warwick Folk Festival

 

 

Folk: album review – Will Pound ‘A Day Will Come’

Whereas the European referendum result prompted Remain-voting fiddler, Tom Kitching to embark on a busking-journey across England which resulted in both an album (reviewed here) and a book, for similarly Remain-voting melodeon and harmonica player, Will Pound, the referendum helped inspire a quite different project.

An album dedicated “to all Europeans wherever you come from and whatever you believe in” the release features tunes from across the now twenty seven member states that make up the EU. Named after a famous speech by nineteenth-century writer, Victor Hugo, in pursuit of the dream of European co-operation and unity, this is not an album that shies away from wearing its heart on its sleeve, right down to the burgundy passport-coloured cover.

Comprising fourteen tracks, the twenty-seven countries featured are mostly paired up – so a Dutch sailing song, for example, forms a tune-set with a Spanish dance tune. It means we are taken on a breathlessly whirlwind tour of the continent with a huge array of tempos, styles and traditions – but the quality of playing and the inventiveness of the selections never lets up.

An Arts Council-backed project Pound is joined by some highly-acclaimed figures from the folk and wider music world. Those contributing include percussionist superstar Dame Evelyn Glennie, Scots Trad Music Awards winner Jenn Butterworth, Pilgrim’s Way’s Jude Rees (who also accompanies Kitching on his recently-released album) and German fiddler Guthrun Waither. There’s even some performance poetry in the shape of contributions from Birmingham-based, Polish slam poet Bohdan Piasecki.

Celebrating political and economic unity in the shape of cultural and historical diversity this is a lovely project with a fine message and some beautiful tunes. It makes for a nice companion piece to Tom Kitching’s recent Seasons of Change release.

Released: 8th May 2020

https://willpound.com/

will pound lp

News: ‘Fox and Hare’ the debut single from US indie-folk outfit the John Daniels Band

The John Daniels Band are a three-piece from Buffalo, New York and ‘Fox and Hare’ is their debut single. Playing together a few years now they’ve been honing their sound on the live circuit. They ask us to imagine if Neil Young, Lenny Kravitz and Pink Floyd got together to form a band – a blend of soul, psychedelia and amazing lyrics.

An album is due later this year, their signature style a union of indie, country and folk music. Comprised of John Verbocy, Drew Azzinaro, and Kevin Urso, who is also the band’s producer, they fuse acoustic and electric guitars with well timed percussion, creating dreamy soundscapes.

The band is the brainchild of frontman and lead songwriter Verbocy, whose raspy, warm vocals and emotional narratives are at the heart of the band. Being a two time cancer survivor, John has plenty of stories to tell and lots of emotion to share.

Asked to describe “Fox and Hare” John Verbocy tells Darren’s Music Blog: “We can recover from anything. It all starts with a thought and manifests into a reality.”

John Verbocy grew up listening to a broad range of musical influences. One day it would be Van Morrison and David Bowie, the next Paul Simon and Curtis Mayfield. “I am a total B-Side guy,” says John, “deep cuts of classic artists through and through.”

Drew Azzinaro met John in high school and they shared an affinity for music and weed, but they didn’t start making tunes together until they reunited again a few years ago. While looking for a band mate, they happened across Kevin Urso and the connection was immediate.

Kevin Urso is multi-talented artist that can claim singer, songwriter, multi-instrumentalist, record producer, and composer on his resume. He was the guitarist of BeArthur surrounding their album release Welcome To The Ongoing in 2006, and has since collaborated with it’s members on other projects, including Prime Mover by Rocco Of The Snow. In 2015, Kevin performed during Buffalo’s ‘Music Is Art’ festival in a piece called Life On Fire where his piano was set ablaze until it was rendered unplayable by the flames. He released his debut solo album, Goodbye, in 2018.

‘Fox and Hare’ by the John Daniels Band released 30th April 2020

https://johndanielsband.com/

John Daniels band pic

Singer-songwriter: album review – Tom Fairnie ‘Lightning in the Dark’

An Edinburgh-based singer-songwriter whose writing cuts across a number of styles, encompassing Americana, folk, country and blues – Tom Fairnie and has built up a considerable reputation on the Scottish folk circuit.

