Tag Archives: Scarlet Rebels

Live review: Giants of Rock, Minehead 24-27 January 2020

Now into its seventh year the Giants of Rock weekend at Butlins’ Minehead resort has attracted a little bit of scepticism among regulars over the last year or two – namely how many of the acts appearing on the bill these days can really be considered genuine, bona fide rock giants. There’s some truth in this. Contrasting this year’s line-up with that of the first such weekend in 2014 there’s probably far fewer acts that your average not-completely-obsessed ordinary-joe rock fan would be able to instantly recognise by name. However, Butlins in January has become something of a diary fixture in recent years, there were certainly a number of bands that I was still keen to see, the camaraderie among Giants Of Rock regulars (from unofficial bingo to group photos to late night chalet parties) is second to none and my long-time Butlins’ chalet buddy was definitely up for going again.

And so, I found myself on my way to Minehead once again for another year.

My personal highlights of the weekend I can pretty much neatly divide into three main categories:

  • the classic era of classic rock – The Crazy World of Arthur Brown, Hawkwind et al
  • the New Wave of British Heavy Metal – Rock Goddess, Praying Mantis et al
  • and the New Wave of Classic Rock – Scarlet Rebels, Hollowstar et al

On the Friday night I finally got to see Arthur Brown perform ‘Fire’ in all its loopily eccentric over-the-top glory – even if Butlins’ health and safety requirements meant we got a sparkly glittery head-dress rather than actual flames. And on the Saturday night we got a magnificent mix of soulful blues and early Whitesnake classics from Bernie Marsden and a rumbling, rhythmic and suitably spaced-out set from Hawkwind. All three bona fide 100% rock giants in my book – no question.

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Something that’s been a bit of a feature of Giants of Rock over the years has been getting a former drummer along from a big-name band performing some form of tribute to his old band. Last year was the turn of Brian Downey (Thin Lizzy) and Chris Slade (AC/DC, Manfred Mann’s Earth Band and pretty much everyone else). Much as I love these guys these tribute-act-with-added-special-ingredient are perhaps stretching the concept of ‘giants’ a tad. This year was the turn of former Judas Priest drummer Les Binks. Unlike Downey’s tenure in Lizzy, Binks was only in the band for a couple of years 1977-79 and only played on two studio albums and the Unleashed In The East celebrated live album. And, quite properly, he doesn’t play any material the band released after he left – which cuts out a fair few Priest classics and many of my own particular favourites (like everything on British Steel, for example). But, boy, do this band know how to make the most of the hand they’ve been given. In Matt Young, Binks has found a front-man with an absolutely awesome voice who does the early Priest legacy proud. Les Binks’ Priesthood massively exceeded my expectations and were a real highlight. Giants? – well maybe not but certainly very fucking good.

On the NWOBHM front, Rock Goddess on the Saturday and Praying Mantis on the Sunday both delivered superb sets. Once again, Butlins’ ever-reliable last minute stand-ins Oliver/Dawson Saxon got a call at the eleventh hour. Given I wanted to enjoy the whole of Arthur Brown’s set it meant I only got to see the last half from Messrs Oliver and Dawson but they are always brilliantly entertaining and I was there for the irrepressible Brian Shaugnessy leading the crowd sing-along to ‘Wheels of Steel’ which is always one of the highlights of any weekend where they play. Unfortunately, I missed Diamond Head this time but given I’d seen them just a few weeks ago supporting Uriah Heep I plumped for Hawkwind on the other stage. Sadly, ex-Mamas Boys’ boy, Pat McManus, was another one I missed but by all accounts his late-night slot was one of the high-points of the weekend.

