Tag Archives: Tim Yates

Blackbeard’s Tea Party at the New Cross Inn 11/10/15

Raucous sounds, catchy tunes, dark lyrics and a whole lot of fun, Blackbeard’s Tea Party have been making a splash on the folk scene for some time now.

As well as loud electric guitar from Martin Coumbe and pumping electric bass from Tim Yates, what really makes this folk act rock is the presence of powerful duel percussionists, Liam “Yom” Hardy and Dave Boston, making Blackbeards’s Tea Party kind of the folk world’s answer to the Glitter Band. Laura Boston-Barber provides spiky, tuneful fiddle playing throughout. Stuart Giddens on lead vocals and melodeon was not the original singer but he’s been with the band several years now and his vocal delivery and hyperactive stage presence have meant he’s truly made the role his own, such that it would be difficult imagining anyone else filling it.

They’ve got a new album to promote “Reprobates” – featuring songs about a range of characters who are all engaged in activities that are either “illegal, immoral or ungodly” explains Giddens with a fair degree of relish. It’s literally just out in time for this gig so we get to hear a a selection of new song, like album opener The Steam Arm Man – about a soldier who loses an arm at Waterloo, builds himself a replacement which unfortunately turns haunted and takes him on a murderous rampage.

We do get a few old crowd favourites as well, such as the sing-along-and-do-the-actions-Agadoo-style Chicken On a Raft (it’s based on an old saying about sailors’ rations I understand and not “Chicken in a Wrap” as numerous of my friends have innocently sung while watching the band.)

I was lucky enough to see Blackbeard’s Tea Party at Cropredy festival in 2014 where they absolutely stormed the place. But they are just as enjoyable up the road in my local, The New Cross Inn, where they also stormed the place. They gig extensively and are well worth catching.

http://www.blackbeardsteaparty.com/

2015-10-13 18.38.44

Previous review: Blackbeard’s Tea Party at Cropredy

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Nancy Kerr & Sweet Visitor Band at Cecil Sharp House 20/11/14

One of the most distinctive voices on one of the most significant folk collaborations of 2014, Nancy Kerr’s incredible song-writing and memorable performances on the Elizabethan Session have already made it a folk classic. And she does bring something unique to contemporary folk. No-one loves the pure, crystal clear vocals from the likes of Sandy Denny and Jacqui McShee more than me. They were always an intrinsic and essential feature of the late 60s folk revival in England and their influence rings out to this day. But as beautiful as those voices are, I’ve often wondered how many female vocalists in past centuries really went around delivering folk renditions in Received Pronunciation. Nancy Kerr, on the other hand, has a different vocal style altogether. Earthy and wonderfully expressive, with echoes of an old-time music hall singer thrown in, her voice is no less beautiful and utterly enthralling.

Tonight there is a good turnout for Kerr and her band in the main Kennedy Hall at Cecil Sharp House. The band begin with Never Ever Lay Them Down, the opening track from Kerr’s new album, Sweet Visitor. Described by the vocalist/fiddle-player as a song about city life and love in and age of austerity it is the perfect vehicle, not only for Kerr’s distinctive voice, but also for the rocked-out folk backing from her incredibly talented band. Joining Kerr on fiddle and lead vocals are James Fagan on guitar; Tom Wright on drums, electric and acoustic guitars; Tim Yates on double bass; and Rowan Rheingans on fiddle.

Other highlights tonight include Where Jacaranda’s Grow, Kerr’s reflection on the increasingly hysterical immigration debate in Australia whose lyrics, she noted with sadness, were now also equally relevant to Britain. She also gave us fabulous renditions of a couple of songs she was commissioned to write for the BBC ahead of the 2012 Games. The first, Apollo on the Docks, talks of the coming of the Olympics to the “banks of the Lea” and “Old Silvertown”. With its catchy melody and instantly memorable chorus, even though its subject matter is only a little over two years old, it sounds like it could have been written a hundred years ago and could well become a modern sing-along folk classic.

Kerr reflects warmly on her experiences as part of The Elizabethan Session earlier this year and one of the songs she performs from that tonight is the brilliant Broadside. Those expecting a carbon copy rendition of the original, however, are in for a surprise. This is very much the heavy metal version and Fagan lets rip on guitar. “Why try and compete with Martin Simpson?” he explains.

The band encore with Now Is The Time from the new album, a secular hymn for all those campaigning for a better world, with poignant harmony singing from the whole band. To experience such an illustrious band, talented singer and wonderful songs at Cecil Sharp House, the iconic home of English folk music, is a real delight. The main hall is in need of a bit of TLC these days (there is a restoration appeal) but when the house lights dim it provides a wonderfully atmospheric setting for a very memorable performance from Nancy Kerr and the Sweet Visitor Band.

http://nancykerr.co.uk/

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Related reviews: The Elizabethan Session and The Full English

Blackbeard’s Tea Party at Cropredy 9/8/14

Blackbeard’s Tea Party, a young band from York, play a fantastically lively kind of folk. Fun, loud and with bags of energy I’ve seen them go down particularly well as a late night attraction in far smaller venues. But how would they fare on a Saturday lunchtime playing to an audience of 20,000, which as lead vocalist, Stuart Giddens, told the crowd is at least ten times the size of anything they’ve played to before? Well, the Cropredy audience responded brilliantly and they went down a storm. Proof of that was the massive queue for the band’s CD signing session after their set, which snaked around the festival. And when the Tea Partiers over-ran their scheduled signing slot they, along with their queue of newly-enraptured fans, decamped to a spot by the bins where they carried on meeting, greeting and signing throughout the afternoon. Although they are now seasoned festival performers and this year played one of the small stages at Glastonbury, I hope that reaching this many people is the start of something bigger for them.

The combination of loud electric guitar and pumping bass lines, together with manic but beautiful fiddle sounds from Laura Boston-Barber, creates a hugely energetic brand of modern folk-rock. Stuart Giddens, who jumps up and down like the campest boy-band wannabe but has a commanding and powerful voice, is a perfect fit for the band. His vocals and his infectiously enthusiastic stage presence have really brought something to the band. They played a number of songs from their latest album, 2013’s “Whip Jamboree” as well as material from their two previous albums, recorded before Giddens joined. A particular favourite of mine was the traditional song, Landlord, an epic tale of drinking drunkenness, which for some bizarre reason I remember being taught at primary school and still remember all the words. Mid-70s education was so much fun at times.

A talented and hugely fun band with a great sound, Blackbeard’s Tea Party deserve to go far.

http://www.blackbeardsteaparty.com/index.php

2014-08-11 16.42.12