Over in Austin, Texas, Grammy-nominated producer, Merel Bregante, came across Fairnie’s music, was inspired by his songs and invited him over to Austin to record. Friends, family and fans rallied round to make that happen, courtesy of a crowdfunding campaign and a series of benefit gigs and Fairnie pitched up in Texas. In the studio he worked with a stellar cast of musicians who had previously played alongside the likes of Doc Watson, Bob Dylan, Johnny Cash, Willie Nelson and Jackson Browne. Lightning in the Dark is the result, an album of breathtaking Americana with Celtic influences shining through. It’s a delicious fusion of styles. Dobros and banjos nestle with whistles and pipes to create something both beautiful and extraordinary – Celticana as Bregante dubbed it.

The sound is special but so, too, are the songs. Fairnie’s gift as a songwriter and easy-going but thought-provoking lyrics, many of them composed with songwriting partner and fellow poet Bob Shields, make this a standout-out album.

An absolute gem of an album. If you love Americana seek out Tom Fairnie’s Lightning In The Dark. You will not be disappointed.

Released: 1st May 2020

https://tomfairnie.com/home-news

TomFairnie_PR1-scaled

Folk: album review – Tom Kitching ‘Seasons of Change’

Two years ago fiddle-player Tom Kitching, known for his work with Gren Bartley and for being part of Pilgrims’ Way, started a blog and announced he was going on a journey.

“The sense of not knowing my own country was brought home to me by the referendum result. Virtually all my friends voted to remain, but England as a whole had other ideas. Clearly, the English are a much more complex and varied group than the people around me,” he states in his very first post back in April 2018, adding that he was aiming to travel across England, busking in towns, villages, and cities each day.

Kitching’s travels continued for well over a year and the blog eventually morphed into a book. The busking, meanwhile, ended up turning into an album – which is precisely what we are reviewing here. Recorded as live in Danebridge Methodist Chapel, Staffordshire in December 2019, some eighteen months after his journey began, Seasons of Change brings together eleven tunes mixing traditional tunes with Kitching’s own material. Essentially, a mixture of tunes from his busking repertoire along with new compositions inspired by his round-England trip.

Past collaborator Marit Fält accompanies Kitching on Nordic mandola and cittern and Pilgrim’s Way bandmate Jude Rees also joins him on English border bagpipes.
With morris tunes, reels, jigs, polkas and hornpipes it’s a wonderfully varied set of tunes in terms of tempo and pace, not to mention geographical origin. The album takes us on a journey starting with ‘Old Molly Oxford’ right up to ‘Old Age and Young’ from John Offord’s ‘Bonny Cumberland’ tunebook. There’s even a peek over the channel with the final track. The old French tune ‘La Fanatique’ is paired with Kitching’s own ‘Infinite Espresso’ inspired by an incident in a dockers’ cafe in Harwich, which Kitching assures us in the sleeve-notes we need to buy the book if we want to find out the full story.

Beautifully played and absolutely fascinating in equal measure Tom Kitching has created a real delight with his Seasons of Change album. Now all I need to do is order the book…

Released: 17th April 2020

Book, blog and album all available via http://www.tomkitching.co.uk/

tom k

Related reviews:

Book review: ‘Seasons of Change – Busking England’ by Tom Kitching

Pilgrims’ Way – Stand and Deliver 

Gavin Davenport & Tom Kitching at Warwick Folk Festival

 

Singer-songwriter: album review – Thomas Charlie Pederson ‘Daylight Saving Hours’

Daylight Saving Hours is the second solo album from Thomas Charlie Pederson, lead singer and guitarist with Danish alt-rockers Vinyl Floor. Unlike the guitar-driven indie rock of Vinyl Floor, however, Pederson’s solo offering takes a mellow acoustic minimalistic approach, continuing in the vein of his first solo album Second Hand War released in 2016.