OD Saxon 2020

Even if the number of actual rock giants have been less conspicuous on the bill in recent years, one of the things that Butlins has achieved is giving a real boost to newer bands and the nascent ‘New Wave Of Classic Rock’ movement. Not only by giving slots for several bands each day on the Introducing Stage but by allowing punters to select three of them to come back on perform on the main stage the subsequent year. Sons of Liberty, and their eccentrically grizzled but thoroughly entertaining take on southern rock, were able to bag a main stage slot on the Friday night whereas the other two winners Hollowstar and Scarlet Rebels (formerly Void) had to content themselves with the 12-1pm ‘hangover slot’ on the Saturday and Sunday respectively. Both of them more pulled than it off as main stage acts, immediately generating rapport with the crowds, a suitably electric atmosphere and equally electrifying performances.

So, the giants quota may have gone down a bit – but in what was my sixth year here I was still seeing classic acts for the very first time, enjoying some familiar old favourites once again not to mention discovering some exciting new bands. Moreover, splitting the bill 50/50 with my chalet buddy, Elise, I ended up paying out what amounted to £44 per day all-in for my accommodation, meals and entertainment. As my late father used to say (a long-time devotee of their Rock & Blues weekends in Skegness) – it’s cheaper being at Butlins than staying at home…

Related reviews:

Giants of Rock 2019

Giants of Rock 2018

Giants of Rock 2017

Rock & Blues weekend, Skegness 2018

Live review: Giants of Rock, Minehead 25-28 January 2019

This was the sixth annual Giants of Rock weekend hosted by Butlins in Minehead – and my fifth. Here’s a small selection of bands that stood out for me this time, as well as one that I’m afraid just didn’t do it for me at all.

Worth seeing

Sometimes you want to see an artist, at least just the once, for the small part they played in rock ‘n’ roll history. For me, original Thin Lizzy guitarist, Eric Bell, was one of those names who fitted into that category. It meant missing the much-praised ‘New Wave Of Classic Rock’ band Ethyrfield on the other main stage, sadly, (but I made up for this by buying Ethyrfield’s CD from the merch stand later). Eric Bell gave us a run-through of rock ‘n’ roll and blues standards. It’s a little ragged in places but we’re soon into a rendition of ‘Whiskey In The Jar’ – a slightly different arrangement of the old folk song compared to Lizzy’s version that many of are used to but Bell’s unique guitar sound is unmistakable and this is basically what I came in to hear. Ironically, the drum-kit of Bell’s former band-mate, Brian Downey, sits unused behind Bell’s band because Downey’s own take on Thin Lizzy’s heritage, in the form of his Live & Dangerous tribute, was the next act. Anyone hoping for some form of cross-fertilisation between these two performances, however, would have been disappointed. There are no guest jam spots or even any acknowledgement that the two bands are in the same building on the same stage on the same evening. Compared to the revived Thin Lizzy of a few years ago (which ended up morphing into Black Star Riders) this is more faithful copy of classic-era Lizzy in conventional tribute act format. But Brian Downey has more than earned the right to perform and celebrate these songs as many times as he likes and the band get a good reception.

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Eric Bell http://www.eric-bell.com/

Ones to watch

Now performing under their new identity (but still down in the programme as VOiD due to them still using their old name when they were originally booked last year) Scarlet Rebels emerged as one of the stars of the introducing stage this year. “Unfortunately, there are about a million bands called Void and no-one could ever find us,” lead singer, Wayne Doyle, tells the crowd. I had caught these guys doing a support slot a year ago and what has not changed is their brand of classy, melodic hard rock which immediately impressed me first time around. Lead guitarist, Chris Jones, is an absolute live-wire on stage, injecting wave after wave of energy into the crowd with his soloing, while front-man, Doyle, has a great voice that’s just perfect for modern-day classic rock. Let’s hope any identity issues that the band suffered under their previous moniker are now firmly behind them and that Scarlet Rebels get the recognition they deserve. As one of the triumvirate of introducing stage winners over the three days they’ll be back at Butlins on one of the main stages next year. Thoroughly well deserved.

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Scarlet Rebels http://www.scarletrebels.com/

Surprise of the weekend

Playing only their second gig in 35 years (the first being at Skegness Butlins the week before) the newly-revived Geordie are one of the biggest surprises of the weekend. The band had a handful of hits in the mid 70s but are now best-known as the band that launched Brian Johnson’s career prior to him being tracked down by AC/DC in 1980. Original members Tom Hill (bass) and Brian Gibson (drums) are joined by Steve Dawson (guitar) and Mark Wright (vocals). Powerful, foghorn very Johnson-esque vocals from Wright with a very well-rehearsed band behind him served to breathe new life into some long-neglected songs. It was great to hear the likes of ‘Can You Do It’, ‘Don’t Do That’ and ‘All Because of You’ getting a live airing after all these years. I’ve seen numerous band revivals at weekends like this, sometimes on some really rather tenuous ground. I therefore approached this with a mixture of curiosity and cynicism but they massively, massively exceeded expectations. A real surprise. I was half-hoping that Geordie would encore with a cover of Back In Black or Rock n Roll Ain’t Noise Pollution as a cheeky little nod to the part they unwittingly played in rock ‘n’ roll history – but it wasn’t to be (Geordie – if you are reading this you should absolutely do it!). The job of delving into AC/DC’s back catalogue was instead left to the next act, Chris Slade’s Timeline when the current (and former) AC/DC drummer ran through a selection of classic songs from his various bands. For sheer impact and confounding expectations, however, the afternoon very much belonged to Geordie.

https://www.facebook.com/GeordieFanpage/

Old favourites

Sweet delivered a blistering set and hopefully gained a few more “oh, I just thought they were just a pop band I didn’t realise they were such a great rock band” converts in the process. However, I’ve written about this band many, many times before and readers of Darren’s music blog will be left in no doubt at all of my affection for all things Sweet. Instead, I’m going to give a mention to Oliver/Dawson Saxon. After they had both walked away from Biff Byford’s Saxon, guitarist, Graham Oliver, and bass player, Steve Dawson, got together and formed their own version of the band. Now I’m not saying Oliver Dawson Saxon are better than the actual continuing Saxon – but they are certainly more fun. With his on-stage patter, lead singer Brian Shaughnessy is more Wheeltappers and Shunters Social Club than Hallo Wembleyyyy  and cuts a hilarious and quite bonkers stage presence but he is an absolute dynamo of a vocalist. When it comes to belting out all those old Saxon classics there is always so much energy from this band and Minehead 2019 was no exception. There are no pretensions to be anything else with this performance. It’s just good old-fashioned New Wave Of British Heavy Metal played exactly the way it should be. The perfect party band to end the night with on a weekend like this. Oliver/Dawson Saxon we salute you.

http://www.odsrock.co.uk/

And one that just wasn’t for me

Paul Manzi had quite a busy weekend. He did an excellent job filling in as a temporary member of Sweet on the Saturday night due to Pete Lincoln’s absence and then he was back on the Sunday night fronting Cats In Space. There’s another Sweet connection, too, because former Sweet bass player, Jeff Brown, now carries out that very same role for Cats In Space. Like Sweet, harmony vocals and hook-laden melodies are in integral part of the band’s sound. Rather than the British glam rock era of the early 70s, however, this band very much take their cues from the American AOR/ power pop era of the early 80s, when albums were as shiny, polished and lavishly-produced as an episode of Dynasty. Unfortunately, as with that TV series it’s a genre of rock that simply leaves me cold. It’s clear that Cats In Space love what they are doing and they execute it with total professionalism. I really wanted to like them but three songs in I realise it’s never going to be. If the previous night was Sweet this, for me, was saccharine. I up and leave for the other stage. Raw, raunchy down to earth blues rock from guitar maestro, Rob Tognoni was the perfect antidote to what I’d just walked away from – and someone I look forward to seeing more of.

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Rob Tognoni https://www.robtognoni.com/

Related reviews:

Giants of Rock 2018

Giants of Rock 2017

Rock & Blues weekend, Skegness 2018