Recorded at the apartment of his brother (and Vinyl Floor’s drummer) Daniel, who also produced and mixed the album, Pederson states, “The project started out as demo recordings but I’ve decided to release these songs because I want to present them as raw as possible and because I want to preserve the feel of how they were written.”

The 14 songs on the album are centred mainly around Pederson’s vocals and either his piano playing or his acoustic guitar. For all it’s stripped back intimacy, however, the album does not lack polish, with Pederson’s brother providing some lovely atmospheric flourishes with additional string and organ arrangements. The result is an instinctively sympathetic backdrop to Pederson’s contemplative lyrics and melancholic delivery.

“Unlike the first album – which was quite introvert and personal – the new album sees me writing mostly about other people with a strong emphasis on the lyrics and melody and a few lyrical wordplays thrown in for good measure,” Pederson adds. “ I write about the commitments of love, illusionists, other worldly interference, melancholia, women in trouble and the different aspects of getting older.

Given my own music tastes I very much empathise with those musicians who enjoy exploring both their rock side and their acoustic side. An album of intimate lyrics and appealing melodies Thomas Charlie Pederson more than proves his worth as a singer-songwriter with Daylight Saving Hours.

Released by Karmanian Records 7th February 2020

daylight

https://www.facebook.com/thomascharliepedersenmusic/

Folk: album review – Adam Amos & Noel Rocks ‘Back Up To Zero’

Back Up To Zero is the third album from acoustic singer-songwriter duo Adam Amos & Noel Rocks. It comes after quite some gap since the first two though. Adam Amos and Noel Rocks recorded two albums together in the 1980s and toured around the UK and Europe. Their endeavours as a duo came to a premature end, however, when Amos relocated abroad. Two sell-out reunion shows at the Edinburgh Fringe in 2015 evidently encouraged them to rekindle their working partnership as a permanent set-up once more and they began working on Back Up To Zero in 2019, on Amos’s return to live in Scotland.

The album comprises eight original songs along with one traditional number and one cover. The duo (Amos guitar/vocals and Rocks guitar/banjo/vocals) say the songs are mainly drawn from their personal observations, with influences from Scotland, Ireland and North America.

amos garden-crop-framed

They are joined by a number of guest musicians: renowned Korean born Su-a Lee (Scottish Chamber Orchestra, Mr McFall’s Chamber, La Banda Europa) on cello, David Paton (Pilot, Elton John, Albert Hammond) on bass and Kenny Hutchison on accordion and piano, who was also the album’s producer.

Both Amos and Rocks are each accomplished song-writers and their reflective, thoughtful but easy-on-the-ear lyrics align nicely with some gentle, catchy melodies. The Americana as well as the Celtic influences shine through and it makes for a very pleasing mix. An engaging and likeable album from this duo let’s hope there’s a good few more gigs and a few more albums in them yet.

Released: 17th March 2020

https://www.amosandrocks.com/

amos rocks

Folk: album review – Kirsty Merryn ‘Our Bright Night’

After making quite an impact and scooping up tons of praise with her debut She & I, an album which paid tribute to inspirational women in history, Kirsty Merryn is back with a follow-up. In her own words Our Bright Night is about “tales of the supernatural, the dying of the light and the land.”

“It’s a reflection of the world we live in, both real and imagined, and the way in which ignorance to social issues can result in devastating results,” says Merryn.”After She & I I wanted yo strip everything back and make this album a more intimate affair.”

The result is a cool, classy album of contemporary folk with Merryn’s crystal clear vocals and gently captivating piano taking centre stage. There are guest appearances from Phil Beer who contributes violin on opening track ‘Twilight/Banks of Sweet Primroses’ and Sam Kelly whose vocals also grace a track ‘Shanklin Chine’.

The eleven tracks are mostly original material written in a folk vein but there are a couple of Merryn’s interpretations of traditional standards, too. Captivating vocals combined with intimate delivery and enigmatic songwriting makes Our Bright Night a worthy follow-up to Merryn’s well-received debut.

Released: 24th April 2020

https://www.kirstymerryn.com/

kirsty m